Showing 2368 items
matching lead
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Puffing Billy Railway
Leather belt splicer
Leather Splitter Used for splicing leather drive beltsHistoric - Leather working Equipment - Leather SplitterLeather belt splicer - Leather splicer made of Timber base with a steel wedge and leather lead in puffing billy, leather drive belt, splicer -
Tatura Irrigation & Wartime Camps Museum
Functional object - Compass, 1040's
School type compass with short black lead pencil attached. Marked in inches, 6" maximum.Inches 1 - 6. compass, school equipment, maths, camps, internees -
Stawell Historical Society Inc
Memorabilia - Realia, c1860's
Earthenware Crucible (Small) probably for gold smelting. Found on Banks Mining Dam Deep Leadstawell -
Stawell Historical Society Inc
Book, Diamond Drilling
Various Letters o Diamind Drilling in the Iron Bark Forest. Deep Lead 1988-1990 -
Stawell Historical Society Inc
Photograph, Set of leg irons
Photo of Set of Rusted leg irons found at Deep Lead. Estimated age 1860'scourt, police -
Whitehorse Historical Society Inc.
Pamphlet, From citizen to councillor Are you ready?, 1/12/1996 12:00:00 AM
A personally enriching experience awaits citizens who will lead and develop Victoria's system of local government.A personally enriching experience awaits citizens who will lead and develop Victoria's system of local government.A personally enriching experience awaits citizens who will lead and develop Victoria's system of local government.city of whitehorse, electoral rolls, local government elections -
Bendigo Historical Society Inc.
Geological specimen - AMY HUXTABLE COLLECTION: MINERAL COLLECTION
Fifty three mineral samples collected by Amy Huxtable. Samples in two plastic partitioned boxes. Samples were originally housed in poor conditions in matchbox inserts and placed on cotton wool. Existing labels, hand printed on tan card: Cerussite, crystalline ore of silver lead Galena, ore of silver lead, fine grained Galena, ore of silver lead, coarse grained Native copper, wave like form Malachite, copper carbonate, ore of copper Chalcopyrite, copper iron sulphide, ore of copper lead Malachite, copper carbonate, ore of coppermining, sampling, mineral samples -
Federation University Historical Collection
Book, Mines Department, Victoria, Deep Leads of Victoria, 1937
Charcoal green soft covered book of 64 pages. Contents include Ballarat, berry Consols, Canadian Lead, Castlemaine-Daylesford System, Chiltern, Duke of Cornwall Mine, Dyke's Freehold, Frenchman's Lead, Garibaldi Shaft, Glenfine, Guidlford, Hepburn Estate Co., Hepburn Home Paddock, Italian Gully, Henderson's Lead, Langi Logan, Leigh Consols, Sebastopol Plateau; Talbot, Woady Yalloak, A definition of a deep lead, formation of deep leads, water in deep leads, methods of deep lead mining (Tunnelling, Deep sinking, Chiltern method of working, Ballarat method of working), sampling washdirt and gravels, Balmoral, Mt William, Stawell, Moyston, Great Western, Ararat, Raglan, Wimmera Valley, Landsborough, Cardigan, Haddon, Beaufort, Waterloo, Avoca, Lamplough, Caralulup, Ballarat West, Ballarat, Smythesdale, Glenfine, Illabarook, Durham Lead, Morrison's Lead, Bullengarook, Berry-Moolort-Loddon System, Clunes, Creswick, Spring Hill, Bullarook, Castlemaine - Daylesford, Majorca, Carisbrook, Timor, Burnt Creek Tributary, Tarnagulla, Marong, Rheola, Inglewood, Huntly, Coliban, Campaspe, Goulburn Lead System, Ovens Valley System, Mitta Mitts, Kiewa Valley, Tarago, Tanjil, Moondarra, Bogong, Dargo High Plains, glossarymining, deep leads, mines department, squire, leigh consols, chiltern, duke of cornwall mine, dyke's freehold, frenchman's lead, garibaldi shaft, glenfine, guidlford, hepburn estate co., hepburn home paddock, italian gully, henderson's lead, langi logan, sebastopol plateau, talbot, woady yalloak, tunnelling, deep sinking, chiltern method of working, ballarat method of working, sampling washdirt. gravels, balmoral, mt william, stawell, moyston, great western, ararat, raglan, wimmera valley, landsborough, cardigan, haddon, beaufort, waterloo, avoca, lamplough, caralulup, ballarat west, ballarat, smythesdale, illabarook, durham lead, morrison's lead, bullengarook, berry-moolort-loddon system, clunes, creswick, spring hill, bullarook, castlemaine - daylesford, majorca, carisbrook, timor, burnt creek tributary, tarnagulla, marong, rheola, inglewood, huntly, coliban, campaspe, goulburn lead system, ovens valley system, mitta mitta, kiewa valley, tarago, tanjil, moondarra, bogong, dargo high plains -
Bendigo Military Museum
