Note the graffiti. Older 20th.c and earlier railway cars were rolling palaces of the cabinet makers art. Full of polished timber, plated & embossed metal fittings, soft upholstery & beveled glass. In their earliest form, the Tait’s and earlier swing door cars for even modest suburban work, reflected some level of this design approach. Plus of course large sepia toned photographs on dividing walls displaying tourist spots trains could take you to.Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygraffiti, interior, passenger carriage, red rattler, tait train

Note the graffitiDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygraffiti, interior, passenger carriage, red rattler, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencybrighton beach railway station, red rattler, sandringham lline, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencybrighton beach railway station, red rattler, sandringham lline, tait train

Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygowrie, flinders street railway yard, red rattler, tait train

Roll of 35mm colour negative film, 2 stripsKodak Gold 200-6activities, lower plenty, stawell road, trees, river red gum

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Photograph included in book "Victoria: Gold and Minerals" issued by Mines Department Victoria, 1935Photographvictoria, bendigo, consolidated mine, tower, new red, white and blue consolidated mine, poppet head, mining, gold mining

Newspaper article shows 5 images of Ringwood people under the heading- "Ringwood Children Help War Effort".

Photo taken by Marion Mitchell (nee Robinson) in 1985. The shop was often pranked by removing the "s" from rooster.

A cream coloured manual with black writing on the cover. There is written in blue ink 18615 2Lt L.B. Dawsonelectronic manuals, communications, military radios

Brightly designed record of posters, pamphlets, vintage books, film promos and comicsnon-fictionDocuments the ephemera used in the USA to warn against the threat of Communismcommunism, propaganda, posters, magazines, comics, vintage, pulp fiction

index, ill, maps, p.291.non-fictionA listing of the roll, honours and awards and history of the 21st battallion during the first waraustralian army - 21st battalion, regimental histories - australia

Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women

Index, bibliography, notes, ill, p.179.non-fictionHistory, artifact and art combine to evoke a time in colonial Australia when the Motherland, and the British Army in particular, loomed large. Challenges our understanding of Australia's military history and the primacy of the Anzac legend.australia - history - military, australia - relations - great britain