The Eltham Gateway Group (EGG) was established about 1987 by some Eltham residents concerned for the development of the Eltham Gateway, defined as that historically and environmentally sensitive region of land along Main Road, Eltham extending from the roundabout at Fitzsimons Lane to Dudley Street, Eltham. The gateway was a unique urban area with a strong sense of character that provided a distinctive entrance to the Eltham Town Centre. The intention of this group was to support development that preserved both the natural and historic features of the gateway region. It encouraged development sympathetic to Eltham’s traditional association with the arts and natural environment. The group was initiated in response to a planning application in December 1986 to redevelop the then Mobil service station site at 729 Main Road, Eltham on the corner of Brougham Street. This group worked with and encouraged the Eltham Shire Council to consider rezoning to protect the gateway area. A detailed Eltham Gateway Study undertaken by Tract Consultants assisted with the establishment of the Eltham Gateway Zone, the Eltham Gateway Policy and the Eltham Gateway Design and Siting Guidelines. The State Government subsequently agreed to a planning amendment to rezone the land from a Residential Zone C to an Eltham Gateway Zone under the Eltham Planning Scheme. While zoning changes over the years have altered the mix of permitted uses within this area the Eltham Gateway still looks and feels like a predominately residential style precinct, even where non-residential type uses operate. EGG was followed by the establishment of the Eltham Protection Society in about 1989 to respond to community planning issues beyond the area of the Eltham Gateway and in effect took over the role from the EGG. Jim Connor President Eltham District Historical Society 4 July 2022 During 1986/87 I was a community member on the Shire of Eltham’s Community Consultative Committee involved with the Eltham Gateway Study, which led to the establishment of the original Eltham Gateway Zone, under the then Eltham Planning Scheme The Eltham Gateway Group was the pioneer community action group dedicated to protecting the character of the Eltham Gateway. It was succeeded by the Eltham Protection Society. When the Shire of Eltham Offices were demolished by the unelected Commissioners of Nillumbik Shire Council in July/August 1996, significant community upset and protest led to the establishement of the Eltham Gateway Action Group (EGAG) which in present day form has evolved into the Eltham Community Action Group (ECAG) focussing on issues throughout Eltham and not just the Eltham Gatewayeltham community action group, eltham gateway, eltham gateway action group, eltham gateway design and siting guidelines, eltham gateway group (egg), eltham gateway policy, eltham gateway study, eltham gateway zone, eltham planning scheme, eltham protection society, jim connor, michael wilson, rodger dalling, tony mcmanus

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph showing Billie Wilson standing by the side of a damCatalogue number written on reverse in pencil. Handwritten on reverse 'Billie Wilson been in swimming in big dam. Prewar I reckon' 'Kodak Print' stamped on reverse '3''92' stamped on reversechurchill island, billie wilson

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of two people (probably Billie Wilson and Arthur Evans) painting the windmill with a dam in the background.Catalogue number written in pencil on reverse. On reverse in pen '1940 Painting the windmill Self up at the back Billie Wilson at lower level'churchill island, windmill

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph showing Billie Wilson and another person walking up from the dam after a swim.Catalogue number written in pencil on reverse. Written in pen on reverse 'Oct 1940 After a swim in the big dam. Billie Wilson in foreground'churchill island, billie wilson

A predominantely red carpet. Custom made with woven inscription Royal Australian Engineers 1959 Wilson R B 1968 - 2411848. Ubique Viet 66' 67' with fringes top and bottom. 5 wooden rings attached to topThis fully imported & hand woven rug was custom designed for Graeme Wilson.royal australina engineers

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Shop in space where Drummonds Garage, now used by Wilson Partners Real Estate.18cm x 13cm black and white photograph of a single story building with dark brick facade. Two occupants are using the building, "Heatane"and Eric W. Tulloh Barrister Solicitor.Written on the back: Shop in space where Drummonds garage. now used by Wilson Partners.shopfront, storefront, retail store

VMR members met Princess Anne when visiting 14/20 Hussars in GermanyBlack and white photograph of Captains T Fraser and R. Morrison, and Sergeant H. Wilson speaking to HRH Princess Anne in Germany 1992anne, hrh, wilson, morrison, fraser

