Showing 21454 items
matching hand-knit
-
NMIT (Northern Melbourne Institute of TAFE)
Minutes - CTS, Minutes of Boot and Shoe Advisory Committee, Collingwood Technical School. 1930-1953, 1930-1953
This Advisory Committee deals with all aspects of training students and apprentices to work in the Boot Trade.Minutes dealing with all aspects of the boot and shoe industry.Hard cover ring binder covered in grey fabric. Includes both hand written and typed minutes.On spine of folder: "Boot + / Shoe / Adv.Comm / Minutes"collingwood technical school, cts, boot trade, shoe trade, boot and shoe advisory committee, nmit, -
Bendigo Historical Society Inc.
Map - TARNAGULLA SHEET 3, No date Visible
Map: Tarnagulla Sheet 3, hand written on the side of the map. ( number 152 in Map Cupboard 1)map, parish plan, tarnagulla -
Bendigo Historical Society Inc.
Map - PARISHES OF WARRAGAMBA AND MINTO, No date visible
Map: Parishes of Warragamba and Minto,Hand draughted parish plan. (number 290 in map cupboard 1)map, parish plan, warragamba, minto -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Blunt hook and crochet
Most likely collected and donated by Dr Frank Forster. Labelled Standard blunt hook and crochet- viewed by Bryan Hibbard.Blunt hook and crochet, with central hand grip of mahogany wood inlaid on either side. Unknown manufacturer.obstetric delivery, blunt hook, destructive instrument -
Bendigo Historical Society Inc.
Document - OUR STREET NAMES
Hand written notes on the origin of Bendigo's street names. Notes written and signed by W C Harry.document, our street names, napoleon 3rd, vice admiral dundas, admiral francois hamelin, george charles 2nd duke of cambridge, rear admiral sir edward lyons, lord raglan, george charles bingham 3rd lord lucan, captain lewis edward nolan, supreme court building, sir henry havelock, colonel baden-powell, high school, redvers buller, sir robert peel, lord palmerston, lord john russell, william ewart gladstone, william morris hughes, president woodrow wilson, sir robert gordon menzies, john curtain, churchill, sir earl page, benjamin chifley, tom flood, gas works, don mine, w c harry -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Wooden Box
Ornate Wooden Box. Felt lined base with loose drawer made of same wood. (Hand Crafted)box -
National Vietnam Veterans Museum (NVVM)
Photograph, USN Swift boats with Audio, CDT-3 members aboard operate in the Mekong Delta
B/w photograph. One soldier in the front boat with his hands on a gun & another boat in the rear.united states swift boats -
National Vietnam Veterans Museum (NVVM)
Document - Letter
A copy of a section of a letter hand written by Errol Noack. the letter is signed of "lot's of love Erroll xxxxxletter, pte errol wayne noack, 5 rar -
National Vietnam Veterans Museum (NVVM)
Photograph - Black and white photograph
Matt Flinders and the ABC Showband entertaining troops in Vietnam Christmas 1970. flinders was a popular singer and TV presenter who in the late 1960s-early 70s in Australia. Photo of a male singer on stage with another male standing in the background. The singer has a hand held microphone.ABC Showband Xmas 1970. Matt Flinders on vocals, Brian May in the background.vietnam, matt flinders, abc showband, brian may, entertaining -
Puffing Billy Railway
Smiths Setric Electric Clock, circa 1937
Electric Clock - Smiths Setric Clock From 1937 the trademark "Sectric" appears on their synchronous models.Usually on the dial but sometimes also on the back cover. Early clocks had a prominent "T" in sectric. Smiths English Clocks 1931 Smiths, then called S. Smith and Sons (Motor Accessories) Ltd, entered the domestic clock market and formed a new company, Smiths English Clocks Ltd, as the Clock and Watch division with Cricklewood as the main factory. Smiths were one of the first companies to produce synchronous electric clocks. These were put on the market towards the end of 1931. Smiths formed a subsidiary company called Synchronous Electric Clocks to produce these clocks as the first models carry this name. 1932 Smiths purchased English Clock and Watch Manufacturers of Coventry, and acquired the trade names Astral and Empire. 1934 Smiths produced a synchronous alarm clock which they named the Callboy. 1934 They bought the Enfield Clock Co. The Smith's 8 day Calotte clock made its debut at the British Industries Fair in 1934. Prior to this date calottes had been exclusively of foreign manufacture. Also that year, Smiths introduced the Batriclock which was intended for areas where the synchronous clock could not be used. 1935 They introduced the Synfinity, which Smiths described as "the clock that never stops". They said it was "the remarkable combination of a synchronous electric movement with the essential elements of a fine precision lever escapement". If the electric supply failed the clock would run for up to six hours and rewind when the power returned. Apparently the synchronous motor also corrected the mechanical time train at intervals. Smiths produced a synchronous electric chiming clock. 1937 The trade name Sectric appears on Smiths electric clocks. Also the introduction by Smith's of a calotte clock with an alarm movement.Historic - Smiths English Setric Electric Clock Electric Clock - Smiths Setric Clock It is round with the numbers one to twelve, three hands with a white face. Smiths Sectricpuffing billy, clock, time, smiths sectric -
Wangaratta RSL Sub Branch
Newspaper Cutting, Making it hot for the Japs - and the mosquitoes!
