Found by Kerrie Estough at a market at Cecil Plains, Canberra. Contacted Keith Russell who donated on her behalf.Coloured pencil drawing/sketch of young lady with short blond hair, looking to her right. Blue and white frill top. Picture in cream frame and under glass.on bottom right of picture: Kurwin 1948 To Robyn from Kurt Winklerkurt winkler, kurwin, kerrie estough, cecil plains canberra, keith russell

Class group Cheltenham State School. John Allnutt boy second from right in front row. Became Shire President and Mayor of Moorabbin - Class VBlack and white image of a group of pupils Cheltenham State School, girls sitting and standing in rows to the left and boys sitting and standing to the right with male and female teachers on the leftPrinted in black text a round white sticker: 85 Handwritten in red ink 50%john allnutt, cheltenham, cheltenham state school, city of moorabbin, school

1. Left hand black AB Parade boot. 2. Right hand black AB Parade boot.Inside right hand boot 14. On underside of sole, MADE IN AUSTRALIA by K.B.F. - SYNTHETIC SOLE, LEATHER UPPER.passchendaele barracks trust, uniform item 94, black parade boots

Used in the 19th century. Pigs were often raised for meat for the family. The scraper was used to remove the bristles from the carcass.A curved metal straight bladed pig scraper used to remove the bristles from a pig's carcass. It has a hook on the top edge to remove the nails from the pig's trotters. It has a short wooden handle attached to the metal on the blade with three rivets. There are two slashers near the flail. On the left is the brand 'Pearson 2532' circa 1914 Made by F G Pearson & Co, Sheffield, Right side (est 1859) Right: brand is indistinct. Used in the 19th century.On the left is the brand 'Pearson 2532' circa 1914 Made by F G Pearson & Co, Sheffield, Right side (est 1859) Right: brand is indistinct.farm equipment, farm tools, pigs, farm

Frank Wright as a 19 year oldPostcard photo signed on lower right corner, Photo of Frank Wright holding a cornet.Frank Wright 2/8/1920 signed on lower right corner, and on back "Frank Wright 2nd August 1920 Aged 19 years "frank wright, cornet. brass band. 1920, trumpet

Valentine Series No. 1085. Panorama of Stawell. c1930 Tree on Right of photo taken from Big Hill. Businesses in Patrick Street Visible. Town Hall does not have Clock Tower. One postcard & one enlargement. Black & White Panorama of Stawell from Big Hill with 9 evenly spaced trees in foreground & large tree to the right, c 1920's.Valentine Series No. 1085 Panorama of Stawell.stawell, panorama, streetscape

Stanley Couzens, a Gunditjmara man and long-time Geelong resident, painted this story upon commission from the Geelong Wool Combing Company. It depicts hunting in the You Yangs, the distinctive granite peaks that overlook the region. In 1993, Couzens’ painting was translated into a pattern by textile designer Jenifer McMahon. It was then turned into a jumper using wool sourced entirely from the region. It was fully processed, from fleece to fabric, in Geelong. The jumper was given to attendees at the opening of the Geelong Wool Combing company on 10 December 1993. Among the many guests, was the Prime Minister Paul Keating. The painting was acquired with the permission of the Couzens family.Framed acrylic painting on board, showcasing the You Yangs mountain range, people, and local flora and fauna in warm earth tones. The painting is signed 'S. Couzens 93' in the bottom right hand corner. The painting is framed in a dark wooden frame.Bottom right corner - 'S. Couzens 93'you yangs, gunditjmara, aboriginal art, jenifer mcmahon, design, geelong wool combing company, jumper

Displayed at History House.Colour photograph of a bluestone building with enclosed verandah. Ivy grows on right-side wall. Step with white ballastrades lead to entrance at centre of porch. Attached to (masonite?) backing board.Front: Redmond Pearce (printed sticker, lower right). Back: (no inscriptions)

Alfred D'Alton is on the left of the photo and his cousin Charles is on the right .The D'Alton's had a keen interest in wildflowers, being heavily involved in the Halls Gap Wildflower Show.Two men dressed in working clothes,one is wearing a vest, the man on the right has braces on his trousers. They are standing beside a bush from which they have picked branches. ...........................................................................................................people, d'alton

