Showing 715 items
matching grampians art gallery
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Horsham Regional Art Gallery
Painting, White camp, n.d
Mack Jost Bequest, 2001oil on paper on board -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Digging the bank, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Saplings, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, Afternoon light, Flinders Island, 1984
Gift of Mack Jost, 1994watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The approaching storm, n.d
Gift of Mack Jost, 2000watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The bay, n.d
Gift of Mack Jost, 1988watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The burnt forest, 1967
Gift of Mack Jost, 1994ink and watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, On Wombat Moor, 1986
Mack Jost Bequest, 2001watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The rugged coast, 1966
Gift of Mack Jost, 2000watercolour on paper -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, Through the trees, n.d
Gift of Mack Jost, 2000watercolour on paper -
Horsham Regional Art Gallery
Painting, Murray WALKER, Near Silverband Falls (Grampians), 2006
Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related -
Horsham Regional Art Gallery
Painting, John RUSSELL, New Zealand landscape, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1989watercolour on paper -
Horsham Regional Art Gallery
Painting, John RUSSELL, The olive grove, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1988watercolour on paper -
Horsham Regional Art Gallery
Painting, John RUSSELL, Village in France, n.d
Gift of Mack Jost, 1987watercolour on paper -
Horsham Regional Art Gallery
Print, John QUINN, Anticlyne, 2001
Gift of the artist, 2003lithograph on Lana Gravure paper -
Horsham Regional Art Gallery
Print, John QUINN, Grass trees: Grampians, 1997
Gift of the artist, 2003etching on Somerset paper -
Horsham Regional Art Gallery
Print, John QUINN, Mt Arapiles + Mitre Rock, 1997
Gift of the artist, 2003etching on Somerset paper -
Horsham Regional Art Gallery
Photograph, Ponch HAWKES, Grace, 2006
Gift of the Julie Millowick Acquistive Award, 2007C-type photograph -
Horsham Regional Art Gallery
Photograph, Anne ZAHALKA, Birds of Australia, 2006
Purchased through the Horsham Art Gallery Trust Fund, 2007C-type photograph -
Horsham Regional Art Gallery
Photograph, Hayley MILLAR-BAKER, Knock him out of the tree and put him on the stove (diptych), 2018
Purchased through the Horsham Art Gallery Trust Fund, 2020silver gelatin photographs -
Horsham Regional Art Gallery
Photograph, Chris BARRY, History painting no. 2, 1992 (printed 1996)
Donated through the Australian Government's Cultural Gifts Program by an anonymous donor, 2023C-type photograph -
Horsham Regional Art Gallery
Photograph, Joyce EVANS, Lesley Mackley, 1994
Purchased through the Horsham Art Gallery Trust Fund, 1996silver gelatin photograph -
Horsham Regional Art Gallery
Photograph, Melanie Le GUAY, Children, vacant lot, 1973
Purchased through the Horsham Art Gallery Trust Fund, 1979silver gelatin photograph -
Horsham Regional Art Gallery
Photograph, Melanie Le GUAY, Children, vacant lot, 1973
Purchased through the Horsham Art Gallery Trust Fund, 1979silver gelatin photograph -
Horsham Regional Art Gallery
Photograph, Arisneh HOUSPAIN, No. 15, 1999
Purchased through the Horsham Art Gallery Trust Fund, 2008hand printed C-type photograph -
Horsham Regional Art Gallery
Photograph, Arisneh HOUSPAIN, No. 17, 1999
Purchased through the Horsham Art Gallery Trust Fund, 2008hand printed C-type photograph -
Horsham Regional Art Gallery
Photograph, Nicholas CAIRE, Giant tree bridge, Gippsland, n.d
Gift of Jeff and Jill Jenkinson, 2007silver albumen photograph on card -
Hamilton Art Gallery
Print - Woodblock, Ishikawa Toraji, Leisure Time, c. 1934
Asian ArtDonated through the Australian Government Cultural Gifts Program by Lesley Kehoet.r 'Ishikawa' and red carvers seal (Yamayishi Kazue (1893-1966)) Left margin - title and printers marks -
Swan Hill Regional Art Gallery
Painting, WIDDOWS, Peg, The old forest - winter, the Grampians, 1983
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Ararat Gallery TAMA
Functional object, Shiro Uiro, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Another Kyoto confection, a kind of sweetened rice paste, is simply but strikingly wrapped in a package marked with its name (uiro) in vigorously written characters. Simplicity could hardly be carried further, but, as seen in this ensemble of three separate packages, the effect is altogether engaging. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving