Dennys, Lascelles Limited Annual Wool Report, August 1948. Part of the NWM Woolbroker's Office exhibit until late 1990's.E H Searlewool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

Dennys, Lascelles Limited Annual Wool Report, August 1950. Part of the NWM Woolbroker's Office exhibit until late 1990's.E H Searlewool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

The Portland Wool Selling Brokers' Association: Constitution and Rules, 1964. Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, portland wool selling brokers' association, wool stores, wool brokering

Dennys, Lascelles Limited Annual Wool Report, August 1947. Part of the NWM Woolbroker's Office exhibit until late 1990's.E H Searlewool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8144.1 - Men's cream coloured shorts. Manufactured from a cotton and wool blend fabric. 8144.2 - Cream fabric sample with labels attached. 8144.3 - Cream fabric sample. 8144.4 - Cream fabric sample.8144.1 - On label- FLETCHER JONES 60% Wool, 40% Cotton 8144.2 - Stapled label- WOOL COTTON 50:50 STRETCH1992 barcelona olympics, sport, athletes, fashion, design, uniform

"Dalgety's Annual Wool Review for Australia and New Zealand: 1937-1938". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1935-1936". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1931-1932". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1932-1933". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"A listing of Registered Professional Woolclassers" Australian Wool Board . Registered to July 1964. The listing shows stencil numbers which correspond to names and addresses.wool sales wool brokering woolclassing, australian wool board, wool sales, wool brokering, woolclassing

John Stratton's Wool and Skin Store Commission Agent in Lower Main Street Stawell. Photo taken from Central Park No1 Grandstand.stawell

Poster, promoting Pure New Wool.Laminated poster depicting a bar scene with a man sitting on a stool with women's legs, with the wording "Appearances can be deceptive but you can trust the wool that wears the WOOLMARK."Appearances can be deceptive/ but you can trust the wool/ that wears the WOOLMARK.wool marketing, poster, gender, bar, ephemera, advertising

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Castlemaine pure virgin wool blankets (mother and daughter)"-and they'll be just as lovely 20 years from now/Castlemaine pure virgin wool blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, australian women's weekly, castlemaine

“Swinton” workers with horses and Wool bail in front of large wooden shearing shed. Horse on right has both front legs on a box. Property owned by Gray Family.Large group of males outside a weather board building with two horses.glenorchy