An article from the Melbourne Legacy Bulletin on the death of Legatee Donovan Joynt VC. a long serving Legatee. The Bulletin published articles on Legatees when they passed away. When Legatee Joynt passed away on 5 May 1986, he was the club's oldest member and was an original member of the Legacy movement from 1923. The article includes his service to Legacy. It mentions his war service beginning with joining the Victorian Rifles in 1911. He served with the 8th Infantry battalion in Egypt and Europe. He was mentioned in despatches for conspicuous service in 4 famous battles, Ploygon Wood, at Guerudecourt, at River Lys defending Hazebrouck and when he won the VC at Chuignes near Villers-Bretonneux. See also his citation at 02024. He served again in the Second World War. It also recounts his employment and travels over the years. He was involved with Colart Studios and it grew into printing company WD Joynt & Co Pty Ltd which became Dominion Press. The article was part of an album of past presidents and prominent legatees from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Donovan Joynt. The information was collected to record the lives of prominent legatees in a folder.Typed copy of 3 pages from the Legacy Bulletin on the death of Legatee William Donovan Joynt.vale, donovan joynt

An article from the Melbourne Legacy Bulletin about Legatee Donovan Joynt VC. a long serving Legatee. The Bulletin published articles on Legatees when they passed away. This is a recount of the citation of his war service in 1918 when he won the Victoria Cross. 'For the most conspicuous bravery and devotion to duty during the attack on Herleville Wood, near Chuignes, Peronne on the 23rd August 1918. The article was part of an album of past presidents and prominent legatees from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of the war service of Legatee Donovan Joynt that led to him being awarded the Victoria Cross. The information was collected to record the lives of prominent legatees in a folder.Photocopy of 2 pages from the Legacy Bulletin on the VC citation of Legatee William Donovan Joynt.Bulletin No. VAW 1209. 15.5.1986. Page No 25 and No 26donovan joynt, vc, citation

Alec William Bond was Secretary and Engineer for the Shire of Bacchus Marsh from 1924 until his death in 1968. The position of Secretary was similar to a Chief Executive Officer in contemporary terminology. Mr Bond was a prominent figure in the Bacchus Marsh community for nearly 50 years and as Shire Engineer was responsible for the design of a number of local infrastructure projects including the buildings and water scheme at the Lady Northcote Children's Farm at Glenmore and the public swimming pool in Grant Street, A physical memento that recognises the long and notable contributions of an important local government official and their service to the Bacchus Marsh Shire and community.A sound block with a green felt base and inscribed brass plaque with accompanying small hardwood mallet in a cradle.Engraved text on a brass plaque which reads: Presented by May Bond and Family to the Shire of Bacchus Marsh in memory of Alec William Bond Shire Secretary & Engineer 1924 – 1968.alec william bond, bacchus marsh shire council, gavel and sound blocks, local officials and employees, local government

A recording of a speech by the Governor General of Australia, Sir William Slim, about the importance of Legacy in Australian society. It was recorded in 1953.A common means of recording speeches of this period. Sir William Slim was the Governor General at this time. Importance of Legacy to Australian society. A black vinyl disc with a recording in a brown paper sleeve.Paper cover, Orthoacoustic, manufacturers 5 points as to the advantage of orthoacoustic recording. Storage instructions when not in use. Name and address of manufacturer. Label, AWA, no AW 2067, "Legacy Speech" by the Governor General of Australia Sir William Slim. Written in ink, Sydney Legacy Week 1953 33 1/3 RPMspeech, governor general

