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Kew Historical Society Inc
Photograph, Stuart Tompkins Studio, Electricity Supply Poles, South Road, Moorabbin, 1965
Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs.The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, South Road, Moorabbin, 1965. Stuart Tompkins Studio provided this photograph for the Kew City Council. The photograph of South Road, Moorabbin, west of Jasper Road, looking east depicts steel poles with two lamps in a median strip and supply wires from pole to pole. The poles were described as 100′ apart. The notation on the rear of the photograph was that there were lamps along the median strip except at intersections. A wooden pole is recognised as supporting heavy supply lines across the road. The steel poles in the photograph were said to be between 3′ to 3.5′ whereas the wooden poles were three to 12.25″ in diameter. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.2 South Road - Moorabbin, west of Jasper Road, looking east. Steel poles with two lamps in median strip and supply wires from pole to pole along median strip (poles only 100' apart). Lamps along median only except at intersections. Wooden pole supports heavy supply lines across the road. Wooden poles 3' up and 8 1/2" dia. Wooden poles 3' up and 12 1/2 dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, street lighting, south road (moorabin) 1965, public infrastructure -- city of kew, city of kew -- engineer's department -
Bendigo Historical Society Inc.
Postcard - PORTRAIT 2 YOUNG CHILDEN, 1926
Postcard, sepia portrait of 2 young children. The first child, being the taller of the two has straight, dark hair in a bob haircut, wearing a crochet top over her clothes, and wearing a braclet on her upper arm and holding something in her left hand. The second child is shorter and younger with fair curly hair, wearing a crochet top over her clothes. Written on back of postcard, Ilma 4 yrs and Dorothy 2 yrs 3 mths. For Aunty Kate 1926. McCrae, The Saunders Studio, John St., Singleton.McCrae, The Saunders Studio, John St., Singleton.photo, group, 2 young girls, photograph, postcard, portrait two young girls, photo taken 1926. -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT, approx 1890's
sepia studio study with some hand tinting shows upper body of young female adult. Plaid skirt, leather gloves, purse ? Floral spray, tinted. Pale buttoned blouse, hip length fur. Collared long sleeved jacket, floral decorated stgraw hat atop curled hair. Image is mounted on stiff card with commercial details theron. In gold lettering on lower front, coat of arms, ' Charlemont, Sydney, by appointment to his excellency, Lord Carrington.Charlemont & Co., Grosvenor Studioes, Royal Arcade, Sydneyperson, individual, female portrait -
Bendigo Historical Society Inc.
Leisure object - Cohn's LP Record
The recording was made in the studio of 3BO Bendigo. The record tells the of the Cohn brothers life in Bendigo. It was commissioned by Jack Magnus Cohn, the grandson of Julius Cohn about 1950s-1960s. A "12-inch L.P." black record in a brown paper cover. The cover has the records manufactures name and address printed on it. The record is single sided, the middle has a cream coloured label. "HOUSE OF COHN" Recorded in the studio of 3BO Bendigo. Produced by E. Pattison. Participating in "The House of Cohn" were Des Nicholson, Alex Cohn and Rus Pilley, recorded in the studio of 3BC Bendigo by, Bill Morell and Dug Richards produced by E. Pattison.house of cohn, 3bo bendigo, e. pattison, cohn brothers -
Ringwood and District Historical Society
Newspaper cuttings, Newspaper Cuttings re Ken Laurel Dance Studio, Ringwood. 1950's, 1950s
Ken and Laurel Sims were the Victorian Dancing Champions 1952-1953. They opened their own dance studio in Ferntree Gully on 10-October-1958Various newspaper cuttings relating to the Kenlaurel Dance Studio at 35 Ringwood Street, Ringwood, run by Ken and Laurel Sims. +Additional Keywords: Sims, Ken / Sims, Laurel / Lily, Anne (Mother of Laurel) -
Stawell Historical Society Inc
Photograph, Johnson and Co Photographer, Mr Hooper & Mrs Hooper nee Unknown -- Studio Portrait
Mr and Mrs Hooper in Studio Portrait Ballarat. From Chapman family album. Sepia Studio Portrait Gentleman in hat and three piece suit resting on back of ornate chair. Woman in straw boater hat dress with puff sleeves holding small case in gloved hands sitting on another chair. Pot plant between couple. -
Kew Historical Society Inc
Photograph, Stuart Tompkins Studio, Cr. F.S. Sands MM, Mayor [of Kew] 1944-5, 1944
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. F.S. Sands MM, Mayor of Kew 1944-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F.S. Sands MM, Mayor [of Kew] 1944-5 Stuart Tompkins Studiomayors of kew (vic), australian photographers - stuart tompkins studio, cr. francis charles sands, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. C. J. McCarthy J.P., Mayor [of Kew] 1955-6, 1855
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. C. J. McCarthy J.P., Mayor of Kew 1955-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. C. J. McCarthy J.P. / Mayor 1955-6 Stuart Tompkins Studiomayors of kew (vic), australian photographers - stuart tompkins studio, kew (vic.) — municipal collection -
Port Melbourne Historical & Preservation Society
Plan - Immigration sculpture, Beacon Cove, Orchard Design Studio, Mark Weichart, 1998
Mirvac, Beacon Cove developers, commissioned this sculpture. Orchard Design Studio contacted PMH&PS for 19th Century migrant ship names, to be handcarved into jarrah portion of sculpture, and for approval of 20th century ship names for the steel section. In return we requested a copy of these plans.Presentation plans (two sheets) for sculpture at Beacon Cove, designed by Orchard Design Studio of Pakenham. One in full colour, one a photocopy only. Subject: immigration.Photocopy signed by the artist, Mark Weichart.piers and wharves - station pier, immigration, transport - shipping, arts and entertainment - visual arts, mark weichart, mirvac, sculpture, orchard design studio -
Federation University Historical Collection
Photograph - Colour photograph, Sean Fennessy, Bridget Bodenham, Ceramicist, 2015
Bridget Bodenham lives and works in her studio in Hepburn Springs, Australia. An Alumni of Federation University Bridget studied TAFE Ceramics under Neville French. Bridget has exhibited extensively both within Australia and overseas, and was a finalist in the Bombay Sapphire Design Discovery Award and received an Honourable Mention in the Mino International Ceramic Award, Japan. The work depicted was commissioned by the National Gallery of Victoria Design Shop.1) Portrait of Bridget Bodenham standing in front of shelves of ceramics in her Hepburn Springs studio. .2) Bridget Bodenham's ceramicsbridget bodenham, ceramics, alumni -
RMIT Design Archives
Photograph - Photographs
This photograph commemorates a visit by American Fashion Models to Prestige Textile Studio in July 1950. Melbourne’s Myer Emporium in conjunction with Neiman Marcus, Dallas, Texas presented the first American Fashion Parades in Australia in July 1950. Ruth Hancock, the leading model and buyer for Neiman Marcus, directed the Parades, and the eighteen year old modelling prodigy, Carmen dell’ Orefice, described by Cecil Beaton as ‘the world’s most beautiful woman’ was one of the stars of the runway. In a bid to encourage a market for Australian textiles in the United States, the models visited textile manufacturers and design studios in Melbourne, such as Yarra Falls Mills and Prestige Studios, one of Melbourne’s premier textile design studio. Ann Carew, 2020This photograph is historically significant for its association with Prestige Textile Studio, and it's association with the Australian Textile Industry. It highlights the role that Myer Melbourne played in promoting the Textile Design Industry and Australian Fashion to the United States of America.Black and white photograph of 8 models from the US, laying on the floor of the Prestige Studios. Names of the various models have been drawn on the floor from the foreground to the background of the photo, with eagles and stars in between each name.Models pictured include Ruth Hancock, Carmen Dell'Orefice, and Margaret Edwards.USA MODELS / VISITING AUSTRALIA carmen dell' orefice, prestige textile studio, ruth hancock, margaret edwards, fashion, rmit design archives, models, usa -
Kew Historical Society Inc
Photograph, Cr. A.S.G. Stevens J.P., Mayor [of Kew] 1953-4, 1963-4, 1953
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. A. S. G. Stevens J.P., Mayor of Kew 1953-4 and 1963-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. A.S.G. Stevens J.P. / Mayor 1953-4, 1963-4 Stuart Tompkins Studiomayors of kew (vic), cr. a. s. g. stevens, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Hawthorn District Friendly Societies Competition, 1925
Rifle competitions were popular activities for men in the nineteenth and first half of the twentieth century. The Kew MUIOOF was based in Union Street, Kew and as a friendly society competed in competitions locally and in neighbouring municipalities.Monochrome print positive mounted on card. The photo shows the Kew MUIOOF rifle team which won the Kennon Challenge Shield in 1925. In the studio portrait, taken by Glen Studio (Glenferrie), the five team members are posed, two in front with rifles with the Kennon Challenge Shield positioned at front centre."Hawthorn District Friendly Societies Competition / Kew MUIOOF Rifle Team, Winners of Lennon Challenge Shield, 1925. Score 2182 / FT James PG; PG Gallop PG / JG Harle PG; Bro EA Harrison / WR Harle PG / Glen Studio, Carnegie"muioof, kew muioof, rifle competitions, friendly societies -- kew (vic.) -
Camberwell Historical Society
Mixed media (Item) - DVD documentary, Eva de Jong-Duldig, Duldig Studio Documentaries Volume 1, 2016
Sculptor Karl Duldig, his wife artist Slawa Duldig and their daughter Eva, made the difficult journey from Vienna to Australia during World War II. In Australia, Karl and Slawa re-established their careers and left us the artistic legacy of the Duldig Studio, museum and sculpture garden. camberwell, glen iris, sculpture -
Beechworth RSL Sub-Branch
Photograph - Photograph Machine Gun Practice, Skill at Arms
Presented to Beechworth RSL by Frederick Hoffman's sister Anna in 2009Wooden framed studio picture of 2 men in WWI uniform, training on a Vicker's Machine Gun. Ornate frame with gold inlay; reverse of frame is tattered On a manila board label inserted outside bottom right hand corner with the words; PTE F HOFFMAN "(K.I.A.) / 33 Batt / left of photo / Name in pencil on reverse of frame "Hoffman" probable the photographic studio marking to indicate the owner.picture machine gunners, vickers machine gun -
Stawell Historical Society Inc
Memorabilia - Realia, c1930's
Wooden Advertising Sign Chapman’s Studio Photography Studios Napier Street stawell -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/07/2002 12:00:00 AM
Also another colour photograph taken of glass art by Tricia Allen of Hot House Studio three clear glass figurines Nudettes on exhibition at Gary McEwan Gallery St Kilda July 2002 number 04074.1 size 10 x 15 cmColour photograph of a pair of glass vases blown by Tricia Allen of Hot House Glass Studio exhibition at Garry McEwan Gallery St Kilda titled Daria's Sisters St Kilda Victoriaarts, people -
Port Melbourne Historical & Preservation Society
Document - Receipt, The Allan Studio for portrait of Syd Anderson, Allan Studio, 5 Dec 1923
From Town Hall collection; photo of receipt and portrait together is in the Gould collection and was reproduced in 'A History of Port Melbourne'Receipt from The Allan Studio, Collingwood for the mounted studio photograph of Syd Anderson which accompanies it.local government - city of port melbourne, allan studio -
Stawell Historical Society Inc
Photograph, C. Hewitt, Studio Portrait at Stawell Photographic Company
Studio Portrait of Man standing and Woman seated. The Stawell Portrait reflects an example of clothing worn around this period c1900. There is no name on the photograph of who the portrait was taken of.Sepia photograph on a heavy mounted card in high gloss finish. The portrait is of a young man & woman. The gentleman is wearing a suit, high collar and wide tie. The woman is seated with her arm on the table. Her dress has an elaborate yoke and high neckline on the frock. The photo is in a studio setting. c1900Stawell Photographic Co., Main Street Close Railway C. Hewitt, Manager. The back of the card is stamped with the photographers details repeated.stawell clothing -
Rutherglen Historical Society
Booklet, "A Romance in Film Making 'The Overlanders' ", 1946 (Approximate)
Portraits in first section of book photographed by Jack Dooley, Stills Photographer, of Ealing Studios, father of Maureen Jepson of Rutherglen.Booklet advertising the film 'The Overlanders' containing photos and description of the film. 12 pages"A Romance in Film Making, "The Overlanders" Echoing the Heartbeat of Australia's Greatness. One Shilling." "An Ealing Studios Production, Distributed Throughout Australia and New Zealand by British Empire Films Pty. Ltd."films, cinema, jack dooley, maureen jepson, ealing studios -
Vision Australia
Photograph - Object, Commemorative plaque: Betty Ross-Wyatt, 1990
To assist in offsetting the costs for building works, some donors made a provision in their will. In this instance Betty Ross-Wyatt contributed to the recording studios in Kooyong, where books and magazines are recorded for dispatch across Victoria. 1 wooden tablet with engraved gold plate These recording studios were constructed with assistance of a major contribution from the estate of the late Betty Ross-Watt M.B.E. Member of Gisborne Auxilliary 1932 to 1989.association for the blind, nameplates -
Greensborough Historical Society
Photograph, Prudence Partington, 1888c
Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Sepia studio photograph.prudence partington, portrait photographs, partington famiy -
Mt Dandenong & District Historical Society Inc.
