18 issues of 'World Tennis' magazine, dating from 1978. Materials: Ink, Paper, Metaltennis

25 issues of 'World Tennis' magazine, dating from 1979. Materials: Ink, Paper, Metaltennis

26 issues of 'World Tennis' magazine, dating from 1980. Materials: Ink, Paper, Metaltennis

13 issues of 'World Tennis' magazine, dating from 1981. Materials: Ink, Paper, Metaltennis

12 issues of 'World Tennis' magazine, dating from 1982. Materials: Ink, Paper, Metaltennis

18 issues of 'World Tennis' magazine, dating from 1983. Materials: Ink, Paper, Metaltennis

22 issues of 'World Tennis' magazine, dating from 1984. Materials: Ink, Paper, Metaltennis

25 issues of 'World Tennis' magazine, dating from 1985. Materials: Ink, Paper, Metaltennis

12 issues of 'World Tennis' magazine, dating from 1986. Materials: Ink, Paper, Metaltennis

Three issues of 'World Tennis' magazine, dating from 1987. Materials: Ink, Paper, Metaltennis

10 issues of 'World Tennis' magazine, dating from 1988. Materials: Ink, Paper, Metaltennis

Three issues of 'World Tennis' magazine, dating from 1989. Materials: Ink, Paper, Metaltennis

Eight issues of 'World Tennis' magazine, dating from 1991. Materials: Ink, Paper, Metaltennis

Six issues of 'American Lawn Tennis', dating from 1933. Materials: Ink, Paper, Metaltennis

Two issues of 'American Lawn Tennis' dating from 1944. Materials: Ink, Paper, Metaltennis

Five issues of 'American Lawn Tennis' dating from 1949. Materials: Ink, Paper, Metaltennis

The March, 1938 issue of 'Western Tennis' (Vol.3, No.3). Materials: Ink, Paper, Metaltennis

Two programmes for the 9th day matches during Wimbledon 1949. Materials: Ink, Paper, Metaltennis

February 1973 issue of 'Tennis U.S.A.' (Vol.36, No.2). Materials: Ink, Paper, Metaltennis

February, 1951 issue of 'Australian Tennis' (Vol.2, No.6). Materials: Ink, Paper, Metaltennis

Black and white photograph of Harry Hopman, Ashley Cooper and Lew Hoad. Materials: Ink, Papertennis

Ticket to Challenge Round of Davis Cup 28th -30th December 1953. Materials: Ink, Papertennis

Programme for Wimbledon Championships 1966, Friday 1st July, Eleventh Day. Materials: Ink, Papertennis

Programme for Davis Cup Challenge ROund 1951, White City Sydney. Materials: Ink, Papertennis

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This brochure is significant because it represents a long established and popular business in Falls Creek. A foldout brochure printed in black ink on red paper. A symbol of a pair of skis and poles is on the front.On Cover: HAROLD CUMING / SKI HIRE & FALLS CTEEK THE COMPATIBLE PAIRcuming's ski hire, cuming inn falls creek, harold cuming

Colour lithograph reproduction with caption 'TENNIS COSTUMES -1888'. Depicts four women with in tennis attire, three with racquets. A tennis net is visible behind them. Artist's initials 'LFE' in bottom left corner. Materials: Ink, Wood, Paper, Glass, Metaltennis

Joseph Wilder, a professional photographer, came to Warrnambool in 1860 and took a series of photographs, two of which survive today. One was of the local Volunteer Corps and the other was a series of photographs taken from Cannon Hill showing Merri Street and the town and buildings beyond. It seems that copies of these last-mentioned photographs were framed to produce a large panoramic view of 1860 Warrnambool and one of these was given to the old Warrnambool Museum in the 1880s by James Astley Bromfield. He had established a chemist’s shop in Warrnambool in 1854 and showed his interest in the history of the young town by producing a map in 1856 showing the first landowners, a seminal resource today for historians. He again demonstrated this interest when he included the names of the people and places in the 1860 photograph he gave to the museum in the 1880s. The frame fragment was found amongst the collection of items from the old Museum at Flagstaff Hill Maritime Museum and brought to the Historical Society to accompany the original series of photographs. Bromfield went to live in Melbourne in the 1880s. It is presumed that the plastic cover has been placed on the frame fragment at a much later date than the 1880s.This frame fragment is interesting and very important for several reasons:- 1. It is one demonstration of the interest that James Astley Bromfield had in local history 2. It came from the old Warrnambool Museum and shows how that institution kept items of historical interest 3. It gives us the names of the people and places in the Joseph Wilder photographs of 1860 that placed together form a panorama that reveals what a major section of Warrnambool looked like only 13 years after its foundation. The list enables us to correctly identify the early places and people and so is invaluable for research purposes 4. It links a Museum exhibit of the 1880s with the original 1860 photographs which are held by the Historical Society This is a piece of wood broken from a frame containing a photograph. It has jagged edges. It contains the list of people and places depicted in the Joseph Wilder panorama photograph of Warrnambool in 1860. The list is handwritten in ink on paper which has been attached to the frame with a piece of plastic. Warrnambool in 1860 Photographed by Wilder. Showing children of the late Andrew Semple etc In red pencil – ‘Keep’, in ink, ‘Keep’ On separate piece of paper - Presented to Warrnambool Mechanics’ Muzeum by James Astley Bromfield, August 3rd 1886 joseph wilder 1860, panorama of warrnambool

A Prince 'Triple Threat RIP' oversize 115 Demo tennis racquet, with Prince 'Perfection 16' strings, and original handle grip retail wrap, containing plastic netting brace. Materials: Composite Materials, Synthetic Gut, Ink, Plastic, Paper, Synthetic materialtennis

A empty chest, originally used to house a lawn tennis set. Black and green lithographic print features a mixed doubles game of tennis. Inscription: TENNIS/F. WALLER. LITH. 18. HATTON GARDEN. Materials: Wood, Metal, Ink, Glue, Paper, Lacquertennis

Frank Wright wrote the following tribute to Percy Campbell which was printed in the Ballarat Courier. "With the passing of Percy Campbell, Ballarat has lost its best known and most distinguished musician. His was no ordinary talent, but an inborn musicianship touched with genius. He was a critic of the keenest perception and many able musicians sought his advice on technical matters over a wide range. His ear was of the most sensitive kind, and among his unusual accomplishments was that rarity among musicians, "absolute pitch." Those of us who knew him well will reflect with pride that we were privileged to journey with him for a little while along life's highway. Percy Campbell belonged to Ballarat, and to Ballarat's music. He was part of the city itself. Handicapped through partial blindness from birth, there can be no doubt that had he been in full possession of his faculties, and been able to travel, his name would have been known in every corner of the world."Four page programme printed in brown ink on cream paper. the concert was held at Albert Hall Ballaratfrank wright, j c rowe, albert hall, percy campbell, monica righetti, star for opera quest, william ritchie, robert lemke, ballarat soldiers memorial band, bert rasmussen, ellinor morcom, south street society, righetti, morcom