Album - ALBUM, PHOTOGRAPH, Army printing and stationary services, Third Battle of the Somme 1918, C.1918
A collection of photographs of the third battle of the Somme 1918 put out by the General Staff (Intelligence) Australian Corps..1) Album hard cover, brown coloured with library fabric on spine, black print on cover, 26 pages, sepia tone glossy photos bound into album, within album where 4 loose pages as below. .2) photograph and map sepia colour folded. .3)photograph, colour of “General Sir William Riddell Birdwood”. .4 ) .5) Monochrome prints of buildings on paper..4) .5) Handwritten in grey lead pencil, “ VG Sladden”albums, military history, the somme photography -
Bendigo Military Museum
Book - BOOK, EPITAPHS WW1, We Will Remember Them, AIF Epitaphs of World War I
We Will Remember Them, AIF Epitaphs of World War I. From back cover: No consolidated list of epitaphs exists but John and Hazelle Laffin have been collecting them from the graves themselves for decades. These inscriptions, in their great variety, present a picture of Australians of the period.Soft cardboard cover. Black, white & gold print on front, spine & back. On front cover background is a sepia photo of a soldier in uniform with his wife & 2 children. Smaller colour photo in foreground of a headstone. On back cover is a small colour photo of John & Hazelle Laffin. 158 pages, cut, plain, white. Illustrated black & white photos & hand drawn maps. Hand written notes in grey lead pencil on numerous pages.books-military-history, epitaphs ww1 -
Bendigo Military Museum
Photograph - PORTRAIT PHOTOGRAPH, FRAMED, Post WW1
Frame, ornate gilded timber & plastic frame with glass front. Photo, hand tinted in colour, portrait of a soldier in uniform. Handwritten in grey lead pencil on cardboard backing: B2100/2970photographs, framed, portraits ww1 -
Streatham and District Historical Society
Picture, Ronald Slater carting wool
Demonstrates the typical vehicle of the time of the picture. Demonstrated the mode of transport for agricultual goods.Shows the means of transport for agricultural goods in the period.Black and white rectangular picture. Featuring a early truck with tray. The truck is stacked with wool bales and is tide with thick rope. There is a dog curled up on top of the cabin of the truck. A male is leaning against the door with his thumb in his pants, smiling. On the bonnet of the truck the letter "P" can be seen.On back "Ron with the truck & a load of wool on" written in grey lead. -
Bendigo Historical Society Inc.
Booklet - The Universal Business Directory (UBD)
The Nineteenth Edition of the Bendigo and Districts Universal Business Directory, which is Section 3 of the Victorian Country Directory for 1969. The directory includes classified sections for Bendigo and surrounding towns, including Carisbrook, Castlemaine, Eppalock, Harcourt, Malmsbury, Maryborough, Newbridge, Raywood, Tooborac and Yapeen. It also includes an Eaglehawk Traders section, emergency phone numbers and maps of Bendigo, Castlemaine, Kangaroo Flat and Maryborough. The booklet is made of soft flimsy paper with black print and contains 51 pages.There is a grey lead scribble on back page between the '6' and '7'.bendigo businesses, bendigo maps, 1960s, bendigo business directory -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Shell Turtles x 2, Turtles
Made by Tom Hunter during WW2 in Papua New Guinea2 Turtles created from a large cowrie shell that is brown spotted. The large shell is connected to four smaller cowrie shells that act as the feet. Then another small shell to be the head. AUnreadable writing on the underbelly of the two turtles written in grey lead. -
Clunes Museum
Photograph
BLACK AND WHITE PHOTOGRAPH OF HOSPITAL WOOD CHOP - TEA BREAK.On reverse handwritten in lead pencil; Hospital Woodchop/George Rickardlocal history, photographs, hospital, hospital woodchop -
Friends of Westgarthtown
Book, exercise
Used by Alfred Ziebell at the Thomastown State Schoolpaper exercise book, lined into squares. Pencil arithmetic exercises completed on all pages, some with red pencil marks. 8 leaves.exercises done in lead pencil, 'Alfred Ziebell' on inside pagebooks, school/educational, arithmetic, exercise, maths, arthur ziebell -
Mont De Lancey
Domestic object - Baby Bottle, Felgrim, Early 20th C
