Booklet reporting on a Regional Arts programme to bring about change through Storymaking and The Arts.b&w illustrationsperforming arts, theatre, storymaking, social capital, culture and identity, community engagement, reigniting community project, brotherhood of st laurence

Used by donor for soldering spouting and downpipes on his home in McDowall Street Mitcham.Round metal cylinder with handle. Smaller cylinder attached to top.trades, plumbing

Victorian Railway equipment belonging to the Numurkah Railway Station (now closed)Green rectangle box with handle, circular light in the front with black rubber ring around light. Top of box has a tri handle turner and a flick switchAppleton Brisbane. White VR printed on both length sides

Autographed by Bruce Ruxton 28-7-2000collectables, ballarat rsl, ballarat

Index, appendices, ill, p.234non-fictionA history of Legacy using the exemplar of the Sydney Legacy Clubchild welfare - australia, veterans - australia

A newsletter from Sydney Legacy with six real life examples of the types of people Legacy help and what they have been able to achieve. It appears to have been published approximately 1990. Types of help given by Legatees included helping a widow's daughter buy her first car, providing a widow with a unit in the Legacy flats at Edgley Court, Petersham, providing allowance for text books for further study, also helping a disabled dependent swim in the Olympic Games also a Legacy holiday home for the widows to use. One widow talks about the widows' club and that 'you're never lonely. There's always someone who knows you.'A good summary of some of Legacy's work.Black and white A4 newsletter x 4 pages with some photos and stories of Legacy beneficiaries.Volume 3, Number 1promotion, widows clubs, sydney legacy

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

An interesting article from the Digest of World Reading about Canadian John McCrae and his famous poem "In Flanders Field". It tells of his war service and how the poem was published in Punch on 8 December 1915. He was in the medical service when he succumbed to pneumonia in January 1918. The journal article was sent to the Legacy Co-Ordinating Council who sent it to the archive. The notation H25 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Collected by an earlier archive committee which shows the poem was important to the Legatees. The poem was the inspiration for the torch emblem of Legacy.White A4 photocopy x 3 pages of an article published in 1960 and a letter on Legacy Co-ordinating Council letterhead from 1969.Handwritten H25 in red pen. Letter signed PW Danby, Hon. Secretary of the Legacy Co-Ordinating Council.history, world war one, poem

A newspaper article from 1956 when Melbourne Legacy appealed to the public for the first time for donations. It outlines the work of Legacy. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. From a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.A reprinted newspaper article about Legacy and it's work.fundraising, history

Photocopy of an article in the 'You asked us' section about 'Flanders Fields, and the man who wrote it' published in The Toronto Star 13 November 1971. The article discusses the controversy surrounding the wording of the first and penultimate lines and claims that poet John McCrae originally originally wrote 'grow' but changed it to 'blow' when asked to by the editors of 'Punch'. The photocopy of the article was supplied by Legatee Ken Rabling. Legatee Frank Doolan signed the note he wrote to accompany the photocopy and dated it 7/8/73. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. An example of the ongoing controversy surrounding the disputed wording. The poem 'In Flanders Field' was the inspiration for the torch of the Legacy Badge with McCrae's call to the reader to take up The Torch, as the organisation did by looking after the widows and families of fallen soldiers.01302.1 Handwritten signed note in blue ball point, address stamped in black. 01302.2 Photocopy of a page from 'The Star Weekly', Toronto, Canada dated 13 November 1971.01302.1 Top right hand side 'Box 16'poem, history

Red cloth bound copy of M H Ellis's account of Legacy with a paper dust jacket with photosnon-fictionhistory, ellis

Used for planned burning operationsAdaption of garden weed sprayer Pump action packpack Long handle, burner wick with control valveREGA 10909forests commission victoria (fcv), planned burning, bushfire, hand tools

Used for planned burning operationsAdaption of garden weed burner Heavy galvanised iron wand Gravity feed to burner wick with control valve and handleforests commission victoria (fcv), planned burning, bushfire, hand tools

from April Hamer Dredgegrey metal with a handle, glass lens housing on frontlighting, batteries

The Vietnam Experience, Pass the Torchvietnam war - 1961-1975, dien bien phu, diem

Index, Bibliography, ill, maps, p.201.non-fictionPhotography, maps, and eyewitness accounts describe the War in Vietnam.vietnam war 1961-1975, vietnam - history - 20th century

Copy of review in the The New Beacon: the journal of blind welfare magazine (May 1968, Vol LH, no. 613) on the Ultra Sonic Aid produced by Ultra Electronics. Collected by C.H. Nipper during his writing of 'The Past and the Present 1866-1971' (a history of the RVIB). 1 photocopied page from magazineroyal victorian institute for the blind, orientation and mobility