North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot of floodwaters taken from near Kellett Grove, in what was then known as North Kew. The point of view is from a backyard looking towards Fairfield. In the foreground ar two men in a rowboat.Verso: OUR BACKYARD / Stamped 3 163yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot of floodwaters taken from near Willsmere Road, in what was then known as North Kew. The point of view is looking towards Fairfield. In the foreground are two figures viewing a group in a rowboat in the middle of the flooded river. Semi-submerged street lighting indicates that entire streets had been. overwhelmed by the flood waters. Verso: WILLSMERE ROAD NORTH KEW / Stamped 3 163yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew, willsmere road

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot of floodwaters in North Kew. The point of view is of two houses belonging to local families that were surrounded by floodwater. Verso: HYATTS HOUSE / WILLSMERE ROAD / Stamped 3 163yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew, willsmere road

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot of floodwaters in North Kew, from the rear of 8 Kellett Grove. Verso: OUR BACKYARD / Stamped 52yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew, willsmere road

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Vivid photograph contrasting domestic life and relationships with natural disasters such as the flood of 1934.Small sepia snapshot of a grandfather and granddaughter sitting in the backyard of 8 Kellett Grove, North Kew, with the floodwaters stretching behind them.Verso: GRANDDAD AND I IN BACKYARDyarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew, willsmere road

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Vivid photograph contrasting domestic life and relationships with natural disasters such as the flood of 1934.Small sepia snapshot of two submerged houses belonging to local families in River Avenue, North Kew, during the 1934 floods. The view is presumably from near Kellett Grove looking north towards Fairfield.Verso: COES & HYATTS ROOF / RIVER AVENUE / Stamped: 6414yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Vivid photograph contrasting domestic life and relationships with natural disasters such as the flood of 1934.Small sepia snapshot of the donors grandfather rescuing the family dog's kennel from rising floodwaters at the rear of 8 Kellett Grove, North Kew, .Verso: DAD SECURING NIPPY'S DOG KENNEL / Stamped 6414yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. .Small sepia snapshot of a local family's house in what was then River Avenue, North Kew being surrounded by floodwaters.Verso: THE SIDE OF RYANSyarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. .Small sepia snapshot of what was then River Avenue, North Kew submerged by floodwaters.The photo was taken in the vicinity of 8 Kellett Grove, North Kew. Verso: TAKEN FROM OUR STREET JUST SEE A BIT OF RYAN'S FENCE / 1934yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. .Small sepia snapshot of the devastation caused by the 1934 flood.The photo was taken in the vicinity of Kellett Grove, North Kew and includes the roof of Chipperfield's Boathouse as well as other local houses.Verso: THIS IS CHIPPERFIELD'S BOAT SHEDS & COES & WILLIAMS TAKEN FROM OUR STREET / 1934yarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew, chipperfields boathouse

Apart from the photograph being of local interest to the history of Kew, it is also of interest as it was donated to the Kew City Council by Mr. C. R. du Rieu. Mr du Rieu was closely associated with the Kodak factory which purchased land in East Kew for a factory the plans for which were ultimately rejected by Council. In 1936, nine years after he donated the photograph to Council. Mr du Rieu died. A report in the Melbourne Age on 7 October 1936, p. 14 stated that: "Mr. Charles Richard du Rieu, of "Wonder View." 57 Pakington-street, Kew, formerly manager of the mount department of Kodak (Australasia) Pty. Ltd., died at his home on Tuesday morning at the age of 72 years. Born at Adelaide, Mr. du Rieu was the son of the late Mr. and Mrs. H. L. du Rieu. He is survived by his widow. For 43 years he had been associated with the late Mr. Thomas Baker, at the Kodak works. He retired from the firm in 1928. Among his charitable interests were the orthopoedic section of the Children's Hospital at Frankston, Eye and Ear Hospital, and the Fitzroy Ladies Work Association. He was president of the North Kew Progress Association, and a member of the Kew Bowling Club. In masonic circles he was a past master of the Kent Lodge, Melbourne, and a member of the Travellers' Washington Lodge. The burial will take place at the Boroondara Cemetery Kew, this afternoon. Arrangements are by Le Pine and Son Ltd."The photograph is of historic and social significance for what it tells of popular civic values in the interwar period in Melbourne and Australia which manifested itself on occasions such as Royal Visits.An unframed, mounted sepia photograph of the Kew "Strong Post" on St Kilda Road on the occasion of the Royal Visit of 1927.Caption: "The Kew "Strong Post" St Kilda Rd., / on the occasion of the visit of / Their Royal Highnesses the Duke and Duchess of York / presented by C.R. Du Rieu Esq / May 1927royal visit (1927), duke and duchess of york, the kew "strong post" 1927, st kilda road, kodak australasia pty ltd, charles richard du rieu -- wonder view -- 57 pakington street

