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Bendigo Military Museum
Souvenir - CHAMPAGNE GLASS, Rats of Tobruk Association
Dean Collection, refer Cat No 4575PDecorative drinking glass. It has a wide bowl. On the stem is a multi faceted ball. The base is fluted. Engraved into the glass is the Rats of Tobruk Association logo.ww2, rats of tobruk -
Coal Creek Community Park & Museum
Adze head
8456.1 - Metal head od adze; wide, flat blade, with ovoid ring for where the handle would be secured, the opening oriented perpendicular to the blade. -
Coal Creek Community Park & Museum
Bottle, glass, M Balfe & Sons, c.1916-1923
Ref: Yarra Ranges Regional Museum. M. Balfe Prim Prod Person Bottle 3.5cm (height) x 6cm (width) Bottle of Balfe Black and Colors for Straw Hats. BALFE BLACK AND COLORS FOR STRAW HATS NOTE - CAREFULLY READ DIRECTIONS ON THE SIDES OF THE BOTTLE. FOR ALL STRAW HATS USE ALL CHIP HATS DILUTE THE PREPARATION WITH US/OWN BULK OF METHYLATED SPIRITS OF WINE M. BALFE'S BLACK OR COLORS. Trademark Rectangular aqua tinted clear glass bottle with wide neck. Panels impressed on three sides, one with text embossed, monogram embossed on base.On side panel 'M. Balfe'. AGM monogram on base.dye, straw hats, balfe -
Melbourne Legacy
Badge, Melbourne Legacy Widow Badge, 1970s
An example of a Melbourne Legacy Widow's Badge from the 1970s. These were worn by widows to identify themselves at events. It is an earlier example of the badge than the lapel pin at 01701. Donated by the family of Jean Cohen, along with a second badge of slightly different dimensions. Jean was the widow of Flight Lieutenant Henry Cohen who served in WW2 and he passed away in 1970s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to widows when they join Legacy.Gold brooch of the Legacy torch with red enamel containing the words Melbourne Legacy Widow mounted on a 4mm wide gold bar with a brooch pin.Imprinted with 'Stokes' on reverse.widows, membership -
Kilmore Historical Society
Dress, "Hadley Gloucester Shape/no. 359, Purportedly 1760 - no provenance
Turner Collection.Part of a collection of clothing donated by Monica Smith (nee Turner). Monica was related to the Hartnell family who were early residents of Kilmore and business owners.Brown silk damask, full length skirt, long sleeves, wide collar/hood. Fragile silk, some lateral tears and shattering, staining.kilmore, turner, smith -
Mont De Lancey
Functional object - Pillowcase, Unknown
A large white cotton embroidered pillowcase with a wide frill. It has two white cotton covered buttons at the opening. There is floral embroidery on four corners.pillowcases, bed linen -
Whitehorse Historical Society Inc.
Domestic object - Kitchen Scoop
Left behind in Mitcham home. Purchased by the Fitzmaurice familyPale grey enamelled kitchen scoop, approximately 3/4 cup capacity with attached straight handle, 7cms long x 1.5cms wide.domestic items, food preparation -
Whitehorse Historical Society Inc.
Clothing - Black Panties, Knickers, 1970
Dark brown lace trimmed french knickers with 40cm wide leg and 6cm deep lace trim on hem line and up side seam..St Michael Made in Englandcostume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Skirt, Netball, C. 1985
See Ref. No. NA4362Maroon cotton skirt. Flared with four inch hem and wide waistband 3.5 inches fastened with a button, and 6 inch placket with a press stud.costume, children's uniform, handcrafts, dressmaking -
Whitehorse Historical Society Inc.
Headwear - Hat, c1950
Worn by Beryl Gray to weddings.Natural straw hat with wide brim edged in black grosgrain. Black netting with black velvet ribbon. Underside of brim covered in black velvet.costume, female headwear -
Whitehorse Historical Society Inc.