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The telegraph system of sending and receiving messages was developed in the early 1800s and improved as time went on. It sends electronic signals that represent letters and words along a wire. Those signals are then converted back to words at the other end of the wire. Morse code is a similar system. A fee is charged to send a telegraph, per letter or per word. The telegraph greatly improved communication, particularly in a large country like Australia. It was a fast way to send news and send out calls for help for people during a shipwreck. In Warrnambool, it was even used to set the correct time every day; a signal was sent from the time ball in Melbourne, and along the railway line to the Warrnambool Post Office. This 1896 telegraph tells a big story in very few words, only fourteen! The layout of the paper form includes a table with four columns and five rows, set out for writing just one word into each of the twenty spaces. The happy message is the approval to go ahead with the exchange/sale of the title from landowner Rutledge to Wilson. The Melbourne Legal firm Klingender Dickson and Kiddle sent this message on behalf of its client to the Bank of Australasia in Warrnambool. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. This telegraph has historical significance as it was sent to the Bank of Australasia in Warrnambool. The parties involved in the message, Rutledge and Wilson, were involved in a land deal in 1896 when the district was importing and exporting goods into and out of Warrnambool Harbour via sailing ships. It is also a historical record of the nature of financial agreements between similar institutions in Warrnambool and the district. The telegraph is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Telegraph RECEIVED: Warrnambool Post Office, Wednesday 3rd June 1896. FROM: Klingender, Dickson, and Kiddle, solicitors, Bank Place, Melbourne FOR :the Manager, Bank of Australasia, Warrnambool, REGARDING: Rutledge to Wilson titleSTAMP: text inside circle "WARRNAMBOOL VIC", and in centre of the circle "JE 3 96" Telegraph No. "23", FROM :"Melbourne", FOR: "The Mgr, Bank of Australasia" MESSAGE (14 words): "Rutledge to Wilson title accepted by Purchaser's Solicitors settlement may be effected with auctioneers" TIME: "9:24" SIGNED: " Klingender Dickson Kiddle, Solrs, Bank Place"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, commerce, banking, bank of australasia, australia & new zealand bank, anz bank, david charters mcarthur, telegraph, 1896, rutledge, wilson, klengender, dickson, kiddle, warrnambool post office, klengender dickson and kiddle, bank place

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Billie Wilson carrying a bucket and walking from Amess House and Rogers' Cottage. An iron tank is on the left hand side of the frame.Catalogue number written in pencil on reverse. On reverse in pen '1940 Billie Wilson. Note the iron rivetted water tank'churchill island, billie wilson

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Billie Wilson sitting on a lounge holding a rifle. Another person sits in the backyard. Rogers Cottage and a tank frame the photograph.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Billie Wilson Ready to ward off parrots in the orchard'churchill island, billie wilson, rogers cottage

Cpl Anne (Sandie) Wilson was stationed at the Nhill RAAF Base working in the Pay Office from January 1945 - July 1945. . The seven letters describe life on the Base and were written to Anne's parents ,Mr and Mrs Wilson , in Tasmania. Included in the collection are Picture Theatre tickets, Mess menus, Leave Passes and other memorabilia.86.1 Red plastic folder containing original letters, 86.2 Blue plastic folder containing copies and transcript. 86.3 Booklet containing transcript of letters in freestyle font and photo copies of memorabilia.Letters home and leave passes etc 92211 Corporal Anne Wilson WAAF Nhill 1945cpl anne wilson, life on nhill raaf base 1945

Beatrice Myra Louise Wilson (Myra) married Edward John Price in 1930. According to John Lundy-Clarke Myra was the daughter of the man who rebuilt the Mt Dandenong State School in 1920, separating the school building from the school house.Black and white studio portrait of a young girl standing with her hands inside a fur muff. Handwritten inscription on reverse by John Lundy-Clarke Myra Wilson aged 10. Mrs E. John Price.myra wilson, myra price, edward john price, mt dandenong school

A humorous poem written by Legatee L F Johns about Legatee Bruce Wilson (President of Melbourne Legacy in 1987). The poem was published in the Legacy Bulletin in 1987. It was collected to be a record of past presidents. There are several humorous poems in the album written by the same author. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Bruce Wilson a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Photocopied poem about Legatee Bruce Wilson - President 1987past presidents, lf johns, bruce wilson

History of high tallies made by well known shearers, written by Geoff Wilson, Australian Wool Board."High Tallies and the Men Who Made Them"shearing, australian wool board, wilson, mr geoff

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Billie Wilson and Zelda Lyons walking down the path from Amess House to go for a swim. The large Norfolk Pine is in the background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Self Explaitory. Zelda Lyons Billie Wilson on way for a swim'churchill island, billie wilson, zelda lyons, amess house, norfolk pine

Leslie WILSON second row, seated last on rightCopy of photograph of Grade 4 pupils at Nott Street Primary School in 1938.On reverse -Nott St Primary School 1427 Grade 4, 1938. Leslie Wilson Second row, seated last on right.education - primary schools, nott street primary school, leslie wilson

Handwritten correspondence on printed letterhead of Wilson Rattray & Danby Public Accountants of 51 Queen Street Melbourne dated 19th/12/ 1921 to Cohn Bros Brewery re share scrip.bendigo, industry, cohn bros brewery, wilson, rattray & danby. cohn bros brewery.

(a) A white sympathy card from Mr. & Mrs. Hobson To Mrs. O'Brien & family. Has a cotton tassel. (b) A white and silver wedding invitation. Mr. James McDonnell is requesting the pleasure of Mr. & Mrs. J. Wilson at the marriage of his youngest daughter Elizabeth to Mr. M.J. O'Halloran at St. Patrick's Church, Marong on Saturday, January 24th, 1925, at 1 pm. Is a stamped invitation. © The front of a sympathy card.Mr. & Mrs. Hobson, Mr. & Mrs. J. Wilsonephemera, mementoes, cards, lydia chancellor, collection, cards, sympathy card, wedding invitation, corrospondence, communication

Olympic Games representatives for the 1968 games in Mexico City. Don Wilson and Peter McDermott were members of the Geelong West Cycling Club. The names printed under the photograph should be reversed as Don Wilson is the rider on the right of the photograph.Very significant. These two cyclists follow Russell Mockridge, Barry Coster and John Hines all of whom were very successful international cyclists.Black and white photograph in a white wooden frame. It shows two olympic cyclists with their cycles and in their Australian cycling uniforms."Don Wilson & Peter McDermott/Australian Representatives Olympic Games/Mexico City 1968/200km Road Race/100km Teams Race."don wilson; peter mcdermott; olympic games; mexico city; 1968; 200km road race; 100km teams race;

This book, ‘Tom Wallis’ written by Louis Becke was awarded as a third prize to Bertie Wilson by the Grasmere Presbyterian Sabbath School in 1910. Grasmere is a small settlement about 12 kilometres from Warrnambool and was settled in the 1840s by pastoralists prior to the founding of Warrnambool. The Grasmere Presbyterian Church and Sunday School were established in 1898 though services had been held prior to this date in an older church which was converted at that time to house the Sunday School. The Sunday School was burnt down in 1914 and later rebuilt. Mr Paton, the Sunday School teacher in 1910, was on the Board of Management of the church in 1911. This book is significant because it is a memento of the Grasmere Presbyterian Sabbath School of 1910. Sunday School attendance was a strong feature of the religious, educational and social life of many children in the 19th century and the first half of the 20th century. Sunday Schools still operate but have fewer children attending in relation to the numbers of Protestant churches adherents. This is a hard cover book of 320 pages plus several pages at the end detailing other books published by the Religious Tract Society. The cover is dark red with an illustration in black, red and grey colours of two sailors aboard a ship. The book was a prize given to Bertie Wilson from the Grasmere Presbyterian Sabbath School in 1910. There are several illustrations (black and white plates) inserted throughout the book. The inscription plate has both printed and handwritten material. The colours on the cover, particularly on the spine, are somewhat faded. Front Cover: ‘Tom Wallis, Louis Becke’. Inscription Plate: ‘Grasmere Presbyterian Sabbath School, Third Prize, Awarded to Bertie Wilson, Mr Paton Teacher, Xmas, 1910’bertie wilson, grasmere presbyterian sunday school, warrnambool

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson, Carla Jeffries". Tilley also records that: "Carla sang a solo at Joan's Wedding".Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".marion tilley, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia, "q" theatre guild