Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Linocut printSigned and dated 'Narelle Oliver '99' in lower right under printed image. Edition A/P, lower left under printed image. 'from 'Sand Swimmers" - written lower right corner of page.

Petrus SPRONK (1939- ) Born Netherlands, arrived Australia 1957. After arriving in Australia Petrus Spronk studied at the South Australian School of Art, majoring in ceramics and sculpture. After teaching and working in Western Australia he started working at the Ballarat College of Advanced Education in the late 1980s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Blackware potart, artwork, petrus spronk, spronk, blackware, ceramics, burnished

xii, 158, [1] p. folded leaf of plate : ill., maps, ports. ; 25 cm. non-fictionSeeds of a settlement : a perspective of Port Fairy in the second half of the nineteenth century through the surviving buildings and their inhabitants / Marten A. Symeport fairy (vic.) -- history, book, history, biography, port fairy, residents, buildings

37 pages of text with cardboard covernon-fictionBackground and overview of the establishment and work of the Association for the Blindassociation for the blind, association for the advancement of the blind

1. "Drive (After) from P.R.I" Feb 67. 2-5. Students learning how to use a machine in the Orchard, 6, 7.Former Nursery, 8. Garden view. Mar 67. 9-14. Emily Gibson beds. Jun 67. 15, 19,26, 27. Plant Research Institute. "June.5.1967" 16, 17. Pruning Day 1`967. 18.Unidentified development on Campus Jul 67. 20. "Nangiloc - Fixed Sprinkler Rock Melons" Oct 67. 22. Yarra River.24. Former Rose garden (now Herbaceous Border.) 28-35 Wilson's Promontory.students, machine, garden views, campus, entrance, plant research institute, old rose garden, nursery, nangiloc, fixed sprinkler, rock melons, wilson's promontory, seed testing station, pruning day, emily gibson beds

Australian 1919 - 2001Lithograph156/300

Photocopy of a page of photographs from "The Weekly Times" July 20, 1940. A variety of activities. the weekly times, burnley horticultural college, p trevaskis, cynthia allen, hilda kirkhope, s kirby, plant potting, liliums, ploughing, pruning roses, a w jessep, e littlejohn, nursery, botany class, seed cleaning, vegetable garden, orchard

non-fiction