This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for womens jumpers and cardigans.Think / warm thoughts / in Totem / Patons / Ladies' Totem, / Double Knit, Baroness, / Sea Urchin / Book 964 / 40cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains ten knitting patterns for womens garments.PATONS / Book 468 / TOTEM / Ten Knitting Designs for Ladies / Recommended Price 85cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Lincoln Mills in Coburg and contains knitting patterns for womens garments.HANDKNITS / for / Special Fittings / LINCOLN / MODEL No L1113 / 6D / BOOK No 676knitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Lincoln Mills, Coburg and contains knitting patterns for womens garments.LINCOLN / BOOK No 675 / MODEL No L 1159 / STYLES FOR / OUT OF DOORS / 6Dknitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Lincoln Mill, Coburg and contains knitting patterns for womens garments.Lincoln / BOOK 734 / 1'3knitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Paragon and contains knitting patterns for clothes for babies and young children.PARAGON BABY BOOK / 6 MONTHS TO 2 YEARS / No. 2 / 1'3knitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Sirdar (Australia) and contains knitting patterns for womens evening clothes.SIRDAR / AFTER SIX / 9937 / 40cknitting handicrafts - history, sirdar wools (australia) pty limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by Lux and contains knitting patterns for mens, womens and childrens garments.The Lux Book / 1951 / NEW / KNITTING DESIGNS / ... at a special price / with 2 packets of / LUXknitting handicrafts - history, lux, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Styleknit in c.1947 and contains knitting patterns for womens garments.Series 47-2 / STYLEKNIT / Price: Sixpence / 7 Garments Knitted in Wool or Cottonknitting handicrafts - history, styleknit, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by American Vogue in 1955 and contains knitting patterns for womens garments.VOGUE KNITTING / BOOK / Fall and Winter 1955 / Over 60 / New Designs / Introducing a new / Easy-to-Knit / Section / 50 Centsknitting fashion, vogue - america, knitting, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE / KNITTING / No 67 / VOGUE'S / GUIDE TO / WHAT COUNTS / NOW / OVER 25 / GREAT NEW / DESIGNS / TO KNIT / TO CROCHET / 2'6knitting crochet fashion, vogue - english, knitting, crochet, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. 68 / 27 / GREAT NEW LOOKS / TO KNIT AND CROCHET / FOR SPRING AND SUMMER / 2'6knitting crochet fashion, vogue - english, knitting, crochet, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE / KNITTING / NEW ISSUE No. 1 / 3/- / 28 / NEW / DESIGNS / INCLUDING / 4 / SUPER / SHETLANDS / 3 / SPRING / DRESSES / 5 / SUMMER / EVENING / LOOKS / 11 / SUITS & / SWEATERSknitting crochet fashion, vogue - english, knitting, crochet, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. THREE / 3/- / THE KNITTED / LIFE IN / AUTUMN / FASHION / DRESSES WITH EASE / AND ELEGANCE / FOR ALL AGES / SIMPLE LINES IN / TOWN AND / COUNTRY / SWEATERS / COAT-DRESSES / AND COATSknitting crochet fashion, vogue - english, knitting, crochet, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / SPRING/SUMMER 1968 No. 4. / 3/- / LOOK / PRETTY / IN SPRING / KNITTING / 4 PATTERNS / EASY FOR / BEGINNERS / NEW / LINES IN / SEPARATES / SPECIAL / SPEED / KNITTING / FEATUREknitting crochet fashion, vogue - english, knitting, crochet, fashion

Donated by Margaret Mayer, a friend of Mrs Browne who made childrens wear for Georges of Collins Street Melbourne. Dress made for donors grand daughter but has not been worn.Blue floral child's dress, smocked to the waist. Peter Pan collar embroidered along a scalloped edge. Extra label (Georges) stitched onto dress by catalogue number.Georges of Melbournecostume, children's

Originally in the Public Library of Victoria 1906. Collection of Margaret Scarlett. Used by her mother at Flower Farm Ely Road South Box Hill and 31 Drummond Street Blackburn.Dark green binding with black binding on back of book and each corner of book. Old stickers from Public Library Classification plus label in back of book for borrowers.Public Lending Library 1906 of Victoriabooks, medical

Grade 1 class, Shakespeare Grove, 1969. The newly erected Samuel and Margaret Wynn House can be seen in the background. Please contact [email protected] to request access to this record.1960s, class photograph

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 HEPBURN ST, HAWTHORN Marg Picken [note: 'SOLD' top left corner]artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.5 HILDA CRES, HAWTHORN Marg Picken ~87 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.41 HILL ST, HAWTHORN Marg Picken ~89 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.87 PLEASANT RD, HAWTHORN Eartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.94 PLEASANT RD, HAW E Marg Picken `88 WOODARDS - C'WELLartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.76 POWER ST, HAWTHORN Marg Picken `87 WOODARDS - C'WELLartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2/82 POWER ST, HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.171 POWER ST, HAWMargaret Picken `96 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.3 RATHMINES GVE HAW Picken ©2003 HAM KERR & COartist - margaret picken 1950-