Document. Orange flyer advertising "The Famous English Pierrots'', Royal Princess Theatre, Bendigo.performing arts, elocution, concert

Document. Paper flyer advertising ''PYGMalion and GALATEA'' J.C. Williamson, Princess Theatre, Bendigo.performing arts, elocution, concert

Document. Invitation for ''At Home'' for the Earl and Countess of Chesney, Royal Princess Theatre, November 1903.performing arts, elocution, invitation

Colour photograph of a Theatre Sister and an Anaesthetist preparing a patient for surgery Vung Tau 19678 FD Amb Assoc SVN 1967/72theatre sister, lt colleen mealy, anaesthetist, maj marshall barr

Paper program for a play performed at the Russell Street Theatre commencing 4 June 1980athenaeum theatre, program, russell street theatre, bent, melbourne theatre company

Paper program for a play performed at the Russell Street Theatre commencing 30 January 1980athenaeum theatre, program, russell street theatre, betrayal, melbourne theatre company, harold pinter

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. RKO Grand Theatre, Chicago, Illinois, USA (now demolished)Encircled 7 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Donald Clark Collection.Programme for theater performance War Years II at Victoria Theatre, Tarnagulla in May 1991.theatre, entertainment

Theatre programme for 'Bendy the Bold', A fighting Legend, Souvenir Programme. Capitol Theatre Easter Saturday 30th March 1991 8.00pm, Easter Sunday 31st March 1991 2.00pm. In association with the Bendigo Commemorative Committee. John Noulton Design.John Noulton design and Richard Cambridge printersevent, entertainment, theatre

""Camelot" is a musical with music and lyrics by Lerner & Loewe based on the legend of King Arthur. Music Programme for "Camelot" a musical performed by Bendigo Theatre Co.Inc. June 21st to 30th with a matinee Sunday 24th, 1990, at the J.B. Osborne Theatre, Kangaroo Flat - a 24 page booklet with acknowledgements, advertisements, details of cast,and story synopsis. programme, concert

""Pirates of Penzance" is a comic opera in two acts by Arthur Sullivan and W.S. Gilbert first premiered in New York city 1879 Music Programme for "Pirates of Penzance" a musical performed by Bendigo Theatre Co.Inc. November 8th to 17th with a matinee Sunday 11th, at the J.B. Osborne Theatre, Kangaroo Flat - a 24 page booklet with acknowledgements, advertisements, details of cast,and story synopsis. programme, concert

"Guys and Dolls" is a musical in two acts with music and lyrics by Frank Loesser and Book by Jo Swerling and Abe Burrows based on story and characters of Damon Runyon first performed in 1950 on Broadway. Music Programme for "Guys and Dolls" a musical in two acts performed by the Bendigo Theatre Company Inc. in 1995 at the Bendigo Regional Arts Centre (Capitol Theatre) - a 16 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph at the 1st Australian Field Hospital, Vung Tau, South Vietnam, theatre sister Capt June Minchow and Medic Corporal Alex (Chuck) Berry discuss an operating theatre problem with another corporal Medic at the hospital.photograph, 1st australian field hospital, vung tau, medic, cpl alex (chuck) berry, capt june minchow, gibbons collection catalogue, nurses, operating theatre, medics

Exercise or Mapping book - Australian Mapping book, yellow cover with mathematical tables on the rear, plain paper, 64 pages holding tickets collected by Keith Stodden. Titled "Tickets 3". Tickets have been positioned using stamp hinges. Pages 1 - 10 - Misc., tickets, airlines, buses, tours and entry - NZ and Australia 11 - Painted tram and Neighbourhood 12 - 17 - ditto, travel cards, theatre and MTA single journey 18 - 21 - Misc. tickets, Canada, 22 - 24 - VLine, NSW, 25 - 34 - Theatre, Transporting Art, VLine Parcels, MMTB and Vic passes, Bendigo, St Kilda Line rail, airlines 35 - 36 - Misc. including Pennyroyal, Tasmania. 37 - Airline, ETRB, Skybus 38 - Theatre 39 - 42 - Airline, Whyalla, Theatre, Travelcard 43 - 44 - Theatre, bus, rail and Sydney 45 - 46 - Neighbourhood, coaches, MTA Travelcard, theatre 47 - 51 - TMSV, theatre, rail Neighbourhood 52 - Ansett, Skybus 53 - 57 - scratch tickets, 58 - 59 - theatre 60 - 61 - Sydney, CityRail, 62 - 64 - Neighbourhood, The Met, short trip and Transporting Arttrams, tramways, tickets, the met, mmtb, adelaide, sec, tmsv, sydney, buses

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Statue of Poseidon, Götaplatsen, Gothenburg, SwedenGothenburg / Milles / Milles Statue in 'Gotaplasten' / Theatre in rear by Carl Bengsten / 1932 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Card for stereoscope viewer showing domestic scene of 2 men and 1 woman in period costume.S.S.Hough & Co Importers of Fancy Novelties 75 Bourke St East Melbourne Theatre Royalphotography, viewers, stereoscope

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Lance Nicholls, left, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Nicholls produced and directed the production as well as performing as Prince Schmettoff. The accompanying programme provides a profile of Nicholls. It states that: Lance Nicholls (Prince Schmettoff), our producer, is a well known personality in the theatre and radio world, having created a reputation as an outstanding character actor through his roles in "Libel", "Streets of London", "Seven Day's Leave", "Village Priest". He was with J.C.W. for many years and a leading player with the late Gregan McMahon, The Roland McCarty Shakespearian Coy., and The Melbourne Little Theatre; also touring with the Council of Adult Education in "Tobias and the Angel" and "The Miser", then in "While the Sun Shines" for the Red Cross. Mr. Nicholls conducted his own Company of players, known as The Modern Theatre, who presented Shakespearian productions to schools and colleges, and has successfully produced many other plays and Musical Comedy. The Kew Light Opera Company has been fortunate in having a producer and player of such high calibre as Mr. Nicholls, and, it has been seen in previous successful shows under his guidance, hopes to go on to further success in the future."Inscribed above the photo in the scrapbook by Marion Tilley: "Lance Nicholls".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Document, theatre program, Royal Princess Theatre, Saturday 18 August 1917 at 2.45pm. ''Grand Matinee'' by the ''Maldon Pierrots''. To provide comforts for the fighting men. 5th, 6th, 7th, 8th, 38th Battalion Depots. W.A. Brockley print Bendigo.W.A.Brockley Print,Bendigo.program, theatre, royal princess theatre

A black and white photograph - In the operating theatre at the 1st Australian Field Hospital, Vung Tau, South Vietnam a surgeon waiing to perform the operation, watches as the theatre medics complete preparation of an American Helicopter Pilot burned when he was shot downphotograph, 1st australian field hospital, vung tau, gibbons collection catalogue, american soldier, medic, surgeons

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising