Scalebuoy. Invented by Hartley Abbott & patented under the name of the Bendigo Electronic Company, made in various sizes & for different applications, such as to prevent scaling in the boilers at mines. Made up of a sealed glass bulb containing mercury and gasses enclosed within a chromed wire cage & with a chromed handle. The one shown being a hand held shaker model.sciences, instruments - general, scalebuoy

Early photograph of the Railway Station in Bendigo, there are advertising signs on the backs of the buildings on the right hand side. Three trains are visible, two facing south and one in steam and moving northwards. The engine is partially obscured by steam, there are several open goods wagons and a louvered van toward the rear. Under the photo is Plate 24 ( 3 copies)organization, public utility, railway, railway station bendigo

Blue booklet prepared by John Hall. Golden Dragon Museum an Exhibition on The White Hills Mystery (the strange disappearance of Constable Ryan). Under the title there is a black and white picture of Constable Thomas Ryan. Contents: Introduction - Exhibition - Time line of Events - Conclusion - Bibliography - Appendices. The booklet has 24 pages. All the pages are lose.person, police, constable ryan, constable ryan, john hall, bendigo, white hills, legal system.

Sepia photograph of a young woman in a gold velvet frame with tassle hanging from bottom a brass oval shaped mount and a brass hanger on top, portrait under glass is of a young woman in a striped frock with a lace collar and wearing a hat with flowers and feathers ( could be Harriet Louisa Truscott nee Eva wife of Anthony Truscott)photograph, person, truscott, bendigo-long gully-family-truscott

Cast iron flat Iron for domestic use - "Silvester's Patent" showing on top of iron and trademark with a "Salter" Staffordshire Knot pierced by arrow under this printing. A No. 6 is showing at the pointed end - metal handle part of iron has holes each end indicating something could have been threaded through cavity in top of handle.flat or sad iron, salter's no. 6

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin

Article from Whitehorse Gazette 21/1/1998 informing that Whitehorse Council will restore 75 year old signs painted under the Laburnum railway viaduct. The signs which have been vandalised and have badly deteriorated have been described as a Blackburn icon and a reminder of the past before traffic lights and road signs existed.Whitehorse Council will restore 75 year old signs painted under the Laburnum railway viaduct.city of whitehorse, abbott, kevin, champion, isaac, ray, shire of blackburn and mitcham, shire of nunawading

Hat badge 3rd Cavalry Armoured Corps Regiment. Antique silver hat badge Army Reserve. Circular badge in the shape of a wreath with St Edwards Crown above. Under the crown and within the wreath is a scorpion aligned with it's head and claws at the bottom of the badge. Between it's claws it is holding a boomerang embossed with the motto "Resolute".3rd Cavalry Regiment Oceania: Australia accession Number REL 25016.

Photograph of BTM Horse Tram No 1, under construction, with trams 40 and 27 in background. Photographed on depot fan 15-10-1989. Horse tram has had saloon completed and both end dash panels added. Body in pink primer. Photo appear in Feb. 1990 issue of Trolley Wire, page 41.'15/10/89, Nos 27,40, & Horsecar 1'tramways, trams, ballarat, horse trams, btps, reconstruction, tram 1, tram 40, tram 27

Yields information about the City of Ballaarat the time of the Mayor's report to the City Council, about the events, industry, transport and other issues within the City.Photocopy of part of City of Ballaarat's Mayor's Report for 1951 - 1952. Originals held in the Ballarat Library. Seven pages covering trams, railways, telephones, one page item and artists impression of new SEC Power Station Ballarat "B" then under construction and photo looking from Town Hall - showing a sign "orderly parking".trams, tramways, city of ballaarat, trams, railways, civic history

Has a strong association with Theo Dunstan Inspector in Ballarat; would have been issued to crews in order to hold coins within their cash bags.Manufactured coin dispenser for 1, 2, 5, 10, 20 and 50 cent coins, made from blue, white and red plastic with metal springs under each red coin support plate. Held in position by three metal screws. Manufactured by Victorlite Pty Ltd, Melbourne. The one and 20 cent coin plates are missing.tram, trams, fares, cash handling, tickets

Set of two black and white photographs of No. 661 being loaded at the rear of the depot to go to Melbourne for Yapper Tours, April 1989. (For actual date see Car log book). Photographer unknown. .1 - Tram at rear of depot, with Barry James Crane. .2 - Being loaded onto the truck, under the tram, with bogie off tracked. tramways, trams, btm depot, loading trams, tram 661

Yields information about the correspondence that was sent to the City of Ballarat from the SEC about underground services under tram tracks.Carbon copy of a letter on quarto green paper (2 sheets) dated 1/4/1937 from the Ballarat SEC Manager to Mr. L. H. Finch, City Engineer, City of Ballarat regarding installation and servicing of pipes and services under the tram tracks, asking him for his assistance and enclosing a set of application forms.Has initials of Manager and one other on page 2trams, tramways, letters, sec, tram track, city of ballaarat

Yields information about Ballarat streetscape and its trams in the closing days of the SEC tramway system.Digital image from a black and white print of tram 42 southbound in Lydiard St North, for Sebastopol. Tram has an "Everything is under control in my all electric kitchen" In the background is the streetscape on the east side of Lydiard St Nth, including the Colonists Hotel, Davidsons shop and the Art Gallery. Photo by Marc Dahlstrom c1971. On rear is the Marc Dahlstrom stamp.trams, tramways, lydiard st north, tram 42

Yields information the first tram to be driven from the BTPS depot building under power.Colour photograph of the inauguration of No. 27 to be moved under power on 12 Oct. 1974 - Vice President Bill Jessup drove the tram - see Page 2 of the 1974/75 Annual report and page 23 of December 1974 Trolley Wire for a similar photo by Bob Prentice. Richard Gilbert on the "podium", prior to the launch. Printed on Kodak paper.On Rear in red ink machine printed "Nov 74.M"trams, tramways, depot construction, btps, operations, tram 27

Dark orange covered auction catalogue for a sale under instructions from Commonwealth Disposals Commission on 10/7/1947 at the Bendigo Ordnance Factory. For sale were Component Parts, Non-Ferrous and Steel Metals, Mild Steel and Armour Plates, tooling, Hardware, etc. J. H. Curnow & Son Pty. Ltd. Were the auctioneer.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - bendigo ordnance factory, commonwealth disposals commission, j h curnow & son pty ltd, cambridge press

Diggers & Mining. The Chinese on the Gold Fields. Slide reads: But these under-estimate the actual numbers considerably. Other official estimates were: January, 1855 - 10,000. July, 1855 - 17,000. End of 1857 - 40,000. End of 1859 - 42,000. Practically all of those who came were to be found on the goldfields. Markings: 29. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Two grey covered catalogues with black printing for an auction sale under instruction from Department of Supply, Melbourne held on 5th May 1955 at Tottenham, Vic. Auctioneers were J. H. Curnow & Sons Pty. Ltd. For sale were motor vehicles, vehicle spares, tools, radio equipment, furniture, clothing and typewriters.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - department of supply, j h curnow & son pty ltd

Book of shares receipts. The receipts are numbered from 1751 to 2000 only the first four are detached, all are blank. The words on the receipt are: extended St. Mungo Gold Mining Company No-Liability St. Mungo's Reef, Eaglehawk. Registered under the mining companies' act, 1871. Capital: pounds 7,500 in 30,000 shares of five shillings each.st.mungo mine, gold mine, shares receipts

Book of shares receipts. The receipts are numbered from 1701 to 1750 only the first seven are detached, all are blank. The words on the receipt are: extended St. Mungo Gold Mining Company No-Liability St. Mungo's Reef, Eaglehawk. Registered under the mining companies' act, 1871. Capital: pounds 7,500 in 30,000 shares of five shillings each.st.mungo mine, gold mine, shares receipts

Collage of newspaper clippings being part 1 and 2 of a Los Angeles Times article, from issue August 29, 1999; entitled 'GRAND OL' MAN' relating to Roy Emerson's grand slam record under threat from more recent players. UV glass. Materials: Ink, Paper, Glass, Metal, Woodtennis

