This is a set of 27 black & white photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour Victoria in 1983. The Fortuna Lions competed in the Puckapunyal Area Football Association for several years from 1978 to 1984 and in 1983, fielded a great team it managed to reach the Grand Final. Held at the neutral ground at Kings Park, Seymour, the match was an incredibly exciting and bruising contest played in damp conditions and ended in a draw. Dave Lawler’s spectacular mark was a highlight. Due to heavy rain during the following week, the Grand Final replay was held the following week in even heavier conditions. The Fortuna Lions prevailed in the replay with an emphatic victory. The team’s leaders were Eddie Jacobs (coach), Rhys De Laine (captain), Greg Else (vice-captain), and Ken Slater (manager). See item 6274.7P for more photographs taken at the two grand finals, team photo. See item 6245.26P for colour photos of the finals, the team photo with names and a photo of the premiership banner. The team changed its name to the Fortuna Falcons and its guernsey to gold with a blue ‘V’ in 1988 and continued to compete in the competition up to 1995. This is a set of 27 black and white photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour Victoria in 1983. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. Players named below are in Fitzroy jumpers. .1) - Photo, black and white. 1983. L to R: Mick Hogan, Peter Jones (ruck), Rod Skidmore (No.14), Greg Else, Stu Ridge (No.2). .2) - Photo, black and white. 1983. L to R: Rhys De Laine, Doug Home, Mick Hogan (no.12), Rod Skidmore. .3) - Photo, black and white. 1983. L to R: unidentified (x2), Keith Quinton, Doug Home, Mick Hogan. .4) - Photo, black and white. 1983. L to R: Rod Skidmore, Greg Byers, Rhys De Laine, Rhys De Laine, Jim Ash. .5) - Photo, black and white. 1983. L to R: Stu Ridge (No.2) Peter Jones (ruck No.5), Mick Hogan. .6) - Photo, black and white. 1983. L to R: Keith Quinton (No.3), unidentified (No.8), Dennis Learmonth, Greg Byers. .7) - Photo, black and white. 1983. L to R: Greg Byers, Greg Higgins, Stu Ridge, Dennis Learmonth (No.10), Keith Quinton. .8) - Photo, black and white. 1983. L to R: Bob Thrower (No.21), Peter Jones, Dennis Learmonth (No.10). .9) - Photo, black and white. 1983. L to R: all unidentified. .10) - Photo, black and white. 1983. L to R: Mick Hogan (no.12), Doug Home, Peter Jones (No.5), Greg Else, Jim Ash. .11) - Photo, black and white. 1983. L to R: Dennis Learmonth, Keith Quinton. .12) - Photo, black and white. 1983. L to R: unidentified, Eddie Jacobs (No.16), Greg Higgins (No.20). .13) - Photo, black and white. 1983. L to R: all unidentified. .14) - Photo, black and white. 1983. L to R: Rod Skidmore, Jim Ash. .15) - Photo, black and white. 1983. L to R: Greg Else (No.6), Mick Hogan (No.12), Alan Staley, unidentified. .16) - Photo, black and white. 1983. L to R: unidentified, Peter Jones, Rhys De Laine. .17) - Photo, black and white. 1983. L to R: Eddie Jacobs, Greg Else. .18) - Photo, black and white. 1983. L to R: Keith Quinton (No.3), Rod Skidmore, Eddie Jacobs, Dave Lawler. .19) - Photo, black and white. 1983. L to R: Doug Home, Greg Byers, Bob Thrower, Rod Skidmore, unidentified. .20) - Photo, black and white. 1983. L to R: Stu Ridge (No.2), Greg Higgins (No.20), unidentified (No.8). .21) - Photo, black and white. 1983. L to R: all unidentified. .22) - Photo, black and white. 1983. L to R: Peter Jones (no.5), Greg Byers (No.19), unidentified (x2). .23) - Photo, black and white. 1983. L to R: unidentified. .24) - Photo, black and white. 1983. L to R: Mick Hogan, unidentified (no.13), Rhys De Laine, Jim Ash, Keith Quinton (No.3). .25) - Photo, black and white. 1983. L to R: Steve Burke, Peter Dillon, Jim Ash, Dave Lawler, Paul Baker, Tracy Ash, unidentified, Warren Hall. In far-right background: Greg Else, Megan Reynolds. .26) - Photo, black and white. 1983. L to R: Warren Hall, Ken Slater, Cliff Webb, shirtless Glen Cannon. .27) - Photo, black and white. 1983. L to R: Warren Hall, unidentified..1P to .27P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes

Carving was made by a Japanese Prisoner Of War in a New Zealand POW Camp in Featherston, North Island. Original owner believed to be Graeme Richards who was a guard at the camp.Solid wooden carving of the Great Wall of China. Tan with matching frame, cord hanging strap on back.Carving history attached to backing.memorabilia, carving, china, pow,

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.1 round brass button with a metal shank crown and map of Australia and wording around the circumference. Australian Military Forces and a crown and map of Australia. K. C. Luke Pty Ltd Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, metal buttons, k c luke pty ltd

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.1 round brass button with a metal shank crown and map of Australia and wording around the circumference. A split pin is through the shank.Australian Military Forces and a crown and map of Australia. P. J. King Pty Ltd Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.10 identical round silver metal buttons with a metal shank crown and map of Australia and wording around the circumference. 2 have split pins through the shank.Australian Military Forces and a crown and map of Australia. Stokes and Sons Melbourneaustralian army nursing service, 28 camp hospital internment camp 1, silver metal buttons

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference. A split pin is through the shank.Australian Military Forces A crown and map of Australia K. C. Luke Pty Ltd Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference. A split pin is through the shanks.Australian Military Forces A crown and map of Australia australian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference.Australian Military Forces A crown and map of Australia P. J. King Pty Ltd Melbaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference. A split pin is through the shanks.Australian Military Forces A crown and map of Australia K. C Luke Pty Ltd Melbaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round silver metal button with a metal shank. Crown and map of Australia and wording around the circumference. Australian Military Forces A crown and map of Australia Stokes and Sonsaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.Small round button with a metal shank. Crown and map of Australia and wording around the circumference. A split pin is through the shanks. Red cotton around the shank.Australian Military Forces A crown and map of Australia Stokes and Sons Melbaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

A photograph taken of a sketch of Ricardo Marsella, whose parents were internees in Camp 3 during WW2. Sketch was done by Mr Martelli, also in Camp 3.Black and white photograph of a sketch of a dark haired boy front on but looking to pictures left. He is wearing a collared shirt which is decorated around the edge. Is on a foam backing.ricardo marsella, mr martelli, camp 3 rushworth

This image was sent back to Ascot, Victoria.A number of Australian soldiers during World War One surround a launch at the Suez Canal.Verso: Arrival of the launch from ______ which brings our supplies etc. As the picture shows rather a busy momnet and this snap was taken in front of our camp.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, suez canal, world war

Stereotype photograph 12,915. READY TO FIGHT FOR THE EMPIRE. Australia's Splendid Troops in Camp at Broadmeadows. Copyright Geo Rose The Rose Stereographs copyright Melbourne Sydney Wellington Londonworld war 1, anzac, ww1, soldiers, australian, australian expenditionary force, troops, infantry, broadmeadows camp, 1914, the rose stereographs, stereograph, stereotype

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of group of soldiers outside brick building." Officers form up ready to move on to Parade. Courses Camp Puckapunyal 1982. Hand-over parade Major GF Cole to Major IR Docking. " military, vmr, officers

The Mission to Seafarers hosted an art auction on July 12 2018, with works by well-known artists such as R_O_N_E, photographer John Gollings, illustrative artist Jeremy Kyle and Catherine de Boer who brought together their work, as well as her own, into the same room. During an attempt to climb Mt Kilimanjaro in Tanzania Catherine de Boer, promised the guide who helped her, Emmanueli to finance his studies and get his diploma in safari guiding and wildlife management. On the Go Fund Me page Catherine explains: By running this type of event, the Mission to Seafarers demonstrates its support to the Community,emmanueli collection, auction, catherine de boer, tanzania, mount kilimanjaro, community