The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.An agent’s board on which parts of an advertisement for the Central Park Estate have been pasted. [The State Library of Victoria holds a complete plan]. Whereas the original plan included black and white photographs and effusive prose about the virtues of the Estate, the item in our collection includes only the actual blocks. The agent has annotated particular blocks to indicate that they have been sold.subdivision plans - deepdene - camberwell, central park estate

The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The postcards include original (mainly) images dating from the 1900s to the present. A number of postcards, some of which have numerous variants, were published as parts of series. Others are original images customised as postcards. Many of the postcards in the collection depict places within the suburbs of Kew and Kew East. Others depict locations in Victoria or internationally. A monochrome postcard showing Main Street [High Street], Kew, looking south west from near its junction with Cotham Road, showing: Ryan’s Council Family Hotel, T. G. Jellis (baker, confectioner), Herbert King (undertaker), L. Merritt (boot warehouse), horse tram, horse drawn vehicles and pedestrians.Post card text addressed to Miss Newell of Balmain.high street - kew, cotham road - kew, tramways - kew

The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The postcards include original (mainly) images dating from the 1900s to the present. A number of postcards, some of which have numerous variants, were published as parts of series. Others are original images customised as postcards. Many of the postcards in the collection depict places within the suburbs of Kew and Kew East. Others depict locations in Victoria or internationally.View of two women and two children in a canoe at Macauleys' Boat Shed at the end of Molesworth Street, Kew. At the left of the image stands a man and his dog, presumably the manager of the boat shed. On the bak of the seat of one of the canoes is its name - sunbeam. Another item in the collection includes one of these name boards."Lower Molesworth Street, 1900. Home restored still standing 1980."postcards, recreation - yarra river - kew (vic), yarra river - kew (vic), macauley's boat house -- boat shed

The Victorian Baseball League was established in 1889 with the following clubs - MCC, Metropolitan, Richmond, Richmond Cricketers, Kew, Geelong, Fitzroy, The Age, Carlton, Coburg. MCC defeated Metropolitan for the first Premiership. By 1897 Kew had built up to six teams, but went into recess about the turn of the century. They reformed c.1906 and did not resume until 1926 under Captain/Coach Frank Littlefield. I think he was ex Hawthorn Baseball and/or Cricket club(s). They won the D Grade Premiership of 1926 and/or 1927 playing out of Victoria Park at 12 noon, and as a curtain raiser to either Kew or Kew District or East Kew Football Club and after World War 2, North Kew which had now joined Kew as a tenant. Team members were H.L. Barclay (ex Richmond), A. Brierley (ex Collingwood), H. Ely (ex Essendon), Frank Littlefield, J. Marshall and C. Robinson (ex Hawthorn-East Melbourne Cricket Club). In 1926, the KBC played against Caulfield, Fairfield, Fitzroy, Ivanhoe, Northcote, Prahran, University, Williamstown, YMCA. In 1927, Preston replaced Fairfield. A third team was formed post WW2 which played at Willsmere Park. The Reserves followed to Willsmere Park in 1963 and the Seniors in c.1970. Kew Council moved the club to a sub-standard Stradbroke Park No 2 Oval for the 1976 season and this proved to be the last for the club. Melbourne Baseball Club moved in for two seasons, but also moved when improvements to No 2 Oval were not made. They then moved to Macleay Park in a share arrangement with North Balwyn BC. Research: Ian Job, 2015A premiership cap awarded to Christopher Robinson of the Kew Baseball Club in 1927.Navy blue peaked baseball cap, embroidered in gold thread with K B.C. Premiers 1927sports uniforms, caps, premiership caps, baseball,