This large, leather bound journal was made for the Public Library and Burke Museum in Beechworth by book manufacturer, William Detmold in 1875. It was commissioned by the President of the Library and Burke Museum committee, Dr Antoine Mousse, for the purpose of cataloguing all the items in the collection. The cataloguer was the curator at that time, William Morton, whose hand-writing appears in the journal today. When William Morton first started recording in this journal in 1875, there were already a number of existing items in the institution. The Public Library and Burke Museum in Beechworth had actually been operating since the 1850s; first as a Young Men’s Association in 1856, then as Beechworth Athenaeum in 1858, then as the Beechworth Public Library in 1860. Then in 1861 when news of the death of Beechworth’s former police superintended, Robert O’Hara Burke, reached the town, it was agreed that the Public Library would also become a museum to tribute his legacy, renaming it as the ‘Public Library and Robert O’Hara Burke Memorial Museum, Beechworth’. Many of the items from the early institutions would have been used to form the nucleus of this new organisation. Plus, the additional items that were either collected or donated to develop it into a museum. The catalogue is extensive. There are exactly 461 pages of recorded items, each page detailing the various collections the museum acquired in the late 19th century. Collections recorded in this catalogue include a large collection of geological specimens, that were given to the museum in 1868 by the Geological Survey Department of Victoria. A large collection of taxidermy mounts, that were given to the museum as skins by the Museum of Australia in 1865. An extensive collection of Aboriginal artefacts that were purchased from amateur anthropologist R. E . Johns in 1868. As well as artworks, charts, photographs, machinery, maps etc., all of which have been held in the museum since. This catalogue also details the governance and management of the organisation. There were originally 30 rules that governed the actions for the management committee and, while anyone could read in the free library, only subscribers could borrow two books and one periodical. At first, subscriptions rates were 7/6 a quarter. This was later changed to £1 per annum, paid quarterly in advance. This was a considerable amount; 7/6 per quarter meant that the annual fee was £1.10. This was equivalent to about £650.00 or about $1,182.00AUD today, while the reduced subscription fee of £1 a year was the equivalent to £450.00 or about $818.00AUD today. Membership of the athenaeum would have been the reserve of the town's notable citizens. The vale of the catalogue lies not only in its historical connect with the establishment of the Athenaeum and the current museum, but also in its record of the names and positions of all members of the institution's committees of management from 1875-1876. This is a unique object that contains important records for a notable country town. Large brown leather bound book made in 1875 for the Beechworth library and museum by William Detmond. Inside is a comprehensive and detailed itemised listing of the paintings, drawings, charts, photographs, specimens and books that entered the institution from 1850 -1882. non-fictionCover: RULES / CATALOGUE OF BOOKS / INVENTORY OF PICTURES, DRAWINGS, / MAPS, CHARTS, FURNITURE, SPECIMENS / OF THE / PUBLIC LIBRARY AND BURKE MUSEUM / BEECHWORTHburke museum, beechworth, catalogue, museum catalogue, 1875, william morton, william detmold, exposition universelle, ferdinand von mueller, public library, collection, book, leather bound, restored, digitised, robert o'hara burke, hand-written

Home to Stawell October 1935. William Webster son of Thomas Webster. William Webster son of Josiah Webster. John Henry "Jack" Webster son of Josiah Webster.stawell

“The Bird God cult is the official lboriisi religion, but there are certain sections of the planet where people worship the sun - not the big Voidstar, but the smaller erratic red star, known as Lanturan on lrusag, and lisa, or “Womb of the Wave Stone” on Iboriis. The sun is thought to be the creator and controller of all things, both benevolent and capricious. Priest of the Sunworshippers sacrifice appropriately coloured fruits and vegetables to the Sun God to ensure continuity of crops and a rich, peaceful life. When the red sun disappears from the sky on its erratic orbit, the God is thought to be displeased and the people gather in great groups to pray for better times. It is at this time that the Sun dances are performed in specially prepared dancing grounds in the forests. This essentially peaceable religion is hated and feared by followers of the Bird God, so that Sunworshippers are hunted and destroyed whenever possible. It is considered a favourable omen if the year’s sacrificial victims can be Sunworshippers, a sure sign of a good future harvest. Naturally enough, Sunworshippers are never delegates to the Court — this Robe was smuggled out of lboriis by a team of dedicated anthropologist who risked their lives to study the Sun God religion.” -Inga Hunter

