Coloured Sketch Samson Cottage, Speck Gully, Golden Square Signed but artists name is not clear Rear of sketch references: Samson Cottage, Symons Street, built 1856

Township of Bright celebrated its centenary during the week from 10th - 18th March, 1962. This booklet outlines the program for the week.Bright is a nearby town to the the Kiewa Valley and currently the location of the current Shire (Alpine). The program gives historical information on activities in the early 1960s.Yellowy/Orange cover with brown title and sketch. One sketch is at the bottom and includes hills, pines, saw mill and bus. Sketch at the top is of a bullock team and in the middle on the right a gold miner. Inside cover has print as has both sides of the 4 pages held by 2 staples. 'C. Roper' on inside of the front cover.bright, centenary of bright

1. 20 paged paper magazine. Cream coloured with black and red print and sketch. 2. 24 paged paper magazine, cream coloured paper with blue printing & sketch.1. The Kia-Ora Coo-ee Second Series No. 5 November 15th 1918. Price PT3. 2. The Kia-Ora Coo-ee. Second Series No. 6 Christmas Number December 15, 1918. Price P.T.3.ww1, magazines

VX35607 PTE F. A. LEITH, VX39281 CPL A. W. DENNIS, VX 37785 CPL E F EAMES, VX40454 K. JINKINS, VX32720 D S BARTON, VX40633 COOK J. WALLWONK, CAPT GREVILLE, DRIVER SPROULL (GIPPSLAND), DRIVER KEENE (NSW), VX25134 PTE N. SPEARS, VX49884 BATMAN TICH HENDERSON, VX45176 H.S. COLLINS, VX45671 DRIVER L.W. GARRIE, VX47945 CPL H.B. O'CONNOR, VX42129 F. NASH, VX 39092 F.J. GILES, VX40003 CPL R. JOHNSON, VX25874 H.E. DOIG, VX27236 C.H. DEMILLO, MESS ORDERLY MICK HEARNEE, SGT L. ATKINSON, SGT BIGGS (VICTORIA), VX 39296 A.V. BLACK, SGT GILES (China & New Guinea), VX 26561 W.J. HIPE, VX 43532 E.P. OGIET, J.H. McKINNON, VX35133 O.A. JOYCE.Sketch - In centre in black ink is a sketch of a soldier in uniform with helmet, back pack & rifle with fixed bayonet in L hand . Khaki background. Plastic coated with white cardboard backingWritten at top: 2/5 Field Hygiene Section AIF Malaya Written underneath: Names & numbers of Section Members2/5th field hygiene section, malaya, ww2, memorabilia

Pen and ink sketch of a mining scene. Sketch shows poppet legs and mine buildings, overhead mine structures, railway, township, miners cottages in a bush setting. Artist unknownart, mining in bendigo, sketch of mining area

Norm Harris Collection charcoal sketch of Rosalind Park by R. Heddle . Large tree in the foreground surrounded by many others.The sketch is quite effective showing light and shade well.R. Heddledrawing, charcoal, rosalind park bendigo

Black and white sketch of Schwerkolt Cottage by L.Miller. Sketch is on the front of a greeting card loaned for copying by Rosalie Whalen. A scan has been done of the actual and is included with the copy of the card.schwerkolt cottage, miller. l, whalen, rosalie

The Melbourne District Nursing Society After-Care Home was extended and the name changed from 'Home' to 'Hospital' in 1934. This is a sketch of the Administrative building and shows the style of Hospital Architecture of the 1930sThe Melbourne District Nursing Society, (MDNS), built the After-Care Home in 1926. The Home was extended and the name changed to Melbourne District Nursing Society and After-Care Hospital in 1934. It was situated at 45 Victoria Parade, Collingwood. Patients of the Society who needed more care than could be given at home, but did not need hospitalization, were nursed there along with many patients from Melbourne hospitals who needed further care before going home. Many children were nursed in the hospital, some long term, during the Polio epidemic and schooling was given to them in the hospital. In September 1930 an Ante-Natal Clinic was established. In October 1934 a Women's Welfare Clinic was opened to educate women on birth control. This was the first of its kind in Melbourne. The After Care Hospital was under the Society's banner until 1956. In 1957 the MDNS and the After-Care separated with the Government taking over the running of the After-Care Hospital. Melbourne District Nursing Society then became the Melbourne District Nursing Service, later Royal District Nursing Service (RDNS) after Royal patronage in 1966..A digital image of a sketch of the front view of the After-Care Hospital. It shows a three storey building, and on the left of the ground floor are two large windows, each with a grid of approximately twenty-one small panes of glass; divided with sash bars holding the glass. To the right of this is a double scroll door, then the building divided with five, nine pane long windows along it. There is a column portico in front of the door. The second and third storeys have eleven rows of long small pane windows with the central brick section between the floors having three roundels attached. A flat roof section runs along the the top of the third storey with the words 'After Care Hospital' written in black capital letters in the centre. Above this central section is some balustrade with finials either end. To the right of this building; part of a two storey building with the same style windows can be seen. mdns, melbourne district nursing society, after- care hospital, after-care home, melbourne district nursing service

