Juli HAAS (26 April 1952- 02 March 2014) Born Melbourne Juli HAAS (1952-2013) Born Melbourne Juli Haas mainly produced watercolours, artist’s books and limited edition prints using the printmaking technique of Drypoint. She often explores the lives of everyday people with her work often portraying the darker side of human nature in an interior world filled with fantasy and absurdity. Themes throughout her work incorporate the use of childhood memory, place and a sense of personal history. Inspiration is derived from observing her own environment, which is then developed into a portrayal of the absurdity and drama of everyday human situations. Haas applies layers of intense and vibrant colour, which also serves to reinforce the narrative element that runs through the work. The psychological drama that informs this narrative exposes the darker side of life, expressing elements of anger, violence and isolation. Juli Haas obtained the following qualifications: * 1994-95 Master of Arts (Research). Monash University, Victoria * 1989-90 Graduate Diploma of Arts (Visual Arts), Monash University, Victoria * 1987-89 Bachelor Of Arts (Visual Arts), Gippsland Institute of Advanced Education, Victoria (now Federation University Australia) * 1971-74 Fine Arts, Caulfield Institute Of Technology, Victoria. Haas exhibited in most states of Australia and participated in numerous group shows. She is represented in most major Australian collections including the National Gallery of Australia. Career highlights include winning the Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. In 2008 her artist’s book A Wife Of Silver was acquired for the Public Art Collection of the Arts Centre Melbourne as part of the Maxwell and Merle Silver Bequest. Career highlights include winning the Sir John Sulman prize in 1995; and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. Framed limited etching by Julie Haas. juli haas, gippsland campus, churchill, gippsland institute of advanced education, alumni

Kurt WEBB United States of America Lives Chicago Webb draws his driving force in life and artistic vision from consequential discoveries he makes, while deliberately preferring less ordinary paths to his destinations. Inspirational methodologies in art history including the Dance of Death, Four Horsemen of the Apocalypse, Ship of Fools and Woodcut Novels are cornerstones of his artwork. In 1988, during a visit to Australia, while viewing a small porcelain woodfired bowl and teapot by Australian artist Gwyn Hanssen Pigott, Kurt Webb decided to abandon his desire to make functional pottery. He realized that Piggott’s clay work was beyond comparison or emulation and was impossibly inimitable. In 2015, inspired by using impeccably made, functional commercial tea ware, Webb decided to give pottery making a second chance. As a result, Webb’s new functional work acknowledges traditional influences while he pursues individuality through eclectic subject matter, meticulous construction, and decoratively glazed surfaces–all produced within a contemporary context. A tall vessel with a house and figures at the top.kurt webb, jan feder memorial ceramics collection, ceramics, gippsland campus, sculpture

Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia

Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.A computer generated artwork on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

5 photos featuring Ballarat School of Mines librarian Heather Durant. Most of them also include VIce-Chancellor David James and Nichael Adderman outside the Ballarat School of Mines Administraton building, ballarat school of mines, heather durant, david james, jenny leveston, michael aderman, library, a building, administration building

Paula DO PRADO Born Montevide, Uruguay Arrived Australia September 1986 Paula Do Prado holds a Bachelor of Fine Arts (Textiles) with First Class Honours and a Master of Fine Arts from Art & Design at the University of New South Wales.Her works are compelling, multi-layered and rich with cultural references surrounding concepts of identity, race and gender. Her practice draws on materials, sayings and imagery collected from many different sources including the generations of her family history. By sharing her own personal stories, her work creates a dialogue around issues of immigration and multiculturalism, which are just as relevant now as ever. Triptych flag, textiles, button, available

Tim VAGG (15 February 73 - ) Born Canberra, A.C.T. Between 1991 and 1996 Tim Vagg completed a Bachelor of Fine Arts (Painting) at the University of Ballarat (now Federation University). His work themes often relate to stories of Australian history and its people. Painting of blindfolded man boxing a kangaroo. This work is from 'The Boxer Paintings' inspired by the era of Jimmy Sharman,s Boxers (early 1900s.Verso TIM VAGG 2011alumni, kangaroo, fauna, boxing kangaroo

Arlene TEXTAQUEEN (1975= ) Born Perth, Western Australiagippsland campus art collection, ned kelly

This is an extremely significant document highlighting the operations of the Victorian Bands' League in only its third year. Here we have an Annual General Meeting notice and report which would have been sent to all bands and delegates. It outlines the business of the league up until this date and the financial details. It is evident that a number of bandsmen from all over Victoria took an interest in the league given the locations and bands of the office bearers.This AGM notice is extremely significant to the history of the Victorian Bands' League due to the information that's contained and the style of presentation. It is unclear whether other AGM notices still survive which makes this rare notice very valuable for research purposes.Printed on stiff papervictorian bands' league, brunswick city, warrnambool municipal, collingwood citizens', warracknabeal and district, mentone citizens', northcote citizens' and soldiers', heidelberg municipal, south melbourne city, williamstown city, yallourn and district, shepparton and district, geelong west city, terang brass, hamilton town, stawell brass, metropolitan fire brigade

