Showing 3123 items
matching fabric/trimming
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Whitehorse Historical Society Inc.
Domestic object - Tea Cosy, 1960s
The cosy was made as a present.Tea cosy in a half circle shape. There is a scene appliqued on the front of a tree in green cotton fabric with a machine stitched hunk on the left hand side. There is a house appliqued on the right hand side. The roof of the house is deep blue cotton fabric and the house is in red cotton fabric. The foreground is of a cotton material with a cream background with 'grass' pattern on it in shades of green. The background is in blue fabric with a small red loop on the top.domestic items, table setting, manchester, table linen -
Bendigo Military Museum
Uniform - THERMALS, UNDERWEAR - ARMY, Unknown
Thermals, top and pants, jungle green colour, polyester/spandex fabric, grid structure and fleece lining. Nylon and metal zipper. 1. Top - polo shirt shape with collar, long sleeves with thumb hole and half zipper front closure. Black colour polyester manufacturers label, back below collar. 2. Pants - Long Johns - elastic waistband, front fly opening, long legs. Manufacturers label, back below waistband - black colour polyester fabric.Manufacturers information on label - white and gold print. 1. "GEN111/ SIZE M/ LONG SLEEVED TOP/ LEVEL 2/ HELIKON.TEX.COM/ ART.ID: BL-UH2-PO/ STOCK NO. 9415-09-229-1357/ NATO SIZE 7585/ 9404/ ACCORDING TO U.S. ARMY / SPECIFICATION." 2. "GEN111/ SIZE M/ LONG-JOHNS/ LEVEL 2/ HELIKON.TEX.COM/ COMFORT DRY/ HELIKON-TEX.COM/ 95% POLYESTER 5% SPANDEX/ AVOID USE OF FABRIC SOFTENERS/ ART.ID: SP.UN2.PO/ STOCK NO. 9415-09-229-1357/ NATO SIZE 7585/ 9404/ ACCORDING TO U.S. ARMY / SPECIFICATION." "PO#1325" uniform, army, underwear, thermals -
Bendigo Military Museum
Flag - FLAG, AUSTRALIAN
Refer catalogue Number 4837. Certificate framed. Andrew TelferAustralian Flag - fabric polyester (?), printed colour red, white and blue. Handwritten information on hoist edge of fabric. ( Timber pole with four brass eyelets for display purposes.)Hoist edge of the flag - handwritten, black ink, "THIS FLAG WAS FLOWN OVER THE SECURITY DETACHMENT X BAGHDAD ON THE 15TH OCT 2006"flag, iraq -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Obstetric stirrups used by Dr Mitchell Henry O'Sullivan
Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period. Set of two stirrups. Stirrups consist of long strips of woollen fabric with leather straps at each end and six metal rings sewn into the woollen fabric with leather at intervals.obstetric delivery -
Uniting Church Archives - Synod of Victoria
Clothing - Regalia - gaiters, Presbyterian Moderator
The gaiters, buttoned up the side, cover the leg from the ankle to a point just below the knee. This was appropriate in the time when clergy's travelling would be on horseback but continued into the middle of the 20th century.Pair of black wool with tape binding and 11 fabric covered buttons. They have fabric instep strap and are boned. The gaiters have button holes at the top to attach to britches.presbyterian moderator -
Kew Historical Society Inc
Clothing - Brown Satin Pants-suit, Scanlan Theodore, 1990s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The pantsuit was owned, worn and donated by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Brown satin pantsuit comprising jacket and separate pants. The jacket has four buttons made of the same fabric. The matching pants of the same fabric and colour are tapered at the ankle.Label: Scanlan Theodorescanlan theodore, women's clothing, australian fashion - 1980s, day wear, pantsuits -
National Vietnam Veterans Museum (NVVM)
Clothing, Coolie (Asian) shirt
Black cotton long sleeved Asian style shirt. Three pockets on the front. Fabric badge top lefthand shoulder, with dragon insignia and green background, white trim. Name tag 'Chadwick'. AATTV fabric badge above pocket. Vietnamese fabric badge on left breast pocket.coolie shirt, aattv, 'chadwick', australian army training team vietnam (aattv) -