Framed calligraphy presentation to William Wooldridge, late manager of the Koh-i-Nor Gold Mining Companyackroyd, francis, beasley, henry, cazaly,, church, arthur, colvin, robert, cotter, james, cotter, william, doyle, john, elliott, george, ellis, james, empey, william, erickson, e., gaunt, joseph, gay, philip, gilbert, john, gilmour, henry, glasson, edward, higgans, fred, higgans, joseph, james, john, lanyon, james, mcquinn, john, mitchell, john, muir, thomas, o'neill, michael, o'neill, patrick, pearson, david, peters, john, quinn, michael, rankin, alexander, rankin, richard, rowe, john, sirdan, edward, uren, william, varcoe, william, whitehead, william, willey, samuel, wooldridge, william, lamb, james, koh-i-nor gold mining company, illumination, calligraphy, presentation, w. thomson, john james

Black and white photographTyped below photograph, "W. Pett - 1900" (William Pett)

The two cards of nibs are retail display cards of the dip pen nibs that William Mitchell Calligraphy produced, dating back to around the 1920’s, which was the time of the Great Exhibition in the UK. At that time dip pens with steel nibs were the main writing instruments. British Pens Ltd. had recently formed as a company and its subsidiaries included the the company William Mitchell, which is why British Pens Ltd. is named on the cards as well. One card (1) has the Round Hand nib, which is widely used today for calligraphy scripts. The other card (2) has the Script nib that has round upturned points for monocline or unshaded lettering that is also used for calligraphy. The nibs also have a detachable reservoir. The pen nibs are shaped to fit into a slot in the base of a wooden or Bakelite pen holder. The hole at the front of the nib is for collecting ink from a well, which is then stored in a reservoir at the back of the nib. The nibsare stamped with their nib size and Pedigree (what type of nib it is) and maker’s details. William Mitchell Calligraphy still makes these nibs today with a slightly difference finish. (ref: Sales and Marketing Director of William Mitchell Calligraphy in 2016). HISTORY of the Ink Pen Quills and ink were common writing tools until the early 19th century when the pen trade began mass producing steel nibs and pens. The steel nibs each have a hole in the middle that acts like a well for the ink. When the nib is dipped into the ink well the writer needs to ensure that it is dipped to only just past that well. India Ink was one of the most popular inks used with the nib pens, notable for its satin-like smooth flow. This ink is composed of a particularly fine carbon mixed with water; it can also be obtained as a dry stick that is then crushed and mixed with water as required. The Jewellery Quarter of Birmingham had the largest concentration of independent jewellers in Europe. Birmingham became the centre of the world’s pen trade for many years -, during the 1800’s over 100 factories, employing 1000s of skilled workers, manufactured the ‘Birmingham Pen’. ABOUT WILLIAM MITCHELL CALLIGRAPHY LTD.* (*The following text is quoted from the William Mitchell Calligraphy website) British based William Mitchell Calligraphy has been designing and manufacturing exceptional pens for almost 200 years. The William Mitchell heritage in making pen nibs began whilst working with his brother John Mitchell in the early 1820s. William Mitchell established his own business in 1825 to become one of the leading nib manufacturers and famous for lettering pens. Almost 100 years later William Mitchell merged with Hinks, Wells & Co, another pen manufacturer, to form British Pens, employing around 1000 people in the Bearwood Road area of Birmingham. During the early 1960s British Pens acquired the pen business of other pen manufacturers Perry & Co and John Mitchell, once again reuniting the two brothers. Joseph Gillott, who were famous for their artist drawing and mapping nibs, amalgamated with British pens in 1969. William Mitchell and Joseph Gillott established in Birmingham during the early part of the nineteenth century and [their products] are still proudly made here. British Pens were subsequently purchased by its current owner Byron Head, the owner of William Mitchell (Sinkers) in 1982, and was subsequently renamed William Mitchell (calligraphy) Ltd. Established in 1827 Joseph Gillott was one of the pioneers of mass steel pen nib manufacturing. The company was particularly strong in the American market, prompting Elihu Burrit, the American consul, to write “In ten thousand school houses across the American continent between two oceans, a million children are as familiarly acquainted with Joseph Gillott as with Noah Webster” (The compiler of the famous American dictionary). The company consequently received visits from many notable Americans, including president Ulysses S Grant. The early 19th century invention and mass production of pen nibs such these in our collection had a large impact on education and literacy because the nibs could be produced in great numbers and affordable prices.Pen nibs; 2 cards of steel dip pen nibs from the 1920’s. The steel nibs are attached to cards by 2 rows of entwined cotton cord. Reverse sides of cards have some hand written marks. Manufacturer; William Mitchell, Birmingham, England. Card issued by British Pens Ltd. Nibs have shaped ends, a hole in the centre with a well on the underside, and the tops are shaped approximately quarter circle. Inscriptions are pressed into each nib. The script pens have detachable reservoirs made of a metal different to the nib. (Card 1) Round Hand Pens, 11 nibs remain from card of 12. Printed on card “Round Hand Pens for Beautiful Writing, Twelve degrees of point, Square points. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top left of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. (Card 2) Script Pens; 11 nibs remain from card of 12. “Script pens fitted with detachable reservoir. William Mitchell, Birmingham, England. This card is issued by British Pens Ltd. MADE IN ENGLAND” Also printed on top right of card is a pen drawing of a person writing at a desk, background of decorative 3-paned window in brick wall. On Card 1, - each nib is stamped with its size, and “Wm MITCHELLS / PEDIGREE / ROUND HAND / ENGLAND” - hand written on front bottom of card in ball point pen “Lettering 5 times size of nib” - hand drawn on back of card in red and blue ball point pen are scribbled lines On Card 2 - each nib is stamped with its size, and “WILLIAM / MITCHELLS / SCRIPT PEN / ENGLAND” - a black circle corresponding to the nib is printed on the card above each nib. - hand written on back of card in black felt tip pen are numerals - hand drawn on back, 4 parallel lines in red ball point pen with the numbers “10” between 2 of the lines flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, william mitchell calligraphy ltd, british pens ltd., pen nib, writing implement, dip pen, round hand nib, script nib, birmingham manufacturer, communication in writing, mass produced pen nibs

Oamaru NZ origin 1923 Essendon (St. John's) from July 1929 admittedSepia studio portrait of Rev S F Hunter mounted on brown card. The Rev Hunter is posed sitting holding a piece of paper with his arm resting on a table. He is dressed in his clerical clothing. The mount has been cut on the left hand side. Handwritten on the back: "Rev. S. F. Hunter MA. D." "July 1923 - 1929" "c/o Mrs S. F. Hunter Brighton St Highgate Hill Sth Brisbane"presbyterian ministers, rev s f hunter, st john's presbyterian church essendon

William Wright was a gold miner and his wife's name was Sarah. They lived at Laura Villa, Smeaton. Their family won many singing and instrumental awards. Frank Wright their son was born and attended Smeaton State School and was a renown resident of Smeaton. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Three photos showing the same couple and cottage taken at the same time - .1) Close up black and white photograph of a man wearing a dark suit and light hat and a woman in a dark skirt and cardigan standing beside a car in front of two weatherboard cottages. The man is William Wright and the woman is his wife Sarah. .2) Black and white photograph of a man wearing a dark suit and light hat and a woman in a dark skirt and cardigan standing beside a car in front of two weatherboard cottages. The man is William Wright and the woman is his wife Sarah. .3) Black and white photograph of a man wearing a dark suit and light hat and a woman in a dark skirt and cardigan standing on the front verandah of a weatherboard cottage. The man is William Wright and the woman is his wife Sarah. william wright, sarah wright, frank wright, cornet, laura villa, smeaton

“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter

Colour photograph, of W2, 470, painted in Bendigo tram tour colours, advertising the Bendigo Bank, Tramways Ave Bendigo, before turning into McCrae St, Bendigo, Easter 1991. Photograph by William F Scott."79" in blue ink in top left hand corner, and a "Bendigo Trust / Car 470 in Tramways Ave, heading for McCrae, William F. Scott photo". and in bottom right hand corner "Easter 91 / WFS".trams, tramways, bendigo, depot, tramways ave, mccrae st, tram 470