Small round ceramic box painted on lid with tennis scene. Printed on base: 'COMMISSIONED BY THE HORCHOW COLLECTION/ TO BENEFIT THE ROBERT F. KENNEDY/PRO-CELEBRITY TENNIS TOURNAMENT/ BILSTON AND BATTERSEA ENAMELS/MADE IN ENGLAND'. Inside box is inscribed 'LOVE ETHEL'. Under lid is 'RFK' logo. Materials: Ceramic, Pigment, Metal, Enameltennis

Page 784 of the German language edition of Puck (1895), featuring, under the heading 'Tennis Tea', an illustration of men and women having tea on a lawn during a tennis match. Within a text box at the upper left, is a poem, in German, entitled 'Beim "Lawn Tennis" Thee' (trans. 'At the Lawn Tennis Tea'). Materials: Paper, Inktennis

Tom Bentley (1912-1993) was born in Lancashire (UK). From circa 1951, he was the Overseer/Superintendent of Outdoor Works for Kew City Council. Until his retirement in the 1970s, he was based at the Kew Council Depot, located in the former MTB Horse Tram Depot on the corner of Disraeli and High Streets, Kew. Accompanying the set of twelve photographs is a 12-page illustrated biography of the Bentley and Plumridge families, separately kept in the 'Bentley' subject file.Duplicate black and white positive print photograph of road works in Studley Park Road, Kew, carried out under the supervision of Tom Bentley, Overseer/Superintendent of Outdoor Works for the City of Kew. The location at which the photograph was taken is believed, by the donor, to be in the vicinity of Tara Hall (dem. 1960). The photograph shows two Council vehicles.city of kew, public works, studley park road, tom bentley, road works

Tom Bentley (1912-1993) was born in Lancashire (UK). From circa 1951, he was the Overseer/Superintendent of Outdoor Works for Kew City Council. Until his retirement in the 1970s, he was based at the Kew Council Depot, located in the former MTB Horse Tram Depot on the corner of Disraeli and High Streets, Kew. Accompanying the set of twelve photographs is a 12-page illustrated biography of the Bentley and Plumridge families, separately kept in the 'Bentley' subject file.Duplicate black and white positive print photograph of road works in Studley Park Road, Kew, carried out under the supervision of Tom Bentley, Overseer/Superintendent of Outdoor Works for the City of Kew. The location at which the photograph was taken is believed, by the donor, to be in the vicinity of Tara Hall (dem. 1960). The photograph shows a Council vehicles shifting soil.city of kew, public works, studley park road, tom bentley, road works

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century

The two-storey red brick with concrete detailing hall building, according to Vaughan (1960) was the 'meeting place for very many lodges in the various degrees of Freemasonry. The first lodge to be established was the Pentalpha Lodge, No. 90'Rare colour photo of a significant hall in Kew, now demolished and replaced with a carpark.35mm colour transparency (slide) of the former Masonic Hall in Walpole Street, Kew. The two-storey red brick with concrete detailing hall building, according to Vaughan (1960). In from of the building is an A-frame sign advertising the Kew Historical Society which at that time (c.1980) shared the building with other organisations under the banner of 'The Copy Shop'. freemasonry -- kew (vic.), masonic hall -- kew (vic.), walpole street -- kew (vic.)

Physician blankets were manufactured by Collins Bros Pty Ltd, established 1874.Folded paper label, grey with coloured text and graphics. Front is grey with blue, red and white text, showing central colour graphic of a woman lying in bed using a telephone under a blanket. Back is grey with white, blue and pink text with an outline graphic of a man lying in a single bed. Inside of label is white with blue text. Printed: Physician Blankets / MADE IN AUSTRALIA / "REST ASSURED" / ALL WOOL CHILLPROOF & MOTHPROOF / Guarantee / SHOULD A FAULT DUE TO / IMPERFECT MANUFACTURE OCCUR / WITH 20 YEARS THEY WILL BE / REPLACED FREE OF CHARGEblankets, physician, collins bros mill pty ltd, manufacturing, geelong, wool, advertising