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Victorian Aboriginal Corporation for Languages
Book, John Morieson, The night sky of the Boorong
Based on historical notes of a variety of people, it explains the Night Skies of the Lake Tyrell area of Victoria and the mythology of the people regarding the legends of the skies.Maps, b&w illustrations, b&w photographsboorong, astronomy, ecological zodiac, william stanbridge, lake tyrell -
Victorian Aboriginal Corporation for Languages
Book, Deborah Hartman, Aboriginal languages in education, 1994
Aboriginal and Torres Strait Islander languages have been ignored or suppressed in the education system for generations. Recently this has changed and Aboriginal languages are now being taught at various levels in many places. This book aims to promote discussion and sharing of ideas between existing programs.b&w photographs, tableseducation, bilingual, study and teaching -
University of Melbourne, Burnley Campus Archives
Book, D.C. Macreight, Manual of British Botany, 1837
Olive Mellor (nee Holttum) graduated 1911 and was staff between 1914-1920, which she donated her collection of books to the Library.olive mellor (nee holttum), staff, female students -
Lakes Entrance Historical Society
Book, Adams John D, Making Good Again The Government Heritage Restoration Program, 2004
A guide to indexing objects books photographs in collections held by historical societies and similar institutionsreference material -
Box Hill Historical Society
Book, Green, Robert, The First Electric Road - A History of the Box Hill and Doncaster Tramway
This book gives a brief description of tramways around the world before focussing on Box Hill-Doncaster's very own. The tramway - the first electric one in the Southern Hemisphere - operated from 1889-1896. It ran from Whitehorse Road along Station Street north to Doncaster Road Intersection. Photos. Index.arnot> arthur, draper> thomas, laurie> david, meader> william, masters> william, serpell> richard, glassford> matthew, aspinall> joseph w., cockcroft> george, collier> samuel, ellingworth> william, inglis> john, mcmurdie> f.a., padgham> silas, rawlings> alfred, serpell> alfred, wright> george, wright> james, wright> john, wright> william edward, lauer> a.c.h., transport, tram services, station street, box hill, elgar road, doncaster, doncaster road, box hill and doncaster tramway company -
Clunes Museum
Document - REPORT, JOHN FERRIS, 10TH MARCH, 1854
REPORT FROM THE LEGISLATIVE COUNCIL ON THE CLAIMS FOR THE DISCOVERY OF GOLD IN VICTORIAlocal history, document, report, mining, discovery of gold -
Castlemaine Art Museum
Painting, John Mather, Towards Mt.Macedon, 1886
Gift of Mrs Beth Sinclair, 2007 -
Castlemaine Art Museum
Painting, John Longstaff, Portrait of Topsy Longstaff
Gift of Fairlie Szazinski -
Castlemaine Art Museum
Painting, John Paterson, Fernshaw, 1896
Gift of J.T. Tweddle, 1935 -
Castlemaine Art Museum
Painting, John Longstaff, Moonlight after Rain, Belle-Ile, 1890
Purchased 1940 -
Castlemaine Art Museum
Painting, John Longstaff, Cabbage Plot, Belle-Ile, 1890
Gift of Mrs Brent Clark, 1942 in memory of her son Sgt. G.H.B. Clark -
Castlemaine Art Museum
Painting, John Russell, Tail-End of a Great South Westerley Storm, 1902
Purchased, 1969 -
Clunes Museum
Domestic object - TOOTHPASTE CONTAINER, C1880
.1 WHITE PORCELAIN CONTAINER .2 LID.1 Sticker 126 .2 Cherry Tooth Paste ~ For beautifying & preserving the Teeth and Gums. Patronized by the Queen local history, toilet requisites, teeth, personal effects -
Clunes Museum
Document - PLAN, JOHN RUTHERFORD, CLUNES KNITTING AND MANUFACTURING COMPANY
PLAN & GENERAL ARRANGEMENT FOR THE CLUNES KNITTING AND MANUFACTURING CO. LTD. local history, documnts, plans, knitting mill interknit hosiey co. -
Wangaratta Art Gallery
Textile, John Parkes, Conflagration, 2017
John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes -
Wangaratta Art Gallery
Painting, John Colin Angus, Borough Offices, 1962
Rural City of Wangaratta Collection. Gift of Cr. D.M. Whittaker.A rectangular landscape of the old Borough Offices of Wangaratta painted in oil in shades of green, white, grey, red, yellow, and orange.Obverse: J. Colin Angus/ 1962/ (bottom right corner)wangaratta art gallery, landscape, j colin angus, john colin angus -
Wangaratta Art Gallery
Painting, John Colin Angus, Dusk in the Bush, 1988
Rural Council of Wangaratta Collection - Gift of the artist 1989A bush landscape painted in oil using shades of brown, blue, yellow, and green.Obverse: J. Colin Angus/ 88/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape -
Wangaratta Art Gallery
Painting, John Colin Angus, North East Pastoral, 1984
Rural City of Wangaratta CollectionA pastoral landscape painting in oil using a tonal colour palette of greens, blues, browns and yellows.J. Colin Angus/ 84/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape, pastoral -
Wangaratta Art Gallery
Painting, John Colin Angus, Ratray's Store and Punt - Crossing the Ovens - 1839, 1963
Rural City of Wangaratta CollectionA landscape of a river crossing painted in oil using shades of green, brown, blue, and white.J. Colin Angus/ (bottom right corner)wangaratta art gallery, j colin angus, john colin angus, landscape painting -
Wangaratta Art Gallery
Painting, John Colin Angus, North East Valley, c. 1969
Rural City of Wangaratta Council Collection. Purchased with funds from Wangaratta Arts Council.A landscape oil painting of a lush and rocky valley painted in shades of green, blue, and brown.wangaratta art gallery, john colin angus, j colin angus, landscape, painting, north east victoria -
Swan Hill Regional Art Gallery
Painting, SMITH, Eric John, Endangered image, 1989
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Swan Hill Regional Art Gallery
Print, THORPE, Hal (John Hall), A summer bunch, 1924
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Swan Hill Regional Art Gallery
Print, ROBINSON, John, Crossing, 1988
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Nillumbik Shire Council
Painting: John ALEXOPOLOUS, John Alexopolous, Bird in Landscape, c.2005
Painting: acrylic on paper. Image depicts a bird in landscape in bright, vibrant colours. -
Nillumbik Shire Council
Mixed Media (installation): John R. NEESON (b.1956 AUS), John R Neeson, Riverbend Project, 2015
John R Neeson was a Laughing Waters Artist in Residence in 2015. During his residency Neeson made site specific trompe-l’oeil paintings and time based videos that referenced the changes of light upon the Knox architecture and the environment of Laughing Waters.Wooden easel holding an oil on board painting of the Yarra River and surrounding landscape at Laughing Waters (detailed view). Behind the painting and easel is a digital photograph of the painting and easel in situ in the landscape. The photograph is printed on aluminium. No inscriptions and markingsekphrasis 2016, neeson, easel, oil painting, yarra river, digital photograph, landscape, in situ, site specific, riverbend -
Nillumbik Shire Council
Painting, John NIXON, Eltham, 2014
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Swan Hill Regional Art Gallery
Painting, BORRACK, John, Murray near Renmark, 1987
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Swan Hill Regional Art Gallery
Book, BRACK John, Nudes, 2010
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Swan Hill Regional Art Gallery
Print, BRACK John, Fourth Daughter, 1954
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Swan Hill Regional Art Gallery
Mixed media, DAVIS, John, Untitled (fish from nomad series 1-50, #59 and unmarked), unknown