Taken in Beechworth, this photograph depicts a two storey granite stone building and five figures in the background conducting a fire drill as a young boy in the foreground watches on. Black and white rectangular photograph. Image is printed on gloss photographic paper and has a white unprinted border area. Obverse: BANK OF VICTORIA Reverse: 4600 (in pencil) beechworth, bank of victoria, bank of victoria, beechworth, granite, fire drill

George and Anne Warren inherited the house, later to be known as Myrtlebank, from Robert and Sarah Graham. George and Anne Warren had thirteen children, so they had to extend the Graham's home to accommodate the large family.The photo shows a house made with corrugated iron. A child is standing to the left of the photo. Smoke is coming out of two of the chimneys."Myrtle Bank, Grampians" inscribed on bottom of photo.buildings, myrtlebank

From the Betty McPhee ruler collectionWooden ruler to measure 12 inches and 30cmsPay into your School Bank every week.school, equipment, domestic items, writing equipment

From an item in the Nunawading Gazette on Weds ,15th Nov 1972 , this item was a gift of Mrs. Jennie Wagg and that it was given to her mother, Mrs. L.L.Bruce, when she was married 93 years ago(ie.1879). It is understood that it was purchased in 1855.Solid iron frame with three wooden rollers. Pressure is on the rollers obtained from an adjustable worm drive to a five leaf spring set(similar to a car leaf spring). Large reduction gearing from handle. Used for pressing sheets, towels, table clothes, etc.GH+G NICHOLL BANK STREET 1820domestic items, laundering

Postcard dated 3 December 1913, Bairnsdale, addressed to Mrs Brewer, Metung, Gippsland.Black and white postcard showing wooden lift bridge over Tambo River, Swan Reach, Victoria. Old punt visible at left bank under bank, thick vegetation on right bank, houses in right background above Metung Road.Tambo River, Swan Reachbridges, waterways

Document. Bank Receipt (Gold). Paper Document receipt from the Oriental Bank Corporation. Dated 14 Sep 1868. Appears to be signed by ? Reads.cottage, miners, bank receipt (gold), oriental bank corporation, ? reads

Document. Bank Receipt (Gold). Paper document receipt from the Oriental Bank Corporation, dated 27 Oct 1868. Appears to be signed by ? Reads.cottage, miners, bank receipt (gold), oriental bank corporation, ? reads

Black and white negative, by Wal Jack, of PCC 980, northbound bound in Glenferrie Road at High Street with the destination of Kew Cotham Road. The Bank was replaced by a more modern looking building during the 1970's. In the background is the ES&A bank on the corner. Jane Nigro advised 9/9/2020: "1907 Photo of the E. S. & A. Bank on the corner of High Street and Glenferrie Road, Malvern. In 1885 land on corner of Glenferrie Road & High St. (40' x 150') was purchased by E.S. & A. Bank. A condition of sale was that the bank erect on the land a 'substantial brick building to be used as a branch bank', within 24 months. The E.S. & A. Bank, single-storey four roomed brick, was built in 1888. The first manager was Frederick Leonard. In 1907 a second storey, including residential quarters for the manager, was added to bank at a cost of £1400.The Bank was demolished in 1958-9and replaced with present building."trams, tramways, pcc class, glenferrie road, route 69, kew- cotham rd, tram 980

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / Reverse: Y 6 / 017 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

With small boy standing on bank at edge of roadWritten on back of smaller photograph, "Wonga Rd. 1909".

Bank of Australasia's certificate of Court of Directors, 1835.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bank of australasia's certificate of court of directors, bank of australasia, court of directors

National Bank, Pall Mall, Bendigo. 1985slide, bendigo, national bank, national bank, 1985

Photograph.GSHS, Bendigo Bank Permanent Building Society.

old Bank Building opposite town Hallstawell buildings

Colour photograph of the former Savings Bank in Avoca.avoca, the savings bank

Postcard sent by AH & VA to Master G & N McNamara. Part of McNamara Collection.4 views of Bonnie Banks, Loch Lomond.loch lomomd, scotland

Bank of Victoria - Bendigo, red wax sealbanking, the bank of victoria, bendigo & sandhurst

National Bank of Australia, Pall Mall, Bendigo

High St Charlton looking west from the Armstrong St corner. Buildings on the RH side are the Globe Hotel, Bilton/Dillon building, Westpac Bank, Arundell's Shoe Store. Shire of Charlton photo taken after footpath renovations in 1987-88Colour photograph of High St Charlton looking west from the Armstrong St corner. Buildings on the RH side are the Globe Hotel, Heather's Choice Gift Shop, Mallee Kitchen, Charlton Pharmacy, Westpac Bank. White car parked in front of Globe Hotel building. Bush Poet Cafe sign on LH side of photo.charlton, globe hotel, bilton building, westpac bank, arundell's shoe store, business, armstrong street

Document. Gold Sale notes for Nicholas Bolle. Papers pinned together covering the years 1868 - 1887 being statement of gold melted and assayed for Nicholas Bolle from the Eaglehawk branch of the Bank of Victoria. A few of the papers are from the Bank of New South Wales - Eaglehawk Branch, Bank of Australasia, Bank of Australasia Gold Office. The earliest statement dated 3 Jul 1868 is for Messrs Harrison & Bashton. Other early ones are for Derbyshire Reef. The Bank of Victoria cards mention R. H. Andrews, Agent on the back. The Bank of Australasia Gold Office statement contains an ink picture of the building on the back.cottage, miners, gold sale notes for nicholas bolle, bank of victoria - eaglehawk branch, bank of new south wales, bank of australasia, bank of australasia gold office, messrs harrison & bashton, derbyshire reef, r. h. andrews

This photo shows a river boat under construction on the eastern bank of the Murray river in the Echuca Port area where the boat shed and swimming pool were located in the 1970's. The boat shed can be seen through the trees but the swimming pool isn't visible. There is another river boat behind, possibly the Canberra.This photograph is of historical and social significance in that it shows the condition of the Murray river in the 1970's at an area used as the local swimming area on the Echuca side of the river. There is a river boat under construction (the frame work shows a bottom and top storey on the boat). This could be the Pride of the Murray. It is difficult to see the name on the river boat behind but it looks like the Canberra. Three houseboats are moored together, a bit further down the river.Colour photograph (post card size) of the Murray river looking north towards the boat shed building. Two river boats are moored by the left bank close to the swimming pool and three house boats can be seen moored further down the river. The river boat in the fore ground is under construction.Printed on reverse:" this paper manufactured by Kodak". Written in blue pen"12B"echuca, port of (riverboats), echuca, port of