A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Phillip Island Premiership Football Team of 1951 Standing: Norm Evans, Russ Wilson (President), Charlie Stephens, Peter Grayden, Tom Adams, Arthur Luke, Barney Noonan, Bill Jones, Darryl Clarke, Jack Commerford, Alan Cleeland, Redda Claringbold, Jim Fowler, Jack McLardy (Trainer) Front row: Harry Wagner (Trainer) Jim Cleeland, Rob Watson, Roger Wagner, Des Cartwright, Bill Morrison (Captain), Bob Cartwright, Jim Niven, Harry Harris, George Regos, Artie Murdoch.local history, photography, photographs, phillip island football team 1951, black & white photograph, phillip island football club, cowes football club, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Manna Gum on Peter Forrest's property.local history, photography, manna gum tree, black & white photograph, trees, manna gum, koala food, peter forrest, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island The race in this photograph was the Australian Junior Tourist Trophy race over 75 miles/12 laps. The winner, Cec Weatherby received 20 pounds prize money and a sash. The race was run concurrectly with the Lightweight race, which was common back then. Peter Shannon's brother has the actual bike that came 3rd in that 1935 Lightweight race.Photograph of C. Weatherby leading other Motor Cyclists rounding "Tin Pot Corner" in a Motor Cycle Race in 1935. Corrections to the above given by Peter Shannon 2/11/2018. No. 11 was Don Bain actually leading the group, who came 3rd, No. 64 was Cec Weatherby who won the race and No. 25 was Ron Walters who came 4th. The Flyer was also given to us by Peter Shannon.local history, photography, motor cycle race, black & white photograph, sport, motor cycle racing, "tin pot corner", c weatherby, john jenner, bryant west

Photograph of 1966-67 1st XI premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, peter newton, david wilkinson, richard blaze, jim mcdermott, jeff graham, adrian cooke, ron coghill, alan graham, roger parker, jim young, paul white, brian stevens, jack gilbert, vin williams

This photograph was taken at the Mission to Seafarers, Melbourne. Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960. He is in this photograph, second from the left.Frank Leslie Oliver served as chaplain at the Mission to Seafarers Melbourne for 30 years from 1930 - 1960, including time served as chaplain with the Royal Australia Navy aboard HMAS Australia. He was a live-in chaplain and was supported by his entire family, including wife Moira, for whom a memorial window exists in the chapel.Black and white photograph of a group of eight men at the Mission to Seafarers. Frank Oliver is second on the left and along with the man on his right they are facing the other six men. Robin Kent stands second on the right. Only his face can be seen. Peter Smith is in the middle of the photograph, fourth from the left. There are at least two additional men in the background.On the back of the photograph are three names: Robin, Peter Smith, and 'dad' to signify who some of the men in the photograph are. There is also a number 4 in the top left corner.pipe, mission to seafarers, frank leslie oliver, robin kent, peter smith, billiard, snooker, memorial plaque, flinders street, melbourne, padre oliver, chaplains

The St Peter Chapel opened in 1917. Funding came primarily from the Ladies Harbour Lights Guild. The artwork "And the Lord turned and looked upon Peter" was donated by Mr R. Stewart Murray in 1940. The procession cross was donated by the Ballarat Branch of the Harbour Lights Guild in 1958 helping dating the photograph to post 1958.St Peter the Mariner's Chapel is ..... by the relationship with the Anglican Church. Although Black and white photograph with a white border, of the interior of Saint Peter the Mariner's Chapel. Central is the aisle with pews on either side. Midground and on the left side is the pulpit and an altar in the background. melbourne, mission-to-seafarers, altar, pulpit, pews, choir-stalls, reverend w.f. haire, walter richmond butler, jesus, st peter chapel, lectern, hymn board

This photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. The image also historically depicts the courtyard at the Mission to Seafarers Victoria from approximately the early 1950s.Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria for almost thirty years. The photograph shows the historical ties between the Mission and the Anglican Church towards the end of Oliver's chaplaincy in the 1950s. Standing in back row on the left is Rev Alex Crigan, Assistant Chaplain. Black and white photograph with a white border. Pictured are 18 men, 15 of which are wearing white collars of the church. They are positioned in two rows; the back row consists of ten men, the front row has eight men. All the men in the front row have their arms crossed, and many in the back row appear to have their arms behind their backs. The men are situated in the courtyard of the Mission to Seafarers Victoria, in front of the pillars with hanging vine leaves.In blue ink (written by Padre Oliver): On the top section of the white border in blue pen reads: "5", "3", "4". "6":, "7", "8", "9", "2". Whilst the lower line of the white border reads; "11", "12", "!", "!0". These number correspond to the names and numbers on the reverse side of the photograph. This reads: "1.Cyril Brown (Gen. / 2. Peter Smith (L/R - Melb.) / 3. Roberts (T.ville) / 4. Palmer (? Hobart) / 5. Alex Crigan (Melb) / 6. Bob Clarke (L/R . W'town) / 7. John Beaverstock (L/R Melb) / 8. Joe Forstes (Melb) / 9. Nichols, Vicar. H Trinity, Port Melb. (Late Chap, T'ville) / 10. Williams (Wellington) / 11. Max (Cowle), (Port Melbourne) / 12. F.L. Oliver (Melb.). Below this is a hand-drawn line that leads to the name "COWLE" melbourne, ties, men, williams, nichols, reverend, hobart, pillars, suits, courtyard, brickwork, chair, creeper, cyril-brown, peter-smith, roberts, palmer, townsville, williamson, vicar, h-trinity, port-melbourne, wellington, alex crigan, missio to seafarers, seamen's mission, mission to seamen, conference, flinders street, padre oliver, frank leslie oliver, anglican church, alec crigan, bob clarke, reverend c.j. brown, cyril j. brown, max cowle, john beaverstock, joe forster, chaplain conferences, chaplains group

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950. This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of Nilsson and Peter Stone on the M/S "Mongabarra" Goteborg from the U.S. to Australia in December 1950. The two men are undertaking ships duties pulling ropes on the deck of the ship.On the back of the photograph is the text "Nilsson & Peter 4/12/49" in blue pen and what looks like "K 9 B" in pencil upside-down.1950, ship, pulley, deck, rope, mongabarra, allan quinn collection, allan quinn, nillson stone, peter stone, railing

This register records every Anglican service held in the St Peter the Mariner's Chapel from 10 July 1960 through to 30 December 1988. It also records the date, time of service, name of the preacher, text used for sermon, approximate numbers in attendance and approximate numbers of communicants.The service register is one a series of similar registers, recording similar information. However, they represent a continuity of Anglican service throughout the lifespan of the Mission to Seafarers Victoria. This also shows the way in which the Mission has adhered to its core values as a religious organisation.White sticker on spine: "ST PETERS CHURCH/Service Register 1960 - 30/12198register, st peter chapel, mission to seafarers, seamen's mission, flinders street, melbourne, anglican church, reverend c.j. eldridge-doyle, chaplain

The Marriage Register lists Harold Priestley Simpson and Amy Dora Walker as the bride and groom, and the wedding date as 14th of February 1928. The photograph uses the personal Harry and Dora, instead of the formal Harold and Amy. In the Register, Amy started signing her name as Dora. before correcting it. The photograph shows that weddings took place at the Chapel during the late 1920's, and the style of weddings at the time. This includes the type of outfits worn, such as the length of the veil and the type of bouquet carried. Dora's Bridesmaids are depicted in 2 other images in the MTSV collection also an image of the chapel decked with flowers for the occasion. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."The photograph shows St. Peter chapel was being used for weddings in 1928. The Anglican church has been used for weddings since being finished in 1917. The Marriage Register shows that these weddings were legal in the Commonwealth of Australia, and lists Church of England as the denomination for this wedding. Miss Amy Dora Simpson (nee Walker) had a long association with the Mission, first as a young Volunteer with the Ladies Harbour Light Guild circa WW1, and through to her wedding in early 1928 and beyond. Square sepia, glossy photograph of a bride and groom, taken as they leave a building. Guests are throwing rice at the newlywed. The groom is turned towards the camera, while the bride is looking ahead, carrying a bouquet. There is a white border around top, bottom and left edges, the photograph seems to have been cut in half along the right edge.On the reverse: handwritten in blue pen JUST MARRIED!/DORA & HARRY/28/2/28. 618 is stamped in blue ink . (date is incorrect as wedding took place on 14/2/28)bride, wedding, groom, 1928, dora simpson, dora walker, st peter chapel, harry simpson, lhlg, flinders street, harold priestley simpson, valentine's day, amy dora walker, ladies harbour lights guild, mr and mrs a.w. walker, malvern, manning road, reverend j.r weller, molly walker, ella kendall, david simpson