Flagstaff Hill Maritime Museum and Village
Textile - Jug Cover, ca 1910
The jug cover was made by diagonally overlapping two squares of net fabric and stitching them together. The beads on the cover are used to weigh the cover down and keep it on the jug. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Jug cover; net fabric eight-point star shape, with white crocheted edges and red, white and green beads on each point. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, miss a.e. emery dressmaker, jug cover, beaded cover, beaded jug cover -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Official Occasions Women's Shawl, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The fabric of the shawl is square with a black border around the outside edge. Along the inside of the border is an Australian floral design that is inspired by the artist Margaret Preston and appears in tones of red, white, green, yellow and black. The centre of the shawl is primarily cream in colour with stripes of green running across it, these lines are organic in their shaping. In the very centre of the shawl, intersecting the lines, is a motif of Australia in black created by a cross hatching of curving lines.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Forests Commission Retired Personnel Association (FCRPA)
Mortising Axe - small
A mortising axe is designed for trimming or cutting notches in timber. It has a short handle and square cutting edgeMortising Axe - smalltimber tools -
Australian Lace Guild - Victorian Branch
Textile - Brussels Point de Gaze, Late 19th or early 20th century
Fine needle lace use as costume trimming. The detail image shows typical tiered rose petals.Needle lace border -
Orbost & District Historical Society
razor, Durham Duplex Razor Company, Early 20th century
This a cheaper version of The Durham razors. The Durham Safety Razor Co. was founded in New York,N.Y.c1908 by Thomas C. Durham. The first Durham Duplex U.S. Patent was filed in October 1906 and then in January and March 1907. By 1920 Durham-Duplex claimed eight million users. after many mergers a successor company Durham Duplex in Sheffield England still operates selling blades and knives with retractable blades.The Durham Demonstrator was a popularly used safety razor and hair trimmer of the first half of the 20th century before the use of electric razors.A Durham Demonstrator. This is a hair thinning and trimming resembling a straight razor which folds back into the handle. The handle is black plastic/ composite. It still contains the blade which is double edged. it has a built-in open comb safety guard.On handle: "To Be Used With/ Durham-Duplex Blades" on one side and "Durham Demonstrator" on the other. The blade is marked "Pat'd U.S.A. May, 28 07"razor durham-demonstrator grooming hair-trimmer -
Warrnambool and District Historical Society Inc.
Book, The Holy Bible, 1838
This book is one volume of a series of six volumes of Bible commentaries. It was a 30 year project for the writer, Adam Clarke. He was the great uncle of Daniel Clarke, a 19th century resident of Warrnambool. Daniel Clarke, as a social worker for the Anglican Church, established the Framlingham Aboriginal Reserve in the 1860s. For thirty years he was a prominent businessman in Warrnambool as a photographer and artist. He is well-known today for his paintings of Tower Hill and the Hopkins River mouth. This book is retained not only because of its antiquarian value but also because of its link with Daniel Clarke, important in Warrnambool’s 19th century history. This is a hard cover book with a black leather spine and black leather trimming on the cover edges. The cover is green with gold lettering and ornamentation on the spine. The pages have a mottled blue and brown pattern on the edges. The cover is a little torn and stained. adam clarke, daniel clarke, bible commentary -
Warrnambool and District Historical Society Inc.
