BHS CollectionBendigo Advertiser ''The way we were'' from Monday, March 3, 2003. Elegant: an Anglican ball debutante set, September 14, 1948. Back row: Brian Ackland, Peter Houston, Bob Burnett, Keith Rollinson, John Moran, Max Jackman, Max McCaig, David Beattie, Bob Kerr, Leith Mitchell, Reginald Runnells, Ronald Watt. Centre row: Jim Murphy, Ian Hamilton, Wilma Kilcullen, Natalia Huggins, Joan Bennett, Valarie Potter, Fay Norris, ''self'', Jean Dewar, Pat Bruechart, Peter Ladd, Arthur Wright. Front row: Pam Wright, Una Manning, Gaymor Beard, Margaret Tuff, Chaperon Mrs O.G. Lowe, Joy Thomas, Norma Ball, Betty Marshall, Norma Bennett. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Originally part of the Benevolent Home (Anne Caudle), in 1962 this became the laundry service for the entire Loddon region. It closed in 2012 when it was decided to outsource the laundry service.Bendigo Advertiser ''The way we were'' from 2003. Heyday: staff of the Loddon Linen Serice pictured in 1968 at the Anne Caudle Centre. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Flag-bearers: the Sandhurst Football Club reserves premiership side of 1952. From left back are: L. Laity, K. Carr, J. O'Brien, R. Lee, T. Owens, M. Mummery, E. Sanders, J. Hunt, R. Slattery, K. Slattery, V. Hussey, J. Pollock. Centre: G. Roberts, G. Leonard, H. Mathers, J. Hartney (coach), H. Winfield (captain), k. Clohesy, P. Houston, D. Bartram, S. Yorston. Front: G. Arthur, W. Roberts, m. Rayner, D. Nuttall, J. Shephard, D. Casley, g. Mathews, M. Molloy, G. Bridgland. The team scored 5.8 (38) to defeat Eaglehawk 2.10 (22). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)Panaramic view of Tower Hill, Victoria.tower hill, volcano, crater

The Furphy Water Cart, made in Shepparton is an iconic part of Australian manufacturing history. Troops gathered around these sturdy carts during WW1 to have a drink of water, to swap stories, and embellish them a bit along the way. This led eventually to the term 'furphy' entering the Australian vernacular, meaning a rumour, gossip or fake news. Many people have probably heard ... “GOOD, BETTER, BEST - NEVER LET IT REST - TILL YOUR GOOD IS BETTER - AND YOUR BETTER, BEST." But the random squiggles across the centre of a Furphy water tank are not Arabic writing as many believe but Pitman Shorthand that translates as … “WATER IS THE GIFT OF GOD, BUT BEER AND WHISKY ARE CONCOCTIONS OF THE DEVIL, COME AND HAVE A DRINK OF WATER”. Several versions evolved over the decades and this 1942 cart also has an illustration of a stork holding a baby with more squiggles underneath, also in shorthand, which is a quote often first attributed to the WW1 Prime Minister Billy Hughes ... "PRODUCE AND POPULATE OR PERISH”. The Forests Commission owned lots of Furphy water tanks and Rocky Marsden managed to rescue and restore two of them which are at the North Altona workshops.Two Furphy water tanks forests commission victoria (fcv), fire pump, bushfire

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Smithy: Dan Murdoch blacksmith was located in Napier Street, Eaglehawk, during the early 1950s. Bill Jones stands centre (the other two men are unknown). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Spirits came in bottles and were sold at licensed premises.The shape, colour and production methods of the bottles have changed over time. Mitchel & Co. Belfast were established in 1860 in Belfast Ireland.This bottle was received from the ocean floor of the Portland Harbour.Clear heavy glass bottle with green tinge and heavy embossing, manufactured for Old Irish Whisky. The bottle is an oblong shape with long straight sides, three quarters of the way up the sides taper to the neck which has a lip and then the opening. The base of the bottle is curved inwards. Front top: OLD IRISH WHISKY TRADE (INSERT LOGO) MARK Logo: is a likeness of a imperial crown inside a square based shape that comes to a point at the bottom similar to a heat tip and steps in both sides up the top to form a small box top. The letters CL are visible in the centre of the crown. Bottom: MITCHELL & CO OF BELFAST LTD Rear Top: IMPERIAL QUART in a banner old irish whisky, mitchell & co. belfast ltd, bottle, port of portland

