The young lady is Efstathia (Toula) Mavokefalos (nee Raftopoulos) aged 16 who grew up in Romania. Efstathia left Ithaca at the age of three when her parents migrated to Romania. She returned to Ithaca where in 1913 met Costantine J. Mavrokefalos (Black) who had returned from Australia to fight in the Balkan Wars. Within three weks of their first meeting, they married and spent their honeymoon on the ship to Australia. Their children were Regina (Nina), John, Ellie, Marguerita (Rita) and Olga. During the19th century a number of Ithacans migrated to Romania. Generally they worked as barge traders on the Danube River or as farmers. Instability in the Balkans lead to many returning as well as new opportunities and trends in migration for Ithacans, such as Australia.A photograph of a sepia studio portrait photograph of a head and shoulders view of a young lady. The original photograph was backed onto brown board. Details relevant to the photographer are written in Romanian across the bottom of the backing.

Photographed is Stathi (Efstathios) Vlassopoulos (Vlass) (Kopela) arrived in Melbourne in 1932 and headed to Mildura where his father Dimitrios Vlassopoulos, was established. From there he moved to Hopetoun and operated his own cafe business. He later returned to Melbourne where operated the Metro Cafe in Swanston Street, Melbourne. He sent the photograph to his Aunt Anastasia (Tasia Raftopoulos-Florence) who was living in the village of Platrithia on the island of Ithaca in Greece.Stathi Vlass was very active in Greek community affairs and was secretary of Melbourne's Greek Community and president of the Ithacan Philanthropic Society from 1957 to 1959, during which time he lead the building of Ithaca House in Elizabeth Street. He also published the first daily Greek newspaper 'Ta Nea' in Melbourne. A studio sepia photograph with a cream border in post card format of a smartly dressed man,who is wearing a double breasted suit and standing beside a chair. A message is written in Greek on the back of the photograph.Translated from the Greek: To my dearest Thea Anastasia/ A memento of love/rom your nephew/ E.D./ Vlassopoulos.vlass

Thompson collectionStudio portrait, sepia photograph mounded on brown card; man age (40-50) dressed in suit and tieNone, but manufacturer's details on card; Melba, Melbournethompson collection, nightingale

BHS CollectionStudio posed sepia photograph of Percy (unnamed surname) in double breast suit. photograph with beige cardboard mount. Photographer's stamp Kingston Cobarhistory, eaglehawk

B&w studio photograph of 17 women: Back row: D. Smith, M. Mason, M. Mathews, W. Harris, C. Draper, G. Anett, A. Brown Middle row: G. Smith, V. Mason, L. Penna, Mrs. Dorman, L. Potter, Neta Cameron, D. Turrowgood Front row: E. Gregg, E. Lodder Separate photo: D. Gilbert (possibly missing when photo taken) Photo taken at Bartlett Bros. Bendigo

Wedding Portrait. Mr. & Mrs. Jim Raitt. Mother and Father of Don Raitt.Sepia studio wedding photograph of Mr. & Mrs. Jim Raitt. Bride is standing carrying a bouquet & gloves with flowers in her hair and veil. Bride groom is seated, with cane, hat & gloves on his lap. Yeomans Co. Bourke St., East. Melbourne. The name Mr. Mrs. Jim Raitt is hand written on top of photograph.stawell

A family group photograph of Rene (Ekaterini) nee Varvarigos and Constantinos Sikiotis. The wedding took place some time in1931.A studio sepia photograph of a wedding group of a bride and groom with four groomsmen, four younger men, three flower girls with a page boy and an older lady and man seated either side of the bride and groom.

Black and white photograph. Studio portrait, half-length, of a young man with a moustache, wearing a suit with a posy on his collar.Front: Charlemont Sydney/ and/ Melbourne/ BY APPOINTMENT TO HIS EXCELLENCY THE GOVERNOR. (gold lettering, lower edge) Back: (no inscriptions)portrait photography

historic, social, peopleB/W photograph, studio portrait, Carl (seated) and Mrs. Rasmussen (standing) of Lal Lal, December 19, 185919.12.1859rasmussen, lal lal

Original studio portrait photograph of woman holding a tennis racquet resting on her elbow. Lower panel of frame has relief molding of a tennis racquet. Materials: Paper, Photographic emulsion, Glass, Wood, Cardboard, Inktennis

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.The east side of D'Estaville (built for Sir William Stawell). It was the home of the Figuerola sisters from the 1940s to the 1990s. The large ground floor room at centre was used by the artist as her studio. The photograph is from the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Black and white photograph -Ringwood Studios - Ringwood Shopping Centre -86 Whitehorse Road

historic, social, peopleB/W photograph, studio portrait, Dr. Longden and family about 1915, Dr. and Mrs Longden seated, sons standing behind.Cedric Reginald Longden, Norman Anderson Longden, Josephine Mary Longden (nee Robertson), Frank Reginald Longdendoctor frank longden