The photograph depicts how the Mission entry looked at the time the photograph was taken circa 1920s. It shows that the Mission was used for formal occasions as well as showing a car model and clothing styles typical of the era. Wedding of Dora Walker , a member of the Ladies Harbour Lights Guild and Harry Simpson, 14 February 1928Dora Simpson nee Walker was a long time Lady from the Guild becoming the Honorary Secretary and being awarded an Order of the British EmpireBlack and white photograph taken outside the Mission to Seafarer's entrance. The photograph depicts a group of people surrounding a car. The photograph may have been taken at a wedding or similar function due to the formal wear of the mean and women.Reserve: manufacturer's inscription: FUJICOLOR CRYSTAL ARCHIVE / PAPERcar, entrance, wedding, lhlg, dora walker, harry simpson, dora simpson, 717 flinders street, mission to seafarers, seamen's mission, david simpson, 1928, marriages, st peter chapel, dora simpson nee walker

Photographs of the infant welfare and pre-school centre under construction at Petrie Park Montmorency. Builder Peter Graham.Photos by Peter Graham, former Shire of Eltham councillor.Three black and white photographs mounted on card, with pencilled insciption"Our Monty Kinder being built, 1961" and "Builder Peter Graham" in purple pencilpetrie park montmorency, kindergartens

"Essential guide to researching your family history online".430 p., paperback book, black & white illustrationsgenealogy, family history

An advertisement for Purdy's Furniture, Sherbourne Road Briar Hill. Peter Teagle was a major partner in the business.Newspaper clipping, black, brown and white text and image.purdys furniture briar hill, sherbourne road briar hill

Gary Partington with car rally trophy, and friends, 1961. Includes Peter Leaford, Bruce Kofoed, Keith Richards and Ken Carlon.Digital copy of black and white photographHand written captiongary partington

Port of Portland Authority archivesPhotograph of a woman packing cutlets of fish into cans on a stainless steel bench top. She is wearing a protective apron and white cloth protective hat.Back: This is a Peter Bage Photograph. When re-ordering please quote Negative No. GMISE. (l. right, ink stamp, grey) 11 LOIS COURT, EAST BENTLEIGH. PHONE 57-6869

Peter Ruston came to Australia in 1850. He worked as a carter, carting flour from the mill on the Plenty River near Janefield to the Greensborough area. He was one of the first bakers in the area. He married Martha Roberts in 1858. Peter and Martha's daughter, also Martha, married David Medhurst.Connections to pioneer families.Digital copy of black and white bereavement card.peter ruston, peter rustin

122 Main Road Lower Plenty, built by Stan Barnett 1928. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, stan barnett, 122 main road lower plenty

122 Main Road Lower Plenty; looking toward the Primary School with Caroline Barnett and son Alfred. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, 122 main road lower plenty, caroline barnett

Barnett family 1921 at the wedding of Leslie Barnett to Lily Rose. Left to right:: Elsie Barnett, Mr Brown, Dorothy Barnett, Leslie Barnett (groom), Lily Rose (bride), Kathy Barnett (rear), Jean (front), unknown male and female. Digital copy of black and white studio photograph. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white studio photograph.peter blackbourn, leslie barnett, lily rose, lily barnett

The Barnett family at 122 Main Road Lower Plenty. (Left to right, standing: Mick, Bill, Elsie, Ivy, Amile,Les,(Kneeling) Marg Barnett, Margaret Blackbourn, Margaret Barnett, Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, barnett family, 122 main road lower plenty

Members of the Barnett and Blackbourn families at rear of 122 Main Road Lower Plenty. On roof: Laurie Barnett. On ground left to right: Ferdinand Barnett, Ted and Jean Blackbourn, Myrtle, Marjory, Ivy Barnett. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, barnett family, blackbourn family

Marjory Barnett with Mrs and Mrs Rodd; taken at "Woodside, Bonds road 1940. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, marjory barnett, rodd family

Bartlett Splatt group: George William Splatt at rear in white shirt; Bartlett (Barl) Splatt seated far right. Others not named. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, henry bartlett splatt, george william splatt

Ivy Barnett taken at 122 Main Road Lower Plenty. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, ivy barnett, 122 main road lower plenty

Mrs Jane Finn (nee Stock), born Greensborough. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn. Digital copy of black and white studio photograph.peter blackbourn, jane stock finn

Jane Stock (later Mrs Finn),1908. Born Greensborough 1889. : Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white studio photograph.peter blackbourn, jane stock finn

John Blackbourn, born Greensborough Hospital 1936; taken at 122 Main Road Lower Plenty. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, john blackbourn