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Melbourne Water
Melbourne Water Watch, 1996
As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water. This Melbourne Water watch was gifted to a Melbourne Water staff member by her manager when she left the organisation in 1996. The watch was part of a branding campaign as the water industry became segregated in 1994.This item is of historical significance for its association with Melbourne Water at the time when the water industry became segregated in 1994. This watch is a perfectly intact object and is significant for its representativeness of the theme of Women in the Workforce within the MMBW and Melbourne Water as it was gifted to a female employee. The watch is also aesthetically pleasing in style and represents the trends of the 1990s. Gold plated, black leather band watch with the Melbourne Water logo on the face with accompanying black suede case with gold corners. The watch also comes with a warranty inside.melbourne metropolitan board of works, mmbw, melbourne water, watch, accessory, gift -
Melbourne Water
MMBW briefcase, c.1950s
As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water.This MMBW briefcase is of historical significance for its association with the former Melbourne and Metropolitan Board of Works (MMBW). This item is perfectly intact and a rare surviving object of standard Board issued accessories. The briefcase is significant for its representativeness of the theme Staff and in building Victoria's industries and workforce, which continues to resonate strongly within Melbourne Water today. The style of this briefcase also demonstrates early 19th century design. MMBW brown leather briefcase with MMBW gold embossed on the lid.mmbw, melbourne metropolitan board of works, melbourne water, briefcase, staff, people, work, water supply -
Monbulk RSL Sub Branch
Book, Big Sky Publishing et al, Long Tan : the start of a lifelong battle, 2016
On the afternoon of 18 August 1966, just five kilometres from the main Australian Task Force base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Delta Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army troops. When the battle subsided, 18 Australian soldiers lay dead and 24 had been wounded. Battlefield clearance revealed 245 enemy bodies with captured documents later confirming the count at over 500 enemy killed and 800 wounded. These men were led by a gruff and gusty perfectionist, Major Harry Smith. Now, some 47 years after the battle, Harry tells his story for the first time. But Long Tan is more than just an account of a historic battle. Harry Smith takes his readers on an extraordinary journey - one that ultimately reveals a remarkable cover-up at the highest military and political echelons. Long Tan is also Harry's life story and portrays his many personal battles, from failed marriages to commando-style killing; from a horrific parachute accident through to his modern-day struggles with bureaucracy for recognition for his soldiers. Harry's battles are tempered by his love of sailing, where he has at last found some peace. Long Tan portrays the wrenching, visceral experience of a man who has fought lifelong battles, in a story that he is only now able to tell. Harry can still hear the gunfire and smell the blood spilt at Long Tan. For him, the fight continues. Collapse summaryIll, maps, p.336.non-fictionOn the afternoon of 18 August 1966, just five kilometres from the main Australian Task Force base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Delta Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army troops. When the battle subsided, 18 Australian soldiers lay dead and 24 had been wounded. Battlefield clearance revealed 245 enemy bodies with captured documents later confirming the count at over 500 enemy killed and 800 wounded. These men were led by a gruff and gusty perfectionist, Major Harry Smith. Now, some 47 years after the battle, Harry tells his story for the first time. But Long Tan is more than just an account of a historic battle. Harry Smith takes his readers on an extraordinary journey - one that ultimately reveals a remarkable cover-up at the highest military and political echelons. Long Tan is also Harry's life story and portrays his many personal battles, from failed marriages to commando-style killing; from a horrific parachute accident through to his modern-day struggles with bureaucracy for recognition for his soldiers. Harry's battles are tempered by his love of sailing, where he has at last found some peace. Long Tan portrays the wrenching, visceral experience of a man who has fought lifelong battles, in a story that he is only now able to tell. Harry can still hear the gunfire and smell the blood spilt at Long Tan. For him, the fight continues. Collapse summary vietnam conflict - australian involvement, vietnam war 1961-1975 – battles – long tan -
Creswick Museum
watercolour painting, Self Portrait (Lionel Lindsay)
Early self portrait of famous painter Lionel Lindsay. Lionel was one of the famous family of artists, which included Norman Lindsay, Percy Lindsay, Daryl Lindsay and Ruby Lindsay.A rare early self portrait by Lionel Lindsay, showing himself in a "Spanish style", before he followed his dream and went to Spain. Lionel became a famous artist in Australia and Europe, especially noted for his Spanish etchings.Watercolour painting on paper of self portrait by Lionel Lindsay.Signed "Lionel Lindsay 1899"lionel lindsay, creswick, etching, watercolour, spain, norman lindsay -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hodges-style pessary associated with Dr Frank Forster
Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years. Celluloid appliances were made in many different colours (ie. blue, pink, white, yellow). The use of celluloid gradually decreased during the late 1960s.Yellow celluloid (plastic) pessary. intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Divided Hodges-style pessary associated with Dr Frank Forster
Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years.Black vulcanite pessary divided at one end, leaving a gap of approximately 1.5cm.intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Barnes-Hodges style pessary associated with Dr Frank Forster, Barnes Hodges, England
Uterine and anal pessaries were in use in the early 1900s. Both size and shape of the pessary varied considerably. Pessaries were often round ('ring' pessaries) or irregular shape, depending on the maker. The name of the pessarty was usually that of the inventor.Pessary. Intra-uterine contraceptive device, consisting of red rubber outer covering over wire or vulcanite in an irregular shape. Most likely hand made. Inscribed "PATENTED" at .intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Furgusson-style fetal stethoscope associated with midwife Mary Howlett, c. 1866 - 1920
The Furgusson stethoscope was in use from 1866. It is made all in one piece and has no attachments.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Fetal stethoscope consisting of an ebony tube with flanges at each end. The large flange would be placed onto the abdomen and the small flange would be placed to the ear to hear the fetal heart beat.diagnostic instruments, midwifery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hodges-style pessary associated with Dr Frank Forster, medium
This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids. Moulded black vulcanite pessary. Pessary is irregular in shape, and medium size. "I.T.A.Y." inscribed on upper curve.pessary, intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hodges-style pessary associated with Dr Frank Forster, large
This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape, and large size.pessary, intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hodges-style pessary associated with Dr Frank Forster
This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape.intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Naegele-style perforator associated with Dr Michael Kloss
This instrument was part of a collection of instruments associated with Dr Michael Kloss and his medical practice. Dr Kloss subsequently donated this collection to the College.Metal perforator. Instrument consists of two straight, pointed blades with screw joint, and a spring loaded insert. Also includes a connecting spring bar at top of handle. Perforator is engraved with the word 'Kloss'. Inner aspect of perforator is engraved with a three digit number , '21...'. The third number is illegible.'Kloss'obstetrics -
Dutch Australian Heritage Centre Victoria
Footwear - Clogs, Company with markings V Z, where the V is located above the Z
Wooden shoes are / have been widely used in North-Western Europe (Scandinavia, parts of Germany, UK, The Netherlands, Belgium and Northern France). The models vary from a wooden sole and toe covering (Scandinavia, UK, Northern France) to a complete cover of the whole foot (The Netherlands and parts of Belgium). They are mostly made from poplar wood, but occasionally also from other softwoods like willow. The clogs' finish varies from plain wood or carved wood to varnished or painted versions, often with decorations. Nowadays special models are made for tourists with pictures of Dutch landscapes, tulips or windmills.Although wooden shoes are also used in other countries, the full foot covering model has become one of the symbols of the Netherlands, like the tulips and the old style houses in towns like Amsterdam.Pair of male size wooden clogs - completely covering feet, finished with clear varnish and shoe lace like decorations.Brand indication V Z clog and size 43/44 = 28 1/2cm - Shoe laces like decorations.wooden shoes holland dutch traditional clothing -
Moorabbin Air Museum
Manual - Department of Civil Aviation Battery Charger Handbook, Instruction Manual: Battery Charger 30 Volt 200 Amp Style TDP30/200
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National Vietnam Veterans Museum (NVVM)
Book, Miller, David and Foss, Christopher F, Modern Land Combat, 1987
The organisation of this book follows the established style of the successful series of which if forms part. In combination with the earlier titles devoted to Modern Air Combat, Modern fighting Helicopters, Modern Naval Combat and Modern Submarine Warfare, it completes a detailed, graphically illustrated survey of the technology, hardware and tactics involved in all the main areas of current military activity.The organisation of this book follows the established style of the successful series of which if forms part. In combination with the earlier titles devoted to Modern Air Combat, Modern fighting Helicopters, Modern Naval Combat and Modern Submarine Warfare, it completes a detailed, graphically illustrated survey of the technology, hardware and tactics involved in all the main areas of current military activity.military art and science, weapons -
St Kilda Historical Society
Photograph, Sacred Heart Church in St Kilda
The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart -
St Kilda Historical Society
Photograph
The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart.Black and white photograph, unmountedst kilda, sacred heart church, sacred heart catholic church, grey street, catholic churches -
Geelong Cycling Club
Cycling Shoes
