State Rivers & Water Supply Commission Office, Casey Street,photograph, people

Stawell Water Supply Fume Line Borough Huts 1919stawell

Deep Lead Scenes Mitchell Farm taking the sheep to water.stawell deep lead

Water Well Kofoed’s Brewery Armstrong covered in netting and wire stawell

Lake Lonsdale Sand Bar. Part of the water Supply to the Wimmera.stawell

Water well at Bridge Hotel site Concongella taken 2001 stawell

Black and white photographImage shows excavator digging trench for water main on Main Road (Maroondah Highway. Towards the north-east, near the corner of Warrandyte Road. Bently's timber yard and Pratt's butcher.

Part of "Woolcock Gallery Collection" exhibition 1989 CEMADrawings of cuttings and flower details of two plant species with yellow flowers and green foliage. Five drawings including one flower detail (yellow and pencil), one cutting of tall yellow (Daisy-like) flower with a red-brown stem and long green leaves along stem and at base, one cutting with many flowers (no petals, button-like) on thin green stems with green flower details. The work is on white paper mounted on apricot (first layer) and pale grey (second layer) cardboard. It is framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Podolepis jaceoides (Showy Podolepis) Cotula coronopifolia (Water Buttons) (lower left) CEWoolcock (lower right) Back: 22 (upper left)woolcock, cema, botanical

Photograph shows the Plenty River with low water, rocks and fallen branchesPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river

Early Settlers Home – Water Colour Painting Artist Val Potterstawell

Deep Lead Scenes Mitchell Farm. Carting water in the 1942 drought.stawell deep lead

Deep Lead J Mitchell with his horses taken to water at the dam.stawell deep lead

Grampians Wimmera Mallee Water Purification plant. Crowlands Road Stawell.Two different photographs of a building with storage tanks around the building. A power pole in front of the building and beside a curved road.grampians water supply

Digital copy of colour photographs .1) John Hogan Gervasoni fills bottles of Hepburn's Locarno Mineral Water Spring. .2) Gus Gervasoni and his son, John Hogan Gervasoni, at a seat in Hepburn Mineral Springs Reserve. hepburn springs, hepburn mineral springs, hepburn mineral springs reserve, locarno, locarno spring, mineral water, jack gervasoni, john hogan gervasoni, gus gervasoni

Licence for use of 11 acres of unused roads in the Shire of Grenville for 3 years at a charge of one pound eighteen shillings and six pence.White oblong paper headed "Unused Roads and Water Frontages Act 1903". Licence number 1767, dated 1st January 1905, issued by Department of Public Works to Armstrong Kerr of Linton. Document is printed on both sides.On back: "2743. A. Kerr".armstrong kerr, agricultural activity, roadside grazing permit

Three copies of Joseph Brady's Coliban System of Water Works - A Historical Guide to Celebrate 125 Years of Water Delivery to Bendigo & Castlemaine by Coliban Water. Mentioned in the brochure is Gold & Water, The Original Coliban System of Water Works, The Coliban System Today, The Coliban Engineer - Joseph Martin Brady (1828 - 1908), Coliban System of Water Works Key Facts & Figures, The Aqua Project, Historical Guide, Coliban System of Water Works Map, photo of Joseph Brady, Photo of gold diggers and channel works.Coliban Watercivil engineering, water supply, coliban, joseph brady's coliban system of water works, coliban water, the original coliban system of water works, the coliban system today, joseph martin brady 1828 - 1908, gavan prendergast, coliban system of water works key facts & figures, the aqua project, historical guide to 125 years of water delivery to bendigo & castlemaine, map of system

Formation of Yan Yean Reservoir and its part in Melbourne's water supply system128 p. paperback, black and white and colour illus.yan yean reservoir, water supply

Book commissioned by Melbourne Water to mark the 150th anniversary of the commencement of the Yan Yean Reservoir.Paperback; vii, 127 p. : ill. (some col.), maps (some col.), ports. ; 23 cm.[written on flyleaf] To Eltham District Historical Society, best wishes Helen Doyleyan yean reservoir

Steam Locomotive at Stawell Railways Water Tank. Stawell Band Hall / Church in background.stawell transport

People - Young Family Buildings - "Water Race Chimney,Blyth's Flourmill,Rifle Range"

My name is Deanne Gilson and I am a proud Wadawurrung woman living on my ancestral Country around Ballarat in Victoria. My practise aims to highlight and bring back traditional women’s symbols and ceremonial practises that reference the lived experience of my ancestors. By reviving traditional marks found on artefacts and women’s business, I am forming links with past ancestral knowledge so that is not lost and continues for the future generations. My art practice relies heavily on the use of symbols and form as a metaphor for the body. I have worked as a full-time artist for over thirty-five years. Many artworks tell stories of the spiritual aspects of culture and myths. Dreaming and Songlines, further creating a yarning space, bring the gap towards reconciliation and healing for my people and others through shared sharing stories. A main focus of my art practice tells the birthing tree and scar tree stories and how Wadawurrung women have evolved and survived, since before and after colonisation. The old symbols find new life, connecting to the contemporary ones, further connecting us all to this Country we all call home.Yaluk, Beep, Murrup, meaning Water, Country, Spirit, incorporates the traditional mark of the wave pattern (often found on wooden shields) used by my ancestors, along with the basalt plains across Wadawurrung Country. By depicting the interaction between the Water and Country, I use ancestral knowledges that are not seen but intuitive to myself, while juxtaposing them against the ancestral stone circle knowledges, embedded with the DNA of our stories. The ochre is reclaimed as real, it is marni-beek, meaning Country, in particular the white ceremonial ochre, often seen on the painted-up figure and used today to reconnect back to our ancestral memory. Reclaiming what was lost through colonisation, but still present in our Dreaming that flows on today through the water spirit. Country has no time limits and water connects to our bodies, which are made up of water. We as a clan, are still here today, living and being on Country, our ancestral spirits live on through us. The original painting is a contemporary account of using ochre to reclaim ancestral knowledge and to be part of the ceremony that is yaluk, beep, murrup. wadawurrung, deanne gilson, water, country, spirit, first nations art

Stawell Water Supply Halls Gap Pipeline workers. Fred D'Alton is gentleman third on right.stawell