Showing 1649 items
matching colours
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Ballarat Heritage Services
digital photographs, Lisa Gervasoni, CHFL 2004 Grand Final, 2004
hepburn burras, footy, football, grand final, chfl, supporters, colours -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Photograph - Framed Picture, Battle Honours 5TH/6TH BN the Royal Victoria Regiment, 2015
Battle honours are a mark of the uits most important achievements, normally carried on colours these honours are revered Framed picture set behind red and black card in a black wooden frame. The pictures backing is black and has yellow and red banners which list the names of the Battle Honours of the 5th, 6th and 58/32nd Battalions. On the rear of the frame is a certificate of Authenticity The Battle Honours of the 5th/ 6th Battalion, The Royal Victoria Regiment Certificate of Authenticity Commemorating the Centenery of ANZAC 2015 Marks the 100th anniversary of the Gallipoli Landings by our forebears, members of the 5th and 6th battalions, Australian Imperial Force and many other units that eventually came to form the present 5/6RVR. May we as the custodians of this legacy live up to the standards they have set. Number 67 of a limited edition of 500 prints LtCol P.G. Middleton WO 1 A.J. Richardson CO RSM 5/6 rvr, battle honours, photograph -
Ballarat Clarendon College
Book, The Pilgrim's progress
Presented to the school library by Robert H Coutts, old collegian 1934 - 1939. Captain Garbutt house, School Prefect 1938 & 39, Assist. Editor for 'The Minervan' 1939, School Colours Athletics, Rowing & Football; House Colours Athletics, Rowing, Football & Cricket. War Service 1941 with 1st Aust Armored Regt; discharged 1945.Example of ongoing community support of the school. Small and ornately illustrated cloth bound bookBook plate on flyleaf: B.U.14 B (fiction) / Crest / Ballarat College / Library / Presented by / R H Coutts Sept 1934...robert-h-coutts, ballarat-college, library -
The Beechworth Burke Museum
Animal specimen - Australasian Grebe, Trustees of the Australian Museum, 1860-1880
The Australasian Grebe is a small duck-like bird with a hyperactive nature. These birds reside in small, shallow, freshwater lakes and ponds, small waterways or sheltered caves and bays. They can be found throughout Australia and the Pacific region and New Zealand. The Australasian Grebe eat mainly small freshwater fish, crayfish, shellfish and leeches which they catch by diving underwater. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australasian Grebe is in a standing position on a wooden platform with identification tags tied to the right leg. It has dark glass eyes and pale grey bill and legs. The plumage of this specimen consists of dark greys and browns on the rear with lighter colours on the underside. These colours align with those of the non-breeding season. This species has rufous red colouring on the chest and neck and darker colouring on the head during the breeding season. Paper tag: "34a Dabchick Catalogue, page, 64" Metal Tag: "4496"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grebe, australasian grebe, dabchick -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Graeme Morgan
Graeme Morgan wore these colours when driving Lord Muckalee to win the 1986 Bendigo Pacing Cup.White with brown diamonds, yellow sleevesgj morgan, graeme morgan, truant armagh, brad adios, lord muckalee, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing -
Trafalgar Holden Museum
Vehicle - V U Utility Sandman SS, 2000 until 2002
The Holden V U ute was decorated with a paint job to represent " Bushfire" with the combination of the colours and how they are applied.This vehicle was a promotional car built and decorated to be shown at motor shows.V U Model utility vehicle with gold and burgundy swirls, the name Sandman written in brown across the tailgateSANDMAN across the the tailgate Holden badge bonnet centre HOLDEN across windscreenvehicle, promotional, v u sandman -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1958
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb) New fashion colours…Old fashioned values…./Pure Wool quality for a lifetime of healthy warmth/Onkaparinga 100% Pure Wool Blankets/Best in Australia, Best in the World!blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
Diamond Valley Vietnam Veterans Sub-Branch
Functional object - DViet Banner, 1/8/2017
Sub Branch banner for functions and event but mainly to lead marches.A prominent visibility of Diamond Valley members at meetings and marches.Sub Branch banner (lightweight) ; rectangular, white background with artwork: VVAA logo, ribbons and name of Sub Branch. Includes carrying poles and guide ropes for Marches.Bold text: Diamond Valley Vietnam Veterans Sub Branch; Vietnam Veterans Association of Australia logo at left of banner; Vietnam ribbons (four colours) at bottom of banner.diamond valley vietnam veterans sub branch, vietnam veterans day -
Glenelg Shire Council Cultural Collection
Painting, W.V. Tippel (?), English Farm Scene, 1853
Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). -
Montmorency/Eltham RSL Sub Branch
Postcard, 1914 - 1918
Typical hand embroided post card. One of 5 in this display. Embroided rectangular card depicting a Deperdussin-type aircraft with wings of colours of Russia, Belgium, United Kingdom, France, Serbia and Italy. “Until the End” embroded in pink belowReverse details TBAcard -