Coloured photo of demolition of Mitcham State school (junior school) Mitcham Road, Mitcham to make way for construction of Safeway shopping centre and carparkmitcham state school no. 2904, mitcham

The Garfield Picture Theatre was built in 1924 for Martin Donohue, and according to Mr H. Arnold, who wrote a history of the theatre, it was leased to J. Taylor. It was said to have seated 800 people, and dances were held on Friday evenings with pictures shown on Saturday nights. The theatre was one of the many movie-viewing venues constructed during the Australia-wide boom in cinema building in the 1920s. The Garfield Picture Theatre was Cardinia Shire’s first cinema in the region, followed by Kooweerup’s Wattle Theatre and Pakenham’s King’s Picture Theatre which opened in mid to late 1927. The theatre is significant to the area as it’s one of the few picture theatre buildings remaining in the shire. The Garfield Picture Theatre was not only the main entertainment hub for the area, but it was the town’s first source of electricity. The theatre closed in 1962 and reopened in the 1980s as the Garfield Trading Centre, owned by Sam Jensen, who used to sell used furniture, bric-a-brac and antiques. The theatre stayed that way until 2001, when renovations began by owners Fred and Susan Perez. The theatre was in need of some serious repair and improvement. Fred and Susan spent 17 years relaying and polishing the original floorboards, installing roof insulation, as well as building a commercial kitchen, inside toilets with a disable toilet, upstairs living quarters, full verandah, and drainage and decking around the whole outer edge of the theatre. ​The theatre is a well-preserved and gabled red brick building, with internal renovations creating a grander experience than the original. The front facade still has its original raised cement letters `Garfield Picture Theatre' and sits above a deep cantilever street verandah which extends the front of the building. The Garfield Picture Theatre made a triumphant return as an entertainment venue on Sunday 03 July 2016, and now hosts various music events and is a great venue for weddings, corporate events and dances. The theatre seats 250 and has a lovely outside area with beautiful gardens including piano. Colour photographs of the Garfield Picture Theatre.garfield, garfield theatre

The only IUD of Australian origin, developed in 1971 by Australian doctor Ian Anderson in partnership with Ansell Australia and produced at the Ansell factory, 18 River Street, Richmond in the 1970s. The device was taken up by the Battelle Foundation, USA, and clinical trials were carried out in Israel, Indonesia and Singapore. No formal clinical trials were carried out in Australia. The device was used extensively by Population Services International, a private abortion clinic in Sydney in the mid 1970s. At the time this device was donated to the collection in 1997, there were legal proceedings regarding two Australian women who claimed ongoing problems as a result of its use. The donor, Dr Richard Gutch, practised in Clifton Hill and used some in the 1970s but not for long. The drawbacks were the multi-filament string acted as a wick for infection, also the latex leaf often came away from the thread when pulled for removal. Curettage was often the only effective way to remove the IUD. Dr Gutch removed many as he developed a reputation for being skilled at their removal.Intrauterine device (IUD), Ansell-Anderson latex leaf design, with paper sleeve. Made of latex impregnated with copper and zinc. The IUD is leaf-shaped with serrated edge and diamond shape cut out from its centre. Small hole in tail with attached twisted cream coloured thread. Paper sleeve is stamped, "THE/ ANDERSON-ANSELL/LATEX LEAF/I.U.D". SIZE:A/PATENTS PENDING", and notes it is Size A.contraceptive, intrauterine device

CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. Mystery: all that is known of this photo is Bill Mitchell, centre back. Picture supplied by Shirley Hocking of Bendigo. The clip is in a folder.newspaper, bendigo advertiser, the way we were

0 - No 9 - 1/4/2011 - Rhinos on skateboards, Did you know, Spencer St works, .1 - No. 11 of 3/5/2011 with the revised Yarra trams logo, traffic priority, work over Easter in Spencer St at Bourke and Collins St, Good Friday appeal, safety, passenger feedback and future works. .2 - No. 13 - 31/5/2011 - new uniform, cleaning, CEPR, trackwork - Fitzroy St, Northcote, Rhino, Carlton Control. .3 - No. 14 - 15/6/2011 - Haymarket Roundabout, accessibility, maintenance, CSE. 3a - No. 16 - 19/7/2011 - Managers on the move, Trevor Jones, Yarra's vision, Richard Ch'ng and Rhino update. .4 - No. 17 - 2/8/2011 - High St Westgarth trackwork, Swanston St, IMF CEO visit .5 - No. 18 - 16/8/2011 - Performance benchmarks met, Preston Workshops, repairs to 3018, tram signal priority. .6 - No . 19 - 30/8/2011 - New E class trams, routes "a" or "d", TramTracker in shelters, police, fare evasion .7 - No. 20 - 15/9/2011 - Football trams, Superstops, Bridge Road, Rhinos. .8 - No. 21 - 27/9/2011 - CEO's journey to work, accessibility, increased patronage, E class. .8a - No. 22 - 11/10/2011 - Minister Mulder visit, E class, Customer experience, Elizabeth Kerdelhue Corporate Affairs Director, flood indicator in Wellington Parade, Keolis - Orleans and PTV coming your way. .9 - No. 23 - 25/10/2011 - forthcoming royal visit, opening for Footscray Road extension, Rhinos, Stockholm .10 - No. 24 - 8/11/2011- Royal visit, photos, Z3 158, route 86 works in High St. (see htd5043i21 for a image from an unknown newspaper of the actual event - features Z3 158.) .11 - No. 25 - 22/11/2011 - new staff guide, Gold Coast tram line, Macarthur St, overhead, fund raising, route numbering update. .12 - No. 26 - 6/12/2011 - Swanston St Superstops, Newmarket bridge strikes, rhinos. .13 - No. 27 - 20/12/2011 - Christmas carnival, Lenny Bates, portable crossover, uniforms. .14 - No. 28 - 17/1/2012 - Passing of Len Bates, Myki, Gardiner railway station. 14a - No. 29 - 31/1/2012 - Southbank depot, patronage, myki, think like a passenger, fatigue management, .15 - No. 30 - 15/2/2012 - visit of Keolis, SNCF people, list of Executive leadership team with photos, Swanston St works, Myki introduction. .16 - No. 31 - 29/2/2012 - patronage up, tram postage stamps, Myki, rhinos. .17 - No. 32 - 14/3/2012 - St Kilda Rd trackwork, fund raising, Southbank Depot extensions, Myki, driving conditions, grand prix. .18 - No. 33 - 30/3/2012 - introduction of the PTV, end of MetLink and Transport Ticketing Authority, changes in management structure, trackwork, Gold Coast tramway and Keolis. .19 - No. 34 - Dr Jake - Royal children's Hospital super stop, route 96 - Premium line. .20 - No. 35, 2/5/2012 - Revision of Rules, trackwork in St Kilda Road and Elizabeth St, Myki, safety - Zero Harm. .21 - No. 69 - 25/9/2013 - Passengers paying their way, E class update, Mal Ashworth retires, progress report, feedback, new chime on trams. .22 - No. 70 - 9/10/2013 - Art comes alive, tram 925, driver simulator at Preston Workshops, E class project, 90th Glen Huntly. .23 - No. 83 - 23/4/2014 - Screen time for trams, new PIDs on B class, assistance animals, Operations Centre, Preston Workshops, Electrical log sheets to SLV. .24 - No. 89 - 23/7/2014 - punctuality, refresh of network map (fold-out map), women drivers. .25 - No. 97 - 19/11/2014 - Revitalising route 96, Keolis news, free tram zone, guide dogs. .26 - No. 99 - 17/12/2014 - Accessibility week, new uniform top for CSE's, free tram zone, world trade centre stop upgrade, heat stress, Art tram 158. .27 - No. 100 - 14/1/2015 - Route 96 complete, New Years eve free travel, fare compliance, patronage down, .28 - No. 12 - 16/5/2011 - Gold coast tramway, performance dashboard, tramworks and the rhino .29 - No. 16 - 19/7/2011 - Depot managers, tevor jones, record patronage, vision, rhino .30 - No. 17 - 2/8/2011 - High St Westgarth works, Duncan Smith, David Clarke Training, Swanston St works, and Preston Workshops . .32 - No. 39 - 28/6.2012 - maintenance, Emmanual Sorin, transformation, fare evasion, and Combino in Potsdam. .33 - No. 105 - 25/3/2015 - Grand Prix, Elgin and Lygon upgrade, Camberwell Junction, PTV hub, overhead.Demonstrates Yarra trams staff newsletters.Set of 33 Yarra Trams internal newsletter "The Wire", All A4, printed in full colour. All four pages unless noted otherwise, full colour, performance snapshot on front cover.trams, tramways, yarra trams, traffic control, trackwork, spencer st, fund raising, operations, rhinos, carlton control, high st, haymarket, preston workshops, e class, route numbers, bridge road, wellington parade, ptv, royal visit, footscray road, new tramway, gold coast, macarthur st, swanston st, superstops, newmarket, gardiner, burke road, level crossings, railway squares, myki, metlink, tickets, route 96, rules, st kilda road, elizabeth st, tram 158, tram 925, glen huntly depot, simulator, b class, opeations centre, art trams, patronage