Poppet heads and Government Dam later No2 Reservoir at centre of photo with Black Ranges in background. Stawell East State School on left, Wimmera Battery (also known as Cobb's Battery) on right of photo. 1878. Mr Chaponnel was an Engine Driver on the Battery. No2 West Scotchmans mine on left started in 1873No2 Reservoir in centre of photograph behind two prominent poppet heads. Black Range in right rear of photo. Victorian Views. C. Herbert, Photo. Stawell. 1878stawell mining

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Print shows an open book with the word ELIDE on the left hand page and a picture of a seated man framed by a circle on the right hand page. An engraving tool and wood block are in the foreground. Foliage protrudes from behind the book. W 90/31 in bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards

Provides a set of 60 questions with answers, generally Yes or No, about tramway operations, behaviour and general knowledge. Has in the top right-hand corner (part loose) to Engineer and Manager from the Manager Geelong branch a label with a date of 29/9/1947. Yield information and demonstrates a SEC training document.Document - 6 foolscap carbon copy sheets, partly glued in top left hand corner.On top right hand corner a label - part torn off.secv, trams, tramways, sec, training, drivers, conductors, behaviour

Note by T.H. Kneen 19 November 1991, "View of house from croquet lawn flanked by elm, Cupressus sempervirens on left and Cupressus spp. On right. Note wheelbarrow with gardening tools and watering can." (Also see B91.11.)Black and white photograph. Probably 1919. View of house from croquet lawn flanked by trees. On right, wheelbarrow with gardening tools and watering can.elm, trees, wheelbarrow, gardening tools, watering can, croquet lawn, principal's residence, cupressus sempervirens, cupressus spp.

WW2 Internment Camp 1, Tatura. Army staff and Nursing staff. Camp 1 Tatura, Sister Beatrice Moore on left, Colonel Tackeberry, OIC and Sister Melrose on right. Foam backed copy in file.Black and white photograph of 2 nursing sisters standing each side of a man in officers uniform. Fence post to right of photograph. Trees in distant background.a.a.n.s., sister moore, sister melrose, colonel tackeberry, internement camps, army staff

Upper Main Street looking East. Poppet Heads in Background. Oriental Bank second on left then Quartz Reef Timber Yards. Intersection is Layzell St Main Street. Advertiser Office on right in front of Earlier Mechanics Institute. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. View of the top end of Main Street 1866 with the Commercial Hotel in the left foreground. On the right is the Advertiser Newspaper office an Ararat newspaper before one was started in Stawell. The building on the right with the ladder in front was the Mechanics Institute later burned down twice. Upper Main street with Poppet Heads in the background, the Oriental Bank second on left & then Quartz Reef Timber Yard 1867. Lots of people and wagons in street. Advertiser Office on right and earlier Mechanics Institute with ladder at front.Upper Main Street Reefs 1867stawell mining streetscape

Photograph taken 13 February 1943. Back row (left to right): V Corinti, Gio Moruzzi, M Gazzi, B Rabaiotti, Gio Lusardi, G Barovero. Front row: L Fulgoini, G Rozzi, P Barbuti, M Rabaiotti.Black and white photograph of 10 Italian internees, 4 seated, standing in front of a corrugated iron building. The number 169 front right.v corinti, gio moruzzi, m gazzi, b rabaiotti, gio lusardi, g barovera, l fulgoini, g rozzi, p barbuti, m rabaiotti, tatura internment camp, italian internees ww2

Photograph was taken on the 10 March 1945 of two family groups of German internees at no 3 camp Tatura Victoria. Back row (left to right): Helga Girschik, Rudolf Girschik, Lothar Streker and Daniel Streker. Front row (left to right): Peter Girschik (standing), Elfriede Girschik holding baby Herbert, Elisabeth Streker and Liselotte Streker. AWM number 030245/04Black and white photograph 3 men and a girl standing behind a boy standing and 3 ladies sitting. Lady on left is holding a baby. Tree stump to right of photograph with a tree behind the men and barracks behind that. 818 in front of ladiescamp 3 tatura, helga girschik, rudolf girschik, lothar streker, daniel streker, peter girschik, elfriede girschik, herbert girschik, elisabeth streker, liselotte streker, german internees ww2, 030245/04