Grave of William James (Billy) Jolly (died 1/2/1945), William J Jolly (died 10/05/1997) and Adele Jolly (died 21/2/2009) in Plot# O8 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william james jolly, billy jolly, adele jolly, greensborough cemetery

Grave of William James (Billy) Jolly (died 1/2/1945), William J Jolly (died 10/05/1997) and Adele Jolly (died 21/2/2009) in Plot# O8 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william james jolly, billy jolly, adele jolly, greensborough cemetery

The William Buckland Trust (now Foundation) provides support for disadvantaged Victorians through support for four key areas. The growing need for space at the Association for the Blind's offices in Kooyong was constraining the amount of people who could benefit from it's programs. With the assistance of the William Buckland and Hecht Trusts, the adjoining blocks of flats fronting Glenferrie Road were acquired and eventually demolished to make way for the Vision Resource Centre. The support from the Buckland Trust in 1968 was not forgotten however, and this plaque acknowledges the support gained in purchasing the land.Digital image of metal plaques attached to a boardThis historic plaque recognises the outstanding contribution that the Buckland Foundation made to the purchase of the site on which the Vision Resource Centre now stands. The purchase of this building was made possible by a substantial gift from the William Buckland Trust 1968. The Buckland Foundation's continuing support of the Association for the Blind is gratefully acknowledged. November 1994.association for the blind, h & l hecht trust, william buckland trust

This volume is one of three volumes in the work ‘A Journal of The Reigns of King George IV and King William IV’ that extends over the years from 1817 to 1837. The set of books was written by Charles C.F. Greville, Esq. (1794-1865), Clerk of the Council to those Sovereigns. The books were edited by Henry Reeve, Registrar of the Privy Council, and published in 1875 after Geville's death, according to his instructions. The book is part of Flagstaff Hill’s Pattison Collection of books which originated from the Warrnambool Mechanics’ Institute. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The set of books provide an insight into the public and personal lives and duties of British Roay Families and the roles they played in the 19th century. The book is significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Journal of The Reigns of King George IV and King William IV Vol 1 Author: Charles C. F. Greville, Esq. Editor: Henry Reeve Publisher: Longmans Green & Co Date: 1875 Fourth Edition. One of three volumes. Part of the Pattison Collection. Green hardback covers with gold embossed spine. Inscriptions on a label, stickers and stamps.Label: "PAT 920 GRE" Sticker: " Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" Stamp: "WARRNAMBOOL MECHANICS' INSTITUTE" Handwriting: "P/W" "5312"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co., 1724, thomas longman, paternoster row london, a journal of the reigns of king george iv and king william iv, charles c. f. greville, esq., henry reeve, 1817 to 1837, charles greville, the greville memiors

This volume is one of three volumes in the work ‘A Journal of The Reigns of King George IV and King William IV’ that extends over the years from 1817 to 1837. The set of books was written by Charles C.F. Greville, Esq. (1794-1865), Clerk of the Council to those Sovereigns. The books were edited by Henry Reeve, Registrar of the Privy Council, and published in 1875 after Greville’s death, according to his instructions. The book is part of Flagstaff Hill’s Pattison Collection of books which originated from the Warrnambool Mechanics’ Institute. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The set of books provide an insight into the public and personal lives and duties of British Roay Families and the roles they played in the 19th century. The book is significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Journal of The Reigns of King George IV and King William IV Vol 2 Author: Charles C. F. Greville, Esq. Editor: Henry Reeve Publisher: Longmans Green & Co Date: 1875 Fourth Edition. One of three volumes. Part of the Pattison Collection. Green hardback covers with gold embossed spine—inscriptions on a label, stickers and stamps.Label: "PAT 920 GRE" Sticker: " Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co., l & co., 1724, thomas longman, paternoster row london, a journal of the reigns of king george iv and king william iv, charles c. f. greville, esq., charles greville, henry reeve, 1817 to 1837, the greville memiors

