Postcard - Black and White - Valentines Elizabeth St Melbourne" number V40 - looking south with the Flinders St station in the background. Photo taken at Little Bourke St, with the Post Office, Alan Taylor Tin shed on the left, Couties Boots, Small Arms Co building and Tailo Hardware. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia" and the Valentine's logo.On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, elizabeth st, gpo, post office

Thin paper Certificate for Valentine Day. Drawn on The Bank of Love and signed Cupid. Printed in black script and numbered 67579. Dated 14 Feb 1847.person, greeting cards, malone collection, malone collection, valentine certificate

Bendigo Advertiser "The way we were" from 1999. Elegant: the residence of Carl Van Damme, corner of View and Valentine streets, Bendigo. Circa 1900.newspaper, bendigo advertiser, the way we were

Valentine Series 1650the point, lake wendouree, public

View looking west towards the Eltham High School circa 1939 from what is now the present day oval on Bell Street. The school was officially opened in October 1928 at which point there were no trees or shrubs in front. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9.1 x 13.9 cmEltham Higher Elementary School, Valentine Series No. 3194, Copyrighteltham, postcard, travel, rose stereograph company, valentine series postcard, glass plate negative, eltham high school, eltham higher elementary school, peter and elizabeth pidgeon collection

One of two photographs donated by Ken PoundColoured postcard of a windswept Cowes beach. Looks like a photograph of a painting."The Beach at Cowes, Phillip Island" Valentine's Series M 4847cowes beach, phillip island, ken pound

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Girl on seat under wind-blown trees (Moonahs?) at Cowes"Room for another" Cowes, Phillip Island. Valentine Series M1260local history, documents, postcards, cowes, phillip island, sepia postcard, girl, seat and trees, bernard grayden

2 post cards and 1 photo of post cardGuest House in GrampiansTaylor Series No 14 Valentines' post card a genuine photoaccommodation, guesthouses, mountain grand

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."To Jack / From Inverness 21-8-1928"postcards, george and edith weir, postcards -- scotland (uk), weir collection

Associated with - Valentine Postcard V1 Buildings - Shops

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975S.S. "Plover" leaving Cowes Pier, crowded with people.S.S. Plover leaving Cowes, Phillip Island. Valentine Series M4916local history, maritime technology, boats documents, postcards, ferries, jetties, phillip island, sepia postcard, ss plover, cowes jetty, bernard grayden

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Postcard showing bridge across creek leading to The Shell Tea Rooms.The Shell Tea rooms, Cowes, Phillip Island. Valentine Series M4845local history, documents, postcards, tea rooms, cowes, phillip island, sepia postcard, the shell tea rooms, bernard grayden

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975A small building - known as Tea House - near sand dunes at rear of Shelly Beach.The Tea House at Shelly Beach, Phillip Island. Valentine Series No. 42local history, documents, postcards buildings, historic, the tea house, phillip island, sepia postcard, tea house behind shelly beach, bernard grayden

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975View of people near rocks at low tide, Shelly Beach.Low Tide at shelly Beach, Phillip Island. Valentine Series No. 41.local history, documents, postcards, shelly beach, phillip island, sepia postcard, bernard grayden

"The Lake, Rutherglen Park" is now called Lake King, and was originally established as water storage for the town. The photograph is taken from the side of the lake that is currently occupied by the caravan park.One of three black and white photographs mounted on orange paper. This one is a view of Lake King.Printed at bottom of photo: "Valentine Series No. 984 The Lake, Rutherglen Park"lake king, rutherglen park

BHS CollectionBlack and white view of Charing Cross, Bendigo, looking northward along Pall Mall. Two trams near Alexandra Fountain in centre of photo, baby health centre far left of photo. War Memorial, Post Office, Shamrock Hotel and School of Mines in background.Pall Mall Bendigo. V 35. Valentines Post Card on back.basil miller, charing cross bendigo, tramways

Valentine Card under glass in a thin wooden frame, a Wish in centre printed on silk reads 'May thy life be fair and happy, as the lovely summer hours, and thy heart as free from sadness, as the laughing summer flowers', bordered by silver & gold filigree on white backing fringing around wish, markings or inscriptions read 'Old ''Valentine'' Card', 'To Aunty Janey', Donated by Mr Atkinson related to Mary Reibydocument, valentine card, valentine card, card, wish