The 2nd Light Horse Regiment was raised at Enoggera in Queensland on 18 August 1914. Its recruits came mainly from Queensland but some hailed from the northern rivers district of New South Wales. The 2nd was one of three regiments of the 1st Light Horse Brigade – the first Australian mounted formation raised by Australia during the First World War. The regiment sailed from Brisbane on 25 September and disembarked in Egypt on 9 December. The 2nd Light Horse Regiment deployed to Gallipoli without its horses and landed there on 12 May 1915, joining the New Zealand and Australian Division. It played a defensive role for most of the campaign but did attack the Turkish trenches opposite Quinn’s Post, one of the most contested positions along the ANZAC Line. The first assault wave was mown down and fortunately the officer commanding the attack had the wisdom and courage to call it off. The 2nd was withdrawn from the front line in September and left the peninsula on 18 December. Back in Egypt, the 2nd Light Horse joined the ANZAC Mounted Division. Between January and May 1916, the regiment was deployed to protect the Nile valley from bands of pro-Turkish Senussi Arabs. On 18 May, as part of its parent brigade, it joined the forces defending the Suez Canal. The 1st Light Horse Brigade played a significant role in turning back the Turkish advance on the canal at the battle of Romani on 4 August. In ensuing days the regiments of the brigade participated in the immediate follow-up of the defeated Turks, but were soon withdrawn to rest. The 2nd Light Horse Regiment rejoined the Allied advance across the Sinai in November and was subsequently involved in the fighting to secure the Turkish outposts on the Palestine frontier – Maghdaba on 23 December 1916 and Rafa on 9 January 1917. A stint of protective duty along the line of communications through the Sinai followed. The 2nd’s next major engagement was the abortive second battle of Gaza on 19 April. Gaza finally fell on 7 November, after a wide outflanking move via Beersheba, in which the 1st Light Horse Brigade played a part. With the capture of Gaza, the Turkish position in southern Palestine collapsed. The 2nd Light Horse Regiment participated in the advance to Jaffa that followed, and was then committed to operations to clear and occupy the west bank of the Jordan River. It was involved in the Amman (24–27 February) and Es Salt (30 April–4 May) raids and the repulse of a major German and Turkish attack on 14 July 1918. The final British offensive of the campaign was launched along the Mediterranean coast on 19 September 1918, with the ANZAC Mounted Division taking part in a subsidiary effort east of the Jordan aimed at Amman. Turkey surrendered on 30 October 1918. The 2nd Light Horse Regiment sailed for Australia on 13 March 1919 without their horses, which were either shot or transferred to Indian cavalry units. Events in the daily routine of the soldier were signalled by bugle and trumpet calls. This trumpet is signicant because historically, it was issued to the 2nd Australian Light Horse Regiment in 1912. This Regiment served with distinction in Gallipoli and Palestine in World War 1. It is probable, but not confirmed, that tthe trumpet was used by the Regiment during these operations. Each light horse regiment was divided into four squadrons. Each squadron had a trumpeter sergeant, equipped with a cavalry trumpet, who was employed at the Squadron Headquarters Technically called a cavalry trumpet, this brass instrument can be described as a "simple trumpet" ie. the direct forerunner of the modern valve trumpet. It is in E flat not B flat as is the bugle. Both were carried slung over the player's body by means of green tasselled cords.Crest with inscription: "Exposition Universelle De Paris" with circular logo with inscribed "1900". "Hors Concours Membre De Jury". Logo formed of initials (not deciphered). "Couesnon Cie 94 Rue Dangouleme Paris". Bomb burst type logo with "01" in centre. "W H Paling & Co Ltd Sydney NSW Brisbane" On bell: "Mounted Rifles (2nd ALH)" trumpet, cavalry, musical instrument, 2nd light horse, mounted rifles

``Newspaper clipping from The Mail , 29-11-93 P4 Survey a 'success'.Ringwood Council is thrilled with the response to a community survey concerning the city's information provisions.Ringwood's community liaison officer, Miranda de Giorgio, said the 46% response was overwhelming.`