Large enamelled steel water canteen, dark blue in colour. This canteen is felt covered, is carried in a leather harness with a leather and canvas shoulder strap. This canteen has a cork stopper and a small cup made from tinned steel. This is a larger capacity canteen carried by nurses who required additional water for wounded and ill patients. These canteens were also carried by horsemen who required additional water for their animals. world war 2, ww2

boomerang made from Murray River Red Gum timber. decorated boomerang, used for killing low flying ducks. Each end has a black tip with white cross hatching. Animal painted decorations from left to right are: black snake with yellow stripes, ochre platypus, black coloured kangaroo, yellow turtle, black, ochre and white wavy lines followed by a red snake with black and white stripes. On reverse apex of boomerang burnt into timber "Murray River / Red Gum"platypus, boomerang, river, decorated, hunting tool, snake, turtle, kangaroo, creek, duck hunting, ducks, jaara jaara, jaara jarra people

Photograph depicting a series of split rail fences, in the left background there is a small brick? Building with two chimneys, there are arched windows either side of an arched doorway. On the right of the photo , set back in a recess in the yards is a small cottage, possibly the home of Mr. Lloyd who was the cattle yards inspector for many years. Just visible to the right of the cottage are a large number of horses. In the foreground are what appears to be animal skins on the ground.Batchelderplace, bendigo, saleyards, saleyards, cattle yards, lloyd

Article in 'The Sun' 1978 about the Blackburn horse trough found by Robin Da Costa at the corner of Blackburn and Canterbury Roads, bequested by George Bills to Australian horse owners. Bill came from Britain to Australia in 1859 and made a fortune. When he died in 1927 he left a large sum of money to prevent cruelty to animals. Robin is producing a pictorial history of Blackburn with the help of a grant from Nunawading Council.horse troughs, bills, george, blackburn road, blackburn, canterbury road, da costa, robin

Colour print of Swanston St Melbourne looking south with W3 661 northbound, route 4, showing "City" as a destination at the intersection of Lonsdale St Another W3 is southbound. Has many vehicles in the street, including a Morris Minor and a van with word "Singer" across the front. In the photo is the Foys building, and a sign for the "Victorian Society for Protection of Animals". Photographer - possibly Ron Scholten. Printed on Kodak paper - from a slide.trams, tramways, mmtb, swanston st, tram 661

This plaque, along with the Royal Coat of Arms 0000-731, were previously on display in the Brighton City Council's municipal chambers. Oil paint on plywood. The Commonwealth Coat of Arms is painted on black ground showing the central shield, depicting symbols of Australia's six states, which is flanked by the native Australian animals, the kangaroo and the emu. The seven-pointed Commonwealth Star surmounting the crest also represents the states and territories, a wreath of golden wattle appears below the shield. Below the shield is a scroll containing the word 'AUSTRALIA'. There are four holes at each corner of the board.coat of arms, plaque, brighton city council, brighton, commonwealth coat of arms, australian coat of arms

A concave wooden racquet, with cloth shoulder supports with whipping, and a fantail handle which has been squared off at the butt. Inscription across crown on obverse: QUEEN. Trademark decal on throat on obverse comprises of a woodland animal and a tennis racquet situated behind a triangle device containing the inscription: MAKERS/THE WALTER BENTLEY CO./.../NIAGARA FALLS. Materials: Wood, Gut, String, Cloth tape, Metal, Ink, Glue, Lacquertennis

A steel curved double bladed silage or hay knife with two wooden handles at the top attached by rivets. The long blades have sharp points at the end. The handle bracket is joined to the steel blades by a nut and bolt. It has a cog mechanism to move the blades. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment

The Heytesbury Settlement Scheme in the area west of Colac and bordering the Otway Ranges. The Settlement was established in 1960 as a dairying area and was one of the largest post World War Two farming settlements. This cow tag has been broken at the top and detached from the animal.The item is of some interest as coming from the Heytesbuty Settlement. Dairying is of major importance in the Warrnambool area and this extends to the Heytesbury area. These cow tags have now been superseded by more improved technological equipment. This is a brass cow tag. It is semi-circular with a ring top, broken or worn through at the top. ‘1292’ ‘Heytes East’ heytesbury settlement scheme, cow tag

