ink on paper student's technical drawing: 12 x 12 horizontal steam engine cylinder No 4technical drawing, engineering drawings, steam engine, g. murrowood, h. smith

Newspaper Clipping from "The Mail", 12-12-95. P 4 "Maroondah players"'. George ArundelBagpipe player George Arundel thinks there is something special about a man with a beard dressing up in a skirt and playing the pipes. "It's the theatrics of it all that I love", Mr Arundel, a member of the Ringwood Highland Pip[e Band, said. Mr Arundel began playing the bagpipesas a boy growing up in Glasgow in 1966, and has been playing them ever since.

Set of three Metcards with the Metcard logo and transport Mode icons. Tickets were used to promote World AIDS Day. Two copies of each ticket held except for item 3. 1 - 2007 - December 1, Daily Full Fare - 22-11-2007 and 2 hour concessioin - 27-12-2007 2 - 2008 - 2 hour concession - 6-11-2008 and 14-11-2008 3 - 2009 - Daily concession - 15-2-2010 Demonstrates one of many different types of Metcards issued during the period of used in Melbourne from 1996 to 2013Set of three Metcard tickets - printed on light card with a magnetic stripe. Has the ticket number and contact details, Metcard and Metlink logo on the front of the card.trams, tramways, tickets, metcard, metlink, aids, world aids day

Coloured photograph of people dancing at Society's Wisteria Garden Part on 12 October 2001wisteria garden party 2001, nunawading and district historical society, dancing

Single truck (4 wheels), drop end tram, modified open California combination- to closed car with 4 doors, 2 at either end, longitudinal seats, sliding internal doors, air brakes. For an article on the tram and progress during 2018 see October 2018 issue of Fares Please!. Image used by Mal Rowe 21/9/2019. See Destination Eaglehawk, Destination City.trams, tram 11

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture 'Justin the Tracker Dog" represents the 11 tracker dogs in the Vietnam War. The names of all dogs are on the base of the statue. All dogs were black Labradors rescued from Sydney pounds and named after Roman emperors. Justin was carved by Leigh Conkie. Stainless steel collar forged by Roland Dannenhauer. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

Set of letters written to Brian Cotter of the MMTB or MTA from 1977 to 1987 as either Special Clerk or Operations Project Office thanking him and or others for their work to facilitate tramway arrangements. 1 - Crawford Productions - 16/11/1977 - The Sullivans 2 - ditto - 27/4/1978 3 - ditto - 29/11/1978 - Christmas 3A - ditto - 30/4/1979 4 - ditto 30/5/1980 - The Sullivans - filming a segment on a tram 5 - The film house - 3/6/1980 6 - Crawford Productions 1/7/1982 - The Sullivans 7 - Fresh Flicks - 4/10/1982 - filming a new tram - Connie Snyders, 8 - National Book Council - 30/11/1982 - promotion - inspectors Turnball, Katina, Hawkings, Hornidge and La Rocca 9 - John Sexton Productions - Phar Lap - 10/1/1983 10 - Filmwings - undated 11 - Schofield, Sherbon Baker - 5/8/1983, and Mr McLeod 12 - Aust Broadcasting Commission - 15/12/1983 - "The Young Wife" and Mr Alan Parkins 13 - ditto - 12/7/1984 - "The Fast Lane" and Jack Bevis and Bruce Johnson 14 - Queen Victoria Medical Centre - 15/10/1985 - tram 676 and Mr Bernie Low 15 - ditto - 18/11/1985 - 676 and the Transit Band 16 - Fun Day at Wattle Park - tram 676 and Transit Band - 17/11/1985 17 - MTA - Kevin Shea - 11/11/1985 for 100 year celebrations 18 - Goosey Ltd - 16/9/1986 - filming 19 - Caulfield Festival - 17/12/1986 - for the Peace Tram 20 - Great Southern films - 2/2/1987 - filming for a TV commercial - also Tom Walton, Joe Kausey, Kevin Cooper and Dave Thomas. 21 - USP Needham - 16/10/1985 - TV shoots set of envelopes and cards from Crawford ProductionsDemonstrates thank you letters for assistance by the MMTB for filming for local productions using trams.Set of 20 letters, generally A4 size, one A5 and three envelopes.tramways, mmtb, mta, the met, filming, films, tv broadcasts, crawford producitons

Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, samantha robertson, series 35, film - ilford xp1 400, scan - 35mm negative, sundial, eltham trestle bridge, central park, panther place, graffiti, eltham senior citizens centre, eltham shire office, eucalyptus tree, main road, sign, arthur street, commercial place, eltham village, safeway carpark

Newspaper or magazine clipping from the City of Ballarat Summer 2018-19 issue of my Ballarat with an article titled "On the Right Track", featuring an interview with Peter Waugh as Marketing Manager standing on the footstep of No. 27. Peter talks about the history of the tramway in Ballarat, the time a tram derailed and hit the Bucks Head Hotel, the Museum, the depot and the collection, Cuthberts 939 and when the Museum operates.trams, tramways, btm, marketing, bucks head hotel, city of ballarat

