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National Wool Museum
Archive - Advertisement, Castlemaine Woollen Mill, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Castlemaine pure virgin wool blankets (mother and daughter)"-and they'll be just as lovely 20 years from now/Castlemaine pure virgin wool blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, australian women's weekly, castlemaine -
Stawell Historical Society Inc
Photograph, John Stratton's Wool and Skin Store Commission Agent in Lower Main Street Stawell
John Stratton's Wool and Skin Store Commission Agent in Lower Main Street Stawell. Photo taken from Central Park No1 Grandstand.stawell -
National Wool Museum
Book, Economics of bulk classing of wool
"Economics of bulk classing of wool" - R B Whan, Bureau of Agricultural Economics, 1960, also a newspaper clipping "Queensland Country Life" on the reportwoolclassing wool sales wool brokering wool processing wool marketing, c. of a. - bureau of agricultural economics, woolclassing, wool sales, wool brokering, wool processing, wool marketing -
National Wool Museum
Report, Dalgety's Annual Wool Review for Australia and New Zealand: 1937-1938
"Dalgety's Annual Wool Review for Australia and New Zealand: 1937-1938". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering -
National Wool Museum
Report, Dalgety's Annual Wool Review for Australia and New Zealand: 1935-1936
"Dalgety's Annual Wool Review for Australia and New Zealand: 1935-1936". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering -
National Wool Museum
Report, Dalgety's Annual Wool Review for Australia and New Zealand: 1931-1932
"Dalgety's Annual Wool Review for Australia and New Zealand: 1931-1932". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering -
National Wool Museum
Report, Dalgety's Annual Wool Review for Australia and New Zealand: 1932-1933
"Dalgety's Annual Wool Review for Australia and New Zealand: 1932-1933". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering -
National Wool Museum
Book, A listing of registered professional wool classers and their stencil numbers
"A listing of Registered Professional Woolclassers" Australian Wool Board . Registered to July 1964. The listing shows stencil numbers which correspond to names and addresses.wool sales wool brokering woolclassing, australian wool board, wool sales, wool brokering, woolclassing -
National Wool Museum
Book, The prospects for wool price stability
"The prospects for wool price stability"- Roger N Gray. Presented to the plenary sesssion of the I W T O Conference , Brussels, 2nd June 1967.wool sales - reserve price plan wool marketing wool sales trade - international, international wool textile organisation, wool sales - reserve price plan, wool marketing, wool sales, trade - international -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.Sturgeonwool - history wool growing wool processing, wool - history, wool growing, wool processing -
National Wool Museum
Book, Science Working for the Wool Industry
"Science working for the wool industry" - CSIRO Australia, Division of Textile Technology, 1986. Examines some of the research programs of the Division of Textile Technology, CSIRO, Geelong.csiro division of textile technology -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.wool - history wool growing wool processing, wool - history, wool growing, wool processing -
National Wool Museum
Book, Staple Length and Staple Strength of Greasy Wool: measurement and effects on worsted processing
Proceedings of a seminar on "Staple Length and Staple Strength of Greasy Wool: measurement and effects on worsted processing"; CSIRO Division of Textile Physics, 1979 (1986 reprint).wool marketing wool - chemistry, wool staple - measurement, wool staple - strength, wool marketing, wool - chemistry -
National Wool Museum
Book, Australasian Sheep and Wool
"Australasian Sheep and Wool: a practical and theoretical treatise from paddock to loom; from shearing shed to textile factory" - Alfred Hawkesworth, 6th ed. 1930.PORT PHILLIP MILLS PTY. LTD. / Morland Street / Footscraywool - history wool growing wool processing, port phillip mills pty ltd, wool - history, wool growing, wool processing -
National Wool Museum
Book, Notes on the Australian Wool Board's recommendations for an auction reserve price scheme. 1st October 1964
"Notes on the Australian Wool Board's recommendations for an auction reserve price scheme. 1st October 1964"- S Ick-Hewins, Graziers' Association of N S WBy S Ick-Hewins, Graziers' Association of NSWwool sales - reserve price plan wool sales wool marketing, australian wool board graziers' association of nsw, wool sales - reserve price plan, wool sales, wool marketing -
National Wool Museum
Report, Report on terminated project: [The effects of methionine formulations on wool growth and liveweight change in sheep]
"Report on terminated project DAQ02N :[The effects of methionine formulations on wool growth and liveweight change in sheep]" D H Cobon , Queensland Dept of Primary Industries, 1986TERM DATE 30/6/86sheep - biology sheep - nutrition wool - research, sheep - biology, sheep - nutrition, wool - research -
National Wool Museum
Book, Sheep and wool: grade 3
"Sheep and wool: grade 3. 1st ed, 1958" - J Page Sharp and T B Harmsworth, Royal Melbourne Technical College Press, Technical Publicationwoolclassing wool - measurement wool brokering wool sales, woolclassing, wool - measurement, wool brokering, wool sales -
National Wool Museum
