Showing 1259 items
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Hume City Civic Collection
Petticoat, inmate's
Used at the Sunbury asylumPetticoat in unbleached flannel. Wide neckline and armholes blanket stitched in aqua wool. There are eight shaping darts (four front, four back) at the waist.Handwritten in black ink on the bias binding inside the hem, "F. E. Richards W. F. 2"costume, sunbury asylum, george evans collection -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1930
Cream Lawn Nightgown Crochet Round neck and sleeves. White silk embroidery on yoke & sleeves. Ribbon tie at waist . Mrs P Blight.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories, 1949
Yellow Velvet Evening Cape with Taffeta Collar. Cream Silk Linings Gold Frog & Button Fastenings on collar. Waist Length. McClure collectionstawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Bright Multi Striped Satin House Coat. Covered buttons and press studs on front. 2 pockets and shaped waist. Short puffed sleeves.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1914
Nurses Apron White cotton. A bodice fitted to a waist band with ties. A three gored skirt pocket on right. Martha Shalders (nee Chester)stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Skirt (Kilt), 1970
Kilt was worn by Maude Bastion during 1970 and later by her daughter Wendy Standfield, the donor and a Society member.1970 Ladies tartan skirt designed as a kilt. Skirt wraps around and is fastened with a silver buckle and black buttons at waist. Red and green tartan.costume, female -
Whitehorse Historical Society Inc.
Clothing - Camisole
Cotton camisole with lace inserts. 5 Pearl buttons. Ribbon drawstring and neck, cotton drawstring at waist. Pintucking on front and sleeves. Short sleeves.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
Pure silk camisole. Fine pintucks. 5 small pearl buttons; net inserts; tape tie at waist. Frayed ribbon round neck.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Petticoat
Donated by DonorWhite cotton petticoat. Draw string at waist. 21cm placket, with three buttons closing the back; 38cm added frill of cotton and lace to the hemline.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Red Nylon Petticoat
Red nylon, deep laced trimmed half slip or petticoat - elastic waist - straight skirt - 15cm red lace trim on hem line.Warniers 100% Nyloncostume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Machined nurse's apron, c1914
Machined nurses's apron - white cotton with bib. Long skirt. One pocket at side. Buttoned waist. Used during World War One.nurse, apron, world war i -
Whitehorse Historical Society Inc.
Clothing - Camisole
White cotton sleeveless camisole with white cotton crochet trim around neck and armhole edge. Two buttons and tape ties at neck and waist.costume, female underwear -
Ballarat RSL Sub-Branch Inc.
Jacket, 1961
Navy blue, waist length jacket with 4 buttons down centre front, 2 shoulder buttons. Two embroidered patches on each arm.Corporal rank patch and Air Force manufacturer's label on interior.air force, royal australian air force, uniform, military, short jacket -
Kew Historical Society Inc
Clothing - White Muslin Lingerie Dress, 1900s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith -
Kew Historical Society Inc
Clothing - Purple Rayon Day Dress, Scotchco of Melbourne, c.1950
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Plum coloured single piece dress, belted at the waist, with a belt covered with the same fabric. It has pearl buttons. The dress was retailed by Scotchco of MelbourneLabel: Scotchco of Melbourneaustralian fashion - 1950s, melbourne fashion designers - scotchco of melbourne, women's clothing, day dresses -
Kew Historical Society Inc
Clothing - Grey and Cream Crepe Dress, Nouvelle, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Grey coloured crepe dress with cream coloured collar and neckline to waist. The dress has three quarter length banded sleeve and a pleated skirtLabel: Nouvellenouvelle, women's clothing, day dresses, fashion - australia - melbourne (vic), fashion - melbourne - 1950s -
Kew Historical Society Inc
Clothing - White Cotton Dress, Malika, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.A 1920s style short sleeve white cotton dress. The dress is gathered below the waist to allow for a two layered flared skirt with scalloped borders.Label: Malikamalika, australian fashion - 1980s, women's clothing, day dresses -
Kew Historical Society Inc
Clothing - Cream Silk Evening Cape, House of Youth, 1960s
THE HOUSE OF YOUTH label was founded c.1935) by Mr. Samuel Stein. By 1955 Mrs. Stein, his son, Philip, and his daughter, Elizabeth, all played an active part in the business. The connection with Dior came to them without seeking. Dior, that man of fashion genius, had come to the conclusion that the Australian market offered a scope he could not afford to ignore. He questioned many visitors to Paris and decided that the House of Youth was the obvious channel through which his designs should flow to the Australian woman. Completely versatile, this firm is capable of covering every phase of fashion production, from impeccably tailored suits and coats to softly draped, intricately cut dresses and evening gowns. Mr. Philip Stein was modest when asked what Dior thought of their copies, but confessed that Dior, had been "very flattering". Dior had-been greatly impressed with the standard of Australian craftsmanship, and, as a result of the success of this joint Parisian-Australian fashion venture, it is whispered that the great man himself is seriously contemplating a visit to Australia. (Source: The Argus 22 Feb 1955)The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length flared cream coloured silk cape caught at the neck and waist with two large buttons covered with the same coloured fabric.Label: House of Youthwomen's clothing, house of youth, evening coats, australian fashion - 1960s -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students in the Orchard, Unknown
Black and white photograph. 3 male students wearing fruit picking bags around their waists. One leaning against a wooden ladder. In the Orchard.On reverse, "Peter Smith C.S.I.R.O."students, fruit picking, peter smith, c.s.i.r.o., students working outside, orchard, fruit picking bags, wooden ladder -
Warrnambool and District Historical Society Inc.
Jodhpur, Riding Pants, Early 20th century
These riding pants belonged to Captain Charles Rogers of the Australian Army (Light Horse unit). He was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934 when, during the Victorian centenary celebrations, the Melbourne Shrine of Remembrance was opened. Charles Rogers was well-known in Warrnambool in the 1930s, 40s and 50s as a horseman and Army member. He was often seen on horseback leading parades and celebrations in the city and was a long-serving Warrnambool Agricultural Show official as a judge of equine events. He died in 1961. The drapery and clothing store of Cramond and Dickson was founded in Warrnambool by John Cramond and James Dickson in 1855 and was a prominent business in Warrnambool until its closure in 1973. A branch of the store was opened in London in the late 1860s and was managed for some years by James Dickson. These riding pants are of interest because they belonged to Captain Charles Rogers, a Victorian Light Horse Regiment member and a well-known horseman in Warrnambool. The item is also important because it came from the well-known Warrnambool store, Cramond & DicksonThese are khaki riding pants. The knees are reinforced with extra stitching and the back of the waist has two buttons on a raised section and four buttons on the waist itself for the attachment of braces. The front opening has five buttons and the garment has two deep side pockets. The top of the garment is lined inside with brown material. On the left leg is a machine-made patch to cover a worn section. Cramond & Dickson Warrnambool & London C. Rogers charles rogers, cramond & dickson stores, history of warrnambool, jodhpur, victorian light horse regiment -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered word ''Baby''. Back opening at neck with cotton tape ties.Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening with cotton ribbon ties. Edges of sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. .costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Gathered at waist. Long ties attached at waist with an insert band with pink and blue embroidered flowers. Back opening at neck with cotton ribbon ties. Edges at sleeves and neckline have crocheted edges in silk thread.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Whitehorse Historical Society Inc.
Leisure object - Doll, Baby, 1970s
Given to donor's daughter by her cousinPlastic baby doll dressed in pink hand knitted dress and pants. Doll is bald but has eye lashes and open and shut eyes. The pants are knitted in stocking stitch with elastic threaded through at the waist. The dress is sleeveless with a pink button on each shoulder. The skirt is knitted in a lace pattern with a crochet tie threaded through the waist. The bodice is knitted in stocking stitch.toys, dolls, doll's clothes -
Brighton Historical Society
Dress and shoes, 1958
Brighton local Margaret Cooke (nee Parish) had this dress made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist. There is a black and white photocopy on file of the dress being worn at the time.Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lidShoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUISprinted fabric, miss summer festival, 1950s, margaret cooke -
Bendigo Military Museum
Uniform - JACKET, TROUSERS, BATTLE DRESS, ARMY, Australian Defence Industries, 1. 1977 2. 1968
Uniform issued to "LOCKYER" 114493.Jacket - khaki colour wool serge fabric, Battle dress style, belted at waist with metal buckle. Dark green plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap and sleeve cuffs. Shoulder epaulettes - rank three pips, red, cream and brown embroidery for Captain. Shoulder sleeve insignia, red fabric with dark blue embroidered lettering. "ROYAL AUSTRALIAN ARMY/ ORDNANCE CORPS". Green colour cotton twill fabric pocket and waist lining, manufacturers white cor=tton label inside pocket lining. 2. Trousers - khaki colour wool serge fabric, Battle Dress style, with fob pocket, two side pockets, one back pocket with concealed button down flap. Green colour polyester fabric lining with manufacturers white cotton label inside on back pocket, 6 button fly. Manufacturers information on labels - black ink print. 1. "A.G.C.F./ VIC 1977/^ /8405.66.025.6423/ SIZE OF CHEST/ SIZE 109/ 112PR/ YARRA FALLS 69/ BATCH, 21657/ DRY CLEAN ONLY/ CREASE UPPER/ HALF OF LAPELS ONLY/ NO./ NAME" Handwritten - blue ink pen - "LOCKYER/ 114493". 2. CONWAY BROS. PTY LTD/ ADELAIDE ^ 1968/ CLASS 8405-66-025-6199/ Y.F. PP2/ SIZE & WAIST 41PR/ MATCHING JACKET 43/44 P.R. / Dry Clean only/ Repress on original seams/ Creases set by Si-ro-set./ mending patch attached/ NAME/ ARMY NO." Handwritten black ink pen "LOCKYER/ 114493"uniform, army, battle dress, lockyer -
Bright & District Historical Society operating the Bright Museum
Apron, Ceremonial
Ceremonial apron, small chamois leather front, with blue silk trim, black bias ties at waist. Black cotton material on reverse side of leather.Embossed with Manchester Unity Independent Order of Oddfellows coat of arms.apron, leather, machester unity of independent order of oddfellows, regalia -
Flagstaff Hill Maritime Museum and Village
Domestic object - Tankard, ca 1878
This is one of the pewter tankards that were recovered from the wreck of the ship LOCH ARD. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open a case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some were washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history.Pewter tankard with marine encrustation. Tankard's body is slightly narrow at the waist and flares outwards to the base. Lip is buckled. Recovered from the wreck of the Loch Ardflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, tankard, pewter tankard, drinking vessel -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S BLACK SATIN SKIRT, 1870 - 1890
Clothing. Women's black satin skirt - unfinished. Calf length with raw edges at waist and hem. side opening with five metal hooks and cotton loops.costume, female, women's black satin skirt -
Uniting Church Archives - Synod of Victoria
Photograph, 1959
Rev Keith B. Leigh was a Methodist minister. He was stationed: 1946 Wentworth 1947 training 1950 Kilmore & Broadford 1960 South Preston 1964 Ivanhoe 1970 Alphington Died in 1970 Poor quality reproduction and enlargement of B & W original (pixillated). Waist length photo Rev Keith B. Leigh in preaching gown and clerical collar.