This spoon rest is a souvenir item for tourists to purchase. It is a souvenir of the presence of Southern Right whales at Logans Beach, a few kilometres from Warrnambool’s Central Business District. Each year Southern Right whales have been migrating from sub-Antarctic waters to the east coast of Australia during the winter months. Some whales have been coming each year from approximately May to October (since the 1980s) to have their calves at Logans Beach near Warrnambool. This area is now known as Warrnambool’s Southern Right Nursery. The whales calve about every three years and stay in the local waters along with other whales for about three months and over the past thirty years or so over 100 calves have been born at Logans Beach. The whales are now a winter tourist attraction (if an unpredictable one) as they can be viewed from a raised purpose-built platform area and they are often very close to the shore.This spoon rest is of interest as it is a souvenir of the Southern Right Whale Nursery at Logans Beach, Warrnambool and it has a practical use in the kitchen. It indicates the popularity of whale-viewing at Logans Beach and the importance of the presence of the whales, both scientifically and economically as the annual whale migration to our waters is now a vital aspect of tourism in Warrnambool. This is a Warrnambool souvenir cream-coloured china spoon rest in the shape of a whale or fish. It has a hole at the top for hanging the item on a hook and the printed material is in black and includes a sketch of a mother whale and calf. It has the distributor’s name on the back in yellow writing with an outline of a map of Victoria with a dot to show the location of Warrnambool.‘Southern Right Whale Nursery, Warrnambool’ ‘Lady Bay Creations, Warrnambool, Australia’ southern right whales, warrnambool’s southern right whale nursery, history of warrnambool

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 12 of Photograph Album including three black and white photographs. The photos are in a portrait orientation and arranged diagonally across the page from top left to bottom right.Handwritten: "Myoora" 405 Alma Road[top right] /12 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs

Hill's Dairy, Canterbury Road, Ringwood 1989- Inside the barn. Note the rough roof supports and sparse construction. The cows' feed mangers are on the right.Inside the barn./ Note the rough roof supports and sparse construction. / The cows' feed mangers are on the right.