This commemorative badge identifying the wearer as a Girl Guide and was used in the 1970's and later. The Girl Guides "World Camps" was founded in 1924 and each subsequent "camp" was in other global countries. The Camp Baree was held in 1947/1948 in Pennsylvania in the USA. In Victoria, Australia, a Barree Regional location for Girl guides, encompasses the Kiewa Valley and its regions. Girl guides in rural areas covered the same developmental programs as in the city areas but the bush settings of annual camps did not have the same impact as for city based guides. The comradeship however, bringing together girls from a widely diverse background, was still a very important objective of the Girl Guide movementThe significance of this badge is that the Girl Guides held a World Camp in the Barree region which included the Kiewa Valley.This world wide attention(Girl Guides) to this region paid special attention to the "home side" girls and highlighted in particular those girls in the Kiewa Valley who participated in the Girl Guide movement. The ability to have such a personal contact with so many girls from so many world regions helped to break the somewhat isolated regional life. The fundamental lessons of the girl guides was and still is to enrich young girls knowledge of skills which provides self esteem, pride in achievements and the togetherness with like minded girls. Social barriers are left behind and good friendships are formed. Some of these friendships continued as life long links.This round badge made from brass and has coloured enamel sections outlining various "Barree Region" scenery. In the far distant horizon are snow capped mountains. These are coloured brown with white tipped summits.The central focus is a blue stream with a dark blue "gum" tree to the left and a brass etched tent pegged onto green grass. These pictures are framed within a house structure. A red coloured boomerang lies under the "house" frame with the name of the region on it,"BARREE REGION" The badge is fastened onto a lapel or other clothing by two "L" shaped hooks extending from the back of the badge.On the front of the badge (on the sketched boomerang "BARREE REGION". On the back in raised lettering is"BERTRAM BROS MELB."societies, girl guides, barree region, metal identity badges

Given to a guard at Dhurringile, Arthur Severino. Passed on to his son, William, upon his death. Also donated some photos - cat. no. 1203.7Pencil & ink? drawing of Dhurringile Mansion by an internee there. Given to garrison member Arthur Severino, who was there November 1939 - June 1940.Tatura - Dhurringile 1939.|Signature of artist bottom right of sketch, not very legible. R---? A? J---?tatura, dhurringile, garrison, civilian internees

Early black and white photograph of the front of Fairfield HouseOn foot of photo: "Homestead, Fairfield Vineyard" On back of photo: "The Australian Sketcher. 18 April 1889" fairfield cellars, fairfield house, wine industry, morris family

Item relates back to Cat No 4316.4Souvenir Programme - Paper, cream, blue print, green sketch.Rabaul Army Race Club. Final meeting, Saturday April 20, 1946.souvenir, race programme, army, rabaul

World War 2.Booklet - Paper, Black and white print and sketches, 15 pages.COLES, present "Knitting for the Forces" Containing complete knitting instructions for 3 pullovers, cardigan, Balaclava, Mittens, socks, scarf, skull cap.booklet, knitting patterns, ww2

Situated at 965 Main Road adjacent to the Eltham Railway Station, the Country Art Store was originally a hairdresser and Tattersalls agency In 1968 Pam Robinson and Caroline Shenton opened a small shop on the corner of Main Road and Napoleon Street. Four months later a damaged fire hyrdant flooded the store and ruined all their stock. The pair moved to the former hardresser shop at 965 Main Road, adjacent to the Eltham Railway Station, opposite the Stationmaster's house and opened the Country Art Store and adjacent gallery. At the time the only other shop selling pottery was the Potters Cottage in Warrandyte. During the 1970s the gallery was the Wiregrass Gallery. In 1993, after 25 years operating the Country Art Store, the pair decided to sell up and move to warmer climates. During the course of their business a number of craft shops and galleries opened and closed in Eltham. One such shop was Bimbadeen, next to Ansell and Muir's chicken shop opposite Eltham Lower Park. That business run by Don Brown, then a local artist was taken over as River Clay run by Leo Haanappel and Coeny Dommers but ultimately sat in a flood plain and was demolished. When the Country Art Store became available in 1993, Leo Haanappel and Coeny Dommers took it over. The premises became Platform 3095 cafe around 2015.Old Property at Eltha Station E. Foremanart store, country art store, country art store (eltham), eltham railway station, platform 3095, restaurants, shops, wiregrass gallery

Dates of the exhibition, logos and names of sponsors.anl maritime art prize, 2005, exhibition, mission to seafarers, flinders street, sponsors, poster

Illustrations and description of sites within Greensborough and Greenhills: by Irene Turvey and Ron ReynoldsNow out of print, this book is an important record of the Greensborough and Greenhills areas. Copy 2 is signed by author and illustrator.Hard cover, 62 p., illustrated with pen and ink sketches.Copy 1: stamps with Eastern Metropolitan Library. Copy 2 signed by author and illustrator.greensborough, greenhills, irene turvey, ron reynolds

Cross Ref: 00119Folded cardboard greeting card with reproduction of ink sketch on frontPrinted on back: Eltham State School No. 209. Built in 1876. By courtesy of the artist.eltham primary school, barbara munro, eltham state school, state school no. 209

Cross Ref: 00119Folded cardboard greeting card with reproduction of ink sketch on frontPrinted on back: Eltham State School Headmaster's Cottage. Built in 1891. By courtesy of the artist.eltham primary school, barbara munro, eltham state school, state school no. 209

J Davispencil sketch, unmounted good condition Original held SKHS

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of Dr Sensfelder, teaching at high school in GraytownDr. Sensfelder a teacher at High School at Graytown.graytown pow camp, georg rosenkranz, illustrations, watercolour, sensfelder