The Victorian Baseball League was established in 1889 with the following clubs - MCC, Metropolitan, Richmond, Richmond Cricketers, Kew, Geelong, Fitzroy, The Age, Carlton, Coburg. MCC defeated Metropolitan for the first Premiership. By 1897 Kew had built up to six teams, but went into recess about the turn of the century. They reformed c.1906 and did not resume until 1926 under Captain/Coach Frank Littlefield. I think he was ex Hawthorn Baseball and/or Cricket club(s). They won the D Grade Premiership of 1926 and/or 1927 playing out of Victoria Park at 12 noon, and as a curtain raiser to either Kew or Kew District or East Kew Football Club and after World War 2, North Kew which had now joined Kew as a tenant. Team members were H.L. Barclay (ex Richmond), A. Brierley (ex Collingwood), H. Ely (ex Essendon), Frank Littlefield, J. Marshall and C. Robinson (ex Hawthorn-East Melb Cricket Club). In 1926, the KBC played against Caulfield, Fairfield, Fitzroy, Ivanhoe, Northcote, Prahran, University, Williamstown, YMCA. In 1927, Preston replaced Fairfield. A third team was formed post WW2 which played at Willsmere Park. The Reserves followed to Willsmere Park in 1963 and the Seniors in c.1970. Kew Council moved the club to a sub-standard Stradbroke Park No 2 Oval for the 1976 season and this proved to be the last for the club. Melbourne Baseball Club moved in for two seasons, but also moved when improvements to No 2 Oval were not made. They then moved to Macleay Park in a share arrangement with North Balwyn BC. Research: Ian JobTeam photo of the Kew Baseball Club players and club officials and or supporters. The grandfather of the donor, Christopher Robinson has been identified as sitting in the middle row, 2nd from left.kew baseball club, victoria park

The Victorian Baseball League was established in 1889 with the following clubs - MCC, Metropolitan, Richmond, Richmond Cricketers, Kew, Geelong, Fitzroy, The Age, Carlton, Coburg. MCC defeated Metropolitan for the first Premiership. By 1897 Kew had built up to six teams, but went into recess about the turn of the century. They reformed c.1906 and did not resume until 1926 under Captain/Coach Frank Littlefield. I think he was ex Hawthorn Baseball and/or Cricket club(s). They won the D Grade Premiership of 1926 and/or 1927 playing out of Victoria Park at 12 noon, and as a curtain raiser to either Kew or Kew District or East Kew Football Club and after World War 2, North Kew which had now joined Kew as a tenant. Team members were H.L. Barclay (ex Richmond), A. Brierley (ex Collingwood), H. Ely (ex Essendon), Frank Littlefield, J. Marshall and C. Robinson (ex Hawthorn-East Melb Cricket Club). In 1926, the KBC played against Caulfield, Fairfield, Fitzroy, Ivanhoe, Northcote, Prahran, University, Williamstown, YMCA. In 1927, Preston replaced Fairfield. A third team was formed post WW2 which played at Willsmere Park. The Reserves followed to Willsmere Park in 1963 and the Seniors in c.1970. Kew Council moved the club to a sub-standard Stradbroke Park No 2 Oval for the 1976 season and this proved to be the last for the club. Melbourne Baseball Club moved in for two seasons, but also moved when improvements to No 2 Oval were not made. They then moved to Macleay Park in a share arrangement with North Balwyn BC. Research: Ian JobTeam photo of the Kew Baseball Club players and club officials and or supporters. The grandfather of the donor, Christopher Robinson has been identified as sitting in the back row, 2nd from left.kew baseball club, victoria park, christopher robinson

