The 28 Camp hospital store was opposite the camp kitchen. Pictured from left is an unknown Corporal, an unknown man, and Private Maher. Black and White photograph of three men standing in front of a corrugated iron building. The garden is lined with rocks with large trees behind the building. One man has a white apron on the other two are wearing white gowns that appear to be or similar to medical gowns.28 camp hospital, store, maher, danson

A family group of the three families. Templer Society. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach.Black and white photograph of the Froschle, Beilharz and Bulach family. 3 men in suits and hats, 3 teenage girls and young boy standing, 3 wives seated and one young boy and youngest seated on mothers lap in front of washing line and hut.the number 213 on stand left hand front internee children, camp 3, froschle family, bulach family, templer society, fritz bulach, annelise bulach, eleonore ehnis, hermann beilharz, fridhelm bulach, irene beilharz, friedrich froschle, gunda froschle, ernstine beilharz, rudiger froschle, heinz bulach, anne bulach

Rev. James Harcourt (1866-1938) was the son of Rev John Harcourt. He was the first student of Queen's College to graduate at the University of Melbourne. He was a chaplain of Wesley College and a tutor at Queens College for six years. In 1909 he became Minister of Glendearg Grove Church in Malvern. Brown leather and gilt the inside is lined with watered silk on the left and a richly illuminated text on the right. The top has images of two churches and the borders are decorated with blue, yellow and red flowers. It is signed on behalf of the Malvern Circuit - Glendearg Grove and East Malvern.rev james richmond harcourt 1866 - 1938, malvern circuit - glendearg grove and east malvern

Includes information on the sound patterns of the Wiradjuri language. Melody line only, with text of songs in Wiradjuri. Includes English translations of the songs. See also companion volume Wiradjuri language songs for children of all ages /? Stan Grant (snr) and John Rudder.B&w illustrations, b&w photographs, sheet music, word lists, CD-ROMwiradjuri

Woodlands Park complex which includes 'Cumberland' and 'Dundonald' ruins and the Gellibrand Hill Quarries was acquired by the Victorian State Government in 1978 and is managed by Parks Victoria.A view taken from Gellibrand Hill looking east towards the expanding suburb of Broadmeadows. Apart from a few rocky outcrops and small trees the open grassland slopes away to a small line of conifers. Coloured photograph with rounded corners and matt finish.woodlands park, gellibrand hill, greene, william pomeroy, anne, george evans collection

A white Cotton Petticoat With generous Crochet trim. The yolk with square neckline and short sleeves all filet crochet. A shaped body with opening at back. Long very full skirt. Bands of crochet and pin tucked. Lined with a cotton material under skirt.stawell clothing material

Presented to the Major The Honorable F. T. Sargood together with the V.R.A. Challenge Cup on 8 December 1876. The cup was competed for by all the volunteer corps in Victoria. The following extract is from The Argus (Melb), Sat 9 Dec 1876, page 9 https://trove.nla.gov.au/newspaper/article/5912315 The second quarterly official inspection of the St Kilda Battery was held last night by Colonel Anderson. The gun drill was held in the orderly-room, and afterwards the corps was put through field movements in the drill around. At the termination of the inspection Colonel Anderson expressed his satisfaction at the manner in which the drill had been performed. Colonel Anderson then presented Major Sargood with the Victorian Rifle Association Challenge Cap, which had been won by the St. Kilda Battery three times. The cup has been competed for the last 12 years, and in that time the cost of the ammunition used in the contest and markers' fees amounted to about £3.000. The value of the cup is 20 guineas. An address to Major Sargood was then read by Captain Hearn. On receiving the cup Major Sargood said that he was afraid from the state of his health he would either have to retire from command of the battery, or obtain a long leave of absence. He said that six years ago he bad been presented with a sword which he wore that evening, and he was glad to see that there was no diminution of the goodwill then expressed towards him. Red leather folder lined with ecru coloured watered silk containing a illuminated copy of the address on the presentation of the V.R.A. Challenge Cup to Major The Honorable F. T. Sargood. The cover has a gilt decorated embossing around its border and gilt text.On front: "ADDRESS TO MAJOR THE HON. F. T. SARGOOD." "ST KILDA BATTERY" "R.V.V.A."rippon lea, sargood, frederick thomas, sir