Framed studio sepia photograph of the wedding party of Jess Anderson and Victor Diggins in 1935. The wedding took place at the Presbyterian Church, Kew. The signature of the photographers - Dickinson Monteath - is at bottom right. [The Dickinson Monteath Studio operated at 296 Collins Street Melbourne during the 1930s and into the 1940s.]Inscribed below: "Jess (Anderson) & Victor Diggins Wedding / 1935 / L to R standing Joseph Diggins, Victor Diggins, Jess Diggins, Lawrence Jesse Diggins / Sitting Marie Whitbourne, Phil Anderson (Jess's sister) & later Mrs Joseph Diggins (Right). Bridesmaid on left.photographers - dickinson-monteath, jess anderson, victor diggins, cecil street -- kew (vic.), kew presbyterian church – kew (vic.)

The 1st Kew Scouts was one of the first Scout Troops in Victoria, being formed in 1909. From 1927 they met in a magnificent Scout Hall in Disraeli Street, Kew until it was demolished in 1993. Still operating (in 2020) from their new Scout Hall on the corner of Kilby Road and Kellett Grove, Kew.Large sepia photograph of a 1st Kew Scout in uniform. Given that it is a large-sized studio photograph that had been framed and kept for decades, it is likely to be one of the founders of the Scout Troop, perhaps Captain Peowrie. Like many of the early Scout Troops, a man with a military background initially led 1st Kew. Having joined the Scout Troop in 1911 or early 1912, Captain Peowrie went on to serve in the Army during the First World War, rejoining the Scout Troop at war’s end. He went on to be the Scout Leader and later Group Leader up until 1930, whilst also serving as acting District Commissioner for Kew and Deputy Chief Commissioner of Victoria.1st kew scouts, scout master 1920s, scout master in uniform 1920s

BHS CollectionKnight Family posed studio B&W photograph with brown cardboard mount. Matriarch with four adult sone and two young children. Notated as Ollie Swales step family. Photographer's stamp Jenkinson Broken Hill.history, eaglehawk

Black and white photograph - Studio photo - post WW1 early 1920s - standard MMTB Tunic. The vest may imply an inspector. Note the cap badge and hat band. No badge number.trams, tramways, personnel, uniforms, inspectors

The children in this photograph are Frank abd Ivy Warren. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white studio portrait photograph of a young boy and girl standing against an outdoor wall. The girl is wearing a long white dress and has a ribbon bow in her hair.The boy a tunic with a wide belt and lace collar. His long sleeved have wide cuffs. The photograph is an oval shape on a grey / white background.warren-frank warren-ivy

In 2004 Kiran Mazumbar-Shaw received an Honorary Doctorate from the University of Ballarat (now Federation University Australia)A black/grey covered photograph album of photographs from the 2004 graduation ceremony taken by Williams Studio. Includes photographs of Kiran Mazumdar-Shaw receiving an Honorary Doctorate from the University of Ballarat. Also photographs of Kiran Mazumdar-Shaw with her lecturer Neville Gower and Helen Gower. Image courtesy of Williams Studio, 2004.university of ballarat, graduation, williams studio, mazumdar-shaw, honourary doctorate, neville gower, helen gower, kiran mazumdar-shaw, brewing

Framed photographs 7864P and 7865P. Both unknown persons. Photograph - black and white full length portrait photograph of a soldier in uniform. Studio type photograph with wall and window in the background. C.WW1. Frame - timber with dark brown stain. decorative moulding with inner edge of gold colour plain timber. Mount - timber ply wood with light brown finish and glass front. Backing - cardboard (replaced).On back of photograph - handwritten grey lead pencil "Mrs Long/ 20 Irvine St/ 3 1/2 Oak ??? 3/4 ???/ Dark oak 10/-"framed accessories, portrait, army, coates family 1

Framed photographs 7864P and 7865P - both unknown persons.Photograph - black and white mid length portrait photograph of a woman dressed in evening wear. Studio type photograph with window, plants and plant stand in background. c.WW1. Frame - timber with dark brown stain. Decorative moulding with inner edge of gold colour decorative timber. Mount - dark brown cardboard, glass front and cardboard backing.framed accessories, portrait, coates family 1

This is a photo Constantine Black (Mavrokefalos) who was from the village of Exoghi arrived in Melbourne 18 years of age in the early 1902. He returned to Greece for the Balkan War and the photo depicts him in the army uniform of the time. It was at this time that on a visit to Ithaca he met Efstathia (Toula) Raftopoulos. They married and in 1914 Constantine returned to Melbourne with Toula. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Two of his children, Nina Black and Olga Black, were very active and well known in the Ithacan and Greek community's cultural life.A studio black and white photograph of a man wearing the traditional Greek soldier's uniform. He is standing beside a wall and holding a gun upright.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A mounted, studio sepia photograph of two children. The younger child is sitting on an animal fur rug beside the older child who is standing on a chair.Both children are in dresses, with the older child wearing shoes and socks. The children are Frank Wright and his brother Alex. It appears that the photograph has been pasted over another photograph and the information printed on the mount refers to that underneath.Printed on the front of the mount - Percival K. Upton. Stroud Green Road, N.frank wright, alex wright, young children