Cycling shoes first appear in the 1880s and progressively become more sophisticated over the next 150 years. These shoes were made by the European Shoe Company and the metal cleats were made in Japan. Reflects the style of cycling shoe common in the 1980s.Black leather cycling shoes with laces and metal cleats nailed to the leather soles. cycling shoes; european shoe company; -
Geelong Cycling Club
Cycling Shoes, Circa 1970s - 1980s
Cycling shoes first appear in the 1880s and progressively became more sophisticated. Cleats first appear on cycling shoes in the late 1930s - before this toe cages and straps were used. The cleat design on these shoes was commonly used from the 1970s. Reflects the style of cycling shoe common in the 1970s and 1980s. Black leather cycling shoes with laces and slotted cleats. The leather uppers have punched holes in them to make them lighter and for ventilation. Some pairs have leather soles and others feature hard nylon soles. cycling shoes; sdi; -
Williamstown High School
Hair styles 1924
Copy of pen and ink drawings taken from High Tide, mounted on board.'The old order changeth'. Prevailing Coiffures among school girls 1924. High Tide.williamstown high school, 1924, hair styles -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
Wangaratta RSL Sub Branch
Army Jacket, 1940
This Army jacket made in 1940 issued to VX77837 - William Keith GRAY Born 17-10-1915 at Warragul in Victoria. He enlisted at Caulfield and served during WW2. Service records currently unavailable.The uniforms of the Australian Army have changed significantly over the past century, although the accoutrements worn over this period have remained relatively similar. The forces of the Australian colonies and the early forces of the Commonwealth post-Federation in 1901 closely followed the uniforms of the British Army. Since then it has continued to be influenced by British but also US styles, as well as including some distinctly Australian designs, reflecting local conditions and trends.Khaki woollen jacket with shoulder epaulettes and four pockets with brass buttons attached. Purple square with white border patches attached to top of both sleeves. Two striped ribbons attached above left breast pocket.Marking inside jacket - VX77837army jacket, william gray, ww2 -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Architecture: The Schizophrenic Style, 1971
Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Conflict Along the Style Spectrum, 1971
Comparison of Canberra and Surfers Paradise as potential cultural capitals of Australia. Canberra represents one end of the spectrum of traditional architectural morals of sophistication and orderliness; Surfers Paradise represents the opposite end of the spectrum, that is extreme Pop, fun and flashiness.Original manuscript of an article published as ‘Trad modern, pop modern’ in "The Sunday Australian", 25.4.1971. Typewritten (p/copy), quarto, 9 pagesTop of page 1 handwritten where and when published, page numbers, minor correctionscanberra, surfers paradise, australian culture, morris lapidus, australian cities, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The New Strength in Australian Architecture
Discussion of three important changes in Australian architecture in the past ten years: loss of supremacy of Melbourne, the greater confidence and determination to build well, and greater experimentation and individual expression.Typewritten (c copy), quarto, 6 pagesaustralian architecture, melbourne, australian style, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, A New Home Style Due This Year, 1965
Boyd talks about the slow evolution of the Australian housing despite the changing culture of lifestyle and living. In particular, discussions on builders and developers' attitude towards housing have hindered the development of Australian Housing to accommodate the ever changing living standards.Original manuscript of an article published as ‘A change in the old home due this year' in The Australian, 06.02.1965.Typewritten (c copy), quarto, 4 pagesdevelopers, housing, modern, mass production, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Announcing the end of the glass box and the birth of a new 3D city architecture, 1965
Discussion of the history of the 'glass box', i.e. the glazed curtain wall skyscraper and its appearance and demise in Australia. Also discusses the phenomenon of multi-storey car parks, and RMIT student designs for Victoria Market.Published as "Death notice: The End of the Glass Box/Birth Notice: A New 3-D Style for a City" in 'The Australian' on 13/11/1965.Typewritten (c copy), quarto, 8 pagesaustralia square, bates, smart & mccutcheon, john a la gerche, walter gropius, ici house, mcconnel, smith and johnson, harry seidler, sydney opera house, un secretariat, bogle and banfield, peter mcintyre, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Architecture in Melbourne
This summaries the key points of the recently held National Architectural Convention, the first of its kind to be held in Australia, which brought many visiting architects.Typewritten, foolscap, 3 pagesSeveral small ink correctionsarchitecture melbourne; national architecture convention; century of architecture; building industry productivity; city plan for melbourne; australian style; school of architecture melbourne university; international students, robin boyd, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International Blender, 1964
Robin Boyd was involved in creating several television programmes, as author and presenter. 'Design in Australia' was an eight part series for the ABC television series 'University of the Air'. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force reinforced by technology and mass production is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D191 is the revised version.Typewritten (c copy), foolscap, 12 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript