A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

Margaret Law (nee Bartholomew) was born on 3 December 1837 in Stirling, Scotland. She emigrated to Australia with her family aboard the Ticonderoga, arriving in Melbourne on 22 December 1852. Around one hundred passengers died of typhus during the journey, and around seventy more after arrival. Two of Margaret's siblings were among the casualties. The Bartholomew family settled in Ballarat. Around 1861, Margaret married James Nicol Law in Ballarat. They had several children, the youngest of which was James Lindsay Gordon "Lin" Law, (1881-1963). James Nicol Law was killed in a train accident in Fingal Tasmania in July 1886. Lin Law married Elsie Russell on 12 January 1915 (BHS also holds a bridge jacket given to Elsie by Lin; see T0047). They settled in Brighton, moving into 'Blairgowrie', 306 St Kilda Street, in 1920. The eldest their four children, Pauline Margaret Law (born 15 December 1915) ultimately purchased the house with her husband Hugh McLean in 1956 and lived there until 1965 when the house was demolished. In 1906, Lin and his business partner James Kerr Pearson (also a Brighton local, who lived at 12 Moule Avenue) established the shirt manufacturing company Pelaco. In 1922 the company established its factory at 23 Goodwood Street on the top of Richmond Hill; the 4.3 metre high neon 'Pelaco' sign, erected in 1939, is today heritage listed. The company was known for its innovative approach to efficiency and labour relations, discontinuing Saturday morning work in 1908 and appointing an industrial relations officer in 1928.An orange pink (salmon) with cream spot, very fine silk organza dress from circa 1840. The dress features a wide scooped neckline, almost to the shoulder. The sleeves are set low with a gathered head to the sleeve and finished with a flounce, dropping to just above the elbow. The bodice is shaped and fitted to the body and features a centre front detail of the bodice fabric that is gathered, ruched and tapers in a v to the waist. The waistline of the dress sits on the true waist at the sides and tapers to a v at the centre front and centre back. The full skirt is gathered to the piped waistline and falls to the floor. The skirt features three horizontal pleats in the skirt fabric in between four bands of cream floral self embroidered detail. The dress is open at the back where it is boned and features lacing holes. The lacing is missing from the item. The bodice of the dress is lined with a very fine cotton lawn and boned.james nicol law, brighton, pauline margaret law, elsie russell, james lindsay gordon law, margaret bartholomew, pelaco

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

The dress was made by Mrs Alloway of Coburg. The dress was made from two dresses which appeared in 'The Bride' magazine; the top from one photo and the skirt from another. Joan Lorraine McGahey wore this dress when she married Francis William Kerry on 28/03/1959.1959 Full length white lace and net over white taffeta slip. Long sleeves are lace to wrist and has light covered buttons. Front has square neckline with lace appliqued to bodice which falls to dropped waistline. Front panel is lace onto net flounce measuring 30 cm. Back has three net flounces falling from waist to form a train which is attached with lace bow. Back of neck has 8 buttons and loops.costume, female ceremonial

Tilly Aston playing a reed organ, often referred to as a harmonium. An unidentified woman sits next to the organ. In this informal shot a middle-aged Tilly is wearing a checked jacket with white collared blouse and long skirt. The organ has a number of photographs upon it and appears to be in someone's lounge room.B/W photograph of Tilly Aston playing organtilly aston, association for the blind

This beautiful costume was the 'going-away' dress worn by Mrs John Russell at her wedding in c.1884. It has been passed down through the Russell family and was donated by her grand-daughter Mrs David Nixon. John Russell was an early Orbost blacksmith in Orbost, and director of the Orbost Butter Factory for 50 years. He came to Orbost in c. 1890 at the invitation of another early settler, James Nixon, became a blacksmith, and later a farmer and landholder. Many of his descendants still live in the Orbost area. This full length female costume is made of moroon satin with gold velvet inserts. It has a small train at the back, scalloped folds with lace edging down the front of the skirt, and two rows of 14 buttons each down the bodice.going-away-dress 1890s-dress

Royal Australaian Army Nursing Service Sergeants Mess Dress(Beret H161, BowtieU879d, Shirt U 879, Cummerbund U879c, Skirt U879a, Shoes U880, Cape U879f, Mess jacketU879b Stockings U879n, Shoes U879euniform, 1990, army

Small, full length portrait of a lady standing beside a table with her right hand resting on the table with a book on it. Her dress is long with the back of the skirt longer than the front. It has wide gathered sleeves with lace on the cuffs.Bent late Batchelder, Centre of Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder

Small portrait of a lady sitting on a chair. She is holding a book in her hands. She has curls in her hair and is wearing a small hat. Her dress has long sleeves, a high neckline with a collar and a voluminous skirt .F. Dabis, 51, Park Street, Luton.photograph, portrait, female, portrait of a lady

Small portrait of a lady standing beside a chair with her right hand resting on it. She is wearing a long dress with a high neckline and a small white collar. The skirt is very wide at the hemline. She has curls in her hair.photograph, portrait, female, portrait of a lady

Portrait of a Lady. She is standing with her left hand resting on a small piece of furniture. Behind her is a chair. She is wearing a full skirt with a jacket and a hat with a feather. Sepia portrait on a black mount board. No details on photo.photograph, portrait, female, portrait of a lady

Pale pink nylon 1958 nightdress showing signs of pink roses and green leaves pattern that has been washed out. Gathered under the bust on to a band, frill on top and roulean straps. Gathered skirt of two layers.nilcostume, female underwear

Black and white photo of a mixed group of young people. They are all wearing white trousers/skirts, shirts, dark coloured scarves and white berets with a dark band. A girl in the centre row is holding a small Union Jack flag.photo, group, mixed group, peter ellis collection, group of youn gpeople

Applique on stretched felt, cotton panel printed with image of a female figure in blue & white striped skirt swinging a ca. 1900 tennis racquet. Edged with embroidered flower designs. Materials: Cotton, Ink, Felt, Wood, Threadtennis

A pewter sculpture of female figure with tennis racquet mounted on a square base. Figure has long skirt and hair pulled up onto head, and is in action of backhand stroke. 'KAYSER' imprinted in base. Materials: Pewter/Metal compositetennis

Part of photograph album donated by Mrs Faull. Mr Reilly was Shire of Grenville Engineer 1923-1930 Girls standing in front of Old Shire of Grenville fence.Sepia photograph of two young girls, wearing identical short, skirted outfits, hats and long socks standing beside each other in front of a fence, one on left with hands at waist, girl on right with hands behind back.reilly twins, faull collection

Long sleeved black synthetic crepe dress. Cross over shawl collar to waist to form V neckline.Collars edged on outer sides with decorative black spiral embroidered backless buttons. Long sleeves tapered slightly to wrist. Calf length skirt is made up of ten gored sections. Five narrow gores across centre front, two side panels and three wider sections across the back. Five front sections of skirt have decorative brown stitching on seams for 19cm from waist. Dress is unlined.costume, female, long sleeved black crepe dress

Clothing. Infant's cream coloured cotton nightdress, with yoke front and back. Lace insert at centre front of yoke (10cm X 10cm). Round neckline with casing. Long sleeves gathered at shoulders with eyelet casing at wrist, and 1cm lace trim at hem. Casing threaded with cotton tape. Skirt gathered at yoke. Skirt has border of 2 X three rows of horizontal pin tucks. Centre back opening (26 cm) fastened with cotton tape tie at neckline and one X1cm button and button hole at centre yoke.costume, children's, infant's cream cotton nightdress

Clothing. Full length black silk-satin skirt, with a 4-pleat cummerbund waist sash - 10 cms deep. Two x 10 cm wide ''falls'' of satin, angled at the lower edge fall from the plackett left side, and are 51 cm long and 63 cm long at their peak. Two panels of the skirt fabric, 81 cm long and 23 cm wide are attached from the waistline at the centre front and centre back. Each panel has a beaded floral motif, 13 cmx 9.5 cm beaded with jet beads.costume, female, black silk skirt with beaded trim

Black fabric has a geometric type all-over silk embroidered pattern, woven into the fabric. Three panels of fabric make up the skirt, with a lower rounded panel at the hemline, to complete the circular skirt. Above the hemline, two bands 0f plain satin fabric, approximately three cms wide, are stitched in overlapping semi-circles, approximately six cms apart. Ends of these strips are cut to a point, and finished with a tiny black, glistening button. Waistline has a 2.5cm band, fastened with metal hook and eyes. Black fringed braid around hemline.costume, female, long black skirt with satin/button trim

Clothing. Infant's white spotted muslin waisted dress. High round neck with lace trim. Front of dress has alternating vertical stripes of pin tucks and lace. Skirt tightly gathered into casing at waist. Lower section of skirt has alternating horizontal stripes of pin tucks and lace. Long shaped sleeves with fabric cap around arm hole. Sleeve gathered into casing at wrist. Item edged with lace, forming a frill. Centre back opening (20cm) fastened with five X .9mm white buttons between neckline and waist.costume, children's, infant's white spotted muslin dress

Belonged to Kathleen Marjorie Dunn (nee McKenzie)Formal day dress in black crepe. It has a round neck and short set-in sleeves. The front opens from neck to waist and has four self-covered shank buttons. The bodice is slightly gathered at two points front and back. The skirt is gathered centre front with seven rows of shirring. The bodice features six arabesques in black and white beads. The skirt has two false pockets with similar beading. A small vent at the left waist closes with a hook and eye. The dress is machine sewn with a hand sewn turn-up on the hem.Nonecostume, george evans collection

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Single-piece, floor length, gold silk taffeta evening dress featuring the use of a very long fishtail train to which is attached a silk cord to allow the wearer to hold it above the floor. The dress includes a number of decorative features including the extensive use of box pleats on the sleeves and on the hem of the skirt; contrasting gold and cream braiding and tassles; and the extensive use of ruching on the bodice at the front. Due to the age and fine quality of the silk taffeta used, there is evidence of the degradation of the fabric on one shoulder and a tear in the rear of the skirt. Otherwise the dress is in excellent condition.fashion - 1870s, australian fashion, wedding dresses, costumes, women's clothing, coombs collection

Four-piece wedding outfit comprising bodice, belt, skirt and separate train all made of cream figured wool. The bodice has a centre front ruched panel, stand collar and a fitted two-piece sleeve with full gathered head. It is trimmed with cream-coloured beading with pearl drops. The bodice has seven interior bones and is fastened with metal hooks and hand sewn eyelets which are concealed under the front panel. A separate pleated belt fastens centre back. Plain gored skirt with separate train that ties around the waist.wedding dress, 1890s fashion

This dress was worn by Matilda Kinross McDonald, nee Herd (1871-1943) for her wedding to George William Mitchell McDonald in Geelong in 1892. Two-piece wedding dress comprising separate bodice (.1) and skirt (.2) made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton. wedding dress, geelong, matilda kinross herd, george william mitchell mcdonald, 1890s

This apron is similar to aprons were made for use during war times, perhaps with Red Cross. It was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Apron, ladies size, plain, heavy cotton. Full length apron with bodice, shoulder straps and a button closure at waist. Skirt has five panels. There is a small pocket on wearer's right side, inserted into seams. Ca.1900's.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late early 1900’s, ladies work apron, domestic service, domestic clothing, ladies’ clothing, hospitality clothing, hospitality service

Mrs Traynor's 80th birthdayBlack and white photograph of an elderly woman wearing a light coloured button up shirt and long dark skirt. She is standing behind a table covered in a white cloth and is cutting a birthday cake with candles. The photo is mounted on white cardboard.Written under the photo: Mrs Tom Traynor nee Parish husband owned black kiln on property near Prestige.

Long gown of Pink Brocade with cap sleeves. Stiff material with a tie around the waist. Long pink with gold embossing brocade. Fitted bodice with cap sleeves. Full skirt with large pleats. Corded pink waistline with a pink bow.ball gown, reid family

Clothing. Swimming costume. Waisted ladies swimming costume of navy blue cotton interlock fabric. Short sleeves. Front opening to waist with four buttons. Skirted panel over knee length pants. Blue and white trim on neckline.costume, female, swimwear

Small portrait of a lady standing beside a table with a large cloth on it. Her right hand is resting on the table. She is wearing a long, high neck dress with a lace collar and darker pieces added to the bodice. The skirt has five layers.The Parisian Photographic Company. 45 Ludgate Hill London. E.C.photograph, portrait, female, portrait of a lady, photo