There is no information with this item. In the Bairnsdale Advertiser and Tamboon and Omeo Chronicle on Thursday August 3 1893, there is mention of a letter from Mr Harry Roberts, Marlo Road, "offering to sell the corduroy road to the council for £10, on condition that the council arranges for the exchange of the old road for one on the nothern boundary of his property.-Application to be made to the Lands department for the necessary exchange of roads to carry this proposal into effect. From the secretary for Lands, asking the council to mark the roads required in the M'Colloch on the plan,-Attended" This is likely to be the man in the photograph. This photograph seems to be associated with a very early settler in the Orbost / Marlo area. It is also a pictorial record of dress in the late 19th century.A sepia portrait photograph of a bearded man wearing a high-buttoned coat seated on a chair with a woman standing beside him on the right. The woman is wearing a long gownwith a full skirt, low at the waist. The fitted bodice is tightly buttoned and has a lace panel. Her hair is in a bun. She appears to be wearing a wedding ring. The photograph has been taken inside a studio. The photograph is mounted on card.on back - hand-written - "Mr & Mrs H. Roberts My Best Friend" front under photograph - :Vandyck Studios 3 Bourke St E Melbourne next door Gen Post Office portrait-roberts

Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald

"William John Leslie Bennetts". William enlisted as No. 4433 in the AIF on 7.7.1915 aged 24 years 5 months in the 14th Reinforcements, 6th Battalion. He embarked for Egypt on 28.1.1916 then for France on 29.3.1916. Appointed Acting Corporal on 3.8.1916. In hospital on 4.11.1916 with Trench feet, re-joined unit on 12.3.1917. Appointed Corporal 19.7.1917. Wounded in action 5.10.1917, GSW to the head. Re-joined unit 21.11.1917. Appointed Lance Sergeant 10.8.1918 then Sergeant soon after, Returned to Australia 1.9.1919 and discharged from the Army on 25.10.1919. During WW2 William enlists in the CMF as No. v362254 on 14.4.1942 and discharged on 8.6.1944 with the Rank of Sergeant. Sepia toned photograph of a soldier in Australian Army uniform. Sergeant stripes and two wound stripes visible. Photograph mounted in a dark brown folder. Photographic Studio name written on photograph.Handwritten in black on photograph: “JAWLEY BROS PF”william john leslie bennetts, bennetts collection, photograph

Part of the Bennettrs Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".Black and white photographic postcard of an Australian soldier in uniform. Soldiers unit colour patch and white lanyard are visible in the photograph. Postcard configuration in black visible on the back of photograph. Hand written details in blue ink on back. White border around photograph. Studio logo in black on bottom RH corner of photograph.Handwritten on back of photograph in blue ink: 'Beyrouth, Syria, Feb 24th 1942'.bennetts collection, alva bennetts, photograph, postcard, ww2, syria

Photograph of studio portrait taken of Jeanie Richardson, wife of John William (Willie) Richardson, who was the son of Jabez Richardson an early pioneer of the area. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Jeanie Richardson nee Green. Born 1871. Died 1916. Mother of Reuben, William, Jean. Copy of photo held by Reuben Richardson of Roma. richardson, jeanie richardson, reuben richardson, jabez richardson

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs.The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, North Road, Ormond, 1965. Electricity supply poles photographed for the Kew City Council by Stuart Tompkins Studio. The photograph of North Road, Ormond west of Jasper Road, looking east depicts wooden poles carrying two lamps in a median strip and with two on each side alternately. It was noted that the supply wires were from one side only. The poles were described as 3′ above ground and 11.25″ in diameter. The plan was to use this approach for Burke Road, Kew. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.1 North Road - Ormond, west of Jasper Road, looking east. Wooden poles carrying two lamps in median strip and two on each side alternately just as is proposed for Burke Road, Kew. Supply wires from one side only. Poles 3' above ground 11 1/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, street lighting, south road (moorabin) 1965, public infrastructure -- city of kew, city of kew -- engineer's department

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs.The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, North Road, Ormond, 1965. Electricity supply poles photographed for the Kew City Council by Stuart Tompkins Studio. The photograph of North Road, Ormond west of Jasper Road, looking east depicts wooden poles carrying two lamps in a median strip and with two on each side alternately. It was noted that the supply wires were from one side only. The poles were described as 3′ above ground and 11.25″ in diameter. The plan was to use this approach for Burke Road, Kew. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.1 North Road - Ormond, west of Jasper Road, looking east. Wooden poles carrying two lamps in median strip and two on each side alternately just as is proposed for Burke Road, Kew. Supply wires from one side only. Poles 3' above ground 11 1/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, street lighting, south road (moorabin) 1965