Rev. Thomas Staines Brittingham Woodfull (1863 - 1941). Born Maldon in 1863, but grew up in Prahran and attended the Punt Rd Church. Qualified as a pharmacist. Worked as a local preacher before being ordained in 1887. Appointed to Sandhurst in 1887 before being sent as Conference Evangelist to Tasmania, where he conducted missions. Married Gertrude Lily Abey (1872 - 1941) in 1891. Returned to Victoria in 1893 and served at Kerang, Maldon, Shepparton, Flemington & Essendon, Collingwood, Bendigo, Albert Park, Brunswick, Box Hill. Retired in 1930. Was active in the campaign against the Collingwood tote. President of the Methodist Conference 1923. Father of William (Bill) Woodfull, Australian cricketer of the 1920s and 1930s and Captain of the Australian First Eleven during the notorious "Bodyline" Test series.B & W waist length studio portrait of the Rev. T.S. B. Woodfull, mounted on grey card."Rev T.S B. Woodfull"thomas staines brittingham, gertrude lily abey, bill woodfull, president of conference, evangelist, methodist, minister, pharmacist.

Reverend John Kissack Arnold was a home missionary at Mansfield and was ordained in 1923 for Overseas Mission work. He was appointed to Drysdale, Newtown, Geelong, Yarram, Kyabram, Castlemaine, Kew and Moonee Ponds. He was born in 1895 and died on31 July 1955.B & W head and shoulders studio portrait of the Rev John Kissack Arnold, mounted on grey card.Rev. J.K.Arnoldrev john kissack arnold, home missionary, methodist, overseas mission

This book was used in pencil drawing classes in primary schools.A book with a grey cover and black lettering and drawings. It was used as a drawing book with a pencil drawing on the first page.Top LH corner written in pencil "PHILLIPA WHITE"white, phillipa, primary school, teaching, state education, george evans collection

Rural City of Wangaratta Collection, Wangaratta Art Prize 1990.An oil landscape of gums and grass trees painted with a colour palette of green, yellow, brown, blue, and grey.E. MICHEL 90/ (bottom right corner) GRAND WINNER 1990/ ELLEN MICHEL/ 'Summer In The Warbys'/ (plaque mounted on frame)wangaratta art gallery, ellen michel, landscape, painting, warby ranges

Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal

I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a gum leaf and a singe root system handwoven in a colour palette of black, grey, and white.valerie kirk, tapestry, textile

I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile

Post Box and postmaster Mr Eric George 1989Colour Photgrap of A Red Cylindrcal post box with a male in a grey suit with red tie standing next to it stawell

Grey silk stockings with seam up back of leg. Design on back of heel,toe and sole are cotton.costume, female, female underwear

Purchased from Turriff Antiques, 5 Carpenter St., Bendigo 3550Cream cotton oval cloth inset with pink, blue, yellow and green design outlined with grey overstitchingdomestic items, table setting

Photo taken inside Rob's Shop with George Robinson serving customers (centre of photo in grey overalls).blackburn road, blackburn, no. 12, robinson, george, rob's cycle and sports

German Artillery Unteroffizier/Sergeant Epaulette for M36 tunic. Grey cloth with silver braid and red piping.

There is no information on the name of the depositor. Part of a collection of business documents found under the floor of a building in Main Street when it was being renovated. At that time the owner was Don Chambers, and the premises was occupied as the Chambers Riteway Supermarket. The location (134 Main Street) is currently (2022) occupied by Miegel’s Pharmacy Rutherglen. Bank of Victoria, Rutherglen deposit slip printed on both sides, on grey paper, with date and figures in pencilDate: "Oct 31st 1915" Receiving teller initials: "SB"bank of victoria, banking, bank deposit, 134 main street, chambers riteway supermarket

Black and white photograph, mounted on dark grey cardboard, showing lighting damage to the elevator at the Consul MineRubber stamp on back with details of photographerconsul mine, gold mining, mining industry, lightning, elevator

Coloured photograph of the Stanley Works head office, Nunawading in 1989. Grey building with an underground car park.stanley works pty ltd tools manufacturing industry nunawading

A 480 paged bound text book with a grey cloth cover and navy blue printing on the cover and spine.non-fictionA physical education course of study for primary and secondary school teachers physical education, reference books, schools, teachers

class photo grade prep - SS 1464 Black and white on grey cardboard backing year unknown

Carried in ambulances. In pre paramedic days this equipment was operated by attending doctors rather than ambulance officers.Grey plastic case containing two bottles of plasma volume expander, lines, needles and other equipment.HAEMACCEL FIRST AID BOX HOECHST

Used to record the start/finish times and days of work by its employees. A card with a unique employee identifier was inserted in the machine by the employee at the start and end of a shirt and the information was sent to the human resources/pay section to allow the updating of staff records and pays. This example was in in use at the Victorian Civil Ambulance Service from at leats the early 1960s (source Chas Martin AHSV curator 17 October 2016).Grey metal box. Clock face set in centre and slit in bottom. Cut power cord at back.Clock on and off

grey body with large slider with a silver roller at the back. In the centre of the body is a black and white Facit logoFACIT

Programme from the 1996 National Final of the Junior Plain English Speaking Award (now Legacy Junior Public Speaking Award), hosted by Melbourne Legacy. Held at Iwaki Auditorium at ABC Southbank Centre on 11th November 1996. Presented by Legacy with the cooperation of the Department of Education and major spnsorship from Commonwealth Bank of Australia, Oxford University Press, Qantas Airways Limited, St. Kilda Road Travelodge. Lists names of all finalists and judges.Example of programme of ongoing annual activity involving Melbourne Legacy and Legacy Clubs around the state and nation.White card program of the public speaking contest in 1996 with red and grey type. A3 folded to A4.speaking contest, legacy promotion