This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Three etchings showing aspects of a room.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking

Anvil's Star won the Bendigo Pacing Cup on the 24 January 1997, followed by Desperate Comment and No Equal. Anvil's Star owned by RM Cameron & K Kotzikas, was trained by RM Cameron and driven by Ricky May. Anvil's Star raced from 1995 (3yo) through to 2001 (9yo). Career: 17 wins 22 seconds 11 thirds 116 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 24-1-97/ Gerard K House Pty Ltd Bendigo Pacing Cup / C9 or Better At the bottom: Left corner: Distance 2400 metres/ Mile rate 1.59.3 / Greg Matthews Photos - Stawell Centre: Anvils Star (Vance Hanover - Venetian Star) / Desperate Comment 2nd / No Equal 3rd Right corner: Owned by- RM Cameron & K Kotzikas/ Trained by RM Cameron / Driven by Ricky Maybendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1997, anvils star, rm cameron, ricky may, k kotzikas, desperate comment, no equal, robert cameron, r may, r cameron

A history of the Eventide Homes StawellWhite card cover with blue print and three colour photographs showing two showing houses the other showing a large brick buildingeventide homes Stawell inc. a great place to live 1954-2004 5o Years of caring by Jim Melbournestawell aged

T. A. Prydderch Confectioner and S.G. Perry Hairdresser businesses Main Street between Town Hall and Church of England. Now Demolished. Mr. T.A. Prydderch the male with hands in pockets ran this business for many years. later to conduct the Egg Board. Mr. S. Perry conducted his hair dressing business for many years in Stawell. Mr. Parry is the tall gentleman with hands behind his back. The duplicate photo was donated by Meryl Bowers on 7.11.2012. 2012 Site - now occupied by Pyke's Cycles & Pets.Three black and white photographs of two business houses. Parapete fronts with advertising, wooden fronts with display windows. Included in photographic are three males.T.A. Prydderch. Sennitts Ice Cream Confectioner. S.G. Perry. Hairdresser. also written on the back of one of the photos is Stan Perry (Hairdresser) Lower Main St. Stawell above Church of England. from Meryl Bowers stawell businesses streetscape

Photograph of brick house with verandah and Iron roof. Shrubbery in foregroundA Pickard Stawell on back

The history of PomonalPale yellow Card Cover with black line drawing showing a house and post and rail fences in a bushland setting. Pomonal A Picturesque Place Drawing has the Name: A G Inman 1932stawell

3600 Bill Kinsella and Carmel Kinsella at Carmel's Birthday party. -1 Carmel Kinsella cutting her birthday cake. -2 Carmel Kinsella. -3 Three photographs of cloths belonging to the Kinsella family. -4 Three photos of clothing, one of a purple silk undergarment, one of black silk dress the third of a embroidered. -5 Three photos, one of a top hat, another of long boots and the third a Bullock drivers bell. -6 Photograph of Illumination given to Thomas Kinsella from the Magdala mine workers when Thomas left to travel back to Ireland to visit his sick mother. -7 Four photographs of objects, one of a Pianola, second of a clock Carmel Kinsella bought for her birthday (80th in 1993). Third wire strainers, Forth Croquet green numbers and mallet head. -a Wording on Illumination (see description, inscriptions and markings). -8 Photograph of Martin Cahill. Born 1881 died 21.06.1947. Married to Eileen Kinsella 1920. -9 Bill Kinsella at 3LK Radio Starion Lubeck where he worked for 38 years. Bill was also called William Jennings Kinsella after his father. -10 The iron decorative gates at Kinsella's farm also called "Magdala" -11 The original Kinsella house on "Magdala" farm. The back room with a flat roof and 4 windows was moved from "Mayo Park" where the Kinsella's originally lived across Station Creek. -12 Photo of Tom Capell as a young man. The son of Jane Teresa Kinsella & William A. Capell. -13 Sarah Kinsella nee Peardon married William Jennings Kinsella. -14 Photograph of Sarah & Jennings Kinsella children Thomas Wade Kinsella, Clare Best, Carmel Kinsella, Bill Kinsella. Photo taken at Kendal's farm near Lubeck Series of colour and black and white photographs taken at the Kinsella's farm "Magdala" Lubeck July 2006.stawell

Samuel Steele lived in Linton from at least 1860 and built the drapery store known as Criterion House in 1862/1863. His first three children were born at Linton. Samuel Steele moved into Ballarat in the late 1860s and established a drapery store in Sturt Street. He afterwards lived at Stawell and ran businesses there and in Ararat.Scan of original photograph which shows the head and shoulders of an older man who has a short beard. He is neatly dressed in a jacket, shirt with a stiff collar, and cravat.samuel steele, criterion house

Wattle and Daub home of Morgan family at Dadswell's Bridge. The house is surrounded by Bee hives with wooden palings in foreground, mountains in the background. The two gentlemen in the photograph are David Morris Morgan Jn on the left and John Richard Morgan on the right. David Morris Morgan came to Australia in September 1857.Black & white photograph of a scene featuring a simple Wattle and Daub dwelling. In a bush setting, mountains in background. Bee hives and wooden palings in foreground.Morgan House between Dadswell's Bridge & Rose's Gap Donation - Maurie Robson Left David Morris Morgan Jnr. Right John Richard Morganstawell

Great Western Street Scene 1946. Man standing outside the house on veranda. Adjoining shop with sign N.E. Houston Storekeeper and three petrol bowsers plus car parked out the front.Black & white photo showing a man standing outside a weather board house with an adjoining shop. A car is parked out the front of the building. N.E. Houston Store keeper Mobil oil Plume (written on the back) Bower's Shop Eric Houston August 14 - 1946stawell

Residence - “MORAY” Crowlands Road Stawell3 photos 1 black and white 2 colour of house Moray on Landsborugh Rd Stawell-2 Moray Stawell 1985. Aerial View.stawell

The building in the photograph was the first Sunbury State School No.1002. Prior to the school being built, lessons were conducted in the Presbyterian Church. After parents organised a petition in 1869 for the school to be housed in a proper building and a committee of management was formed, work on a new school building commenced. The old building had many structural deficiencies and the red brick building was built on the same site in 1911. A non-digital black and white photograph of an austere looking rendered building with a flagpole attached to a small portico at the entrance of the building. The roof is corrugated iron and has two air vents and two chimneys on it. There is a picket fence with a gate across the front and a tree is growing in the front.sunbury state school no. 1002., macedon street, stawell street

Weatherboard Home Napier Street Stawell. Corrugated Iron Roof wrought iron Lattice Work on Veranda. Front picket fence with iron gate.Black and white photograph of a weather board home and corrugated iron roof. Wrought iron lace work trimming on veranda. Front fence wooden pickets. Iron single gate. stawell houses

Snow Scene Grampians House July 1949stawell

Aunual report and Balance Sheet10 Green card cover with three photos, two of houses at top, large photo of brick building with people outside. 6 Blue Card Cover with two photos one of a fountain the other of a brick building 1 Blue Cover with three Photos one of First Cottage - 1955, one of New Cottage 1985, one of two large buildings 2 Gold Cover with three photos one of First Cottage - 1955, one of New Cottage 1985, one of two large buildings 7 White Card Cover with text and three coloured stripes. Light Blue, Lght Green, Maroon, Gold, Dark Green, Grey, Purple 3 Cream card cover with green and white picture. and light green stripe below 2 Blue Crad Cover with Blue Text and Blue picture in lower part. 1 Multi Coloured Green with four colour photos 1 Multi Blue Multi Colour with four colour Photos 1 Grey with Maroon Stripe card cover with photo of two women. 20 Card covers various colours and designs.Green covers. Eventide Homes For the Aged Stawell Annual Report. Urquhart House 6 Blue Cover. Eventide homes for the Aged Annual Report 1 Blue Cover. Eventide Homes for the Aged (Stawell) Annual Report 1989 Main Entrance Urquhart House and Currie House Hostels 2 Gold Cover: Eventide Homes for the Aged (Stawell) Annual Report 1981 & 1988 Main Entrance Urquhart House and Currie House Hostels. 6 White Cover: Eventide Homes Annual Report 1990 - 1996 3 Cream cover: Eventide Homes (Stawell) Inc. Annual Report 1996-1997, 1997-1998, 1998-1999. 2 Blue Card Cover: Annual Report 1999-2000, 2000-2001 Eventide Homes Stawell Inc. Multi Green Cover: 2001-2002 Annual Report eventide homes A great place to live! Multi Blue cover 2002-2003 Annual Report eventide homes Stawell in. A Great place to live! Fully Accreditated under Government Aged Cars Standards to 2006 Grey and Maroon Card cover. Print rotated right running up right side: Eventide Homes (Stawell) Inc. 2003-2004 Annual Report. (Normal Print) Proudly celebrating 50 years of caring 1054-2004 stawell aged

Forgotten Histories of family and community on the central goldfields.Card cover with B/W photo of a house with wooden fence and four people, one woman and three children.Gold Tailings Forgotten Histories of Family and the Community on the Central Victorian Goldfields. Charles Fahey & Alan Maynestawell

History of Joel Joel and JullukerClear Plastic cover over a white paper with b/w photo of a house surrounded by trees and title. with black comb spine and white card backDigital copy In Shared Documents Histories "As I Remember" (Edna-Lena May) Plus Othe rJallukar Informationstawell

Street Scene Clifton Avenue Stawell looking towards Barnes Street. Photo taken before the pine tree was removed from the street.Black and white photograph of a wide street looking towards an intersection. Houses line the end road with a large pine tree on the right and a deciduous tree on the left. stawell

Street Scene Clifton Avenue Stawell looking towards Barnes Street. Photo taken before the pine tree were removed.Black and white photograph of a wide street with trees lining the street, houses in the background.stawell

Portrait - Thomas Kinsella c1895 part shareholder Moonlight and Magdala Mine. Half shareholder Magdala cum Moonlight Mine. Photo taken at back of old Kinsella house in Patrick Street before the brick house was built.Copy of original photo held by family. Mr. Thomas Kinsella seated wearing bowler hat and double breasted jacket over white shirt and tie lighter trousers. Seated in cushioned chair. Black curly haired dog on bent wood chair. Both in front of ivy terrace , showing part of house.stawell