AustraliaOil on board

AustralianOil on canvasSigned and dated

Australia 1913 - 1986Oil on boardSigned and dated

Australia 1913 - 1986Oil on boardSigned and dated l.l

Oil on boardSigned l.r

Oil on canvas

Oil on board Signed and dated

Australian 1915 - 2000Oil on canvasInitialled l.r Presented to Robert Smith in 2008 by the artist's daughter, Perpetua and son Michael, with appreciation and affection

Used in the maintenance of leather saddles and harnesses Circa 1900As imported and sold by Holden and FrostMetal container with handle and cork plug Superior Neats foot oilharness oil, equine

Used in the maintenance of equine equipment and other leather productsAs imported and sold by Holden and FrostGreen painted tin with conical pourer on top. Finger holder on one side of coneSuperior Neats Foot Oilleather dressing, neats foot, oil

Four NSWTD Railway marker Oil lamps at Nobelius Packing shed Item stamped numbers unknown Oil burning lamps have always been an important part of Australian railway signalling systems and have been used for communication, safety and lighting. It is called a marker lamp and was hung on rolling stock (carriages and wagons) such as the guard’s van to indicate the rear of the train at night. They were also used to indicate the rear of steam locomotive tenders for identification and safety purposes. This type of lamp was introduced to the railways around 1860 and continued to be used for over one hundred years. Oil lamps were phased out on the railways during the late 1960s and early 1970s, when they were replaced by battery lamps. Railway lighting included not only stations but yards, engines, rolling stock, signals, signal-boxes and crossings. There were a number of different types of lamps used for a variety of railway purposes. Historic - New South Wales Transport Department.- Railway Marker Oil LampFour NSWTD Railway marker Oil lamps made of metal and glass Railway lamp, paraffin, metal / glass / fabric, used for attaching to railway rolling stock to mark the end of the train, made by the New South Wales Transport Department, Sydney, New South Wales, Australia, 1870-1970 This lamp comprises a hollow cube of metal. One lens at the front transmits light from an interior light source. Fuel was either signal oil or kerosene. The burner inside the lamp used either cotton or felt wicks to create the light source. The lamp has a carry handle for carrying by hand and a bracket with a slot on the back for hanging onto the hook of a locomotive or item of rolling stock. It is marked "NSWTD" which stands for New South Wales Transport Department.NSWTDpuffing billy railway , pbr, four nswtd railway marker oil lamps

MEDIUM: Oil and acrylic on paper DESCRIPTION: Oil and acrylic painting, pink and blue No frameSigned and dated; proper left corner on underside of frame; signed, dated, titled on reverse of frameoil, evans, acrylic, sregnarts, jonathan, apple, paper

Thomas' pharmacy operated from Fairy Street in Warrnambool, initially from 90 fairy Street on the corner of Fairy and Koroit Streets then later moving to 140 Fairy Street on the corner of Fairy and Lava Streets. Mrs W L Hobson is noted as the pharmacist in the 1970's. Olive oil in the 1970's was used primarily to moisten and cleanse dry skin.It has also been used as a laxative. It is generally well tolerated and considered safe for skin care for babies. A commonly used product which has multiple uses.Clear glass bottle with long narrowed neck. White screw top and dusty blue and white paper label with black text. Small sticker on right side of label. Filled with olive oil. Thomas' Pharmacy Warrnambool Phone 622907 on sticker. Sigma Company Limited Melbourne Australia on bottom of label. 1270 and crown on the bottom of the bottle.thomas pharmacy, warrnambool, olive oil

I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection. Marine art, Maritime artKimberley Dunstan, Mission to Seafarers CollectionSmall rectangular oil painting (landscape format) depicting sailing shipsSigntaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brightonbicentennial, 1988, fleet, kim dunstan, kimberley dunstan