Tool - Hedgetrimmer, 1949
This is a manual hedge trimmer which has a push pull action. It is not a very common garden tool possibly a lot slower to use than clippers. It dates from mid 20th century.This is quite a rare tool.This tool is consists of a metal bar with a row of prongs attached . A blade on one end is moved along the length of the metal bar thereby trimming the bush. There is a wooden handle attached to the metal bar and a wooden ball and spring on the righthand side.Code Half Time. Made in England Pat App No 16418/49warrnambool, tool, hedgetrimmer, code halftime -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Bundjil the Eagle Creator Spirit Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Mont De Lancey
Tool - Adze, Unknown
Used in the 19th century.A wide bladed forged steel Cooper's Adze head with a curved blade. There is no handle. At the opposite end there is a hammer shaped head. It was used by woodworkers for cutting and trimming rough wooden planks and shaping and smoothing wooden surfaces in the 19th century.woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, adzes -
Warrnambool RSL Sub Branch
Uniform - Royal Australian Navy (RAN), Naval Ratings Drill Trousers
The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. They reflect traditions that can be traced back to the Royal Navy (England) and demonstrate the relationship between the two. These drill trousers are one of four parts to a Naval Ratings Uniform which was owned by J.M. Parsons.These trousers are one part of a naval ratings uniform which consists of four parts. The uniform is representative of the Royal Australian Navy uniform and can be traced to the Royal Navy (England). The complete uniform shows the connection between Australia and England since European settlement.Khaki long bell bottom trousers with seven quick release metallic buttons. Four of the buttons are lined up horizontally along the pelvis and another three fasten the trousers together in a liner pattern at the centre of the pelvis. There is a white square label sewn to the back/centre interior of the waistband with printed and written inscriptions. There is also a written inscription directly on the trouser fabric to the right of this label.Printed inscriptions on the label: KHAKI DRILL TROUSERS / FALL (indecipherable word) / Size: (indecipherable symbol) / Waist (indecipherable symbols) / INSIDE LOG: (indecipherable inscription) / H. R. (Indecipherable inscription) PTY LTD / indecipherable inscription Written inscription on label: JM PARSONS / (indecipherable inscription) 362 Written inscription on trouser fabric: J.M.PARSONS 14/362navy, naval ratings uniform, naval ratings collar, j.m. parsons, ran, royal australian navy, j parsons, parsons, military uniform, drill trousers, trousers -
Bendigo Historical Society Inc.
Textile - CUSHION COVER
Textiles, brown coloured cushion cover of tapestry fabric on one side and yellow cotton fabric on reverse side. Edged with 5 mm cotton cord with loops and pom poms at corners. Tapestry fabric side has a pattern of concentric squares of yellow embroidered lines, squares and leaf patterns.textiles, domestic, cushion cover -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S PINK NYLON PANTIES, 1950's
Clothing. Pink nylon woman's panties with gussett and elasticized legs trimmed with 1.5 cm self stripe nylon fabric frill. Above each leg is a vertical insert (26 cm X 3.5 cm) of embroidered nylon fabric. Elasticized waistband. Nylon fabric has fleecy lining.Tag inside on seam, ''PLB Patolaine Lingerie of Refinement SW All Nylon''.costume, female underwear, woman's pale pink nylon panties -
Bendigo Historical Society Inc.
