Acquired when "Classweave Industries" closed down"Made in Australia" Exhibition, Geelong, 1928 The Lockwood Studios, Geelongwoollen mills - history woollen mills textile mills - staff, classweave industries pty ltd federal woollen mills ltd, woollen mills - history, woollen mills, textile mills - staff

Acquired when "Classweave Industries" closed downGeelong Manufacturers' Centenary Exhibition, Geelong, July 1938 Lockwood, Geelongwoollen mills - history woollen mills textile mills - staff, classweave industries pty ltd federal woollen mills ltd, woollen mills - history, woollen mills, textile mills - staff

Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Framed photographFederal Woollen Mills, Interhouse Sports, A Grade 1942 The Lockwood Studios/ Geelongwoollen mills - history woollen mills textile mills - staff sporting teams, classweave industries pty ltd federal woollen mills ltd, sport, woollen mills - history, woollen mills, textile mills - staff, sporting teams

Acquired when "Classweave Industries" closed downGeelong Industrial Cricket Asstn/Federal Woollen Mills cricket team, B section winners/ season 1927-28woollen mills - history woollen mills textile mills - staff sporting teams, classweave industries pty ltd federal woollen mills ltd, sport, woollen mills - history, woollen mills, textile mills - staff, sporting teams

Binder begins by discussing the history of Macquarie Textiles before expanding into explaining the operations of the company and how they produce their different finished worsted and woollen textiles. The information is dated to 1995 and makes for interesting reading into the past, especially the information in regards to computers and how they were begin to be introduced into the work place.A4 sized binder with 8 individual pages containing information on both front and back. Coloured ink with attached samples make up the contents of these pages. All pages have the same image of wool in the backgroundmacquarie textile, wool processing

Invicta Mills was one of final two remaining blanket mills of the forty that had been in operation in Australia when Invicta first began trading in 1946. This Newsletter chronicles many key milestones of this significant Textile enterprise that began humbly and grew to champion the Australian wool industry here and internationally. This typed internal company Newsletter included transcripts of the speeches made at the 1986 Annual Ball to commemorate the company’s achievements at the 40 Year mark. The Newsletter contains information about the history of the company; its’ owners, staff, wholesale customers, suppliers etc. This included the relationship with former Mayor Ron Walker. Also mentioned are the various international Wool Mark Awards the firm won for the blankets designed and produced over several decades. The Business Owner’s Speech at the Commemoration Ball “40 Years” by Mr Leon Korsica is recorded in the final pages. It tells the story of the beginnings and development of the business: its challenges, successes and some stories about key people. Invicta was a multicultural enterprise employing people from 40+ nationalities, many of whom were lifelong employees. It included former German soldiers despite the Company owners were Jewish, with much of the workforce being part of the first wave of post WWll migrants from all over Europe. Page 5 is typed in Vietnamese, a testament to the multicultural nature of the company.14 A4 pages make up the newsletter with printing on both front and back. Only black Ink has been used in the Newsletter with picture and words making up the contents of all these pages.invicta mills

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens garments.Villawool / KNITTING BOOK / No. 69 / 1'9 / "NEWS FLASH" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Villawood Textile Company of Sydney and contains knitting patterns for womens garments. The photographs were taken at an artists studio (Studio 183, Edgecliffe, NSW) by Clive Kane, a photographer with the Max Dupain Studio.BOOK 94 / LADY'S DESIGNS IN / 5 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history, villawood textile company, kane, mr clive, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Villawood Textile Company of Sydney and contains knitting patterns for womens garments. It is the first edition of 'Hand Knits' and is dated Autumn / Winter 1959. This introduction mentions "the continued trend of quick-to-knit casuals, partly attributable to television...", thus the models used are TV personalities and stage actors (Bettina Welch, Pat Firman, Ronald Frazer, Lyle O'Hara, Wilson Irving, Kevin Colson, Del Cartwright) and some of the photography took place in the studios of Channel 7 in Sydney. The photography was by Herbert Brown of the Max Dupain Studios and Ingrid Robinson Pty Ltd provided the slacks and skirts.Hand Knits / by / Villawool / 3'6knitting handicrafts - history, villawood textile company ingrid robinson pty ltd, brown, mr herbert, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for baby clothes.Villawool / KNITTING BOOK / No. 64 / "PRIMROSE" See p. 8 / 1'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens knitted garments.Villawool / KNITTING BOOK / No. 65 / 1'9 / "BURNIE" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments."SPEEDIKNIT" SPORTS WOOL / Villawool / KNITTING BOOK / No. 66 / 1'9 / "FANFARE" See p. 4knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / KNITTING BOOK / No. 67 / 1'9 / "FACADE" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for childrens knitted garments.Villawool / KNITTING BOOK / No. 68 / 1'9 / "ROBIN" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for knitted baby clothes.Villawool / KNITTING BOOK / No. 71 / 1'9 / For Babies - Birth to 2 yearsknitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens knitted garments.Villawool / KNITTING BOOK / No. 72 / 2'- / "JAMIESON" See P. 8knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / KNITTING BOOK / NO. 73 / 2'- / "PARKLANDS" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / KNITTING BOOK / NO. 74 / 2'- / "PROMENADE" See p. 8knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens knitted garments.Villawool / KNITTING BOOK / No. 75 / 2'- / "KINGSTON" See P. 10 / Kevin Colson - ATN Channel 7knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for childrens knitted garments.Villawool / KNITTING BOOK / No. 76 / 2'- / "TRACY" / See P. 8 / "ALAN" / See P. 11knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens, womens and childrens knitted garments.SPECIAL / VILLAWOOL / KNITTING / BOOK / No. 77 / 2'3 / "TRACY" / See P. 8 / 9 DESIGNS EXCLUSIVELY / IN GLEAM CREPE / WITH LUREX / See "FRONT COVER" Page 3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / BOOK / 78 / 2'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens knitted garments.Villawool / BOOK / 79 / 2'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / BOOK / 80 / 2'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history