The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

Booknon-fictionA memoir of life and death on the Burma-Thailand Railway.

non-fictiondunlop ee, burma-siam railroad, surgeons australia., world war 1939-1945., prisoners and prisons., japanese, medical care, burma

Booknon-fictionAs recalled by those lives he touchedburma siam railroad, world war 1939-45, prisoners and prisons, japanese

Ill, p.391.non-fictionThe bestselling memoir of life as an Australian POW on the notorious Thai-Burma railway. Rohan Rivett was a journalist in Singapore when it fell to the Japanese in 1942. He escaped south - across the treacherous Bangka Strait - to Indonesia, but was soon captured and became just one of thousands of POWs struggling for existence in a Japanese camp. The struggle was to last for more than three years. Behind Bamboo is unflinching in its honesty and haunting in its realism. It is a vivid, compelling testament to the Australians' will to survive and their unassailable spirit in the face of the most callous inhumanity. world war 1939-1945 - prisoners of war - japan, burma railway

Index, ill, maps, p.682.non-fictionStory of the 8th Division in the campaigns in Malaya, Singapore, Rabaul, Ambon and Timor where most of the Division was captured by the Japanese in 1942. Also the story of the Australian Prisoners of the Japanese, including Changi and the Burma-Thailand Railway. world war 1939-1945 - australia, world war 1939-1945 - prisoners of war - japan

Index, ill, maps, p.682.non-fictionStory of the 8th Division in the campaigns in Malaya, Singapore, Rabaul, Ambon and Timor where most of the Division was captured by the Japanese in 1942. Also the story of the Australian Prisoners of the Japanese, including Changi and the Burma-Thailand Railway. world war 1939-1945 - australia, world war 1939-1945 - prisoners of war - japan

Index, ill, p.346.non-fictionn The Accidental Guerrilla, Kilcullen takes us on the ground to uncover the face of modern warfare, illuminating both the global challenge (the "War on Terrorism") and small wars across the world: Afghanistan, Iraq, Indonesia, Thailand, East Timor, and Pakistan. He explains that today's conflicts are a complex hybrid of contrasting trends: local social networks and worldwide movements; traditional and postmodern culture; local insurgencies seeking autonomy and a broader terrorist campaign. He warns that the United States has tended to conflate these trends, blurring the distinction between local and global struggles and thereby enormously complicating our challenges. The West has continually misidentified insurgents with limited aims and legitimate grievances - "accidental guerrillas" - as members of a unified worldwide terror network. We must learn how to disentangle these strands, develop strategies that deal with global threats, avoid local conflicts where possible, and win them where necessary.guerrilla warfare, insurgencies

briefings: iran – embargoed air force, dassault mirage iiiea 25th anniversary, project eclipse (tow launched f-106), air power analysis update: chilean navy, thai navy, special mission gulfstreams feature, usmc sikosrsky ch-53 feature, focus aircraft: tupolev tu-22 ‘blinder’ and tu-22m ‘backfire’ (48 pages), lossiemouth strike wing – raf tornado maritime attack role, variant briefing: f-15 eagle, polish mig-29s photo feature, air power analysis: taiwan

briefings: chengdu f-7mg, shenyang j-8iim, chinese helicopter developments (z-8, z-9 and z-11), northrop grumman f-14d ‘bombcat’, air power analysis update: greece, falklands garrison feature, focus aircraft: mcdonnell douglas ah-64 apache (62 pages), air force of zimbabwe feature, variant briefing: sukhoi su-27 part 2, french naval aviation photo feature, air power analysis: thailand

The VP series was released in September 1991 with mainly cosmetic and feature changes to the outgoing VN Series Commodore. The 3.8 litre V6 and 5.0 litre V8 engines from the VN were carried over, but the V6 engine received various revisions that improved its refinement and noise. Semi-trailing arm IRS became standard on Calais and Commodore SS models and became an optional extra on lower-end models. This new suspension drastically improving ride and handling over that offered by the live rear axle. ABS brakes were also introduced in the VP range as an option on Series 1 Calais and Commodore SS models, and on most models with IRS for Series II versions. Additional security features were introduced across the range, including an ignition-disabling device and a driver's door deadlock. Power mirrors were also a standard feature across the model range. The VP Calais was also sold in Thailand, with 3.8 V6 version, later it used an Opel 2.6-litre C26NE inline-six Dual Ram engine.1991 model VP Holden commodore sedanLion and Stone badge on bonnet , Holden badge left hand side boot , Lion and Stone badge on boot centre, Commodore executive on boot right hand sidevp holden, vehicle, car

From 1965-1972, Thailand sent 37,644 military personnel to South Vietnam as part of the Free World Military Assistance Forces fighting therevietnam war, 1961-1975 -- participation, free world military assistance forces, thai soldiers

Black and white photograph of a group of children, in pairs. Each pair has legs tied together at ankles, ready to take part in a novelty race.mannibadar state school no. 4446

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a quiet time, in a gun detachment area at an Australian Fire Support Base, in the sand dunes, on the coast, South East of the 1st Australian Task Force Base at Nui Dat, Phuoc Tuy Province, South Vietnam. The Battery was supporting Infantry in the area (circa June 1970).photograph, fire support base, 1st atf base, nui dat, phuoc tuy province, infantry, gibbons collection catalogue, photographer, vietnam war, denis gibbons, 105mm howitzer, nui thai vai mountains

george kennedy, sidney hinks, maxine hyndman, constable, mrs muldoon, m maffei, george kennedy, mrs wakefield, gatlin, thais stanton

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.