Set of 14 MMTB timetables for various bus routes, dated July 1969. Generally includes Sat and Suns, Good Friday and Christmas day as well as weekdays, unless noted otherwise. Also includes a map of the route, detailed time points, sections, connecting services, fares, and organisation address - 616 Little Collins St. Melbourne. Have been folded into eight or ten portions. All on white paper unless noted otherwise. Items shown with an # - have a sticker modifying timetable information details on the front page. Items shown with a % are larger size sheets of paper, folded into 10. 1155.1 - Clifton Hill - Elsternwick # .2 - Garden City - City # .3 - Fishermen's Bend - City .4 - Box Hill - East Doncaster via Blackburn, Mitcham via Donvale PO and Mitcham - Ringwood via Eastland .5 - Warrandyte via Templestowe, via East Doncaster, Donvale PO - City % .6 - Warrandyte, Park Orchards Ringwood .7 - Williamstown Rd., Footscray Railway Station, Ballarat Rd # .8 - Latrobe University, Northland, West Heidelberg - City # % .9 - Deer Park, Sunshine Park, Sunshine, Footscray - City # .10 - as above, but for Saturdays and Sundays on pink paper # .11 - Box Hill, Heidelberg, Templestowe .12 - Box Hill, North Blackburn .13 - East Kew, Box Hill, Doncaster .14 - Bullen, North Kew - City # % Images of a sample of documents added 16-11-2013. mmtb, timetables, melbourne

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the fourth bedroom of Villa Alba. This is the only replacement fire place setting in the house. It was purchased with the support of a grant from the Bendigo Community Bank - Kew East Branch. The mantel, like that in the. third bedroom features garlands of polychrome painted flowers on the three panels. The mantel is inset with monochrome surround and hearth tiles. The latter is incomplete, missing the front row. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba - fourth bedroom

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long black silk sleeveless bodice with a wide band of lace on the edging and at sleeves. Silk bow at rear. It has been provisionally dated to the 1880s-90s.women's clothing, bodices, fashion -- melbourne -- 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Late Victorian highly remodelled black silk bodice with pleated silk to neck. The bodice has distinctive sleeves in two sections, the lower part constructed of black lace. The bodice has an original arm pad with makers name in it.fashion -- melbourne -- 1880s, bodices, women's clothing, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long-waisted black fitted silk and lace bodice with black wooden buttons. The lace at the edge of the bodice may have been added at a later period.day dresses, women's clothing, mourning wear, fashion -- 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured silk bodice with leg-of-mutton sleeves. Date: ca. 1890s.australian fashion -- 1890s, bodices, dresses, netta fuller

SSet of 24 The Met bus timetables, with diagrammatic map, major stops and contact details. All dated during1993 unless noted otherwise. 1 - Route 216/9 - Deer Park West & Sunshine Park - City 2 - Route 220 - Sunshine - City - 1992 3 - Route 232 - Altona North - City - 1992 4 - Route 233 - Fishermens Bend - City - 1992 5 - Route 254 - Northland Shopping Centre - City - 1992 6 - Route 256 - La Trobe Uni - City - 1992 7 - Routes 258 & 259 - Northland Shopping Centre, and La Trobe Uni - City via Eastern Freeway - 1992 8 - Route 260 etc - Deep Creek Templestow - Donvale - City 9 - Route 264 - Mitcham, Donvale City 10 - Route 265 - Deep Creek - City 11 - Route 602 - Brighton - city 12 - Route 269, 291 and 296 - Greensborough, Heidelberg & Newmans Road to Box Hill 13 - Route 272 - Warrandyte - City 14 - Route 276 & 278 - Warrandyte - City 15 - Route 284 & 270 - East Kew - City or Box Hill 16 - Route 285 - The Pines - Box Hill 17 - Route 286 & 288 - The Pines and Templestowe - Box Hill 18 - Route 290 - North Nunawading - Box Hill 19 - Route 292 etc - Box Hill, Deep Creek, Ringwood, Warrandyte 20 - Route 301, 281 315 - Ringwood, Park Orchards and Donvale - City 21 - Route 305 - Box Hill - Ringwood 22 - Route 366 & 367 - Ringwood - Croydon 23 - Route 600 - St Kilda - Brighton Beach - 1992 24 - Route 601 - Gardenvale - City - 1992Yields information about some of The Met bus services 1993Set of 24 The Met timetables, DL size, printed in two colours.timetables, the met, route 216, route 220, route 232, route 233, route 254, route 258, route 259, route 260, route 264, route 265, route 256, route 602, route 269, route 272, route 276, route 284, route 270, route 285, route 286, route 288, route 290, route 292, route 301, route 305, route 366, route 367, route 600, route 601

