McKenzie Family CollectionGroup photograph of the staff of G.W. Jenkins (a tailor of Eaglehawk) who participated on aa float Empire Day (date unknown). The group photograph of (3) men, (7) women and (9) children of a presentation in support of Australia on Empire Day at Eaglehawk. The group is supporting the Australian Army, Navy and Airforce, each man dressed in support of one of these services, children dressed as an individual character, while the women each dressed in white street clothes and hats. A sepia print mounted on card; no photographer is credited with the photograph. Refer 10824.18 a photo of the store's float showing support of the empire.Jenkins Taylors EAG, Ma x Bray (McKenzie) second from right back row.history, social event

Colour front cover, drawn image of people carrying a pole with a rectangular bucket suspended on the pole, the people wear hats and the sky is an orangey colour. Back cover has some quotes from nurses featured in the book as well as a blurb describing the book. Book is covered in clear contact.non-fiction"Hunger and humiliation were just some of the privations endured by those members of the Australian Army Nursing Service who were captives of the Japanese during World War II. Of the thirty-two held in Sumatra and on Banka Island, twenty-four survived the severe physical conditions in the prison camps. Another group captured in Rabaul were held in Japan, where the cold was as bitter as their hunger. This is the dramatic account of those Australian nurses, of their struggles and their support for each other through the long years of war and captivity. In includes the horrifying story of Vivian Bullwinkel, the sole survivor of the callous massacre on Banka Island where twenty-three women were ordered into the sea and shot. It records the degradation of the daily 'tenko', the starvation and appalling lack of hygiene, but also tells how the women were at times able to rise above these miseries through their concerts and the soaring harmonies of the voice choir. Catherine Kenny interviewd many of the nurses and collected photographs, diaries and letters from the Australian War Memorial as well as from the women themselves." Blurb on back cover of book.wwii, world war 2, world war two, japan, pow, pows, prisoners of war, prisoner of war, australian army nursing service, mitliary nursing, australian army

Colour front cover, drawn image of people carrying a pole with a rectangular bucket suspended on the pole, the people wear hats and the sky is an orangey colour. Back cover has some quotes from nurses featured in the book as well as a blurb describing the book. non-fiction"Hunger and humiliation were just some of the privations endured by those members of the Australian Army Nursing Service who were captives of the Japanese during World War II. Of the thirty-two held in Sumatra and on Banka Island, twenty-four survived the severe physical conditions in the prison camps. Another group captured in Rabaul were held in Japan, where the cold was as bitter as their hunger. This is the dramatic account of those Australian nurses, of their struggles and their support for each other through the long years of war and captivity. In includes the horrifying story of Vivian Bullwinkel, the sole survivor of the callous massacre on Banka Island where twenty-three women were ordered into the sea and shot. It records the degradation of the daily 'tenko', the starvation and appalling lack of hygiene, but also tells how the women were at times able to rise above these miseries through their concerts and the soaring harmonies of the voice choir. Catherine Kenny interviewd many of the nurses and collected photographs, diaries and letters from the Australian War Memorial as well as from the women themselves." Blurb on back cover of book.wwii, world war 2, world war two, japan, pow, pows, prisoners of war, prisoner of war, australian army nursing service, mitliary nursing, australian army

Deaconess Hilda Fisher was Warden of the Methodist Deaconess Order of Victoria and Tasmania. She was also Chaplain of Fairfield Sanitorium and then later was appointed to Fairlea Prison for Women.Black felt bowler style winter hat with black grosgrain band and flat bow at the back. The hat has black grosgrain edging at the brim.methodist deaconess hilda fisher, deaconess hilda fisher, methodist deaconess

Deaconess Hilda Fisher was Warden of the Methodist Deaconess Order of Victoria and Tasmania. She was also Chaplain of Fairfield Sanitorium and then later was appointed to Fairlea Prison for Women.Grey nylon Panama summer hat with brim. The hat has grey grosgrain ribbon with a flat side bow and grey grosgrain edging at the brim. The hat has thin elastic strap.methodist deaconess hilda fisher, deaconess hilda fisher, methodist deaconess

Deaconess Hilda Fisher was Warden of the Methodist Deaconess Order of Victoria and Tasmania. She was also Chaplain of Fairfield Sanitorium and then later was appointed to Fairlea Prison for Women.CL008 and CL009 Grey felt bowler style winter hats with light grey grosgrain band and flat bow at the back. The hat has light grey grosgrain edging at the brim and an elastic strap.methodist deaconess hilda fisher, deaconess hilda fisher, methodist deaconess

Paired with image 03731.1 for display in 150 years Lakes Entrance 1858 to 2008 held in October 2008Sepia toned postcard west side of Red Bluff showing a group of eight men and five women and a child. Sand washed away exposing vast rocky beach, short vegetation on rocky bluff. Women wearing full length skirts and wide brim hats with veils, men in three piece suits dark in colour on ninety mile beach Lake Tyers VictoriaThe Bluff Lakes Entrancetopography, fashion

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

Copied from a negative produced by George Legg. Later El Ray Cafe - Crea's burnt 12 August 1964. Lakes Inn Cafe - J & L Mitchelson 1972.Black and white photograph of Hennings Store, on Esplanade. Notice above veranda, of weatherboard building, advertises drinks, fruit, confectionery, pies, tea, coffee, postcards, stationary and stamps. On veranda in front of shop two women in long dresses, one holding a baby, small girl in short frock and hat, man leaning on veranda post. Ten other children in photo. Post and rail fence beside footpath. Lakes Entrance Victoriatownship, retail trade, clothing, people

Off white with black band with Merbein written on band and LBA Victoria badge. Green lining.Band with Merbein written on it and a LBA silver badge with Victoria written in blue lba victoria, women, merbein, sports, ladies bowls association

Caroline Lewers, née Murrell, b. 1867 at Happy Valley, was a daughter of Ambrose and Mary Murrell. Prior to her marriage, Caroline Murrell assisted her mother to manage the Victoria Hotel in Linton. In 1910 she married William Ochiltree Lewers (son of Annie Lewers and Samuel Lewers). Caroline's sister-in-law Lily (Mary Lillian) Murrell, née Young, was born in Birmingham, England, and migrated to Australia with her father James Young when she was seven. In Australia James Young changed his name to Clarke and was known as James Young Clarke (Lily also used this surname). James Young Clarke moved with Lily to Linton, where he ran J Y Clarke's tobacconist and barber shop in Sussex Street. Lily Clarke married William Murrell, son of Ambrose and Mary Murrell, in 1901. They lived at Daylesford and other localities before returning to Linton in about 1912, when William Murrell took over management of the newsagency. Caroline on left, in fur coat; Lily on right, in print dress.Black and white copy of original photograph which shows two women walking in a street near shops. Both are wearing hats and coats. An unidentified man is walking behind them. The photograph was most likely taken by a street photographer and the two women in it appear to have been out shopping.caroline lewers (née murrell), lily murrell (née young/clarke)