Report, Wool Industry Review: Progress Report Nov 1965
"Wool Industry Review: Progress Report Nov 1965" includes review of P A Management Report, (w7071), proposals by Sir Alan Westerman and Mr McKinnon of the Dept of Trade.wool marketing textile industry - history, wool textile manufacturers association alexander lau pty ltd, alexander lau pty ltd, wool marketing, textile industry - history -
National Wool Museum
Book, The grazing of sheep on improved pastures: its effect on superfine wool
"The grazing of sheep on improved pastures: its effect on superfine wool" - I. Clunies Ross, N.P.H. Graham et al, Council for Scientific and Industrial Research, Pamphlet no 71,1937.merino sheep wool - superfine wool - research, council for scientific and industrial research, merino sheep, wool - superfine, wool - research -
National Wool Museum
Book, Sheep and wool: grade 2
"Sheep and wool: grade 2. 1st ed, 1956" - J Page Sharp and T B Harmsworth, Royal Melbourne Technical College Press, Technical Publication No 41shearing shearing sheds sheep stations - management woolclassing wool processing, fellmongery, carbonising, scouring, shearing, shearing sheds, sheep stations - management, woolclassing, wool processing -
National Wool Museum
Photograph - Royal Melbourne Show, c1950
Father of the donor, Mervyn Graham, worked for Denny Lascelles for many years as a wool classer in Geelong and later as a representative in Hamilton.Black and white photos showing Denny Lascelles employees in front of their stand and the Melbourne Show. The last photo is of four employees in front the Dennys office building.8081.1 - Sign on wool - JL/RBW Rainbow 8081.2 - Sign on wool - Banocre Durham Ox 8081.3 - Sign on wool - Wattle Back/G Guildford 8081.4 - On building - Dennys Lascelles Limited Wool . Stock . Landwool, denny lascelles, royal melbourne show, sheep, geelong -
National Wool Museum
Book, Notes on the Australian Wool Board's recommendations for an auction reserve price scheme, 1964
'Notes on the Australian Wool Board's recommendations for an auction reserve price scheme, 1964", [Executive Committee of the New South Wales Grazier's Association], insert [Council of the United Farmers and Woolgrowers].wool sales - reserve price plan wool marketing trade - international, australian wool board graziers' association of nsw council of the united farmers and woolgrowers, wool sales - reserve price plan, wool marketing, trade - international -
National Wool Museum
Cap
This cap was part of a media kit produced by Melba Industries, part of the Austrim Textiles Group. The kit was given away at a media launch to publicise the production of an Australian made, nylon wool pack called 'Jumbuck'. The packs will be made at the former Valley Mill in Geelong. This launch occurred on 21 July 2000 and was attended by Andrew Moritz, National Wool Museum Director, who collected this media kit for the museum collection.Part of media kit for launch of 'Jumbuck', Australian made nylon wool packs produced by Melba Industries (part of the Austrim Textiles Group) in Geelong.JUMBUCK / AUSSIE-MADE WOOL PACKS Melba Industries 80% WOOL / 20% VISCOSE / ONE SIZE FITS ALL / HAND WASH ONLY / MADE IN CHINAblack, mr lindsay - melba industries (an austrim nylex ltd company) austrim nylex ltd valley worsted mill, jumbuck wool pack -
National Wool Museum
Uniform - Shirt, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Shirt, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation -
National Wool Museum
Wool Press, Stevlyon Mini-Matic Wool Press
Stevlyon Mini-Matic Wool Press Serial No. 2063, manufactured by Lyco Industries, c.1982. Fully automatic and hydraulic press, ideal for one-person use. Bales can be pressed and weighed with one operation.STEVLYONlyco industries, wool press -
Ballarat Heritage Services
Photograph - Colour, Cutty Sark exhibition, Greenwich, England, showing wool bales from Australia, 2016, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.cutty sark, exhibition, wool, australia, china, sailing, woodget, moodie, london, willis, dumbarton, scott & linton, william denny, tea, cargo, immigration, trade -
Ballarat Heritage Services
Photograph - Colour, Cutty Sark exhibition, Greenwich, England, showing wool bales from Australia, 2016, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.cutty sark, exhibition, wool, australia, china, sailing, woodget, moodie, london, willis, dumbarton, scott & linton, william denny, tea, cargo, immigration, trade -
Ballarat Heritage Services
Photograph - Colour, Cutty Sark exhibition, Greenwich, England, showing wool bales from Australia, 2016, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.cutty sark, exhibition, wool, australia, china, sailing, woodget, moodie, london, willis, dumbarton, scott & linton, william denny, tea, cargo, immigration, trade -
Ballarat Heritage Services
Photograph - Colour, Cutty Sark exhibition, Greenwich, England, showing wool bales from Australia, looking through to lower deck, 2016, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.cutty sark, exhibition, wool, australia, china, sailing, woodget, moodie, london, willis, dumbarton, scott & linton, william denny, tea, cargo, immigration, trade -
Ballarat Heritage Services
Photograph - Colour, Cutty Sark vessel and exhibition, Greenwich, England, wool bales from Australia, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.cutty sark, exhibition, wool, australia, china, sailing, woodget, moodie, london, willis, dumbarton, scott & linton, william denny, tea, cargo, immigration, trade