Ref. NA4362Maroon and white quarter-inch check princess line dress. This Summer uniform has short sleeves with a V-Neck collar and zipper front (14'/35cm zipper). There are two pockets in side seams. The garment is handmade on domestic machine and hand finished.costume, children's uniform, handcrafts, dressmaking

A handwritten lined book of recipes. Ledger sized book with green cover and red spine. Enclosed are handwritten recipes on loose paper. 1 typewritten recipe, 1 printed recipe, 1 recipe from cardboard packet and 12 newspaper cutouts of recipesbooks, cookery

Hat belonged to leslie Ricketson's Mother.Shallow cloche hat in deep salmon pink velvet decorated with overlapping leaves in the same fabric interspersed with toning shantung shot silk leaves in a similar colour. Leaf points designed to cluster around rim. lined with beige rayon. Hand stitchedcostume, female headwear, trades, millinery

Item could date later if used by someone wearing ceremonial or uniform dress collars after collar attached shirts became the norm rep[lacing detachable collars for everyday wear.Small leather- look composition board, horseshoe shaped collar box with thin real leather strap and buckle fastening. Saddle stitched on outer edges, inside box is lined with paper printed with faux alligator or crocodile skin pattern in sepia colour.On top of lid in right lower corner: 'Collars' in faded gilt cursive printed text.costume accessories, male, personal effects, travel goods

White cotton peaked cap with five panel and airholes. Padded front panel with red and black lettering and a black logo. Stitch detail on peak. Adjustable white velcro fastening. Padded headband. Inside front panel lined with interfacing. Nylon label.front of hat ; City of Nunawading.|Label 100% cotton; hand wash; cold water; drip dry; Made in China.costume, male headware, female headwear

Cypriot Bichrome Ware from Cypro-Geometric PeriodThe interior with black concentric band and circles, the rim painted, the exterior with two sets of concentric lines, the handles originally painted red, a broad red band, black line and band around foot, the base with central dot and set of three concentric circles. cypriot

Black and white bound photocopy of the 1957 yearbook, which is white with 1957 in the top left corner above a WHS logo above a black vertical line above the text WANGARATTA HIGH SCHOOL. Vertically along the right side of the page is the word KORRUMBEIA1957 KORRUMBEIA WANGARATTA HIGH SCHOOL

This postcard was sent by "O.G." to J. Gawler on 7 February 1915 from an Army camp in Egypt. The postcard appears to have been hung up by a thumb tack as there is a small hole at the top centre of the card. This item is representative of the letters and postcards that were sent home to war by servicemen during the First World War and was a way to maintain a connection to their loved ones during difficult and uncertain times. Postcards were a very common form of communication in the first World War. This postcard also records places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had passed through Egypt.The front image of the postcard is a photograph of a camp of white canvas tents lined up in rows in front of a pyramid. Several soldiers can be seen walking throughout the campsite. On the reverse is a message written in black ink. There is also a small hole in the top centre of the postcard.Message on reverse of postcard is dated 7.2.15 and says: "This is a view of part of Mena camp where the 1st Australian Division has been camped. We have had fine weather and very cold nights. Weigh nearly 11 stone now. O.G." Addressed to: "Mr J M Gawler, Collins St, Melbourne"world war one, war correspondence, souvenir

Digital Image from a coloured postcard of Geelong 34 in Mercer St between Corio and Bayley St, just where the railway line to Cunningham Period went underneath. Tram has destination of Belmont. In the background are a building for Robley Engineering and the Sydney Hotel. trams, tramways, geelong, mercer st, bogie trams, tram 34

Yields information about the appearance of Bendigo trams early 1970's and the Charing Cross area.Black and White Photograph of three trams at Charing Cross. Photo taken between two bogie cars (25 and one other) on the Eaglehawk line while a Birney crosses in front of them. Possibly No. 29. Photo Chris Wurr, early 1970's. "Photo by Chris Wurr" stamped on the rear.trams, tramways, bendigo, charing cross, tram 25, tram 29

Colour. After closure of the railway line, Gellibrand looking towards Beech Forest on 26 April 1964. The station buildings and water tank are still standing as well as clear impressions left by the tracks. Telephone lines are marked. A person is near the water tank.gellibrand; railways;

