Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. MELBA THEATRE, WODONGA operated in the Shire Hall building on the corner of High Street and Melbourne Road (Elgin Street), Wodonga. The Shire Hall was built in 1890. The date on the facade of the building represents the date of the formation of the Shire in 1876. In December 1929, Enterprise Pictures were screening films in the open air theatre adjacent to the Shire Hall or sometimes in the hall itself. In 1943 “Melba Theatre, Shire Hall” was advertised with that name for the first time. In 1948 Mr K Bounader, a picture proprietor from Holbrook with 39 years in pictures behind him assumed control of the Melba Theatre, Wodonga. The Bounader family continued to run the theatre well into the 1960s. The hall was also used for functions such as school socials and concerts. Competition from drive-in theatres and television had an impact on theatre audiences. Finally, the Melba Theatre screened its last film in 1968. A school speech night in 1969 is the last known event in the Melba Theatre. It was demolished along with the Shire Hall in 1971 and replaced with a supermarket and car park.These images are significant as they document an historic buildings in Wodonga which played an important part in the social life of the community.2 black and white photos of the Melba Theatre in Wodonga and its demolition Over doorway: "MELBA THEATRE"high st wodonga, melba theatre, wodonga buildings

The music and lyrics for the “Wodonga” song were written in 1923 by Jack Lumsdaine, specifically to be performed by touring stage and Vaudeville star, Ada Reeves. John Sinclair (Jack) Lumsdaine was an Australian songwriter, vaudeville artist, entertainer and radio announcer born in 1895 in Casino, New South Wales. After serving in World War I, Jack Lumsdaine worked for music publishers, Allan & Co. Pty Ltd of Melbourne and later J. Albert & Son of Sydney, advising them on what overseas sheet music to publish. Albert & Son were the publishers of “Wodonga”. Tours of Australian and New Zealand theatres, with Lumsdaine performing before the main film, promoted this music as well as his own. He composed hundreds of songs, some of which he recorded. Many of them celebrated famous Australians such as Don Bradman or towns and cities in Australia. He had a record run of 11 weeks at Sydney's Tivoli Theatre. In 1923 he ventured into radio which he continued until his death on 28th August 1948. Ada Reeve (born Adelaide Mary Reeves) was an English actress of both stage and film. She made her first stage appearance at the age of four years old in 1878. This was the beginning of a long and successful stage career. In later years she undertook international tours including Australia in 1914 and 1916 and an extended tour of Australia from 1922 to 1924, a shorter tour in 1926, and another extended tour from 1929, playing mainly in vaudeville. Both of Reeve's daughters, Bessie and Goody, settled in Australia. She returned to England in 1935 and resumed her stage career before starring in the first of 11 films. Her final film before retirement was produced in 1957 at the age of 83 years old. Ada Reeve died in 1966 at the age of 92. This song “Wodonga” was written for her tour of Australia in 1923.This item is significant because it was specially written to be performed by a touring star at the Tivoli Theatre in Sydney to recognise Wodonga.Sheet music booklet of four pages. The cover sheet is primarily orange and white with blue text. It features a portrait of Miss Ada Reeve."wodonga" song, ada reeve, jack lumsdaine, popular music -- australia -- 1921-1930

p.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama