Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Streetscene (The Ming Court Hotel with yellow roof in the distance), Singapore (see also S0959)Made in Australia / 37 / MAY 70M3expo 70, osaka, robin boyd, slide

Colour slide in a mount. Lobby, Imperial Hotel, Tokyo, Japan, 1919-23. (Architect: Frank Lloyd Wright.)Made in Australia / Inscribed 4japan, slide

Colour slide in a mount. Imperial Hotel, Tokyo, Japan. (Architect: Frank Lloyd Wright.)Made in Australia / Inscribed 3slide, robin boyd

Discusses the hotel and motel accommodation situation in Victoria and lack of first class hotels, overall, in Australia. Sir Henry Bolte's 10% tax on hotel and motel accommodation saw many proposals for new hotels being shelved.Original manuscript of an article published in "The Sunday Australian" as ‘Bolte’s Victorian Melodrama’, 26.9.1971.Typewritten (carbon copy), quarto, 8 pages.hotel, motel, accommodation, australia, sir henry bolte, victoria, tourist industry, robin boyd, manuscript

Extols the virtues of Waikiki as a holiday destination/escape machine, the less-than-Good Taste of the resort combined with its virtues/religious dogma of American middle-class vacation standards. Boyd describes a day of the typical young American hotel occupant, and Honolulu's uniform air of confidence attracting American tourists. This manuscript was published in 'The Sunday Australian' with the title ‘Why I love Waikiki’ on 23/05/1971.Original manuscript of ‘Why I love Waikiki’ published in 'The Sunday Australian', 23/05/1971.Typewritten (1 c copy and 1 p/copy), pencil edits, quarto, 11 pagesSent 12 May 71 - in pencil on front pagewaikiki, honolulu, american tourism, second rate californian architecture, american middle-class vacation standards, robin boyd, manuscript, ohm2022, ohm2022_16

Using 'Village Green Hotel' as an example, Boyd laments on how the development of new Australian Industries' standard of design comfort is rather 'un-Australian'. Further, he criticises how the evolving style of Australian architecture is predominantly inspired by international precedent and questions whether taking foreign elements is considered an Australian style.Original manuscript of an article published as ‘Fun and games at the Village Green’ in The Australian, 03.07.1965.Typewritten, quarto, 4 pagesvillage green, 'un-australian', robin boyd, manuscript, hotel

Hardcover w/ Dust JacketPostcard from Hyatt Hotel Canberra in an envelope addressed to Mrs John Davies, dated 18/11/96. Accompanied by a note from Penleigh Boyd to Trish, on Penleigh Boyd Partnership Stationery, and a typed copy of a speech given by Penleigh to the RAIA 15th annual awards presentation in presenting the Robin Boyd Award. Birthday card (undated) from Penleigh & Robyn, Ben, Amy & Rupert to John. Australian Dictionary of Biography Subscription card and corrigenda insidebiography, dictionary, australian biography, walsh st library

Colour slide in a mount. Lennon's Broadbeach Hotel (1956), Broadbeach, Queensland, Australia. (Architect: Karl Langer.)16slide, robin boyd

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Hotel Lisboa, Macau, Macao, 1970. (Architects: Stanley Ho, Teddy Yip, Yip Hon and Henry Fok.)Made in Australia / 19 / MAY 70M3slide, robin boyd

The Arkaba Hotel won various architectural awards.Colour slide in a mount. Arkaba Hotel, Fullarton, Adelaide, South Australia, 1964. (Architects: Dickson and Platten Architects.)Made in Australia / 3 / JUL 69M6slide, robin boyd

The Arkaba Hotel won various architectural awards.Colour slide in a mount. Arkaba Hotel, Fullarton, Adelaide, South Australia, 1964. (Architects: Dickson and Platten Architects.)Made in Australia / 5 / JUL 69M6slide, robin boyd

The Arkaba Hotel won various architectural awards.Colour slide in a mount. Arkaba Hotel, Fullarton, Adelaide, South Australia, 1964. (Architects: Dickson and Platten Architects.)Made in Australia / 6 / JUL 69M6slide, robin boyd

The Arkaba Hotel won various architectural awards.Colour slide in a mount. Arkaba Hotel, Fullarton, Adelaide, South Australia, 1964. (Architects: Dickson and Platten Architects.)Made in Australia / 2 / JUL 69M6adelaide, slide

The Arkaba Hotel won various architectural awards.Colour slide in a mount. Arkaba Hotel, Fullarton, Adelaide, South Australia, 1964. (Architects: Dickson and Platten Architects.)Made in Australia / 4 / JUL 69M6adelaide, slide

Colour slide in a mount. Culloden Castle Hotel, 226 Latrobe Terrace, Geelong West, Victoria, AustraliaFile No / Titlevictoria, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Leningradskaya Hotel Moscow, Moscow, RussiaMade in Australia / 12 / AUG 64M / 6 (Handwritten) / USSR (Handwritten) / 9 (Handwritten)russia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Yunost Hotel, Moscow, Russia.Made in Australia / 19 / AUG 64M / 8 (Handwritten)russia, slide

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 16 / JUL 65Mcalifornia, slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore (Architect: Alfred Wong). Made in Australia / 35 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore. (Architect: Alfred Wong)Made in Australia / 36 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore. (Architect: Alfred Wong)Made in Australia / 37 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Streetscene with Hotel Lisboa (1970) in right background, Macau, Macao . (Architects: Stanley Ho, Teddy Yip, Yip Hon and Henry Fok.)Made in Australia / 20 / MAY 70M3slide, robin boyd

Colour slide in a mount. Sofitel Wentworth Hotel, Sydney, NSW, Australia, 1966. (Architects: Skidmore, Owings and Merrill.)Made in Australia / 20 / 67M4slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 17 / ----- / Encircled 17 (Handwritten)slide, robin boyd

Colour slide in a mount. Prince of Wales Hotel, 1 Nelson Place, Williamston, Victoria, AustraliaMount Made in Australia / 13victoria, slide

Upper Main Street Looking East 1886. From left J Allingham Drapers. J Chadwick & Co Drapers. Bank of Victoria partly obscured, Commercial Hotel, Oriental bank, Punchard's Furniture. On right is the side of Mechanics Institute obscured. B.S. Dawson Chemists & Wadsworth Watchmaker. English Scottish & Australian Bank . Upper Main Street scene with people standing in roadway, Side of cart visible on left. c 1880stawell streetscape

Holtermann Photo 1874Main Street looking West from Layzell Street. On left Heide's European Hotel with Heide's two boys out front, David Nicholas Hotel. Foresters Hotel on corner of Patrick street, Fire damaged wall of Mechanics Institute. Top roofline of J. Allingham Drapers in distance. From right R.W. Dane Grocer on corner. Union Bank of Australia, Bennett & Bristow, A.B. Clemes, J. Punchard Furniture Mart, J. Punchard's Timber Yard. Oriental Bank, Bank of Victoria, D Telford Produce and Grocer, Chadwick & Co Drapers & Outfitters / London House, Stawell Auction Market Auctioneer.stawell

SEPIA PHOTOGRAPH OF WELL DRESSED MALE SITTING ON A CHAIR, JAMES Y. WILSON. AGENT UNION BANK OF AUSTRALIA, CLUNES.HAND WRITTEN IN INK - JAMES YELVERN WILSON AGENT UNION BANK OF AUSTRALIA CLUNES VICTORIA AUSTRALIA.photographs, bicycle riders, all nations hotel

The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne