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Port Melbourne Historical & Preservation Society
Photograph - Garrett Gerald TAAFE, c.1925
Garrett Gerald TAAFE (nicknamed 'Son'), trained, drove and rode Trotters and Pacers. The TAAFE family included his wife Martha TAAFE nee GILMORE, her sister, Ellen 'Nell' VALE, and Mary Genevieve VALE, Bridget BENNETT nee TAAFE, Aileen CAMPBELL nee TAAFE. Gerald died in 1935 aged 53 and his wife, Martha died in 1974 aged 92. They lived at 34 Williamstown Road, Port Melbourne.Digital photograph of Garrett Gerald 'Son" TAAFE in his riding silks with a horse.mary genevieve vale, bridget bennett nee taafe, aileen campbell nee taafe, ellen 'nell' vale, mary taafe nee gilmore, garrett gerald taafe -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: FABRIC REMNANT
Clothing. Cream coloured silk fabric remnant with price tag still attached.Cardboard tag stitched to folded fabric. ''UAMA600'', 'REMNANT'' YARDS - 1YD WIDTH 36'' PRICE 3/9. 2. 1 YD C/6 MANAGER 1002 9002.ephemera, mementoes, fabric remnant -
Anglesea and District Historical Society
Silk Handkerchief
Large cream silk handkerchief with 40mm hand stitched border on all sides.Nil.handkerchief -
Hume City Civic Collection
Photograph
A studio photo of a male jockey dressed in riding silks carrying a saddle and a whip.horse racing, jockeys, portraits, unidentified, men, george evans collection -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1910
Cream Crocheted Baby Bonnet. Flower pattern with silk lining. Rogers' familystawell clothing material -
Stawell Historical Society Inc
Footwear - Costume and Accessories, c1920
Cream Silk & leather Evening Shoes. Strap and Button on instep. McClure Collection.stawell clothing material -
Clunes Museum
Clothing - STOLE
CREAM SILK STOLE BOUGHT BACK FROM FRANCE BY NORMAN THOMAS IN 1917local history, costume accessories, female, w.w.1 memorabilia, female accessories -
Clunes Museum
Clothing - SHAWL
PINK SILK SHAWL BOUGHT BACK FROM FRANCE BY NORMAN THOMAS IN 1917.local history, costume accessories, female, w.w.1 memorabilia, female accessories -
Clunes Museum
Poster - P0STER PATRIOTIC CONCERT, 'GUARDIAN' PRINT CLUNES, 1906
POSTER USED TO ANNOUNCE A PATRIOTICCONCERT ON EMPIRE DAY 24TH MAY 1906, IN CLUNES TOWN HALL. POSTER FOR CONCERT, EMPIRE DAY MAY 24TH 1906. THE POSTER IS PRINTED ON SILKlocal history, document, poster, -
National Wool Museum
Textile - Art Quilt, Fiona Gavens, Ghost Blanket IV, 2020
Ghost Blanket IV won the 'Award for Excellence' at Ozquilt Network's biennial juried exhibition Art Quilt Australia for 2021. The quilt presented with the Award for Excellence is acquired into the National Wool Museum's Collection dating back to 2000 with the art quilt "Earth Blanket". Artist statement: In "Ghost Blanket IV", woven checked blankets are deconstructed and reimagined to create an appliquéd work with the feel of lace. It celebrates the natural colours of alpaca fleece and the qualities of felted, woven fabric.Woven black white and grey checked design appliqued onto silk organza.ozquilt, quilt, art quilt, wool -
Whitehorse Historical Society Inc.
Clothing - Boudoir cap
Worn by an aunt of donor, Lorraine FarnsworthCream silk cap; cream lace insert, edging trimmed with orange flowercostume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Baby's Bonnet
Baby's bonnet made of cream silk and hand crochet with lace trim and ribbon.costume, infants' -
Whitehorse Historical Society Inc.
Bookmark
Silk Bookmark - marked A Birthday Greeting. Red and Blue Flowers and Birthday Versebooks, bookmark -
Whitehorse Historical Society Inc.
Memorabilia - Book Mark
Paper book mark. Printed picture and Psalm 73.24 plus cream silk.Printed in Englandbooks, bookmark -
Whitehorse Historical Society Inc.
Functional object - Boot Silk
From the Betty McPhee sewing collectionWooden reel of yellow boot machine silk used in boot manufacture and repair..C.R. Rickards Bell Bush Mills Via Leedshandcrafts, equipment -
Whitehorse Historical Society Inc.
Textile - Doyley
White oval cotton doyley with deep border of silk crochet. Embroidered in white.manchester, table linen, handcrafts, needlework -
Whitehorse Historical Society Inc.
Clothing - Collar
Cream fine mesh collar with four long points. Cream silk embroidery.costume accessories, collar accessories -
Bendigo Historical Society Inc.
