Other black and white copy 17 x 25 01417.1Black and white postcard of the town, taken from the southern shore of the lake, showing residences, the Central Hotel, butcher shop, bluestone wall at lake edge, and two small jetties. Sand hills and natural vegetation in foreground. Lakes Entrance VictoriaLakes Entrance from the South Sidetownship, waterfront, retail trade, hotels, shops

3 Identical small format postcards 9 x 14Black and white small format postcard showing the town, North Arm bridge, Cunninghame Arm, sand hummocks, boat harbour, tourist launch approaching North Arm, power poles on lower side of road cutting. Lakes Entrance VictoriaLakes Entrance from Jemmys Pointbridges, township

Black and white postcard of bridge across North Arm, showing post and rail fences on abutments; low tide in North Arm; town buildings and Club Hotel, Cunninghame Arm and sand hummocks with ocean in far distance. Lakes Entrance Victoriabridges, township

Also a Black and white copy 11.5 x 18Colour tinted postcard of the entrance from Bass Strait to the Gippsland Lakes. It shows two small buildings on Bullock Island, groyne from Bullock Island across Cunninghame arm, sand inside entrance at western pier. Lakes Entrance VictoriaLakes Entrance from Jemmys Pointislands, topography, waterways

Date made September 2005Colour photograph of the RMIT TAFE Educational Facility on Bullock Island, taken from Cunninghame Arm, in the back ground are communication towers on Kalimna Heights. The Kalimna escarpment contrasts with the low lying sand formation of Bullock Island. Lakes Entrance Victoriaislands, education, waterways

Wooden pattern used to make impression in sand to form mold for casting hot metal. These patterns were for the caps for bearing covers.Wood, with an oval footprint. Pins underneath with covered channel across oval, cylindrical cap mounted on top of channel, semi-circular (approx) flanges either side of channel cover.

This toy monkey was part of the cargo from Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool-based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation of Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous southwest winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30 am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17-year-old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut loose with his sheath knife when it became tangled in kelp. He rested on the beach and then climbed the steep cliffs in search of help. At about 10 am on Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in a singlet, socks and a belt with his sheath knife, ready for all emergencies. At first, they were concerned about his wild and shaggy-looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 remaining on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29-year-old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26-year-old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of Fiji smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Master's Certificate was suspended for 12 months. At the time there was also a great deal of public criticism of the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue were in half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. The essence of peppermint mysteriously turned up in many settlers' homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the lootings, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand-crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from Fiji are bisque (or china) toys, (including miniature animals, and limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, a sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Toy white China monkey in a seated pose. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and is creamy sand colour with a rust-coloured mark on its face. The surface is slightly pitted. It was salvaged from the wreck of the ship FIJI. 1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys, miniature animals, monkey

B.I.T. Papers Summer 1970-71, articles by various contributors, contents include, Building the Melbourne-Bendigo Railway, Engineering in Colonial Times, Source-Bordering Sand Dunes along the Loddon River & others, 66 pages with black and white photographs and maps..history, australian

Postcard, WW1, B&W image of ruined buildings on Sand Bag Corner after a German offensive at Erquinghem. Rubble and timber in foreground. Two figures, one with a wheelbarrow, at left picking over the rubble. Copy Z30 See also copy 1401.78postcard, postcard, ww1, france, erquinghem, ruins

Object. (1) Clear glass bottle with red and sand coloured labels front and back extolling the virtues of Eichorn's Remedy. (2) Box in same colour scheme intended to contain above bottle. (3) 3 oz bottle priced at 5/- (Shillings).Eichorn's Remedy Pty Ltd, 11c Castlereagh St, Sydney. Is 512.medicine, first aid, eichorn's remedy

Colour aerial photograph of the land forms around the entrance to the Gippsland Lakes, from Kalimna West to Lakes Entrance, North Arm to the ocean. Shows massive sand buildup between Rigby Island and Kalimna, also Bullock Island. Lakes Entrance Victoriawaterways, navigation, topography

One other copy same sizeBlack and white small format postcard of the entry to the North Arm, taken from Jemmys Point. It shows a steep cliffside above the calm waters, township of Lakes Entrance and Cunninghame Arm, and sand hummocks of southern shore in distance. Lakes Entrance VictoriaNorth Arm from Breakwater - Lakes Entrancetownship, waterways, topography

Black and white photograph of the man-made entrance from Bass Strait to the Gippsland Lakes taken from Jemmys Point. It also shows the rock groynes at Bullock Island with dredged sand starting to fill the basins to enlarge the island. Lakes Entrance Victoriawaterways, public works

Also Postcard of boats at Post Office jettyTinted photograph of the Western Wharf, showing the jetty also known as the Post Office Jetty, two sheds signal light and masts of boats moored behind sand in foreground indicating low tide. Scrub covered hummocks in background. Lakes Entrance Victoriajetties, waterfront, boats and boating