Leisure object - DOLLS DAY BED
A small day bed for a doll, upholstered in floral tapestry fabric in tones of pink and black, single end with top which opens in both directions, inside lined with pink fabric.toys, dolls' furniture, day bed -
National Wool Museum
Document - Mastercard, 1970-1975
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Once a pattern has been selected for mass production, a master card is produced. A mastercard shows exactly how to replicate the designs and colours depicted on the sample attached. “Ends” is the technical word to describe a vertical band and “picks” describes a horizontal band.Brown card with fabric sample stapled to the top right. Writing is present on the left and bottom of the card detailing the information applicable to the design of attached fabric. 14 individual Masetercards in collectiontextile calculations, textile design -
City of Greater Bendigo - Civic Collection
Decorative object - Event memorabillia, The Return Ball, 1923
Hand sewn and printed blue and gold wall hanging inviting Mayor and Mayoress Giudice to the Return Ball. The text is printed on the blue central fabric panel which has a gold fringe and tassels. At the top of the fabric to enable it to hang on wall the fabric is sewn around a wooden rod with attached gold braid.The citizens of Bendigo present their compliments / to / HIS WORSHIP THE MAYOR (Cr. M. G. Giudice) / AND MAYORESS, (Mrs Giudice) / and request the pleasure of their company at / THE RETURN BALL / at the / Town Hall, on Tuesday, 17th July, 1923 / E.M. Vains, Chairman J. Denton, Hon, Treasurer / Bendigo, 27th June, 1923giudice, mayoress giudice, city of bendigo town hall, city of greater bendigo ceremonial item, city of bendigo mayoress, city of bendigo mayor, city of greater bendigo events -
The Beechworth Burke Museum
Textile - Handbag, c1970
Knitted handbag made by patient of Mayday Hills Asylum.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A pink knitted fabric handbag in moss stitch with plastic handles.beechworth, burke museum, mayday hills asylum, knitting, handbag, bag, fibre art, craft -
Bendigo Military Museum
Award - RIBBON, MEDAL
Medal ribbon for 'National Medal for Service' - Medal issued to operational members of specified eligible organisations. It was introduced in 1975 and ceased on 19th April 1982. Part of the Kevin John Herdman No. 397661 Collection. See Cat No. 5942P for details of his service record.Fabric medal ribbon with blue and gold stripes with cut ends.awards, national medal for service, medal ribbon, kevin john herdman -
Warrnambool and District Historical Society Inc.
Financial record - Ledger, Warrnambool Shire Council 1899-1918, Circa 1900
Provides a collection of letters to the President and Councillors of the Shire of Warrnambool from J. M. Crawley. The period covered is 1900 to 1918. It covers such topics as repairs to bridges, purchasing of equipment, complaints, applications for roads. Names of places and structures include Dennington Bridge, Cassidy’s Bridge, Warrumyea Bridge, Yangery, Purnim. Loose within the book is a letter from a W,M(H?) Clarke of Garvoc. The letters contained in this ledger provide information on a large range of works which were carried out in the Shire in the early 1900’sDark olive green fabric cover with tan spine and cornersMinute Book in gold lettering on red background on spine.warrnambool shire council 1899-1918, crawley j w crawley, warrnambool shire offices, warrnambool -
Greensborough Historical Society
Banner, Lower Plenty State School Banner LP1295, 1970_
School banner from Lower Plenty Primary School. LP1295School banner, blue fabric mounted on two timber poles.lower plenty primary school, banners -
Glenelg Shire Council Cultural Collection
Craft - Place Mat, n.d
White cotton fabric and filet crochet place mat, rectangulardomestic item, crochet, craft, handmade, needlework -
Geelong RSL Sub Branch
Flag
This Flag of Japan appears to have been in the possession of Chief Petty Officer Writer D'Arcy who served on the HMAS Arunta.Oblong flag, white cloth fabric with red circle in the middle.flag, japan, ww2, cpo writer d'arcy, hmas arunta. -
Kiewa Valley Historical Society
Veil - Nurse's
This nurses veil is preventative of what was part of nurses uniforms in the mid 1900's. Tawonga and district hospital was the only hospital in the Upper Kiewa Valley and was then moved to Mt Beauty to cater for the increased population due to the Kiewa Hydro Scheme. Many of the hospital equipment KVHS has in its collection is from the time when the hospital was moved to Mt Beauty. This veil could also be from this period.This has historic significance due to being representative of what nurses wore in the Tawonga and district hospital during the mid 1900's. As KVHS has many hospital instruments in its collection from the towns hospital the veil has good interpretive capacity and is in a good condition to be placed on display. White linen fabric with 3-4 cm bound edging.nurse's uniform. civilian uniform. veil. headwear. tawonga and district hospital. -
National Vietnam Veterans Museum (NVVM)
Clothing, Sweat Scarf
Multipurpose item made of open woven fabric, camouflage in colour.sweat scarf, scarf, clothing, sas