Federation University Historical Collection
Map, Glenalbyn, County of Gladstone
Copy of a geological map of Glenalbyn. Some areas have been colours green. Creeks have been coloured blue, roads and reefs have been coloured orange.glenalbyn, county of gladstone, tarnagulla, inglewood, kingower, kurting, old inglewood deep lead, salisbury west -
Bendigo Military Museum
Artwork, other - PRINT, MOUNTED WW2, Post WW2
Print of painting attached to black wooden backing. Print is of an ocean battle scene showing 6 ships with an aeroplane & battle flack overhead. Black, grey & orange colours.Printed in ink on back top L:” PAINTING BY FRANK NORTON AUST. W/MEMORIAL, CANBERRA”illustrations-prints, military history - navy/airforce, ran -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Flag, 173rd Airborne Brigade (US)
173 AIRBORNE BRIGADE (SEPARATE) US ARMY 1 RAR BATTLE GROUP BIEN HOA 1965-1966 On May 5, 1965, the Brigade deployed to South Viet Nam as the first US Army ground combat unit in that war. Upon arrival, the 1st Battalion of the Royal Australian Regiment (1 RAR) and a battery from New Zealand (161Royal NZ Artillery) were attached to the Brigade -- making the 173d Airborne the only multi-national combat unit in the war. Initially headquartered in Bien Hoa, the Brigade operated in the four provinces around Saigon. (Xuan Loc, Long Khanh, Phuoc Long & Phuoc Tuy), but (in its roll as a "Fire Brigade") also went to the Central Highlands (Pleiku / Kontum) to fight Viet Cong. The 173d also conducted constant operations against the southern stronghold of the VC Main Force in the legendary Iron Triangle in War Zone D. The brigade was organized as a balanced airborne combat force consisting of two infantry battalions, an artillery battalion, a support battalion, an engineer company, a cavalry troop, an armour company, and a headquarters company. Upon activation, it became the first and only separate airborne brigade in the United States Army. This was the beginning of a long series of "Firsts" for the Brigade. On 5 May 1965, it became the first US Army ground combat unit committed to the war in South Vietnam, where further organizational changes were to take place. Australians attached to the Brigade were: 1st Battalion, of the Royal Australian Regiment (I RAR) and support troops of the 4/19th Prince of Wales Light Horse Regiment (1Troop), 105 Field Battery Royal Australian Artillery, 161 Field Battery Royal New Zealand Artillery, 3 Field Troop Royal Australian Engineers, 161 Reconnaissance Flight, Royal Australian Army Air Corps, 1st Australian Logistical Support Company. The Brigade's two infantry battalions, the First Battalion of the 503' Infantry (1/503`d) and the Second Battalion, of the 503`d Infantry (2/503`) and the attached Australians of 1 RAR constituted the infantrymen available to the Brigade. Their mission was to protect the Bien Hoa Air Base and to close with and destroy or capture the enemy. This was in fact the first operational ground force formed under the ANZUS Defence Treaty. ANZUS was a mutual defence treaty signed in 1951 between Australia, New Zealand and the United States of America. In 1965 the spirit of this treaty appeared as 173d Airborne Brigade (Sep) a tri-national brigade. The only such tri-national fighting force formed during the Vietnam War. On deployment to South Vietnam in 1965, 1 Troop A Squadron, 4th/19th Prince of Wales's Light Horse Regiment was part of the US 173rd Airborne Brigade combat group. Flag, two colours divided vertically, hoist half mid blue, fly half red. Badge of 173rd Airborne Brigade (730 x 490 mm) in centreflag, 173rd airborne, south vietnam -
Tatura Irrigation & Wartime Camps Museum
Clothing - Women's Cardigan, 1940's
Knitted in Camp 3 for Luise WiedHand knitted cardigan. Light brown back, sleeves and collar. Front knitted in two colours (light brown and orange). 2 Pockets on front. 6 orange buttonscardigan, anderson h, ww2 camp 3, female clothing -
Nillumbik Shire Council
Painting: John DUDLEY, John Dudley, Night Predators, 1960s/70s
John Dudley was a well-known local artist who lived in the Shire during the 50s, 60’s and 70s. He was represented by Wiregrass Gallery in Eltham. Formerly two separate galleries: The Eltham Gallery and The Wiregrass Gallery. The Wiregrass Gallery opened on 4th February 1977 at Station Entrance, Eltham, Victoria and closed on the 19th November 1989 when its lease expired. The gallery then moved in early 1990 to 559 Main Road Eltham, the premises of the Eltham Gallery and from then on operated under the name Eltham Wiregrass Gallery. This work is of the local environment and an excellent example of the artist’s work practice.A visual language of shape, form and colour (abstract) to create a composition referencing the physical and emotional experience of landscape. Blended colours of dark blues in background and warm yellows in foreground. Signed 'Dudley' red paint, lower left.landscape, abstract, eltham -
Maldon Vintage Machinery Museum Inc
Digital Plotter, Estimated 1980's
Computer controlled digital plotter, A3 paper size with 6 pens of various colours. Beige plastic case with clear tinted hinged cover over pen compartment.Makers name "digital" on front panel. Stick on label on back panel with cautions and warnings. Also Model LVP16, SN: HY 01106.computers, drafting, digital -