Accessory - Clothes Protector, 1920s
Used by donor's father, Richard Paul Kelly during WW 1.Metal slide with two wide flat prongs. Slide went behind buttons on a inform and protected cloth while brass buttons were polished.military history, army -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - homestead, 1920
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing house with wide verandah of three visible sides, behind light-coloured post and wire fence with a metal gate.Front: (no inscriptions) Back: Homestead 1920. Now all creepers and trees.esther winifred hall, photography, henty, portland centenary, 1934 -
Glenelg Shire Council Cultural Collection
Photograph, Vessel 'Ixion' berthed to discharge a heavy lift for APML (Australian Paper Manufacturers), October 1959, 1959
Port of Portland ArchivesFront: (no inscriptions) Back: 6-5/8 x 4½ 120# 8036 (centre, blue pen)port of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Vessel 'Ixion' berthed to discharge a heavy lift for APML (Australian Paper Manufacturers), October 1959, 1959
Port of Portland Authority archives.Front: (no inscriptions) Back: October 1959, 'Ixion' cargo for APMLport of portland archives -
Glenelg Shire Council Cultural Collection
Book - Bible, Cambridge University Press, New Testament, c. 1916
New Testament, olive hardcover. Black print and wreath on front cover. 'NEW TESTAMENT SOUVENIR OF PEACE WORLD WIDE WAR 1914 - 1918' -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Vessel 'Ixion' berthed to discharge a heavy lift for APML (Australian Paper Manufacturers), October 1959, 1959
Port of Portland AuthorityFront: (no inscriptions) Back: Oct 1959 vessel Ixion discharged - a heavy lift for APML (Aust. Paper Manufacturers) (top, pencil).port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Library Portland, Victoria, May-97
Coloured photo. Same subject as 9455, 56, 57 - wide angle view, verandah of Library visible through window, sliding doors in foregroundFront: '97 5 6' -
National Wool Museum
Textile - Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Emerald green jumper with wide rib detailing, triangular detail at cuffs and hem and curved v neck. Shoulder seams are reinforced with woven tape.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Sir Reginald Ansett Transport Museum
Hat, 1980'S
1984-1986 uniform of that era.Navy Blue wide brim felt hostess hat with a blue and pink hat band. White tag with WEISS Australia and 55 cm for size.uniform, hat, hostess, stewardess, flight attendants, blue, weiss -
Sir Reginald Ansett Transport Museum
Hat, 1980'S
1984-1986 uniform of that era.Navy Blue wide brim felt hostess hat with a blue and yellow hat band. White tag with WEISS Australia and 54 cm for size.uniform, hat, hostess, stewardess, flight attendants, blue, weiss -
Sir Reginald Ansett Transport Museum
Hat, 2000's
1984-1986 uniform of that era.Navy Blue wide brim soft felt hostess hat with a pink and blue striped hat band.Black sweat band. 54 cm for size.ex owner name Przybylskiuniform, hat, hostess, stewardess, flight attendants, blue, weiss -
Ballarat Tramway Museum
Ephemera - Museum wrist bands, AAC, 2024
Produced by the Museum to show tramway staff that the person has paid an admittance for example the horse tram, as well as being given a ticket. Produced by AAC.Demonstrates a method of showing tramway staff that the person has paid their admittance.Sheet of 6 printed 19mm wide Tyvek wristbands number 00001 to 00006 with an adhesive strip at one end. Has the BTM pictogram logo.btm, tickets, wrist bands, marketing -
Flagstaff Hill Maritime Museum and Village
Functional object - Courier Bag, Late 19th to mid 20th centuries