BHS CollectionBendigo Advertiser '' the way we were'' from 2002. Team mates: back: Maude Bell, Glad Symes, Melva Cox, Lila Steel, For a Neal and Cis Pitson. Centre: Mrs Robertson, Nel Stevenson, Marj Cuthbertson, Lourna Cox, Freda Goyne, Lil Long and Hilda Flett. Front: Nell Amstrong, Olive Crawford, Tilly Jenkins, Ivy Symes, Helen Hill and Glad Brooks. Club name unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The grand home is the first Church of England vicarage, 'Priorswood' to be built in Sunbury. It was sited at the east end of Station Street on Vicarage Hill and about a kilometre from St. Mary's Church in O'Shanassy Street. The distance between the two buildings presented a problem especially when the vicar had to negotiate a natural waterway across the lower end of Station Street after heavy rain. In 1914 a new Federation style vicarage was built adjacent to the church in O'Shanassy Street and was replaced in the 1960s with a more modern building, which was demolished in the 2020s to make way for 8 Oaks Community Centre.'Priorswood' is now a private home and has a local heritage listing.A print of a non-digital black and white photograph of a Gothic style brick home with a slate roof.'priorswood' vicarage, st. mary's church of england., sunbury, vicarages

The Maling Road theatre was badly damaged by fire in 1990 and demolished in 1993. Built as a Hoyts Theatre in 1942 it later became the New Canterbury Ballroom and in 1971 the Immanuel Revival Centre. Part of a set of 8 coloured photographs taken by Jan Pigot to record the demolition of some shops and the old theatre to make way for new shops in Maling Road.Colour photocanterbury, maling road, maling theatre, new canterbury ballroom, immanuel revival centre

Provides 123 General Rules - in five sections - A - General, B- Accidents Etc, C - Tramways Operations, D - Motormen, E - Conductors. Copy 2 - has a copy of item Reg. No. 3118 taped into inside rear cover. Copy 3 - ditto, but loose inside rear cover - added 11/8/2006. Copy 4 - marked as issued to H. Hughes - 20/6/1968 - added 18/1/2007. See also Reg Item 1298 for other copies of this item.Demonstrates aspects of the way the SEC issued rules to employees on how they should behave and perform their duties safely. Yields information on particular items and operations.Twenty page, centre stapled book within green Rexene covers with paper sides and gold blocked title "State Electricity Commission of Victoria / Tramways / Rules Governing Employees / September 1964. 1st and 2nd copies on the top of inside title page "Ballarat Tramway Preservation Society Catalogue No. 303" 3rd copy has "11.14AM" in pencil on front of cover and title sheet. 4th copy has "H.Hughes" "20/6/68" in pencil. trams, tramways, rules, regulations, by laws, sec, motormen, conductors

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. Fundraiser: a backyard bazaar held in Panton Street to raise money for a new set of scales for a baby centre. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