Kew Historical Society Inc
Headwear - Green & Brown Silk 'Cloche' Hat, Anne Harrison of Kew, 1950s
Marion 'Annie' (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green silk woman’s hat in a soft unstructured style retailed by Anne Harrison of Kew. The hat is banded with braid in contrasting colours. It has a soft bow at the rear.Label: Anne Harrison of Kew. WM 9906anne harrison, milliners - kew (vic), women's clothing -- hats -
Bendigo Military Museum
Flag - FLAG, RATS OF TOBRUK, E.H. Brett Sydney, post WW2
item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Large flag polyester, white backgroundwith central motif of the "Rats of Tobruk Association" in colours black, gold, red, white and yellow, label on one corner re the maker.Hand written on one corner, "Ron Bollard"flags, tobruk -
Bendigo Military Museum
Weapon - ROCKET PROJECTILE
Rocket, projectile, inert, colours blue, white & green, has 6 fins, 3 wires coming out of the base, red, blue & green, lettering in yellow & white.On the nose, “RKT FRAG ? IN. U.K M29 Mk ?” On stem, “PRACTICE L5 MICA. T7 BRIT M7 MY - 66”rockets, projectiles, practice -
Bendigo Military Museum
Map - MAP of the WESTERN FRONT, Post 1918
Map, “Daily Express map of the Western Front, colours greens, yellows & orange, the Western front is shown as red dots, inset in corner of areas, section of the map is missingmaps, western front -
Bendigo Military Museum
Album - ALBUM, PHOTOGRAPH, C.1948
The Album contains photos in Japan, soldiers messes, accommodation, tourism, soldiers in groups. Item relating to Frank “Dinky” Dean BEM, his photo is on first page on the right, refer Cat No 124.2 for service details.Photo Album, blue fabric covers, 24 pages making 48 double sided, front cover has sewn on crown with scroll under, all in various colours.Sewn on cover, “Commonwealth British Forces”albums, photos, bcof, japan -
Coal Creek Community Park & Museum
Pianola Rolls
Pianola rolls; in boxes (one of which is without a lid), all boxes are of the same dimensions- colours black blue and brown, some boxes have maker's names on the lid. -
Coal Creek Community Park & Museum
Pianola rolls
Pianola rolls; in boxes (one of which is without a lid), all boxes are of the same dimensions- colours black blue and brown, some boxes have maker's names on the lid. -
Beechworth RSL Sub-Branch
Photograph
Large photograph of Terry Crossman in Disruptive Pattern Camouflage Uniform (DPCU) in desert colours, on duty in Afghanistan and holding F88 styer. With four armed personnel carriers in the background.On uniform - CROSSMANphotograph, afghanistan, dpcu -
Glenelg Shire Council Cultural Collection
Print, 150 Years in Portland, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint using numerous colours with primary focus on a whale and crayfish. Background is blue, green and yellow with various patterns and text "150 YEARS OF PORTLAND RBR 35".Front: 6/25/83 (lower right) (pencil) Back: 34 -
Glenelg Shire Council Cultural Collection
Souvenir - Poster - Advertising Portland Upwelling Festival 2011, Oct-11
Poster advertising Portland Upwelling Festival 2011. White card, image of squid boat, sea life info about Upwelling Festival in colours of blue, green, aqua.upwelling festival -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - advertising Portland Upwelling Festival 2011, Oct-11
Postcard advertising Portland Upwelling Festival 2011. White card, image of squid boat, sea life, info about Upwelling Festival in colours of blue, green, aqua.upwelling festival -
Montmorency/Eltham RSL Sub Branch
Craft - Model Ship Made By Australian POWs, WW2 Ship made by Australian POWs, Estimated date 1945
During World War II, over 22,000 Australian became prisoners of war to the Japanese. Most of them were captured at the fall of Singapore in February 1942 and were forced to march to Changi (the major Prisoner of War camp). Later on, the soldiers would be dispersed throughout South East Asia. Upon their return to Australia, very few of them told talked about their experience as prisoners (they often felt ashamed). It took almost 30 years before testimonies, books and documentaries would be published. This ship model was built by Australian prisoners of wars.Model of a Spanish or Portugese 18th Century sailing ship, manufactured from timber, fabric and string. Natural timber colours as well as white, blue, red, green and gold.'To Auntie Helen, many thanks for everything from P.O.W.s Singaporesingapore, war, ships, second world war, model, 1945, models, p o w s, prisoners -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, 5/7 RAR
Presented to members of D Coy 1 RVRShield shaped varnished plaque with Bronze RAR hat badge in front of gold and maroon ( 5/7RARs colours) felt. The badge is located above an engraved brass plaque Presented to D Coy 1 RVR from WO1 G.W. HANSONwark vc club, infantry, 5/7rar, plaque, 1rvr -
Bendigo Military Museum
Weapon - TANK, LEOPARD
This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer Photo .1) for details re manufacture, history and use..1) Plaque metal black on a stand with white text re details of the item. .2). Leopard Tank Model AS1 painted in camouflage colours with markings, tracked vehicle.“34B” - “Choco”. - “27741 - 44” - “30”brsl, smirsl, bdrslinc, tank, leopard