The banana bottle is often referred to as the hygienic bottle, and is aptly named. It was the saviour of many hand reared babies in early 20th C. It's ease of cleaning was a major breakthrough in nursery hygiene. The basic design was around for about 50 years. It first made its appearance around the mid 1880's. The first true banana feeder with a teat and valve was invented in 1894 by Allen and Hanbury's. In the next 15 years the model was modified over a series of four slightly different models. In 1910 the final design, The Allenbury Feeder was to remain unchanged for the next 50 years.A clear glass Felgrim Banana bottle (valve and teat) for feeding babies by hand. The brand is stamped in large ornate lettering inside an oval shape on the wide front of the bottle. It has two open ends for attaching teats. 8oz measurements are marked on one side and 16 tablespoons on the other. 'Felgrim' brand and 'Made in England Free from arsenic and lead'baby bottles, baby equipment, babies, domestic objects -
Glenelg Shire Council Cultural Collection
Print, Sentinel, 1968
Art CollectionThe picture depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover) -
Flagstaff Hill Maritime Museum and Village
Functional object - Lead Ingots, circa 1878
History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. (See note section this document for Flagstaff Hills acquisition of the ingots.)The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Lead ingots (sometimes referred to as ‘lead ballast’ or ‘lead pigs), retrieved from the wreck of the LOCH ARD. Grey metal bars with flat base, rising in a curved moulded shape to form a smooth rounded upper face. The imprint of the maker runs along the upper surface in clearly legible capital lettering (height 3cm). The artefacts are stacked on wooden pallets and found in a number of locations at Flagstaff Hill Maritime Village. They are durable and heavy, with some dents and marine staining from their century of submersion, but generally in good condition. .Impressed into the top face “PONTIFEX & WOOD. LONDON”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lead pigs, lead ingots, lead ballast, pontifex and wood, london lead smelters, ingots -
Bendigo Military Museum
Journal - DIARY M. RULER, 1939-1943
Items in collection re B.J. Ruler VX40780, refer cat no 5790 for his service details. Grey rectangle booklet with 56 pages stapled in. Entries of activities written in black ink and grey lead.Front cover "The Democrat, Notebook, ruled faint"notebook, diary, b.j.ruler -
Flagstaff Hill Maritime Museum and Village
Tool - Auger, Mathieson, First half of the 20th Century
In 1792 John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also had employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker” In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. The 1851 census Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his fathers' name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764. Company's later years: Both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 took a rather different approach to engineering, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886. Prize medal The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages and other industries, both locally and far and wide.Ring Auger, Double Twist with Lead Screw, 1 1/8 inch bit with round shaft Stamped Mathiesonflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, auger, ring auger, ship building -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Natural coloured horsehair and red feathers decorating lead covering of shank of hook. No 'head'. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Horeshair, undyed, black and fawn, covering shank of hooks, lead 'head', painted black. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. Horsehair, undyed, black and fawn, covering shank of hook, lead 'head', painted blackfishing, travel, lure, recreation, sport -
Glenelg Shire Council Cultural Collection
Tool - Fishing Lure, c. 1970
Fishing lure. Horsehair, undyed, black and fawn, covering shank of hook, lead 'head', painted black. -
Glenelg Shire Council Cultural Collection
Tool - Fishing Lure, c. 1970
Fishing lure. Horsehair, undyed, black and fawn, covering shank of hook, lead 'head', painted black. -
Glenelg Shire Council Cultural Collection
Souvenir - Pencil - Commercial Bank of Australia, n.d
Black lead pencil, outside yellow with black print 'THE COMMERCIAL BANK OF AUSTRALIA LIMITED' 'SAVE WITH THE CBA'.souvenir, contemporary collecting -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Horsehair, undyed, black and fawn, covering shank of hook, lead 'head', painted black. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Orange rubber nymph covering hook lead 'head', painted black white eyes. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure, cream rubber nymph, split tail, lead 'head' painted white, black eyes.