A yarn wall hanging depicting sky, trees and river. Felt houses, a wooden bird and animals or fishes made from beads. Red ribbed paper outlines the picture, which is glued to a hessian covered board. This artwork was created by participants at the Day Centre in Kooyong.Striped artwork attached to brown hessian backingassociation for the blind, day centre

The first year planting of Marrum Grass on Boarding School Bay dunes to stop the erosion of the sand caused by denuding the dunes of the scrubby tea tree that would have covered the dunes. They cut the tea trees down to use for tanning animal hides for leather and clothing rare photograph of the first years progress of the planting of marrum grass on the dunes of Boarding School Bay to halt the sand drift caused by the removal of tea trees.black and white photograph of the newly planted Marram Grass on the dunes at South Beachhandwritten: About 1884 See also 10.00.002 --- W.H.Storey - Marrum Grass. 1st Year. Boarding School Bay. Port Fairybotanical, marrum grass, boarding school bay, samuel avery

The whippletree consists of a loose horizontal bar between the draught animal and its load. The centre of the bar is connected to the load, and the traces, chains or straps on each side of the harness, attached to its ends. Whippletrees are used when pulling a dragged load such as a plough, harrow, or log. The whipple tree was attached to a scoop, which was used for building the 'Puffing Billy' railway and also for scooping out Emerald Lake.Wooden bar with metal hook at each end and a metal ring attached to the centre.

This item was originally made to put around a farm or herd animal to enable it to be identified and found if it strayed. Horses, cows, goats and oxen were the animals most commonly given neck bells in Australia as a way of identifying and finding cattle particularly in areas where prpoerties were unfenced or when droving large herds of mixed cattle. Drovers often marked these bells as a way of identifying which cattle belonged to them. Some of these bells from the 1860's onwards were imported to Australia and some were manufactured locally. The cow bell in various sizes is often still produced to sell to tourists, particularly those in Europe. Many of these souvenir bells contain some form of art work. Although this item has no known local provenance it is retained as an early example of the bells placed around animals’ necks to stop them from straying. This is a piece of metal welded to form a cover or a bell container with a bottom opening to hold a metal clapper which is held in place by a metal ring. The top has a metal handle. The bell is very rusted and stained.animal husbandry, warrnambool, history of warrnambool, cow bell

Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97'

This photograph was taken at an event called Spotlight on Fox on 3rd April 2004. This event was a practical demonstration of methods landowners could use to help control the fox population. Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, was the presenter and demonstrator. He is pictured here kneeling Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to educate and provide practical demonstrations to mitigate environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 8743 / [PRINTED] (No.7) / 253spotlight on fox, camille veselsky, wooragee, wooragee landcare, wooragee landcare group, fox

This image taken between 1920-1930 depicts open-cut hydraulic sluicing at the Three Mile Mine, located about five kilometres south of Beechworth. Alluvial, or surface, mining began on this site in the 1850s, but was soon replaced by hydraulic sluicing methods. By the start of 1880 it is estimated that nine hundred miles of water races had been cut though soil and rock in the Beechworth district. Hydraulic sluicing employs high pressure jets of water to blast away large areas of earth and wash it down to be run through a sluice box. Gold gets caught in the sluice and the remaining slurry is washed away. Large water quantities were required for hydraulic sluicing, and the long water races and deep tailraces that were constructed were considered great engineering feats. This method of mining is extremely effective, but causes significant environmental damage and impacts to waterways and agricultural operations. Miners at Beechworth built extensive networks of races and dams to secure reliable supplies of water on a scale far greater than elsewhere in Victoria. By the 1880s Beechworth's water barons continued to hold more than half of all the water right licences on issue and undertook sluicing operations on a massive scale. The manipulation of surface and ground water via race networks was well planned and recorded in detail by local mining surveyors. The maps that were created, combined with modern geo-spatial technologies, provide a vital key in understanding the great lengths to which miners went to capture and control critical water resources. Today, Three Mile mine is called Baarmutha. The Three Mile Mine was unproductive until 1865 when John Pund and three other miners secured a fifteen year license and constructed a water race from Upper Nine Mile Creek to Three Mile Creek. In the early twentieth century Pund & Co. averaged over one thousand ounces of gold per year from the mine. After Pund's death in 1915, GSG Amalgamated Co operated the site, continuing sluicing until 1950. This image of hydraulic sluicing methods shows the extent of water-works engineering in the landscape. This photograph has historic and research potential for understanding changes to the landscape, the evolution of mining methods, and the extensive construction, manipulation and management of water networks in the Beechworth district. Black and white rectangular photograph on matte paperReverse: 7597-1 / Sluice Mining / Copied from original on loan from Webb (Qld) / Donated Nov 2009 / Baarmutha Three Mile Mine c1920-1950 / Managed by the Plain Bros then Parkinsons / Current Location is: Beechworth Animal Shelter / used for Baarmuthaburke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, hydraulic sluicing, spring creek, netwown falls, mining tunnels, water races, tailraces, gold ming history, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, indigo shire, john pund, water manipulation, water engineering, three mile creek, three mile mine, water race, large-scale mining methods, historical mining construction, alluvial mining, mining environmental impacts, baarmutha, water barons

The collars can be dated to the 1920s, evidenced by a photograph of Gwen Steele (nee Kelly) wearing them on a trip in New Zealand in 1930. Items of fur clothing with provenance allowing a creation date of the 1920sTwo fur collars made of European marten fur. One collar is of Stone (Beech) Marten fur; the other of Baum (Pine) Marten.Handwritten Note on reverse of photo Photo taken in 1930 in NZ. Mrs Gwen Kelly, now Gwen Steele, wearing Stone Marten fur. Also Baum Marten fur about same date. (Weasel type animal with valuable fur - Oxford Dic.)fur collars, full body furs, stone marten fur collar, baum marten fur collar, furs - 1920s

Neville BUNNING (1902-1990) Born Rockhampton Neville Bunning taught Sculpture and Ceramics at the Ballarat Technical Art School between 1945 and 1964. During that time he started the Ballarat Artists's Society, a group tat sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly rt column in 'The Courier' where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird in flight.art, artwork, neville bunning, watercolour, ballarat artists society, ballarat school of mines, available, rooster, bird, animal

The photograph was taken when the children from Bulla Primary School were taken on an excursion to Werribee Park Open Range Zoo as p[art of their environmental studies. On that day they were taken of a tour of the mansion and enjoyed seeing a variety of exotic animals in the Open Range Zoo.The excursion was included into the Children's environmental studies.A non-digital coloured photograph of four buffalo grazing and resting in an open enclosure werribee mansion, werribee park open range zoo, bulla primary school, wild buffalo, school excursions

Primary Schools often use a theme of interest with curriculum based activities.Mt Beauty Primary SchoolANZAC - Sepia pictures, black print. Reverse is colored with book advertisements. 1987 Eleven colored zoo animal pictures Primary Education Topics Booklets - Magic & Funfairs. Magic (1) 1978 - has 8 b & w pages with illustrations Magic (2) Folds out to 4 activity sheets on 1 side & colored picture on reverse Fanfairs Booklet: Colored poster and activity b & w sheets enclosed and held by staples.Zoo poster: 'Vertical File'stamped on and 'Zoos' handwrittenmt beauty primary school aids, education, themes / topics

Letter from John T Harkin to Stock Agents regarding the Requirements of Agents for Cattle Entering Victoria dated 29 August 1995. Letter to Mr Ron Laird from Greg Robinson, Project Officer, Animal Health Operations Branch, dated 14/12/1995 mentioning he has enclosed 100 Interstate cattle ear tags and their requirements. Agriculture Victoria logo in top right corner, A V on a green background.bendigo, council, cattle markets, bendigo saleyards collection - requirements of agents for cattle entering victoria, agriculture victoria, bendigo agriculture centre, john t harkin, ron laird, ian mckenzie, greg robinson

Two red covered auction catalogues with black printing for a sale on the 5th and 6th July 1983 for the Australian National Animal Health Laboratory, Geelong, Vic. For sale were construction materials, equipment, extensive scaffolding, transportable site buildings, G.F.C. False Work, large quantity piping stainless steel and copper fittings. Account: John Holland (Constructions) Pty. Ltd. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - australian national animal health laboratory - geelong, john holland (constructions) pty ltd, j h curnow & son pty ltd, f c dyett, i m dyett, n f dyett, bolton bros pty ltd print

Dark green book with blue printing on the cover titled 'The Victorian Drawing Book'. Border around the edges. Has space on the front for name, class, commenced and finished on the front. Price sixpence. Pencil drawings in the book include some letters of the alphabet, people, animals and flowers. Three loose drawing in the book and a transfer of an iris and butterflies for embroidery. Supplement to Weldon's Ladies' Journal. Advertisement for Faudel's Embroidery Silks, Peacock & Squirrel Brands.drawing, pencil, drawing book, german heritage society collection - the victorian drawing book

A plain blue hardcover textbook, Elements of Agriculture by W. Fream, LL.D. The spine has the title, author symbol for The Royal Agricultural Society of England, price 2/6 and the publisher John Murray written in gold lettering. it has three parts to the contents, the soil, the plant and the animal along with an Index of plants and a general index. At the back there are listed pamphlets published by the Society and books relevant to the topic. Diagrams, illustrations, tables and charts are included. 450p.non-fictionAn English textbook for elementary work on Agriculture adapted for use in rural and other schools and classes.agriculture, farming

This is a current example of the 'Redhead' logo used by Bryant & May Ltd Richmond,Victoria, Australia c 1946 - 1980 On 15th December 1909, Bryant & May, Australia’s first match factory at Church Street, Richmond, Victoria. was opened by The Honourable Alfred Deakin, Prime Minister of Australia, and Mrs. Deakin. It was heralded by the first Commonwealth Government of newly-federated Australia because the government of the day was anxious to encourage secondary industry and pledged tariff protection of local manufacturers. The building was constructed in 1909 as the Empire Works to a design by prolific Melbourne architect William Pitt and was purchased soon after by British safety match manufacturer Bryant and May, who significantly expanded the building, adding another level and the landmark clock tower. Bryant and May were unique in that they operated as a model factory, providing workers with conditions and amenities that even today seem generous. These included a dining hall and sports facilities such as a tennis court and bowling green which were constructed in the 1920s. Bryant and May ceased Australian match manufacture in the early 1980s as a result of import competition. Their iconic Redheads matches are now imported from Sweden. The complex has since been converted for use as offices and showrooms but is extremely well preserved. It is listed on the Victorian Heritage Register. Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant and May Factory, Melbourne; and owned match factories in other parts of the world. Bryant and May survived as an independent company for over seventy years, but went through a series of mergers with other match companies and later with consumer products companies. To protect its position Bryant and May merged with or took over its rivals. In 1971 the Northern Ireland factory, Maguire & Patterson closed down following a terrorist attack.. In the 1980s, factories in Gloucester and Glasgow closed too leaving Liverpool as the last match factory in the UK, until December 1994. . The registered trade name Bryant and May still exists and it is owned by Swedish Match Industries as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. Two French chemists, Henri Savene and Emile David Cahen, proved in 1898 that the addition of phosphorus sesquisulfide meant that the substance was not poisonous, that it could be used in a "strike-anywhere" match, and that the match heads were not explosive. British company Albright and Wilson, was the first company to produce phosphorus sesquisulfide ( Red Phosphorous) matches commercially. The company developed a safe means of making commercial quantities of phosphorus sesquisulfide in 1899 and started selling it to match manufacturers. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman and has had four major updates since that time with a number of special issues depicting animals, birds and notable persons also producedThe Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these safety matches because of the higher price An empty box of 'Redheads' safety matches made in Sweden for ST-Group, Springvale, Victoria, Australia c2015. The tray for the matches slides inside the open ended cover. The striking patch is on both sides of the cover. The matches have been removed. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman and has had four major updates since that time with a number of special issues depicting animals, birds and notable persons also produced. Bryant and May ceased Australian match manufacture in the early 1980s.Top of cover ; Redheads / 45 safety / matches . Logo ; head & shoulders of a female with red hair Base of coverMade in Sweden / Redheads (R) is proudly marketed / by ST- Group Australia. / 718 Princes Highway Springvale Vic. 3171 / .............../ Readheads is a registered trademark / of Swedish Match Industries AB. / Complies ith European / Match Standard EN 1783-1997-SAF/ WARNING; / KEEP OUT OF REACH / OF CHILDREN. STRIKE / GENTLY AWAY FROM BODY . / barcode.redheads safety matches, safety matches, bryant & may pty ltd, phossy jaw disease, early settlers, moorabbin, bentleigh, cheltenham, lights, lamps, tobacco, white phosphorous, phosphorus sesquisulfide, swedish match pty ltd, pitt william, savens henri, cahen emile david , richmond victoria, match girls strike 1888,