Newspaper article reads - "Flamethrowers have a dual purpose for men of the AIF New Guinea - Above - an infantryman is burning out a Jap bunker during a successful attack on Mt Shiburangu in the Wewak area while At right - Pte T Nicholls of Bairnsdale (Vic) is shown using a flamethrower on mosquito-infested vegetation in the Maprik area. - Australian Official" Private T (Thomas) Nicholls of Bairnsdale - VX 80709 2/6 Aust Infantry Battalion Born 22/3/1923 Died 7/7/1945 buried at Lae Cemetery PNGCut out newspaper article containing two photographs with short story bottom left hand corner.Making it hot for the Japs - and the mosquitoes!flamethrower, new guinea, ww2, thomas nicholls, 2/6 aust. infantry battalion, lae -
Tatura Irrigation & Wartime Camps Museum
Functional object - Handkerchief, 1940's
Square white linen handkerchief with "S" inside an oval shape design, hand worked in one corner.as abovecamp 3 hand crafts, handkerchief, dr silke hesse, beinssen family -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sisters Quarters Garden, Original 1942, copy 1989
WW2 Internment Camp hospital nursing staff garden at sisters quarters, Tatura Hospital Camp 1, May 1943 (Army huts). Foam backed copy in folder.Black and white photograph of the gardens in front of a hut in L shape. Dark door on left hand side.camp hospitals, camp 1, internment camps, tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1989
Early stage of Camp 13.B & W. Pre fabricated huts. Two in foreground under construction. Tents in right hand foreground.camp 13, murchison victoria, internment camps -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1989 copy
Copy of original black and white photograph early stage of Camp 13.Copy of black and white photograph. Race between compounds. Huts in right hand corner of picture and in background.camp 13, murchison victoria, internment camps, internment camp buildings, rod thompson -
Tatura Irrigation & Wartime Camps Museum
Invitation, Tatura the heart of the Goulburn Valley, 1944
Invitation to Hon. J. H. Lienhop MLC to open the Industry of Haworth, Thomas and James Woollen textile Centre in Tatura Manufacturing Co. 18 November 1944. Included list of names and photo copies of all.Cream card title on front, map of Victoria. Tatura shown on back and hand written signatures surrounding it. j. h. lienhop, haworth, thomas and james woollen textile centre -
Tatura Irrigation & Wartime Camps Museum
Rolling Pin, 1940's
Made in camp 3 for Gerda KazenwadelHand made wooden rolling pin. Wooden handle either end attached to central pivotal shaft.gerda kazenwadel, camp 3 wood work, rolling pin -
Tatura Irrigation & Wartime Camps Museum
Photograph
Camp internee family.7 colour photographs of hand held puppets on the bottom of the display board on which the Kuebler family are featured.camp 3, kuebler family, hand puppets -
Tatura Irrigation & Wartime Camps Museum
Toy - Spinning top, 1940's
Made by internee and used by children at Camp 3Wooden hand turned spinning top. Convex shape oon the top. 7 ridges around the centrespinning top, wied l, camp 3, tatura, ww2, toys, general -
Tatura Irrigation & Wartime Camps Museum
Wooden Pencil Case
Donor was former child internee at Camp 3 (father Friedrich "Fritz" Gottlieb Kubler).Hand made wooden pencil case. Lid slides on & off. Large main compartment & smaller compartment.A stylised 'K', painted white, and a flower (orange petals, green leaves), both engraved on lid.tatura, camp 3, handcrafts, woodwork, school, equipment -
Tatura Irrigation & Wartime Camps Museum
Book - handcraft, Zweiter Band, Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle, 1937
Appears to be a book of patterns for hand crafts using wool. Written totally in German. Yellow hard cover.Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle A Stamp - N. Arnot POG 573 Jerusalem - Palestinebook, handcraft, camp 3, internee, wool craft -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3 Barracks
Depicts the layout and size of the barracks at Camp 3.Black and white photograph with tree in left hand side, a row of barracks and two trees to the right of picture. camp 3 barracks -
Tatura Irrigation & Wartime Camps Museum
Photograph, Teaching Staff Camp 3
Group of teaching staff interned from Palestine and New Guinea. 2 bigger prints included in file.Sepia photograph of a group of man and women and one child (right hand side) standing outside a hut.camp 3 teaching staff, palestine teachers, new guinea teachers, palestine internees, new guinea internees -
Tatura Irrigation & Wartime Camps Museum
Document, History of Tatura Hot Bread
2 pages tell the history of Tatura Hot Bread, formerly Gibbs Bakery. The other sheet lists the previous owners of the shop.2 typed pages in a plastic sleeve; 1 hand written page of list of previous owners of the shop.History of Tatura Hot Breadtatura hot bread, gibbs bakery, jack gibb, bernard gibb, glenda alexander, jeff alexander, glenn alexander, george wells, sopha wells, olivia wells -
Anglesea and District Historical Society
Handkerchief
Fine white linen ladies handkerchief with embroidery in corner. 15mm hand stiched border on all sides.Nil.handkerchief -
Hume City Civic Collection
Photograph, c 1916
A mounted b/w photograph of soldier E. Cousins, standing at ease with riding crop in his hands.Printed on front: Melba and Co. Melbourne Typewritten on white paper: E. Cousins Handwritten on back: Mrs Cunningham, Sunbury P.O. Victoria E. Cousins.melba and company, photographers, cousins, e., cunningham, - (mrs), sunbury, soldiers, george evans collection -
Hume City Civic Collection
Photograph, c 1916
c1914-1915 LighthorsemenA sepia postcard full portrait of soldier Alex Murphy, standing at ease with his hands at his side.Handwritten on front: YOURS SINCERLY ALEX Typewritten on front: ALEX MURPHY Handwritten on back: Mrs J. Murphymurphy, j. (mrs), alex, soldiers, armed forces, uniforms, clothing and dress, george evans collection -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1940
Small Supper Cloth with Lace Edging –Hand Oil Painted flowers and Butterflies. Mrs Liz Driscollstawell clothing material -
Wangaratta Art Gallery
Textile, Tim Gresham, Resonance in Ochre, 2012
Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure