Wilson tennis racquet and screw press. Punched label on side of shaft states V.N. Siddall. Wooden racquet head press with four wingnut screws. Labelled "The Davis Press...E.A. Davis London" Materials: Wood, Synthetic Gut, Lacquer, Adhesive tape, Plastictennis

S&SL brand "The Demon" model tennis racquet. Fish tail shaped butt. Stamp on neck states 'Made for the Melbourne Sports Depot'. Stamped on handle: 'Made in England'. Paper tape wrapped around shoulders. Materials: Wood, Gut, Adhesive tape, Inktennis

A Dayton steel upper, wood lower, tennis racquet, with open throat, piano wire racquet strings, cloth string whipping around shoulders, and leather handle grip with large floral perforations. Materials: Metal, Glue, Lacquer, Paint, Leather, Ink, Cloth, Stringtennis

An unstrung Horace Partridge & Co. tennis racquet, with solid convex throat, and cross-hatched handle. Decal of manufacturer's name, accompanied by a human figure holding up an oversized tennis racquet, features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Inktennis

Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Hand painted enamelled Chinese vase on stand. Features a floral design predominately in colours of white, blue, pink, green, black with gold trim and edging. The gold finish is especially a feature inside the vase neck. Black enamelled wood stand with labels on the base with price.

Framed pastel titled: "Fauna in the night" painted by Dorothy Turnball. Features a possum perched on a branch amongst red blossoms. Set in grey card window mount with red and grey trim. Grey painted wood frame. Brass engraved plaque affixed to lower edge.

Photograph of family group of four females (at least one of them a child) at Fern Glade Track near Mt. Morton, Belgrave Heights. The family appear to be holding on to a railing in a heavily treed area. Probably taken by Betty de Coite nee Woods or her parents.

Diggers & Mining. Diggers and miners. Walhalla - Gold Town. IN 1862, a party of prospectors, having worked southwards from Wood's Point for about 40 miles through rugged country such as this, - - - Photo shows rugged country. Markings: 9 995 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

An unidentifiable tennis racquet, with raised lower shoulders, string whipping around, and hide reinforcing along length of shoulders, and, a Balmforth of England leather handle grip with patterned perforations. Materials: Wood, Nylon, Glue, Lacquer, Metal, String, Leather, Cloth, Adhesive tape, Hidetennis

A Kun Nan Taisports Prize Cup tennis racquet with string whipping around shoulders, leather handle grip with triangular perforations, and white plastic butt cap. Materials: Wood, Nylon, String, Ink, Glue, Lacquer, Metal, Plastic, Leather, Enamel, Adhesive tapetennis

A Dunlop Fort 'Maxply' model tennis racquet, with whipping on shoulders & shaft, and handle wrapped in perforated leather. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Paint, Adhesive tapetennis

A Ping Pong paddle, with stretched hide double-face, and gold tape decoration around frame. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, Glue, Adhesive tapetennis

A pair of Ping Pong paddles, with stretched hide faces, and leather binding with impressed gold patterning. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, Leather, Glue, Inktennis

An Adidas Ilie Nastase tennis racquet, with tape whipping around shoulders, and leather handle grip with patterned perforations. Autograph by Nastase features along shaft and neck, on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Adhesive tapetennis

An A.R.Co. Crown tennis racquet, with fibreglass and hide shoulder reinforcements, bamboo laminated shaft, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Adhesive tape, String, Fibre, Fibreglass, Bamboo, Hidetennis

A collection of 36 identical Tennis Craft 'Speedflex Deluxe Model' tennis racquets, with no netting, and tan & brown Kinghorn 'Original' tacky perforated handle grips. Materials: Wood, Fibre, Paint, Ribbon, Adhesive tape, Leather, Cloth, Paper, Ink, Glue, Lacquer, Metaltennis

A collection of 4 identical Tennis Craft 'Speedflex Deluxe Model' tennis racquets, with no netting, and tan & black Kinghorn 'Original' tacky perforated handle grips. Materials: Wood, Fibre, Paint, Ribbon, Adhesive tape, Leather, Cloth, Paper, Ink, Glue, Lacquer, Metaltennis

Multi-part object of 3 identical racquets (parts are numbered from 2008.990.1 to 2008.990.3). Each racquet is: a Dunlop 'Maxply Austral' model with black and clear net strings. Plastic wrap on handle. Materials: Wood, String, Adhesive tape, Nylon, Leather, Paint, Plastictennis

Multi-part object of 6 identical racquets (parts are numbered from 2008.991.1 to 2008.991.6). Each racquet is: a Dunlop 'Californian' model with clear net strings. Racquet in clear plastic factory bag with Dunlop branding. Materials: Wood, Plastic, Adhesive tape, Paint, Leathertennis

Partial copy of San Francisco Chronicle Sporting Green newspaper of February 16, 1926, with front page headline 'WILLS-LENGLEN IN BATTLE OF THE CENTURY'; with coverage of the upcoming match and photographs of both players. Under UV glass. Materials: Ink, Paper, Metal, Wood, Glasstennis

Reproduction of sepia advertising poster for Bosco Morgando & Co. tennis department. Image of large room with tennis equipment displays. Other text: 'LA GRANDE CASA DELLO SPORT' and 'REPARTO TENNIS'. Materials: Ink, Paper, Cardboard, Wood, Glass, Metal, Adhesive labeltennis

Gouache depicting a barefoot, unshaven male figure with open shirt and rolled up pants hems, holding a perforated wooden paddle. Inscription in German on reverse only partially visible through backing. Materials: Pigment, Paper, Wood, Cardboard, Metal, Felt, Adhesive tapetennis

Almost full-length portrait of young woman standing (facing viewer) wearing long red skirt and peaked cap, and holding a flat top tennis racquet. Indecipherable signature lower right corner. Materials: Paper, Pigment, Glass, Cardboard, Glue, Wood, Metaltennis

Colour lithograph depicting two women in long dresses and bonnets, holding tennis racquets and standing by a high wall, and the face of a man with a lit cigarette looking over the wall from the other side. Materials: Ink, Cardboard, Cloth, Wood, Glass, Metal, Adhesive labeltennis

Two snippets from a late 19th century magazine, featuring lithographic illustrations of men and women playing tennis. The illustration to the right features the text: LAWN TENNIS/THE TENNIS/BELLE/THE/TENNIS/SWELL. Materials: Paper, Ink, Cardboard, Glass, Wood, Adhesive label, Metaltennis

A pair of Ayres 'The Cavendish' net posts (.1 (winch) and .2), comprising of a wooden post slotted and fixed into metal base. Winch system is 'The Eezewynder' model. Inscription around metal base: AYRES PATENT/THE CAVENDISH/TENNIS POSTS. Materials: Metal, Wood, Paint, Lacquertennis

A page from magazine entitled 'Amateur Sport' featuring images and information about six leading male tennis players: F.H. Hovey, V.G. Hall, J.T. Whittelsey, Clarence Hobart, Richard Stevens and Malcolm Chace. Materials: Ink, Paper, Metal, Wood, Glasstennis

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A. Smart, Mayor of Kew 1875-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.A. Smart, Mayor [of Kew] 1875-6mayors of kew (vic), cr. a. smart, kew (vic.) — municipal collection