B/W. In c.1920 at Lavers Hill, the Webster sisters and friends separated by the mother, with a man in behind. An NA engine and van on the right.lavers hill; railway;

Box was General Gordon's of Khartoum, it was his letter case and brought out by his Officers after his death. Came to his niece, who many years later gave to W.A. Haines.Brown wooden box with Mother of Pearl inlay on lid, and surround of lock mechanism. With a hinged lid, and a green material underlay on the base of the box.stationery boxes, boxes

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. It includes the story of Legacy and what Legacy does. An example of promotional material issued by Legacy in 1965.Brochure x 4 pages to promote Legacy in 1965 with a black and white photo of a mother and two children surrounded by dark blue on the cover.legacy promotion, fundraising

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. It includes the story of Legacy and what Legacy does. It was issued for the East Gippsland Group of Junior Legacy in Bairnsdale and is very similar to one at 01449 for Melbourne Legacy so the date is assumed to be the approximately same year.An example of promotional material issued by Legacy in 1966.Brochure x 4 pages to promote Legacy in 1966(?) with a black and white photo of a mother and two children surrounded by light blue on the cover.legacy promotion, fundraising

.1) Cpl Anderson. Possibly Thomas Anderson No 806 C Coy, KIA 7/9th June 1917. Sgt Rowling. Possibly Walter Liscombe Rowling No 981 C Coy, KIA 4.10.17. .2) The card is written by Edgar Stanbury MM to his mother, in it he states the two names of the soldiers in the photo, Percy Bull, Joe Carter. Details are Percy Robert Bull No 833 C Coy, Joseph Leslie Carter No 842 C Coy. .3) Sgt. Francis Ramsdale MM, No. 668, 37th Battalion. .4) Sam, no details at this point. Cards in the collection relating to Edgar Stanbury MM, refer Cat No 5032.3P for his details.Post card photos sepia and B &W colour, soldiers in uniform in studio background.. .1) On left soldier short with Cpl stripes, on right soldier with Sgt stripes. .2) On left soldier sitting with crop, on right soldier standing. .3) In round shape soldier with L/Cpl stripe.. 4) Soldier sitting astride a bench. All photos have hand writing on..1) “Cpl Anderson, Sgt Rowling”. .2) “Re ...... 18.7.17 In field 6 June 1917, Dear Mother” .3) “Now a Sergeant, Ramsdale in the 37th Battalion”. .4) “Sincerely yours, Sam 4.11.18”photographs, c coy 38th bn

Photo/letter to Dorothy from "Nyora" 15 Beaver Street, East Caulfield.Black & White photograph of group picnicking somewhere on Phillip Island. Letter on back of photograph - see copy with photo - to Dorothy from Mother Johnstone?phillip island

AN UNKNOWN LADY STANDING NEXT TO LAMP IN ALBERT STREETHAD A LETTER FROM ANNIE. MOTHER & ALL THE REST OF US WELL. 15.8.06local history, photography, photographs, shops and buildings

Robert Page, the gift of his affectionate mother, Edith Page, April 1849bible, robert page, edith h. page

Black and white photograph. Oval shaped mounting. Appears to be reproduced from newspaper photograph.Typed below photograph: "Mrs. Lade, Mother of the Secretary of Methodist General Conference".

Postcards sent by R.H. Baron depicting scenes of Codford when the AIF was encamped during WW1. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Plain postcard with no photograph. Front has printed Mother's Day message. Y.M.C.A. logo and Rising Sun badge printed at top. Space for written address. Postmark top R.H. Corner. 2. Collation of black and white photographs of scenes from a village. 3. Coloured photograph of a group of soldiers in winter uniform and standing on a snow covered road. Buildings in background. 4. Black and white photograph of a church with square tower, Houses next door. Graveyard next to church. 5. Black and white photograph of a Rising Sun badge carved into a hill side.1. Handwritten in black ink on back: 'Letter to R.H. Baron's mother, dated 9 May 1918'. 2. Greetings from Codford. Handwritten in black ink on back: Letter to R.H. Baron's mother dated 13 July 1918. 3. Winter at Codford. Handwritten in black ink on back: 'Letter from R.H. Baron to Doris dated 1 September 1918'. 4. Codford, St Mary Church. Handwritten in black ink on back: This is a church in the centre of our camp. Bob'. 5. The Rising Sun, Codford. Handwritten in black ink on back: 'Dear Elsie, This Rising Sun was made by an Australian Soldier some time back. Bob'. robert h. baron, cooper collection, postcards, codford uk, aif camp - ww1

This is a digital copy of a photograph of Cecil, Gladys and Susan Vedmore on the occasion of Susan's debut. The Vedmore family set up the Vedmore Trust to provide funds for financially disadvantaged families in South West Victoria. This item is retained because of the Vedmore family's association with a local trust.This is a digital copy of a black and white photograph of a father in a suit and tie, his daughter in her debutante frock and her mother dressed in formal wear.vedmore trust, cecil vedmore, gladys vedmore, susan vedmore

Stained glass, lancet window, north wall, chancel, main nave, memorial window. Depiction of the boy Jesus with his mother in the carpenter's workshop.To the Glory of God, a token of affection/ for the Venerable T.P. Bennett,/ sometime Vicar and Archdeacon of Warrnambool/ Presented by his Masonic Friends A.D. 1946

Postcard size photograph of a WW1 Australian Army soldier. Unknown subject although note on rear "Uncle Joe, your mothers I mean"

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy in 1970. It includes 'The Story of Legacy' and 'What Legacy does' and 'The Legacy Badge'. An example of promotional material issued by Legacy in 1970.Brochure x 6 pages to promote Legacy in 1970 with a black and white photo of a mother and two children on the cover and black and white photos inside.legacy promotion, fundraising

Small piece of paper dated July 1st, 1877, from R. Weyland mentioning that his mother sends him the papers he required.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, mr rowe, r weyland

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. As Sarah is in her dressing gown and slippers these photos could refer to a note on an envelope left by Frank which says 'Mother taken on the first day up out of bed - at Lauls on 13th May 1928'. .1) black and white photograph of a man and a woman sitting on a wicker chair which is on a tessellated floor of the front porch of a brick building. The woman is wearing a dressing gown and slippers. The man is Frank Wright and the woman is Sarah Wright, his mother. .2) black and white photograph of a woman sitting on a wicker armchair with a pillow behind her back. The chair is on a tessellated floor on the front porch of a brick building. The woman is Sarah Wright. .3) black and white photograph of a man, two women and a child sitting on a wicker chair which is on a tessellated floor on the front porch of a brick building. The man is Frank Wright and the older woman is his mother Sarah Wright. The younger woman is his sister Laura and her son, Frank Ritchie is sitting on Frank's lap.On the left hand side of the porch are ornate columns and on the right hand side is a potted plant.frank wright, sarah wright, laura wright, tessilated floor, wicker chair, ornate column, child

Collected at a Heritage Week Workshop at Blackburn Library on 5th October 2009.Black & white photograph Green Family home at 41 Elmhurst Road Blackburn showing Morris car ( Np3586) and the Green Family on Mother's Day in 1961. Left to right Scott Green in Shirley Greens arm; Iris Campbell; Elsie Davis -grandmother; Cherie Green; Judith Hutchenson - sister in law; with Glen Hutchenson in her arms; and Ellen Green Mother-in-law.green shirley, blackburn elmhurst road 41, 1950's house

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

Early settlers in Cowes where Evelyn's last home in a unit was named after her - Lambert Terrace, Findlay Street, Cowes.a) Letter from R. Rapke with details on the Lambert Family. b) Letter from Paul Lambert with details on his mother Evelyn (Babs) Mai Lambert.evelyn mai lambert, babs lambert, paul lambert, roger rapke

Collection of newspaper clippers in scrap book dated 1960 - 1973Newspaper article concerning the return of Jack Barclay (mother's name Grayden)of Hastings for Phillip Island's centenary 1968. Photograph of Barclay with Shire President and a Councillor."Veteran Returns"local history, newspapers, jack barclay's return for phillip island's centenary 1968, jack barclay, jean jamieson

Photograph - black and white. Portrait of a family, looks like father, mother and two (young) children, looks like a older boy and younger child, a girl.Mendelssohn, View St., Bendigo.person, family, portrait of family, photograph. portrait of a young family, husband, wife, young boy and young girl. unknown family portrait.

Application for Reentry Permit, US Department of Labor, for Richard Hartley Smith Abbott. Document gives name, age, description, occupation, Father and mother's name.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, application for reentry permit to us, richard hartley smith abbott, mariposa, richard hartley smith abbott, hannah gibbs, charles s bird, abbott suypply company

Series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis.07 - informal photo of group of mothers and children outside unknown cottagefamilies, montague, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis

Colour photograph of women of the Port Melbourne Trugo club late 1960s (Annie SMALLPAGE, mother of Ann SMALLPAGE, 3rd from right front row)sport - trugo, annie smallpage nee griffiths, port melbourne trugo club