Marion “Annie” (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections. This hat was purchased and worn by Kathleen Gervasoni, a long-term resident and former Mayoress of Kew.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Faux leopard skin brimmed hat, lined in black, trimmed with two pom poms at back. Designed and made by milliner Anne Harrison of Kew. Anne Harrison designed hats to order for clients, or you could choose a style and have it trimmed to taste.Label, inside centre crown, woven in black on white polyester: "WM 9906 / Anne Harrison OF KEW"anne harrison of kew, kathleen gervasoni, milliners - kew (vic), women's clothing, costume accessories - hats

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. They are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The photo was taken after the Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Sepia postcard of the Palm Avenue at the gardens looking west to a white statue on a plinth. The statue is of Williamstown MLA, Alfred Thomas Clark. Palms and shrubs line both sides of the path and trees can be seen behind the statue. The shadows of the plantings are across the path.Front: VALENTINE’S, M.360 PALM AVENUE WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Melbourne. Sydney & Brisbane’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES / POSTCARD’. There is a red two penny Australian Postage stamp on the top right hand corner. The address of the sender is 1 Railway Place, Williamstown and the card is addressed to Mr and Mrs Nayler (?) in Footscray. The remaining writing unable to be deciphered postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, statue, clark, alfred-thomas-clark, palms, palm-avenue, valentine-and-sons

The jumper was donated to the National Wool Museum in early 2019 from the Geelong Football Club. The jumper is the fourth in the 'country game' range. The oringal 2016 jumper was designed to commemorate a 'country game' against the Essendon Football Club prior to the start of the 2016 AFL Season. The four themes depicted in that jumper included: livestock, wool, wine and wheat. the 2016 jumper can be viewed as entry 7613.White sleeveless Geelong football jumper. The jumper has a large number 4 printed on the back. On the front of the Jumper it has the words Cotton On printed bellow the neck line as well as the emblems for Powercor Country round, the AFL Ford and the Geelong Football Club.Wording. Printed: COTTON ON POWERCOR COUNTRY FESTIVAL AFL / Ford GEELONG CATS EST 1859 FOOTBALL CLUB Reverse. Wording. Printed: 4 Fordgeelong football club, country round

A set of five ornamental green pieces of china - a jug with a lined decoration towards the bottom and the handle, a plain vase with two handles, a bowl with a grape design and two handles and a plainer grape patterned bowl. One vase has a grape leaf design."Greetings Annette 1954".ornaments, vases, jugs, bowls

A tall wooden pedestal with a square top, a column with a vertical lined pattern, mounted on a two tiered base. Two types of wood are used, lighter on the top and base with darker wood for the column. It would have been used to display a figure, a bust or an urn.pedestals, display equipment, furniture

Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sar*gem Pty. Ltd”, for several more years in the 1980s, along with a new range of fashion jewellery, Affinity. This catalogue was produced by Sar*gem Pty Ltd in 1982As part of the Sarah Coventry collection, the catalogue has local significance connected to the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery. A coloured catalogue promoting the Affinity Jewellery line released in 1982. The back cover features a fundraising campaign for the Guide Dog Association. Business contact details on the back cover use the company name "Sar*Gem Pty Ltd", Hume Highway Wodonga.sarah coventry, sarah coventry wodonga, sarah coventry affinity

Pink, rectangular ticket with rounded corners. White ribbon threaded through hole at top. Member's ticket for Old Lintonians' Association 48th reunion held Easter Saturday, 21st April 1962 "Mr R. Brown" handwritten in ink on name line.Text: " OLD LINTONIASNS' ASSOCIATION / 48th Re-union / Easter Saturday, 21st April, / 1962 / MEMBER'S TICKET. "old lintonians' association, events, reunions, tickets, r. brown

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a red, blue, black and white textile sample, another is a hand drawn sketch of a house, the third shows hand written text on lined paper in black ink.Front: [handwritten] Final / design / for housequilt, wagga, home, house, housing affordability, design

A cream coloured cover with black writing on it. Top right hand corner in larger print is FM 21-48. Under this reads Department of the Army Field Manual. At the bottom of the cover under a black line reads Headquaters, Department of the Army September 1964united states - armed forces - service manuals, chemicals, biological, rodiological, nuclear defense training