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Eltham District Historical Society Inc
Photograph, Installation of commemorative rock for Walter Withers at corner of Bible and Arthur Streets, Eltham, 17 May 1990, 1990
Roll of negatives of the installation of commemorative plaque and rock to Walter Withers installed in Walter Withers Reserve. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged. Roll of 35mm colour negative film, 6 stripsFuji 100bible street, arthur street, eltham, walter withers reserve, walter withers rock -
Eltham District Historical Society Inc
Photograph, Installation of commemorative rock for Walter Withers at corner of Bible and Arthur Streets, Eltham, 17 May 1990, 1990
Roll of negatives of the installation of commemorative plaque and rock to Walter Withers installed in Walter Withers Reserve. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged. Roll of 35mm colour negative film, 6 stripsFuji 100bible street, arthur street, eltham, walter withers reserve, walter withers rock -
Eltham District Historical Society Inc
Photograph, Installation of commemorative rock for Walter Withers at corner of Bible and Arthur Streets, Eltham, 17 May 1990, 1990
Roll of negatives of the installation of commemorative plaque and rock to Walter Withers installed in Walter Withers Reserve. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged. Roll of 35mm colour negative film, 6 stripsFuji 100bible street, arthur street, eltham, walter withers reserve, walter withers rock -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Eltham built landscape, Tudor House, Arthur Street, 5 Jun 1990, 5 June 1990
Eltham built landscapeRoll of 35mm colour negative film, 7 stripsFuji 200 Aeltham, buildings, houses, arthur street -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers unveils the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques -
Eltham District Historical Society Inc
Photograph, From left, Mary Owen and John Withers, grandchildren of Walter Withers and other family members at the unveiling of the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques -
Eltham District Historical Society Inc
Photograph, The Reverend John Arthur Peck (centre back row) 1922-1924, wedding, 1926, venue unknown
Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church, reverend john arthur peck -
Eltham District Historical Society Inc
Photograph, Commemorative plaque mounted rock at corner of Bible and Arthur Streets, Eltham, donated by R.C. McLellan, Nov 1988
Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given the plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged and the rock was installed 17 May 1990.Roll of 35mm colour negative film, 2 stripsFuji 100arthur street, bible street, memorials, r.c. mclellan, walter withers, walter withers reserve, walter withers rock -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Eltham Fire Brigade, Eltham Festival, 11 November 1989.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham festival, parade, fire brigades, cfa -
Eltham District Historical Society Inc
Photograph, Eltham Festival Parade, 11 November 1989; Main Road near the corner with Arthur Street, 11/11/1989
Featuring various community group floats and participation. Also Society member, Jock Read riding his horse, LoftyRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, jock read -
Eltham District Historical Society Inc
Photograph, Unveiling of the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Roll of 35mm colour negative film, 1 stripFuji 100 Nwalter withers rock, walter withers reserve, bible street, arthur street, eltham, plaques -
Eltham District Historical Society Inc
Photograph, Shire of Eltham Library and Office, cnr Main Road and Arthur Street, Eltham
Black and white photographarthur street, eltham, eltham library, eltham shire office, main road -
Eltham District Historical Society Inc
Photograph, Looking south along Main Road between Arthur and Dudley Streets, Eltham, February 1968, Feb 1968
East side shops include Photographer Hugh Fisher, Hairdresser and Fire Station. BP and Shell Petrol Stations on west side. Our Lady's School buildings just visible in centre of photo.In February 1968 an unknown person took a series of photos from the Eltham Hotel at Pitt Street heading north along Main Road through the shopping centre to just north of Elsa Court covering the length of the section of Main Road which was duplicated shortly thereafter. Shows the condition and environment of the streesscape of Main Road, Eltham immediately prior to the duplication between Pitt Street and Elsa Court through the shopping centre. Also shows a number of shops and businesses that operated at that time.Black and white photographduplication, eltham, main road, our ladys church, arthur street, shopping centre, fire station, shell service station, our lady of help christians church, hugh fisher photographer, bp service station, hairdresser, dudley street -
Eltham District Historical Society Inc
Photograph, Looking northwest acroos Main Road from near Arthur Street, Eltham, February 1968, Feb 1968
Shows the car parking on the west side of Main Road, part of the Post Office on left and the pedestrian crossing from the railway station.In February 1968 an unknown person took a series of photos from the Eltham Hotel at Pitt Street heading north along Main Road through the shopping centre to just north of Elsa Court covering the length of the section of Main Road which was duplicated shortly thereafter. Shows the condition and environment of the streesscape of Main Road, Eltham immediately prior to the duplication between Pitt Street and Elsa Court through the shopping centre. Also shows a number of shops and businesses that operated at that time.Black and white photographduplication, eltham, main road, carparks, railway station, post office -
Eltham District Historical Society Inc
Photograph, Walter Withers Memorial Plaque, cnr Bible and Arthur Streets, Eltham, 13 Oct 1990, 1990
Unveiled Saturday 13 October 1990. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged.Colour photograph 10 x 15 cm. Supplementary material including invitation to unveiling and news clippings (incl. photocopies) of the eventarthur street, bible street, walter withers reserve, walter withers, walter withers rock -
Eltham District Historical Society Inc
Photograph, House moving, corner Arthur and Bible Streets, Eltham, early 1985, 1985
Colour photographarthur street, bible street, eltham, houses, margaret ball -
Eltham District Historical Society Inc
Photograph, Installation of commemorative rock for Walter Withers at corner of Bible and Arthur Streets, Eltham, 17 May 1990, 1990
Roll of negatives of the installation of commemorative plaque and rock to Walter Withers installed in Walter Withers Reserve. Russell Yeoman advised (14 Jun 2017 society meeting) that the Shire of Eltham had been given a plaque to commemorate Walter Withers and that the rock was sourced from west of Melbourne with funds from a local government grant. The initial crane to lift the rock in place was too small and another crane was arranged. This also proved too small to lift it until a third and larger crane was arranged. Roll of 35mm colour negative film, 6 stripsFuji 100bible street, arthur street, eltham, walter withers reserve, walter withers rock -
Eltham District Historical Society Inc
Photograph, Shire of Eltham Library and Office, cnr Main Road and Arthur Street, Eltham
Black and white photographarthur street, eltham, eltham library, eltham shire office, main road -
Eltham District Historical Society Inc
Folder, Arthur Chichester Allen, 1852
Folder of information on A C Allen, Eltham, 1852.arthur chichester allen -
Eltham District Historical Society Inc
Photograph, Council owned Reserve running between Arthur Street and Ruskin Court, Eltham, 4 March 2018, 4/3/2018
Shows protest banners and ribbons placed by members of the community opposed to Nillumbik Council's proposal to sell this land along with 16 other reserves in the Shire. One of 17 reserves which 3,000 people rallied for at the former Shire office site on March 4th, 2018 then marched down Main Road to Luck Street.Born digital imagenillumbik shire council, parks, save community reserves, arthur street, ruskin court -
Eltham District Historical Society Inc
Photograph, Unveiling of the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Six colour photographswalter withers rock, walter withers reserve -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Unveiling of the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
Seven colour photographswalter withers rock, walter withers reserve