Photo Album - brown cards covers, containing 12 heavy card sheets bound with a brown cotton cord titled "Types of Passenger Shelters MMTB". Ten sheets have two photos of shelters except for the last one giving location and cost. Sheet 1 - Two shelters at Wattle Park 2 - Batman Ave and Peel St; Flemington Road with cable trams in the background. 3 - Victoria Parade and Smith St; Ballarat Road and Gordon St Footscray 4 - Dandenong Road and Hawthorn Road Caulfield; photos of the standard shelter, 6 Number, for St Kilda Road, Alfred Hospital and Gisborne St East Melbourne. 5 - East Kew terminus; Camberwell Road and Smith Road 6 - Oakover Road and Gilbert Rd Preston, Flemington Road at Abbotsford St North Melbourne 7 - Swanston St and Grattan St Women's Hospital with a Bundy clock and street fire alarm in the view; Victoria Parade Fitzroy opposite Eye and Ear hospital with a W class tramcar and the Eastern Hill fire station in the background. 8 - Two photos of the shelter at the corner of William St and Collins St Melbourne. 9 - Toorak Terminus; Rennie and Nicholson St Coburg 10 - Market St terminus City. Images taken from the website production 16-1-2019 - see - http://www.hawthorntramdepot.org.au/papers/shelteralbum.htm On inside back cover is a Kodak label "Scroll" with "3" entered in ink. Date unknown, thought to be mid 1930's - see Reg item 3361 of the construction of William St shelter post 1933.in black ink "Manager" in top right hand corner.trams, tramways, shelters, mmtb, wattle park, victoria parade, st kilda rd, flemington rd, toorak, camberwell, market st, coburg, footscray, preston, caulfield

Manila folder, Wotan flat file, with built in fold back metal clips (see images 19 and 20) holding 9 plastic sheets that have been made to hold railway (Edmondson pasteboard) or tramway paper tickets. Sheet 1 - 25 No. MMTB tickets, ranging from 3d to 2/6 and two decimal conversion tickets, including 5 tickets which have been overstamped "City Section". On the rear are adverts for Blind Babies (Royal Victorian Institute for the blind), John Randle hair salon, Leighton home builders and the Promote Thomastown Committee. Sheet 2 - 25 No. MMTB tickets - decimal currency - two conversion tickets and other decimal currency tickets ranging from 6c to 25c. Included are 6 overstamped City Section tickets. Sheet 3 - 25 No. MMTB decimal currency tickets - ranging from 25c to $1 with one ticket overstamped "City Section". Includes one ticket with a red P overstamp. Sheet 4 - 22 No. MMTB tickets - 13 tickets overstamp P, for Pensioner, one bus transfer ticket, 3 non-cash tickets, one city concession tickets and four machine issued bus tickets. Sheet 5 - small sheet with four pockets with three tickets, - MMTB 1981 single journal ticket, MMTB day tripper $2 and MMTB bus ticket. Sheet 6 - 13 No. MMTB Section tickets, hospital travel, Australia post, incapacitated soldier and special police department concession. Sheet 7 - 8 MTA paper tram tickets and 9 The Met paper tram tickets. Sheet 8 - 23 Ballarat or Bendigo tickets, both pence and decimal currency including 6 BTM or BTPS tickets. Sheet 9 - 10 VR motor coach tickets, both pence and decimal and one single ticket - East Kew to East Camberwell. See Reg Item 5424 for a further folder of tickets from the same donor.trams, tramways, tickets, mmtb, vr, the met, btps, btm, ptc

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished.Black and white print positive. Yarra River at Fairfield in 1934. Major flood resulting in submerged buildings in middle ground and onlookers on far bankReverse: "Flood of Yarra at Fairfield Park 1934"fairfield park, yarra valley, river yarra, floods -- 1934