SoftcoverAuthor's inscription - "To Patricia With Love Alastair Sept 2000"walsh st library

Clarence College Stawell Awarded to M Telfordstawell education

Acrylic on canvasSigned and dated 'E Harrison 03' in lower left corner of painting.

Acrylic on paperSigned and dated 'E Harrison 04' in lower left corner of painting.

My name is Deanne Gilson and I am a proud Wadawurrung woman living on my ancestral Country around Ballarat in Victoria. My practise aims to highlight and bring back traditional women’s symbols and ceremonial practises that reference the lived experience of my ancestors. By reviving traditional marks found on artefacts and women’s business, I am forming links with past ancestral knowledge so that is not lost and continues for the future generations. My art practice relies heavily on the use of symbols and form as a metaphor for the body. I have worked as a full-time artist for over thirty-five years. Many artworks tell stories of the spiritual aspects of culture and myths. Dreaming and Songlines, further creating a yarning space, bring the gap towards reconciliation and healing for my people and others through shared sharing stories. A main focus of my art practice tells the birthing tree and scar tree stories and how Wadawurrung women have evolved and survived, since before and after colonisation. The old symbols find new life, connecting to the contemporary ones, further connecting us all to this Country we all call home.Yaluk, Beep, Murrup, meaning Water, Country, Spirit, incorporates the traditional mark of the wave pattern (often found on wooden shields) used by my ancestors, along with the basalt plains across Wadawurrung Country. By depicting the interaction between the Water and Country, I use ancestral knowledges that are not seen but intuitive to myself, while juxtaposing them against the ancestral stone circle knowledges, embedded with the DNA of our stories. The ochre is reclaimed as real, it is marni-beek, meaning Country, in particular the white ceremonial ochre, often seen on the painted-up figure and used today to reconnect back to our ancestral memory. Reclaiming what was lost through colonisation, but still present in our Dreaming that flows on today through the water spirit. Country has no time limits and water connects to our bodies, which are made up of water. We as a clan, are still here today, living and being on Country, our ancestral spirits live on through us. The original painting is a contemporary account of using ochre to reclaim ancestral knowledge and to be part of the ceremony that is yaluk, beep, murrup. wadawurrung, deanne gilson, water, country, spirit, first nations art

A book regarding promoting museums, galleries and exhibitionsA book regarding promoting museums, galleries and exhibitionsA book regarding promoting museums, galleries and exhibitionsmuseums, art galleries, shows and exhibitions

A paperback book of 58 pages with text and black and white photographs stapled together with a cardboard cover and a coloured reproduction of a painting by George Rowe of an early race meeting in Sunbury. non-fictionA short local history covering 140 years of European Settlement in Sunbury from 1836 to 1972. The booklet was produced by Dr. John Patterson with help from local Sunbury people.local history, sunbury, dr. john patterson

This script of three books includes Robin Boyd's 'The Puzzle of Architecture', as well as a book on De Gaulle and the history of Christianity. It was broadcast on ABC Radio program "Morning Call" on 1 March 1966.Two typewritten pages with a Compliments of ABC card dated 15 March 1966

Robert 'Curley' Wood was born in Yarram in 1949 and fished from 1962 to 1990 on a 23 foot huon pine boat 'Whykickamoocow'Framed pencil drawing of prominent Queenscliff fisherman Robert 'Curley' Wood. One of a series of 10 drawings entitled 'The Old Salts''whykickamoocow', robert 'curley wood', queenscliff, couta fishing

Charlie 'The Coach' Zanoni was born in Queenscliff in 1909 and fished from 1924 to 1989 on a 67 foot iron bark boat 'The Olympic'Framed pencil drawing of prominent Queenscliff fisherman Charlie 'The Coach' Zanonni. One of a series of 10 drawings entitled 'The Old Salts'charlie zanoni, the olympic, queenscliff, fishermen

Colin 'Steak' Shapter was born in Queenscliff in 1913 and fished from 1927 to 1953 on a 20 foot clinker boat 'JWC'Framed pencil drawing of prominent Queenscliff fisherman Colin 'Steak' Shapter. One of a series of 10 drawings entitled 'The Old Salts'queenscliff, fishermen, jwc

Melbourne : H.R. Lew, 1987 68 p. : ill. (some col.), ports. ; 24 x 32 cm. non-fictionartists - kew (vic.), horace brodzky

Ashburton, Vic. : Mono Unlimited, 2006. x, 416 p. : ill., facsims., geneal. tables, maps, ports. ; 24 cm.non-fictionPrologue Context Part 1. Joseph Foy's family and C.W. Walrond 1. Rev. Joseph Foy's family 2. Ann Challenger's family 3. C.W. Walrond Part 2. The eight trustees 1. John S. Denbigh 2. Thomas Johnson 3. Thomas Merritt 4. William Merritt 5. James Dunstan 6. James Venn Morgan 7. John Quick 8. William Derrick.joseph foy, ann challenger, c w walrond, john s denbigh, thomas johnson, thomas merritt, william merritt, james dunstan, james venn morgan, john quick, william derrick, kew baptist church -- history, baptists - victoria - kew - history.

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Memorabilia Album 1, 1881-1998, 40pp [compiled by David Pitt]. [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), kew bowling club - history - memorabilia