The black imitation leather or leatherette bag or pouch could have been used by a courier to transfer documents, letters or business records between offices or from business to customer. Imitation leather was invented in the late 1800s and improved as time went on. The manufacture of synthetic leather began around the 1930s. The courier bag may have been used for a s similar purpose as the cash bags in our collection. Those cash bags transported money between the railway stations of Grassdale and Merino in Victoria's western district in the late 19th and early-to-mid 20th centuries. Perhaps the bag was used by the coastal trading vessels that operated in southwest Victoria until around the 1940s.This courier bag is an example of the connections made between people in the remote areas of Victoria. It could have been used by the railway system or the coastal trader vessels that shipped people, goods, documents and cash between the districts in western Victoria.Courier bag; black imitation leather pouch, square with wide seams and a flap with sttud closure at the top. Made by British Products Pty Ltd. "British Products Pty Ltd"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, bag, pouch, imitation leather, artificial leather, faux leather, synthetic leather, british products pty ltd, document pouch, courier bag, western district, western victoria, 19th century, 20th century, railway, rural business, rural trade, coastal trader, southwest victoria -
Flagstaff Hill Maritime Museum and Village
Tool - Caulking iron, mid-to-late 20th century
Caulking is the use of cork or other substances to seal the seams and joints of the vessel to make them watertight. Caulking lasts for quite some time but eventually dries out and needs to be replaced. A mallet or hammer is often used with a caulking iron to drive it along the seams. The caulking iron’s blade is tapered to be narrower at the tip to make it easier to remove it from the joint. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.Calking iron, a metal tool with a round flat top and head that flares outwards to a wide wedge shape. It once belonged to shipwright Laurie Dinks.flagstaff hill, maritime museum, maritime village, warrnambool, shipwreck coast, great ocean road, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, caulking, ship maintenance, cooper, shipwright’s tools, shipwrights’ tools, tools, maritime trade, caulking iron, laurie dilks, l dilks, port and harbours melbourne -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: COLLECTION OF AB OUTWARDS CORRESPONDENCE 1982 TO 97
Collection of AB Outwards Correspondence 1982-97 covering a wide variety of approx 50 letters covering organizational issue over those years. -
Bendigo Historical Society Inc.
Tool - METAL BROAD AXE
Metal Broad Axe. Sharpened To Bevel On One Side. 300 cm Wide x 230 cm High. Previous Catalogue Number 116.tools, multipurpose, broad axe -
Bendigo Historical Society Inc.
Document - SIR JOHN QUICK COLLECTION: BENDIGO AND VICINITY ARTICLE ON SIR JOHN QUICK
Article: John Quick L.L.D. Ex M.L.A. published in "Bendigo and Vicinity". Pages have some text missing on edges as copy is not as wide as original.newspaper, bendigo, bendigo and vicinity -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: BEDROOM AT FORTUNA VILLA
Black and white photograph of a bedroom at Fortuna. Four-poster metal double bed. Room divided by wide archway, showing sitting area beyond.buildings, residential, fortuna villa -
Melbourne Tram Museum
Ephemera - Ticket/s, Metropolitan Transit Authority (MTA), Set of six prepaid MMTB or MTA for Hospital Travel, 1970's to 1980's
Set of six prepaid MMTB or MTA for Hospital Travel, tickets for use on MMTB or MTA services, Has the condition of use on the rear. All printed on red card and in two different sizes. Tickets have not been numbered. .1 - Adult 1 section - wider size. .2 - Adult 2 sections - wider size .3 - Adult 3 sections .4 - Child 3 sections - wider size .5 - Adult 6 sections or more .6 - MTA- Adult 2 sections See Reg Items 1 and 2 and 973 for other samples and other records.trams, tramways, tickets, mta, the met, mmtb, buses, hospital -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: FINE LINEN PETTICOAT- LACE TRIMMED
Clothing. Extremely fine linen petticoat, rounded neckline with a blue satin ribbon insertion, threaded through a lace insertion. This ribbon is now badly aged and shedding and splitting. A plackett at the centre back conceals six tiny 9mm covered buttons, and machine (?) stitched button holes. The neckline is outlined with three bands of cotton lace - the first band is 4.5 cm wide, and has a 'shamrock' leaf design. The middle band is 1.5 cm wide, and has a 'twisted' design, which holds the blue ribbon insertion. The outer row is 2.5 cm wide and has a scalloped edging.costume, female, lace trimmed fine linen petticoat