Textile - Tray cloth
A cream coloured square silk tray cloth with a 3.5cm machine hemmed border.favaloro, silk tray cloth -
Kew Historical Society Inc
Headwear - Cream Silk & Lace Infant's Cap, 1880-1900
Originally designated as a bride's cap, and part of the Coombs collection, the cap has since been identified as an infant's capBelieved to be part of the Coombs collection, which was derived from early pioneers and land-owners in Studley Park, the silk and lace cap is a representative example of infants' clothing from the 19th century. Flat, cream-coloured silk and lace, lozenge-shaped baby’s cap (bonnet). infants' clothing, caps -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller -
Kew Historical Society Inc
Headwear - Viscose & Silk Sun Hat, Da-Me, 1980s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed simulated straw summer hat decorated with silk and a fabric rose.Label: Da-Me. Made in Italy. Viscoseda-me, women's clothing -- hats, sun hats, headwear -
Mont De Lancey
Petticoat, c1920's
Cream silk petticoat. With cut out complete with spoke stitching. Crocheted later.petticoats, underwear -
Mont De Lancey
Postcard, 1918
World War one French postcard. Sent from France by a Wandin soldier.Silk embroidered postcard with Violet flowers and green leaves. Personal message on the back."To my dear sister from your loving brother"postcards -
Mont De Lancey
Shawl, Circa 1905
Worn by Mrs. Quayle's niece in 1905. From home of W.J. Sebire, WandinLight green embroidered silk evening shawl with plaited braid and long tassels.shawls, clothing accessories -
Mont De Lancey
Bed cap
Wanda Haig.Sheer silk bed cap, edged in lace with embroidered butterflies on ear flaps.mob-caps, caps, headwear -
Whitehorse Historical Society Inc.
Clothing - Footwear, Booties, c 1990
Handmade by the donor in 1990'sPair of baby booties knitted with cream silk thread and tied with a cream ribbon.Nilhandmade, baby clothing, knitting -
Linton and District Historical Society Inc
Painting, Picture painted by V Wigley, Watercolour, CWA Linton, 1949, 1949
Painted to commemorate Linton Branch CWA's 10th birthday.Small, metal-framed painting on silk, depicts a gum tree and rolling hills."CWA Linton 1939 - 1949".v. wigley, cwa linton branch, paintings, watercolours -
Bendigo Military Museum
Uniform - HANDKERCHIEF, Pre 1915
Original owner - DOUGLAS John Charles Edward (Major), 10th Battalion, Yorkshire Regiment. Died 18th December 1915, Flanders.Rectangular shaped handkerchief, khaki colour, made of silk with hand embroidered name.Hand embroidered in white thread, top left hand corner "J. C. Douglas".clothing, handkerchief, ww1 -
Villa Alba Museum
Collection of curtains and curtain accessories
In the nineteenth century, Australian interiors reflected European styles and models. In the second half of the century opulent hanging and free-flowing curtains were augmented by elaborate pelmets, fringes, braids, and tie-backs with tassels. In wealthier homes, imported silks and bullion were the fabrics of choice. This set of curtains and curtain accessories, probably originally fromn a drawing room, are believed to have adorned a mansion in Brighton. The curtains are significant for their comparative rarity of survival in Melbourne, and at the same time, are highly representative of opulent colonial taste in interior decor in the boom period. The curtain panels are of high quality materials and in unusually good condition, indicating they were used in a window with relatively little sunlight shining on them. They can be imagined in a grand room with one or more matching dressed windows.Collection of 7 panels of a sky blue and gold figured silk/wool damask curtain set; 6 tiebacks (3 pairs) with bullion tassels; padded and braided silk "rope" for draping; and 2 cards wound with detached braids and bullion fringe from further curtains and decorations which have not survived. The items appear to be the remains of very fine bay window decoration of the later 19th century, almost certainly used in a Melbourne mansion of the boom period, likely in the 1880s. The 3 sets of curtain tiebacks are particularly grand, featuring tassels made with gold ? bullion fringe. The original bright gold ? finish is still evident in the card on which many metres of detached fringe are wound - the inner layers have been protected from oxidation by the outer layers and are still bright. It is not known on what curtain part this fringe was used (it is clear that nothing has been removed from the 7 damask panels surviving). There may have been pelmets or further sets of curtains decorated with the fringe. The materials and workmanship of all items are of high quality, and would have looked magnificent, fulfilling the tastes of the richest inhabitants of Marvellous Melbourne.curtains, curtain furnishings, 19th century, tassels, window furnishings, gold boom melbourne, interior decoration - melbourne, upholstery trimmings, colonial taste-victoria -
Warrnambool and District Historical Society Inc.
Handkerchiefs, 1950s
These handkerchiefs come from the estate of Ena Heazlewood. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, who was stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. These items are of interest as examples of the handkerchiefs found in a woman’s collection mid last century and as mementoes of a former Warrnambool resident, Ena Heazlewood. These are seven handkerchiefs. .1 A silk handkerchief with a white centre and a green dot pattern border .2 A white silk handkerchief with an embroidered spray of pink flowers and green stems in one corner .3 A white silk handkerchief with multi-coloured embroidery in one corner .4 & .5 Two white silk handkerchiefs with a multi-coloured embroidered letter ‘E’ in one corner and a fluted embroidered edge. .6 & .7 Two pink nylon handkerchiefs with a fluted edge and an overall impressed pattern of pink flowers and green stems .6 & .7 Nylon Made in Japanvintage women’s accessories, todd & heazlewood families, warrnambool, history of warrnambool