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment.This rural region (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap.This black and white photograph is from a Valentine's V2 Argus postcard. It is on a 200g/m paper density one side gloss. See also KVHS 0480 (A) to (L) for similar postcards. "ROCKY VALLEY FROM BOGONG HIGH PLAINS KIEWA HYDRO-ELECTRIC PROJECT" "V1"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth, rocky valley, secv

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Highland Chief"postcards, george and edith weir, postcards --- scotland (uk), weir collection

The Ka 2, a tandem two seat training sailplane of 15 metre wing span, was designed by Rudolf Kaiser for Schleicher in 1953. It was a versatile craft due to its good cross country soaring capability. With the Ka 2B, the design was improved in 1955 by lengthening the wing span to 16 metres and increasing the dihedral and tip washout. The fuselage was lengthened slightly as well. Schleicher built 42 Ka2s from 1953 to 1955 and 75 Ka 2Bs from 1955 to 1957. In addition Schleicher supplied kits for construction of the sailplane by independent builders. The Australian Gliding Museum’s example is the single Ka 2b built in Australia from plans and is designated as GFA-HB-47. The club concerned was the Illawarra Soaring Club of Sydney. The glider registered as VH-GHO and first flew in October 1960. However, within a short time it was badly damaged and needed major repairs which took over a year to complete. After lengthy service at Illawarra Soaring Club it was transferred to the Stirling Gliding Club in Western Australia in August 1976. Again it suffered damage in a landing accident in 1978. The damaged glider was put into storage at Northam where it remained for approximately 11 years. It was acquired by Mike Valentine in 1989 and brought back to flying condition at Bacchus Marsh, Victoria. The last entry in the log book is dated January 1997 at which time it had accumulated 1170 hours from 2446 flights. The last owner prior to transfer to the Australian Gliding Museum was John Ashford of the Geelong Gliding Club. The Museum's Ka 2B sailplane is a potentially airworthy example of this German 1950s sailplane type. It is a rarity in Australia as the only Ka 2b appearing on the Australian register.Tandem two seat sailplane of wood and fabric construction finished in cream and red colour schemeRegistration VH-GHO (with "HO" letters painted on the fin / rudder) Serial number - GFA HB 47 australian gliding, glider, sailplane, schleicher, kaiser, ka 2, illawarra soaring club, stirling gliding club, valentine, ashford

Main Street Looking East c1940 Valentine Series No 4006stawell streetscape

Main Street Looking East c1940 Valentine Series No 4006stawell streetscape

Valentine's Postcard. V1. The Gardens and Sundial Central Park Stawellstawell

'Rolleston' the home of the Mrs. Ella Vicars-Foote's Collection Palmerston Street, Bendigo. Order of Sale. In Conjunction: E. J. Ainger Pty. Ltd. John Ainger, Auctioneer, Valentine's Antique Gallery (formerly Cliff's Antiques) Allan Valentine Auctioneer. Home originally built by Crawford Family in the 1880's - Gold Speculators and owners of the City Family Hotel. March 1985. Printed by J. J. & D. V. Mulqueen, Kangaroo Flat.place, building, residential, rolleston, mrs ella vicars-foote, e j ainger pty ltd, john ainger, valentines antique gallery, cliff's antiques, allan valentine, crawford family, city family hotel, j j & d v mulqueen

Postcard - Black and White - Valentines "Town Hall Collins St Melbourne" number V62 - looking north west from near Russell St at the Melbourne Town Hall buildings. Has a number of motor cars and trams in the view. In the background is Manchester Unity Building and the Athenaeum Theatre portico. Appears to be late 1940's or early 1950's. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia" and the Valentine's logo.On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, elizabeth st, gpo, post office

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment.This rural region (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap.This black and white photograph on a Valentine's postcard is from a V2 Argus photograph.. It is on a 200g/m paper density photo side gloss. See 0480 (A) - (G) for other photos of similar postcards.In white lettering " ROAD TO BOGONG HIGH PLAINS KIEWA HYDRO-ELECTRIC PROJECT", V3secv, road making, victorian alps