This booklet was produced for the dinner held to celebrate the fifty years the Stawell fire Brigades Group has existed in its service to the community. It does not intend to be a definitive history of fire fighting in the area but it is hoped that it outlines the beginnings from which Stawell Fire Brigades Group originate, and its growth, as it developed over the years.Front Cover: Cream medium card with B/W photo of old truck in center. Title in bold black print above, other information below inc. Author Rear Cover Heavy Card.Beaters To Blitz's and Beyond. History of the Stawell Fire Brigades Group (Glenorchy- Richella Bush Fire Brigades Group) 1943-1993 John KIngstonstawell

This book was authorised by the Marnoo Centenary Celebration Steering Commitee on the occasion of the Centenary of arnoo 1873-1973Blue cover with gold writing.on Cover in Gold: The Fruitful Years On Spine in gold: The Fruitful Years - Campbellstawell

Paper dust cover over Green heavy cardboard with gold print. Dust cover and b/w/ photo of a town with a range of mountains in the background. has black and white print Green Pastures and Gold. A History of Ararat. Lorna L. Banfieldstawell

Recollection's of People who worked in Hoskins Store before being taken over by G.J. ColesManila Folder with Black Text.Handwritten: Inquires Re Hoskins Store - 107 Main Street. By John Hartstawell business

A history of the Corvette HMAS Stawell (J348) 1943-1945White card Cover with black print with colour Photo of the HMAS Stawell, a corvette during WW2 On Rear Cover: Dedication Plaque for HMAS Stawell"We lived with Danger" by Geoff Brooks A History of the Australian Corvette HMAS Stawell (J348) 1943-1945 Inside on title page: The Stawell Historical Society. Warmest Regards. Geoff Brooks 13 March 1995stawell navy ww2

A History of Narrapumelap StationGrey Card Cover with a blue picture of a lion mask and blue printNarrapumelap and the Lions of Wickliffe Allan Willingham Inside front cover: John van Leeween 12-4-87stawell

Family History of the Roberts and Anderson families The Book was complied by R.F. Roberts. The Families lived at Ararat, Great Western and Stawell. It is believed the emigrated to Australia in 1862Family History Clear Plastic Cover over grey paper with black print. Black Spiral binding and black card rear cover.Family papers of the Roberts abd Anderson Families of Ararat, Great western and Stawell April 2012stawell

This book attempts to outine the history Of Morral Morral, with particular focus on the School.White card cover with black plastic spine. Black Text and black line drawing of wooden building Memories of Morral Morral By John Kingstonstawell

The History if the Stawell Sheep Breeders Association Between 1944 & 1966Clear Plastic Cover over a white page with black print. White card black cover.Victorian Sheep Breeder's Association Stawell 19440-1966stawell

An Abbreviated Family history of the Gilbert and Sparrow families.Blue Card front and rear cover, Plastic Spine, Cutout on front cover showing title on page behind.Gilbert Sparrow Alliances Fron page: Donated to Stawell Historical Society by the author Mr R C Gilbert August 2005stawell

The Family History of Stanley Edward Rickard & Loris Francis ChapmanPale Green card cover with black print and b/w photo of a couple. Black plastic binding.The Family History of Stanley Edward Rickard & Loris Francis Chapman By Margaret S.O. Richards December 2000stawell

stawell water supply

The History of Navarre - Barkley Region from 1859-1985.Cream/Fawn card cover with brown Print and b/w photo of old mines and a tent.The Barkley Story 1859-1985 Eulalie Driscoll Inside cover, Blue Ink: Eualie V.M Driscoll No 78 Second Edition 15/05/1986 First Page, Blue Ink: R.J Willy. 43 Wimmera Street Stawellstawell

History of the Stawell Lions Club 1997-2012White Card Cover with Black Print and border, With pale blue Lions Logo in centre.Lions Club of Stawell 40th Anniversary 1997- 2012. Another 15 Years pf Service (over Lions. L International ®️stawell club

A Brief history of the Stawell & District Fly Fishers' Club Inc.Medium Blue/Geen Card cover with Black Plastic binding Black line drawing of a hooked jumping fish surrounded by print Line drawing of a man standing in water casting a fishing line with title belowIn Circle Curving up left to right: Stawell & District In Circle curving down left to right: Fly Fishers Club Inc. Below drawing: Reflectionsstawell sport

A History of BanyeaGrey Card Cover with border insode of which is text and B/W Photo of a man walking along a track carrying a swag In Blue Ink Underlined: Banyana History Inside Border Back over the Track of Time Compiled and written by Neil A. McLennan 1970 Stawell Victoriastawell, mclennan family

The History of the Victorian Athletic League, as told through it's A.G.M. minutes.Clear plastic front cover over white paper with black print. Plastic binding, and black card rear cover..100 Years of Victorian Athletic League History 1895 - 1995. Donated to Stawell Historical Society by Stewart Bradley November 2003stawell sport, v.a.l.

A Centenary history of the Stawell Golf Club.Yellow card cover with two b/w photos each with a building, the lower photo has the Australian flag flying from the building.Stawell Golf Club Centenary 1898 - 1998 Farms Fences and Fairways By Jim Melbournestawell sport

The family history of the MIllsGrey/Green cover with cutout for title. with wire binding.Mills A Family History.stawell