This volume is one of three volumes in the work ‘A Journal of The Reigns of King George IV and King William IV’ that extends over the years from 1817 to 1837. The set of books was written by Charles C.F. Greville, Esq. (1794-1865), Clerk of the Council to those Sovereigns. The books were edited by Henry Reeve, Registrar of the Privy Council, and published in 1875 after Geville's death, according to his instructions. The book is part of Flagstaff Hill’s Pattison Collection of books which originated from the Warrnambool Mechanics’ Institute. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC.The set of books provide an insight into the public and personal lives and duties of British Roay Families and the roles they played in the 19th century. The book is significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Journal of The Reigns of King George IV and King William IV Vol 3 Author: Charles C. F. Greville, Esq. Editor: Henry Reeve Publisher: Longmans Green & Co Date: 1875 Fourth Edition. One of three volumes. Part of the Pattison Collection. Green hardback covers with gold embossed spine—inscriptions on a label, stickers and stamp..Label: "PAT 920 GRE" Sticker: " Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" Stamp: "WARRNAMBOOL MECHANICS' INSTITUTE"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co., 1724, thomas longman, paternoster row london, a journal of the reigns of king george iv and king william iv, charles c. f. greville, esq., henry reeve, 1817 to 1837, charles greville, the greville memiors

Single page handwritten notes by unknown author briefly outlining family history of William and James Smith in Ringwood from 1868 to 1920. Page ends mid-sentence however no trace of subsequent page/s. Further information on the William and James Smith and family (expanding on these notes?), is contained in the book " A History of Croydon - Second Volume" by Muriel McGivern (pages 170-176) +Additional Keywords: Smith, William / Smith, James / Boardman / Pierce / Robason / antimony William and James Smith were credited for discovering antimony ore near the corner of Mt Dandenong Road and Maroondah Highway, with the main mine later developed by Pierce Boardman.

“Apart from the vast and sophisticated space fleet, the only forms of transport used by the Nrati-Tuan are boats and rafts. All the inhabitants are more at home in the water than on the land, but some transport is necessary, both for people and freight. Every family has at least two boats and an assortment of rafts. Many thousands live entirely on boats and never set foot on any form of land, even avoiding the floating islands. The Boatleader is really a leading transport official; the top office in a long chain of others, from the smallest boat-boy, to the night boatwatches who keep the waterways safe for traffic. There are several ranks of Boatleader, whose major function is to settle disputes about water rights and water paths. Courts of dispute sit regularly, handling the hundreds of problems which arise about water use, headed by a Boatleader of one rank or another. This robe is worn by the most senior of all. He is the representative of water rights at the great Court of the Imperium. To the Nrat-Tuan it is more a sacrifice than an honour to attend the Court, because none find it easy to stay on still, dry land for extended periods of time. Nrati-Tuan delegates to the Irusaqui Court are rewarded with high honours on their planet, to show public respect and gratitude for their endurance.” -Inga Hunter

“The Robemaster is the designer of all robes of office. Each one is individually made for its wearer, and is regarded as the personal portrait of the office-bearer. Each one is replicated in miniature for the archives, a record left behind when the original is destroyed on the office-bearer’s death, or when she in some other way relinquishes her (or his) position. Robemasters are usually women. Most positions on lrusaq are theoretically held by men or women equally, but some seem to separate out, for instance, the Master of the Mines, by the very nature of the requirements of office, is nearly always held by a man. Robemaster is the opposite. It seems that the particular type of creativity needed is more frequently found in lrusaqi females, so that the office has come to be an exclusive prerogative of women. Robemasters are very highly regarded, and the position has come to hold great power, not directly, but because of the influence the officer can wield. Robemasters deal with everyone, go everywhere and know everything. Traditionally a Robemaster is always one of the three Imperium heads of office and acts as the major figurehead and spokesman in Irusaqui affairs. The last Robe designed by any retiring Robemaster is that of her successor, and the only symbolism required by law is the representation of a Robe somewhere on the work, otherwise the designer has complete freedom.” -Inga Hunter