This a cropped reproduction of a photograph taken by Charles Nettleton in c. 1868. Founded in 1856, the Lying-in Hospital was the second hospital to be established in Melbourne, after the Melbourne Hospital. It was, however, the first lying-in hospital in the Australasian colonies. The hospital was founded in a converted private house "Fairmont", which was located at 41 Albert Street, Eastern Hill (now East Melbourne). In 1858, the 'Lying-in Hospital' was relocated and opened in Madeline St, North Melbourne (now known as Swanston St, Carlton)." (The Women's) The building pictured here was eventually demolished in 1938 to make way for further extensions to the building. The original site in Albert Street was demolished in 1960, and the site is now occupied by the Melbourne Fire Brigade. A section of the wrought iron gates from the original site in Albert Street is held in RANZCOG's historical collection.Reproduction photograph of the front of a building. The building is three stories high. The lowest floor has eight large windows, with a door at centre, on the front side. One side window can also be seen at bottom right. There is a small flight of stairs leading up to the door. The second floor has eight windows in the same locations as the first floor, plus one additional window at centre instead of a door. The top floor is much smaller, with three small windows facing the front of the building. There are trees in the grounds in from of the building. House and grounds are enclosed behind a fence. There is a gate in the fence opposite the front door. Three figures are visible on the path outside the fence. One is at the centre of the image, and the other two are in the right hand corner. Text printed below image reads 'THE LYING - IN HOSPITAL circa 1870'. The image has been mounted and framed in a black wooden frame. An old display label for this image is attached to the back of the frame. handwritten text on backing board at back of work reads 'Probably prior to 1867 (J. Nattrass, 1968). Tape residue visible on backing board at upper right. A chain and two hooks have been added to the frame for hanging.

Hardcover book bound in red, with tile and author's name printed in gold on spine. Dust jacket has an ochre coloured background, title and authors name on front cover and spine. Also on front cover is a copy of black and white photograph: young patients 'well on the way to recovery' in the 1930's (Fairfield Hospital Archives, Austin Hospital Melbourne). Book contains many illustrations.non-fictionA record of the work and achievement of Fairfield hospital in the context of Australian developments in medicine and health. The story of Fairfield Hospital is central to the story of infectious diseases in Victoria. Fairfield Infectious Diseases Hospital opened in 1904 as a fever hospital, later becoming one of the world's foremost centres for the treatment of infectious diseases, especially HIV/AIDS.fairfield hospital (melbourne-vic)-history, hospitals-victoria-history, communicable diseases

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 3 Madonna Crt., Vermont This property has been subdivided into three, and 1/3 Madonna Crt., Vermont is listed as having sold for $1,100,000 in 2018 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story house stretching from the left to the right along the center of the drawing. In the foreground a drive curves up to a connected garage. To the left and right are gardens, all the way up to the house. There are two hole punch holes just below centre of the upper edge3 Madonna Crt., Vermont Margaret Picken - 99 Woodards Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

From Scarborough Maritime Heritage Centre: A Yacht Log was a nautical instrument for measuring a vessel's speed and distance travelled. When navigating a ship it is essential to be able to estimate the boat's speed and distance travelled to determine its position at sea. In times past the only way to measure a ship's speed was to throw a wood log into the water and observe how fast it moved away from the ship. In the 16th century, the log was fastened to a rope knotted at set intervals. The log was thrown over the stern (back) of the vessel and a crew member counted the number of knots that were paid out in a set time. From this they could estimate the speed of the vessel through the water. This was known as streaming the log and is also the derivation of the knot as a measurement of nautical speed. In 1878, Thomas Ferdinand Walker (1837–1921), an engineer in Birmingham, patented a mechanical log in which a recording instrument was attached to a rail at the stern of a vessel connected by a long cord with a rotor which was towed behind the ship. The instrument dial recorded the distance travelled. The 'Log' at the Heritage Centre was recovered from a skip in Scarborough and was one of the first artefacts collected by the volunteer group. It is made of brass with a ceramic dial, with the main scale marked from 0 to 100 nautical miles and an inset dial marked from 0 to 10 miles. It has a fixing plate, on which it can turn, with which it would have been attached to the 'taffrail', the rail at the stern of a ship, usually on the starboard side. The Walker’s Excelsior Mark IV instrument was designed for smaller vessels, such as yachts, launches and fishing vessels. Its exact date of manufacture cannot be determined but this design was manufactured in the first half of the 20th century. These mechanical logs have now been superseded by electronic equipment such as GPS navigation instruments.This instrument was made by a significant nautical instrument manufacturer and demonstrates the innovation needed at the time for improved navigation and safety at sea.Timber Box containing an instrument for measuring speed and distance. There is a brass, cased log with a white enamel dial. It also includes a towing cord and cylindrical rotator. The box has paper labelling on the front and also the inside of the lid. The label on the inside of the lid has instructions for use. Although the lid is hinged it has broken off and is separate. The hinges remain attached.Enamel Dial: Walkers Patent Excelsior Yacht Logmaritime, maritime history, tool, navigational tool, navigational instrument, navigation, sailing, walkers, maritime technology, walker & son