Jack McCoy is a famous surfer and surf film maker from Hawaii. In this photograph he can be seen holding a brand new Lightning Bolt single fin surfboard.Jack McCoy is recognised as one of the world's great surf film makers.During the seventies Lighting Bolt were one of the most famous surfboard companies in the world. The fact both 'were' born in Hawaii makes this photograph interesting and significant.Black and white photograph of surf film maker Jack McCoy holding a Lightning Bolt surfboard.Lightning Bolt logo on surfboardjack mccoy, lightning bolt surfboards,

Briar Hill Timber was associated with the Olympic Village Project being suppliers of all building materials including Flush Panel Doors, Mouldings and Joinery. Briar Hill Timber owned by F. Squire and the Squire family owned a lot of land around Briar Hill and land for forest at Flowerdale. The 16 mm film photographed by H.V. Plowman (converted to DVD) shows all aspects of the operations of Briar Hill Timber from logging of trees, to milling to manufacture of joinery and housing framesMP4 00:13:12; 247MB Converted from DVD converted from VHS video converted from 16mm colour filmbriar hill timber, f. squire, olympic village, 1956 olympic games, timber mill, flowerdale, cinematography, briar hill, h.v. plowman, logging, video recording

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

A photo of a group of Legacy Staff, volunteers and Legatees, preparing for the issuing of Badge Trays and Legacy Appeal tins in a room of Legacy House. Staff members Karen Tillotson and Brett Tillotson are on the left, third from left is Glad Fenton, a legacy widow, and on far right is Dulcie Cedaro. The film number is very close to that of 00533 so it is assumed to be September 2000.A record of fundraising.Colour photo of volunteers and staff getting ready for Badge Week.Printing on the back "legacy appeal, fundraising, badge week

Programme of a Legacy Demonstration combined with the showing of a film at the Bijou Theatre on 18th December 1929. The Films were donated by British Dominion Films and it appears to be a two part event. This was as well as the Annual Demonstration earlier in the year. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy annual demonstration being rerun with a film evening.Printed programme for 1929, light green cover and off-white paper with black text. Programme of a showing of a film after a demonstration of skills.annual demonstration, junior legatee

On the 2nd of December, 1978, the official opening of the Rheumatism and Arthritis Association of Victoria's Action House was held, in conjunction with the inaugural Christmas fete. Action House was located on the grounds of the Royal Talbot Hospital in Kew. In this photo, a crowd gathers around a car pulling a trailer. Standing on the back of the trailer is a person dressed in a kangaroo costume and boxing gloves. On the back of the trailer, there is a sign promoting a new film Australian called "Matilda". The 1978 film is about a talent agent and his boxing kangaroo. B&W photo of a crowd gathered around a car and trailer, which is promoting the new Australian film, "Matilda". Standing on the back of the trailer is a person wearing a kangaroo costume and boxing gloves, dressed as the subject of the film, Matilda, the boxing kangaroo. There are some market stalls in the background.action house, rheumatism and arthritis association of victoria, raav, christmas family fun day, fete, fundraising, opening, market stalls, news review, royal talbot rehabilitation hospital, australian films, matilda, boxing kangaroo, 1978

Originally a grocery store when the Moar brothers lived at number 11 in the 1950s, run by Cockcrofts. After Cockcrofts it was Davis and they turned it into a hardware store and timber yard at the side. [Note: dated based on negatives 01791 (20 Jan 1986) as service station (in other frames on roll of film) and pricing for fuel very similar period; possibly late 1985]Reflects on the changing nature of the local street-scape and housesRoll of 35mm colour negative film, 7 stripsKodak CL 200 5093eltham, york street, main road, eltham feed store, shops

Tray presented to BMFS(Cine Group) for film "Did August Schwerkolt Dig the Blackburn Lake one Sunday Afternoon"Round tray with appliqued grape decoration on edge with etched baseM.E.M.C 1971 Ten best on eight The Roisier Trophy awarded to BMFS(CINE Group) for "Did August Schwerkolt...."schwerkolt, film, sff rosier, trophy, tray

Black leather-leather look (Vinyl) rectangular box. Main lens and 2 viewfinder lenses on the front. Black leather handle, one view finder and metal opening latch on the top. One view finder and a winder key on the right hand side. Red film counter viewing window on the back, with markings (see below)No.2 Brownie / Use film No. 120 / Made in US by Eastman Kodak Co. Rochester NY

Eight film spool cases Six spools, and two in film cannisters, includes one exposed filmIlfordphotography, doney

Making a documentary about Lakes EntranceBlack and white photo of Peter Wood, East Gippsland Shire; Margaret Daly and Anne Canterbury, Keep Australia Beautiful Council; Fred Fargher and Andrew Ross, film maker and camera man; . Plus another photo taken at Nyerimilang Park includes Trevor McCubbin, Margaret Daly, Cr Frank Hunter with Bill Cane, Tidy Town Judgemedia, film

The two films screened were produced by the British company Gaumont-British Dominions. Frank Talbot, who leased the Athenaeum Theatre, made an agreement in 1932 with the British company to show British movies exclusively at the Athenaeum Theatre, the first agreement of this kind to be made in the world. Paper program for two films shown at the Athenaeum Theatre commencing Friday 3rd December 1937athenaeum theatre, program, programme, the interrupted honeymoon, doctor syn, frank talbot pty ltd, british dominions films ltd, cecil parkes' strad trio, australian movietone news reel, gaumont british news reel, athenaeum theatre, program, programme, the interrupted honeymoon, doctor syn, frank talbot pty ltd, british dominions films ltd, cecil parkes' strad trio, australian movietone news reel, gaumont british news reel

Black and silver film (35mm) camera including bottom of case (leather). The lens is Carl Zeiss Jena - Tessar. 2.8/50. The EXAKTA camera is from Dresden and is a pioneer brand camera produced by Ihagee Kamerawerk. This camera is a small format 135 EXAKTA VX1000 camera.EXAKTA VX1000 aus Dresdencamera, film, exakta

CHARM Committee members invited community members, associations and clubs to be involved in the Immigration Museum Project through sharing their personal stories and community activities on film. A number of community members, associations and clubs responded and agreed to do this.This DVD captures the personal stories of Mauritians and Rodriguans who migrated to Victoria Australia. The main aim: Research, share and preserve history through personal stories and community activitiesInterviews, filming and stories shared by community members in 2004 - Chapter 1 to Chapter 9 Running time - 87 minutesImmigration Museum Project - AV Produced by Lindsay Harris Interviews by Sabrina Lapierreimmigration, immigration museum project, migration, stories, activities,

FilmSteyr Penetration - 108 Sig. SQN108 signal squadron

Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The venue is the Savoy Ballroom at the Grand Hyatt in Melbourne. These ladies are the same as those leaving St Michael's church (00527) which on the same film as the wreath laying service at the Shrine with Legacy President David Kelly (00525). Possibly 2000 based on that was the year David Kelly was President of Melbourne Legacy. Names unknown. A record of a event for the Legacy widows.Colour photo x 18 of a widows luncheon in 2000.Printing on the back "widows, widows' sunday

The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This item provids a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side Titled "KIEWA in the MAKING". The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles. Titled "Kiewa Compile" with 4 short films titled 1. Kiewa in the Making 2. Kiewa Capers 3. It only seems like yesterday 4. Kiewa.kiewa, hydro electricity, state electricity commission of victoria, construction towns, 1940s 1960s, mt beauty, bogong, falls creek, clover power station, mckay power station, bill sutton, news film, construction workers, early machinery