Double article about seven former Australian nurses return to Bangka Island, Indonesia for the dedication of a memorial to their comrades from aboard the SS Vyner Brooke that was bombed and sunk.A double sided page from a colour newspaper featuring three headlines, two colour photographs of people and two columns of text. The photograph relating to this record has a group of mostly older women sitting and standing on sand with three men in military uniform.[asterix drawn in black ink at top of page in the middle]wwii, world war 2, world war two, wwll, australian army nursing service, aans, bangka island, ss vyner brooke, nurses memorial, jean ashton, carrie jean ashton, florence elizabeth trotter, florence elizabeth syer, janet patteson gunther, pat darling, janet patteson darling, ellen mavis hannah, mavis allgrove, ellen mavis allgrove, vivian bullwinkel, vivian statham, wilma elizabeth forster oram, wilma elizabeth forster young, joyce tweddell

Black and white photograph of the township, taken from the hummocks. It shows a person sitting under a black umbrella on a sand hill in the foreground, Cunninghame Arm, two persons in rowboat on water, buildings along Esplanade, Kalimna Heights in background. Lakes Entrance Victoriatopography, waterways, township

Sea Baths at Cowes built 1893. Wooden structures extending into water. Much seaweed on sand, Moonah tree and scrub to right of photograph.The baths seafront, CowesThe Baths, Cowes. Black and Whitelocal history, photographs, sea baths, cowes, sepia photograph, mary karney

The bridge built around 1939. Fishing fleet. Twin jetties to left of bridge, township, bush and wide sand strip of surf beach.Bridge between Phillip Island and San Remo. Photograph depicting San Remo onlyNo. 1. Phillip Island Bridge, Vic. Airspy Photolocal history, photographs, bridges, san remo, coastline, bridge, fishing fleet, jetties, bruce bennett

2 other copiesBlack and white small format postcard of bathers at the ocean beach. It shows a crowd of people on the sand dunes, remains of a brush fence, Southern Ocean and Red Bluff in distance. Taken from original tower, built for Royal Lifesaving Club. Lakes Entrance VictoriaBathers, Lakes Entrance topography, people, beaches, recreation

Black and white photograph of view of concrete North Arm Bridge, showing highway to town, Cunninghame Arm, sand hummocks, vegetation, touring car approaching bridge, and three cars parked at town end of bridge, electricity and telegraph poles. Lakes Entrance Victoriatownship, vegetation, transport, bridges

Black and white photograph of The Tree on Merrangbaur Hill. This dead iron bark tree covered with vine, was for many years a landmark for vessels at sea. View of sand hummocks and Cunninghame Arm in background. Lady seated on deckchair in Merrangbaur House garden, Lakes Entrance Victoria.guesthouses, topography, coast, local history

Handwritten notes describing where the crushing battery was at Victoria Hill. Mentions Wallerstedt's open cut mine. John Brown factory built on the sand dumps. Mentions the views from the Hill of the City of Bendigo, Golden Square and the ranges beyond. Note written by A Richardson.document, gold, new chum & victoria lines of reef, notes on victoria hill, mr weatheritt, new chum & victoria crushing battery, victoria hill, ballerstadt, wittscheibe, john brown factory, a richardson

Black and white photograph showing members of Monkhouse family playing cards on the sand near Eastern Pier during a family holiday Lakes Entrance Victoria. Also three black and white photographs taken on family holiday February 1924 around Lakes Entrancegenealogy, recreation, piers

First traffic across 2nd Bridge, 1969, between Sand Remo & Newhaven, after official opening ceremony. From the Jack Jenner Collection.Minister's Car driving across newly opened Bridge between San Remo & Phillip Island 1969.local history, photographs, civil engineering, bridges, opening of phillip island bridge, black & white photograph, jack jenner collection, phillip island bridges, public construction

Photo taken soon after extensive dredging operations when tons of sand were dumped on low lying land at western end of town.Black and white small format postcard of the North Arm. It shows the township between North Arm and Cunninghame Arm. Lakes Entrance VictoriaNorth Arm Lakes Entrancewaterways, topography

Digital Image of seaweed taken under water at the Port Fairy Beach 'Pea Soup".sea, ocean, seaweed, kelp, sand, underwater, beach, port fairy, pea soup

This painting was entered into the Annual Brighton Art Exhibition in 1992 and was the winner of Brighton City Council Acquisitive Award category.Thel Cardwell, Last light 1992, oil on board, 74.8 x 90 cm Bayside City Council Art and Heritage Collection. Purchased 1992beach, coast, thel cardwell, last light, sand, children, recreation, brighton art exhibition, brighton rotary