Councillor Joseph Haweil spoke to a Legacy Comradeship Luncheon on 27 June 2023. Cr Haweil is Mayor of Hume City and a member of the Assyrian community in Melbourne. He spoke about the actions of Stanley Savige during World War 1 that lead to him saving over 50,000 Assyrian refugees in Persia. After the speech he presented President Kerry Jenke with this artwork by Mr Furat Yosip.The artworks shows that the Assyrian Community are grateful for the life of Stan Savige.Wooden board with burnt etching of Stanley Savige with a gold coloured plaque.Plaque says "Presented to Melbourne Legacy / In Eternal Gratitude and Remembrance of Lieutenant General Sir Stanley George Savige, KBE CB DSO MC / By the Assyrian Community of Victoria at the Assyrian Martys Day Commemoration, Coolaroo - 5 August 2018 / Artist: Mr Furat Yosip"stan savige, assyrians

Edward Gough Whitlam, became Australia’s 21st Prime Minister on 5 December 1972. Whitlam’s term abruptly ended when his government was dismissed by the Governor-General on 11 November 1975. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthEdward Gough Whitlam Prime Minister 5 December 1972 - 11 November 1975prime minister

Yields information about the appearance of one of Ballarat No. 40, a couple of years after its arrival in Ballarat and the south side of Sturt St, near Lydiard St.Black and white photograph of Ballarat No. 40 in Sturt St, west bound to the Gardens via Drummond north. Shows how the trolley ropes were stored at the drivers end, the appearance of the car in 1953 and the buildings in the background. Includes the Commonwealth Bank, C. Marks & Co and the Mechanics Institute. Three different sized copies held. Photo used in Destination Eaglehawk. Image rescanned from copy neg and updated 31/5/2020.Copy 1 - in pencil "Reduce to 5", #6121" Copy 2 - "W John Webster photo" Copy 3 - in ink "CR14 11-4-53" On Negative in ink "CR14"tramways, trams, sturt st, lydiard st, tram 40

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Commercial Bank' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough, commercial bank greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Stubley Motors' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough, stubley motors

Blue account from the Bendigo Advertiser Office No. 1474, dated 30 June 1877. To Court King of the Forest, AOF, Manchester Arms, Long Gully from Mackay & Co. Apr 23 ? Philpot 5/-. Jun? 12 ? Luffsman 5/-. Total 10/- Marked Paid. Aug 11/77.societies, aof, correspondence, ancient order of foresters no. 3770 collection - bendigo advertiser office, court king of the forest, aof, manchester arms, mackay & co., ? philpot, ? luffsman

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Aug 11 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. E. Le Leiver Signed by Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, e le leiver, wm h nicholus

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Aug 11 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. C. W. Baegel. Signed by Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, c w baegel, wm h nicholus

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Aug 11 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. J. H. Phillips. Signed by Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, j h phillips, wm h nicholus

Notice to Members - from the Australian Railway Historical Society Victorian Division (ARHS) titled "VR Trams 35 & 48", advising that they are seeking a home for these vehicles whose remnants were in the procession of the Division and the Bendigo Gas Works. Offers were to close 12/11/2013. Not known what exactly happened.trams, tramways, vr trams, victorian railways, disposal, bendigo, sale of trams

Demonstrates the type of documentation that the BTPS sought to further its activities and shows the response from Victoria Police.Photocopy of a letter on foolscap paper to the Communications Engineer of the BTPS from Victoria Police, Chief Commissioners Office, Police Headquarters, dated 25/11/1975 about the use of a flashing lamp on a maintenance trailer, Reg No. K79-302 and conditions of use. Signed by Laurie Newell, Assistant Commissioner Traffic.trams, tramways, police, btps, maintenance equipment

Black and white negative by Wal Jack of Maximum Traction N 123 at the Coburg Tram Depot. Note the sign on the wall "Hawking Canvassing Prohibited" Photo dated, 24/11/1941 in the Wal Jack album. See also Reg Item 5329 to 5332 for other photos featuring this tram.trams, tramways, n class, coburg depot, coburg, tram 123

Diary written by LAC John Morrison No. 42562 RAAF. Enlisted 22-8-1941, Discharged 5-12-1945. Serving in 9 Transport and Movement..1) Diary, ruled paper, blue ink, both sides, dated 31-1-1942 to 24-11-42 detailing the raids on Darwin. .2) Document, typed in black re: Darwin air raids beginning 19-2-42, 4-3-42 and 16-3-42. This is .1) beginning to be typed out.diary, lierary work, raaf, darwin

Write up in Whitehorse Post about 'Wisteria Time Garden Party' at Schwerkolt Cottage, 11 October 1998.Write up in Whitehorse Post about 'Wisteria Time Garden Party' at Schwerkolt Cottage, 11 October 1998.festivals and celebrations, wisteria time garden party, schwerkolt cottage

Large Poster on board, made by Russ Haines for the RDHS 60th Birthday celebration/exhibition, 27/10/2018. This poster contains a summary of the history of the school and key personnel.

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photo of Geoff Brooke and Robin Kelly. Geoff Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.robin kelly, geoffrey (geoff) brooke, performing arts - 20th century