This animal heart has been placed in preserving fluid. This can be formaldehyde, isopropyl or ethanol. It is important that glass jars are used, as plastic will be affected by the chemicals over time in the preserving fluid. Note the glass lid. It is not known how long the heart has been in this jar, but it is remarkably well preserved.The use of such preserved specimens is widespread in teaching students of all ages, veterinary operatives and museums of the composition of certain animals, insects and birds. Any information about an animal — be it photographs, blood, feathers or fur samples — is better than no information at all. But specimens are vital to ground-truth.Jar clear glass with taped metal screw top lid & preserving fluid containing a heartNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, heart

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows Gid Ashley and the animals that lived on Churchill Island.Black and white photograph with a white border of a man standing and feeding a flock of chickens and a small pig in front of a tall white fence, with a tank in the background. The photographer's shadow is visible in the centre of the frame Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, gid ashley

Knobkerrie are clubs used as weapons mainly in South and East Africa. The club end can be used to throw at an animal or to club an enemy's head in. Usually these would be carved from a protruding tree branch. The name is Afrikaans and comes from 'Knop', meaning knot or ball and 'Kierie', meaning cane.Accessioned into the museum collection in 1913 and donated by a Mrs Newcome, there is not much other information on its provenance. However, the museum collection holds several artefacts from this region of South Africa and much of it was collected during the Boer Wars of 1880-1881 and 1899-1902.A wooden club type object. It has a narrow cylindrical handle with a large wooden sphere at the top. The wood is shiny and smooth with a polished effect. The handle is 31.5cm long with a 2cm diameter and the head or knob has a height of 9.5cm and a circumference of 27cm.This would have been hand carved from a protruding tree branch. Towards the end of the handle is a 13.9cm section of zig-zag patterning. Further down towards the 'knob' there looks to be carved into the wood 'Jud'.knobkerrie, boer war, zulu, south africa, ethnography, weapon

The children from Bulla Primary School were on a school excursion to Werribee Park Mansion and Open Range Zoo when this photograph was taken. They spent the day taken into the mansion before moving onto the zoo where they saw a variety of exotic animals wandering freely in large fenced allotments.The excursion was part of the children's environmental studies. A non-digital coloured photograph of a group of children gathered outside a grand mansion. bulla primary school, werribee park open range zoo, werribee mansion

The platypus is a semi-aquatic, egg-laying mammal endemic to eastern Australia. It is the sole living representative of its family and genus. They can grow up to 63cm in length and weigh up to 3kg, and their life span is typically 6-15 years. The unique mix of physical features of the platypus make it an important subject in the study of evolutionary biology, and a recognisable and iconic symbol of Australia. Furthermore, the platypus is culturally significant to several Aboriginal peoples of Australia. The animal has also appeared as a mascot at national events and features on the reverse of the Australian twenty-cent coin, and is the animal emblem of the state of New South Wales. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A long, stocky platypus with a streamlined body and a flat bill. The platypus has four short limbs with webbed feet, and the front-right foot is positioned upright. The hair is short and dense; the upperbody fur has an auburn tint, and the underbody fur is a silver/cream colour. The platypus has two beady black glass eyes.On tag: BMM / 5899 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, platypus, monotreme, mammal, ornithorhynchus anatinus