The black and white photograph depicts the Lady Bay Lighthouse Complex at Flagstaff Hill, Warrnambool. It was opened on this site in 1871. From left to right, the Chartroom (previously named the Store), Upper Lighthouse, Flagstaff, Lighthouse Keeper's Quarters. The bluestone buildings are facing North on Merri Street. The Harbour Pilot's Lodgings were on the east of the Complex. There are two unknown male figures standing in front of the light-coloured picket fence that encompasses the Complex. The photograph is mounted on card. WARRNAMBOOL'S LADY BAY LIGHTHOUSES In the 1800s ships sailing from England to Australia began to use Bass Strait as a faster route to Melbourne. Small navigation errors led to many tragic shipwrecks. From 1848 lighthouses were operating along Victoria’s southern coast as a guide for sailors. Coastal towns such as Warrnambool grew and the exchange of trade and passengers was of great benefit. However, the uncertain weather changes, relatively shallow waters and treacherous, hidden rocky reefs were not really suitable for a Harbour and in the 1840s and 1850s, there were many shipwrecks in the area, with some even stranded in its Lady Bay harbour. A jetty was built in 1850 and a flagstaff to guide seafarers was placed up high on what became known now as Flagstaff Hill. In November 1857 the Victorian Government recommended that Warrnambool Harbour had beacons and two lighthouses to guide vessels into and out of the Harbour safely. The white light of the Middle Island lighthouse was to be used for the first time on September 1, 1859. The red light of the Beach Lighthouse, a wooden obelisk structure, was first operated on March 25, 1860, but in 1868 this light was ‘discontinued’ due to it being too low. Melbourne’s Department of Public Works decided to relocate the Middle Island Lighthouse Complex - Lighthouse, Keeper’s Quarters, Privy, Store Room and even water tanks - to Flagstaff Hill. The lower obelisk was shortened, and a protruding gallery, railing, and external ladder were added, and the light from the Beach Lighthouse. A green guiding light was erected on the end of the jetty. The transfer of the Complex began in March 1871. Each shaped stone of the lighthouse was carefully numbered, removed then reassembled on Flagstaff Hill. In 1872 the well was sunk behind the Lighthouse Keeper’s Cottage. The Keepers and families had left Middle Island in April and moved to Flagstaff Hill in October 1871. Vessels entering Lady Bay align the Upper and Lower Lighthouse towers during the day and the lights at night. The Upper Lighthouse is a round tower, and the Lower Light is square. The Lighthouses were categorised as harbour lights rather than coastal lights, so they remain under the control of the Victorian Government’s Ports and Harbours section. The lights were originally powered by oil, then acetylene gas, later by electricity, and then converted to solar power in 1988. In 1993 the solar panel was replaced by a battery charger. A decision was made in 1936 to replace the lighthouses’ lights with unattended lights that no longer required Keepers and Assistants. At least 29 Keepers had attended to the lighthouse from its opening in 1859 to when the last official Lightkeepers left In April 1916. The Warrnambool Harbour Board rented out the Quarters from 1916 to 1936. The Board closed down but the rentals continued with other unknown landlords. In the 1970s the Flagstaff Hill Planning Board was set up under the chairmanship of John Lindsay. The Board was to make recommendations to the Warrnambool City Council regarding using the buildings and the rest of the Crown Land on the site. The Flagstaff Hill Maritime Village opened in 1975 and began renovating the Cottage in stages, during which time evidence of a 1920s fire was found in the eastern section of the cottage. Additions of a porch on the west and a washroom on the east were made in the 1980s. The western part of the building is now a Shipwreck Museum and the east has returned to a late 19th-century Lighthouse Keeper’s cottage and includes the screen made by Assistant Lighthouse Keeper Thomas Hope in the late 19th century. He served as Assistant Keeper in Warrnambool for two periods.The Warrnambool Lighthouse Complex is now listed on the Victorian Heritage Register, H1520, for being of historical, scientific (technological) and architectural significance to the State of Victoria. The Complex is significant as an example of early colonial development. The buildings are significant for their connection with the important navigational function of the Lighthouses, a function still being performed to this day. The buildings are also significant as an example of structures designed and works carried out by the Public Works Department in Victoria in the mid-to-late 19th century. The structures still stand strong. Photograph; Warrnambool Lighthouse Keeper's cottage, lighthouse, flagstaff and chartroom at Flagstaff Hill, and a light-coloured picket fence with gate. Two male figures are in front of the fence. Black and white print glued to a yellow card. The inscription is indecipherable. The right side of the cottage has a built-in, enclosed addition.Ink stamped in lower right hand corner, too faded to be legible.flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warrnambool, maritime museum, shipwreck coast, lighthouse keeper's cottage, lighthouse residence, lighthouse, chart room, quarters, privy, middle island, beach lighthouse, obelisk, lighthouse complex, lady bay complex, warrnambool port, warrnambool harbour, lady bay, keepers, lighthouse keeper, upper lighthouse, lower lighthouse, assistant keeper, ports and harbours, cottage

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

Jacket, Khaki colour, wool serge fabric. Battle dress style. Metal buttons with shank with split ring or safety pin. Buttons have raised emblem and letters -"LONDON ENGLAND" - appear to be British. Two buttons missing. Collar, shoulder epaulettes, four front pockets with button down flaps. White cotton fabric pocket lining. Two rank insignia top of sleeves, three stripes - Sergeant. Lower right sleeve, three chevrons; denotes overseas service. Right pocket lining - handwritten writing.Right pocket lining - handwritten black ink - writing illegible.uniform, army, battle dress, ww1

This is a photo of the Comfort Station at the Halls Gap Camping Reserve. The Camp Kitchen (see record 375) can be seen in the right, rear of the photo .The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows alond the front. There is bush in the background and a smaller stone building can be seen at the right rear. "...or Series No. 8. Comfort Station, Camping Reserve, Hall's Gap, Grampians, Vic." on bottom of postcard.buildings, comfort stations

Huttley - Martin FamilyB/W. 3 Suited Men 2 in hats, 2 Woman, i on left 1 behind man on right over left shoulderon reverse Lorna Cleland ( Nee Huttley) & Alfred Huttley, behind on right Harry Martin ( Lorna's Unclehuttley, martin