Photograph, Frank Gill, c1914
Photograph of Frank Gill in WW1 uniform. Postcard from "Kitchener Studio" Broadmeadows Camp. "Ainar Studio" Auburn.Handwritten on back: Frank Gill Mary's Boyfriend?frank gill -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1955
The Rev John Edward Smith was born in 1900, ordained in 1932 and died 1986. He served in 1935 Port Campbell; 1937 Wychproof; 1940 Werribee; 1947 Bendigo St. John's; 1952 Albury; 1955 Essendon St. John's and 1967 Apollo Bay. He retired in 1969 and in 1971 was appointed Emeritus Presbytery Melb. West.Black and white head and shoulders studio portrait of Rev. John Edward Smith. He is wearing glasses, looking at the camera and is wearing his clerical regalia. The back has the photographer's name and address, also that of the Rev Smith. It laso has various numbers and measurements indicating that the photograph was to be used in a publication."Rev. J. (John) Edward Smith. 853 Mt. Alexander Road, Essendon, W.5 PHONE FU1085" "The Dover Studio 17 HOLMES ROAD, MOONEE PONDS"presbyterian ministers, john edward smith, st john's presbyterian church essendon -
Greensborough Historical Society
Photograph - Photographs, Latimer Studio, Group of unidentified children: Latimer Studio, 1891c
A group of 2 photographs, children not identified, taken circa 1900. From the Partington collection.Two sepia studio portraits.partington family -
Greensborough Historical Society
Photograph (copy), Leah and Charles Partington, 1856c
Photographs taken circa 1856. Portraits of Leah Partington (born 1826) and her brother Charles Partington (born 1827) before Charles and his wife Ellen came to Australia in 1857. Leah had a daughter, Maria, born in 1851. Leah was 25 and unmarried. (notes by Faye Fort)Copy of sepia studio photographs.charles partington, leah partington -
Greensborough Historical Society
Photograph - Photographs, Stewart & Co, Group of unidentified people: Stewart & Co photography, 1890c
A group of 4 photographs, person not identified, taken circa 1900. From the Partington collection.Four sepia studio portraits.partington family -
Stawell Historical Society Inc
Photograph, Master Ernest Abbott Martin -- Studio Portrait
Huttley - MartinB/W: Studio PortraitHeath and Bullingham Photographers, 24 George Street, Plymouth. Plese quote this number 44876 when ordering copies. Ernest Abbott Martin ( My Uncle)huttley, martin -
Stawell Historical Society Inc
Photograph, Group leaders some in Guide Uniform Seated in front of Guides
Photograph in Stawell Girl Guides Hall Far right Esme MartinLarge Black & White Photos of four Girl Guides Leaders seated in front of group of guides seated on the floor.Marshall Studiosguides -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE HEAD AND SHOULDER PHOTO
Sepia tones head and shoulders portrait of a female with short hair and a garland of flowers around neckline.Vandyck Studiosphotograph, person, female